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Queens Team and 2121 originated time-travellers

Reginald / Maurana Banana
Cedric / Consuela Winnie
Amar / Terry Bubble
Sadie Merrie
Linda Paul

Supporting team

Pseu, Maria del Mar, Janice (from the City, around 2257)
Sanso (from other dimension, multi-dimensional travel contractor)
Frindle, Trumble, Jingle (fuck knows who they are)
the Hawai’i techromancer

Management team (around 2222 and later)

Irina, mermaid Russian spy and parrot whisperer

Jonbert, the orchestrator of the time-travelling arcs, wanting to retrieve key information from St Germain which were collected in 1757. En route back to 2222 to intercept the whales’ crystal with help from Linda Paul’s team, and his luxury submarine

1757 King’s Versailles

The Queen
Madame de Pompadour
her maid Nicole du Hausset, coming from a line of time-smugglers
Mr Aliette the wigmaker and finger reader
Count de St Germain
Giacomo Casanova (pseudonyms Monsieur de St Galle / Jacques de Seingalt)
Father Balbi, Casanova’s travelling companion
Theater du Soleil actors (Lison Tailleur, Jean Pastisse, Geoffroy du Limon, Francette Fine)
Robert-Francois Damiens, the assassim
Jean-Pierre Duroy, the Grand Intendant, his wife the Pastry Chef Annie
Cook and Helper
ghost of Marguerite Isabeau

The 1757 originated time-travellers

Mirabelle the oldest and bossiest, Adeline the youngest (thief of the first ferret) and Fanetta, the French maids
Igor Popinkin, Boris and Ivan the Russian con-artists and saboteurs hidden with the Russian Ballet troupe visiting Versailles
Huhu the parrot
The Whale ghost, the ghost ship (died/sunk around 1600s) and time-travelling fin whales of 2020s
Belen, the whale
Santa Rosa, the galleon
the ghost obese gardener-captain Peter Pugh Petit Pois, from Peasland

The Spanish farm and fat mermaid dolphins

Lisa, Jack
Pierre and Etienne
The Italian cruise ship
pink Amazonian dolphins

“What? You think I’m shallow? That I spend too much time on my appearance?”
Terry Bubble paused a bit then said “Well, maybe a bit, of course yes! I guess that’s what being a drag queen means. You take care of yourself. You enjoy playing with your appearance. You can’t be amateurish about it, it’s about creating an illusion, it’s about making people believe for a moment,…” then he added pensively “and maybe yourself a little”.

“If you ask me, big beautiful chocolate Maurana Banana, what others think about you is none of your damn nosy business.”

The three of them crammed at the back of a tiny flying tuk-tuk with their glowing perspiration under the sunscreen and layers of makeup, attempting to keep the appearances up for as long as they could was extremely entertaining.

“Get ready! We arrive at the drop-off in a minute!” Sadie shouted. At the front of the hovercraft, she was carefully guiding the driver through the jungle thanks to the energy map on the ezapper.

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

Jonbert had developed an interesting theory while doing his morning ablutions about time travel and catching butterflies. He had a gorgeous butterfly nursery inside the submarine, and got the strange idea that trying to fiddle with time was like catching a prized butterfly among lots of others looking alike.

His thoughts were interrupted when the horn signaled they had arrived in 2222 in one of the blind spots of the ocean’s depths close to the particular spot where… some interesting butterflies would be attracted.

The submarine was mostly entirely roboted. There was little for him to take care of, so instead of pacing around in his tartan kilts, he sat back in a comfortable 1980s garish sofa from his antique collections, and revisited his memories in his memory palace.

He had taken him great patience and cunningness to hatch the plan. Through many of his Time Tourist outlets and a few shell corporations, the last of one which was named Vague, he had manipulated events to design and hire the Drag Queen time contest. Drag queens wasn’t the original plan, more of an unexpected deviation, not that it really mattered. All he needed was just one mission. Then, he only had to make sure the contestant would be diverted to a carefully selected time zone, and given a key to smuggle.
The key wasn’t really important, what it collected along the way was.

For him to be able to breach the Time wall of 3333, he needed vast amounts of gold, and to his knowledge, it could only be accomplished through true transmutation.
Artificial gold, like artificial crystal wasn’t created as good as it gets in nature, and for some reason wouldn’t remain stable enough as the machines were propelled too far in time. Of course the irony of that was a conundrum in itself and wasn’t lost to him: after all, wasn’t transmutated gold just artificial too? After what centuries had managed to push as boundaries and envelopes, he wasn’t sure any longer what was artificial or natural. And it was his last ditch effort at living everlastingly.
He didn’t care if he could just chose another of these holobodies to project his thoughts into, he was old school, and stubborn to a fault. He had to see it through, even if, and especially if so many before him had failed.

The key was designed to capture a complete hologram of the person who seemed to have accomplished the transmutation recipe he desired: St Germain.

2222 had been hailed the pinnacle of human development (that is, until 3333 was at reach), which prompted a whole Time Tourism business during this year.
It required a lot of finicky logistics, as to ensure a stable sustaining of this particular year and avoid predatory behaviour which could potentially lead to the collapse of the future as it was known —a matter which in most cases wouldn’t be given two figs about, but which here, could have dramatic repercussions on the ITBC (International Time Bank Conundrum) itself.
As a matter of fact, it wasn’t before 2255 that Elbert Twostains elaborated the first working version of his Unified Theory of Time Puddles, hence ushering humanity into a bright future, and past, and present, where and when nothing would ever be the same again.
As such, there quickly was an embargo declared by the ITBC on any close relationship and ancestor, and connected people which could lead to a disruption of their juicy business.
Apart from these minor restrictions which were for the good people’s own good, a lot was actually possible and allowed. Some maverick travellers used to vocally resent and disapprove of those restriction, but mostly because they thought the theory would have been discovered anyway, Elbert or not, and secretly because they enjoyed beating the drums of the restrictions (which restrictions tended to get quite restricted themselves past 2222).

Jonbert Dirk had made a fortune as a Time Tourism moghul, or so the official story went. Truth be told, much of his fortune was amassed thanks to time smuggling and past treasures plundering and reselling on the black market of antiques. Let’s not be hasty to judge the old man though, It was a tricky business back then, to find the proper time to retrieve a given antique so that your precious item didn’t look like the cheap porcelain fresh out a sweatshop in Sina.

By 2233, he was a multi bullionaire (billionaire in gold bars, as gold was needed to time-travel, it was an even more precious commodity than before), and had outlets with his brand all over the places and times.
Like the rich men of the past who had themselves built splendid yachts big as cities, he was of more modest and practical tastes, but not insensitive to the display of power this offered. So he had himself built a spacious submarine richly decorated and equipped with the last generation of TTEs (Time Travelling Engine). Over time, he’d found the use of a submarine much easier to conceal during his time travels, and like a Captain Nemo of the future, enjoyed the luxury of whale watching and underwater symphonies while sipping his caipirinha in the pool of his submarine.

Few people knew how to contact him, so it was with some surprise that he’d received the request for genetically enhanced pacific frogs. Belligerent frogs were all the fad in last century, but this century had a soft spot for the smaller, and more resilient pacific singing frogs.
A man of his immense resources was definitely the way to go if you needed such rare and exotic species delivered to you in short notice.
He was in a good mood today, so he signaled the order to the central computer.
As the batch was dispatched, he smiled wryly, thinking he had waited for the inquirer to be indebted to him for quite some time. Shrinking old was a mean business, and he had not amassed enough gold to jump past 3333, where life everlasting was discovered. He was certain this curious and elusive fellow would be in position to help.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.