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  • #7704

    Darius: Christmas 2022

    Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

    It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

    The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

    His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

     

    By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

    Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

    “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

    Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

    “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

    Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

    The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

    Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

    Darius hesitated. “I haven’t seen him in months,” he said carefully.

    Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

    “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

    Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

    Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

    “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

    The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

    For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

    “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

    Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

    “Yes, I can.” Darius said simply, grabbing his bag.

    “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

    Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

    :fleuron:

    The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

    His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

    Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

    Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

    As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

    #7701
    F LoveF Love
    Participant

      Amei attached a card and ribbon to the last of the neatly wrapped gifts and placed it under the tree. This one was for Paul—a notebook with a cover of soft fabric she’d block-printed with delicate, overlapping circles in muted blues and greens. The fabric was left over from a set of cushions for a client, but she had spent hours crafting the notebook, knowing all the while Paul probably wouldn’t use it. He was impossible to buy for, preferring things he picked out himself. Tabitha had been far easier: Amei had secretly made a dress out of a soft, flowing fabric that Tabitha had fallen in love with the moment Amei showed it to her.

      The house felt calm for the moment. Tabitha had gone out earlier, calling over her shoulder that she’d be back in time for dinner. Amei smiled at the memory of her daughter’s laughter. Her excitement about Christmas was palpable, a bright contrast to the quietness that had settled over everything else. Amei used to feel like that about Christmas too. This year, though, she was only making the effort for Tabitha.

      Somewhere down the hallway, Paul’s voice murmured on a call—distant, like everything about him lately. The air smelled faintly of cinnamon and cloves from the mulled wine simmering on the stove, but even that warm, festive scent felt like it was trying too hard.

      The house felt big, despite the occasional bursts of life it saw on days like this. It had felt that way for months now, the weight of unspoken things pressing against the faded walls.

      She sighed and reached for the decoration box, pulling out a small clay angel with chipped wings. The sight of it made her pause. Lucien had given it to her years ago, one Christmas, and declared it “charmingly imperfect,” insisting it belonged at the top of her tree. She smiled faintly at the memory, turning it over in her hands. Every year since, it had held its place at the top of the tree.

      “Still not done?” Paul’s voice cut into her thoughts. She turned to see him standing in the doorway. At the sound of Paul’s voice, Briar, their elderly cat—or technically Paul’s cat—emerged from behind the curtain, her tail curling as she wove around his legs. Paul crouched slightly to scratch behind her ears, and Briar leaned into his touch, purring softly

      “She thinks it’s dinner time,” Amei said evenly.

      “You always go overboard with these things, Amei,” Paul said, straightening and nodding towards the gifts.

      “It’s Christmas,” she snapped, the irritation slipping through before she could stop it. She turned back to the tree, her fingers moving stiffly as she busied herself with strands of sparkly tinsel.

      Paul didn’t respond, but she could feel his gaze linger. It was the silence that had grown between them in recent months, filled with everything they couldn’t bring themselves to say…yet.

      The sound of the front door banging shut and brisk footsteps broke the tension. Tabitha burst past Paul into the room, her cheeks flushed from the cold. “Hey, Paul. Hey, Mumma Bear,” she said brightly. Her eyes lit up as they landed on the tree. “The tree looks gorgeous! Don’t you just love Christmas?”

      #7700
      TracyTracy
      Participant

        Elara — December 2021

        Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.

        It’s because I can’t go out and buy any, she told herself, I hate tinsel.

        It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.

        The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.

        The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.

        England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops,  populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens.  Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.

        When the lockdown happened,  instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.

        The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.

        Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone.  The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.

        If only I had some tinsel though.

        #7698
        Jib
        Participant

          December 2023

          Lights and Christmas decorations were starting to pop up everywhere, like frost and icicles after a frozen winter night. Lucien—no, Julien, as he had started calling himself a few years ago—enjoyed walking in the streets at the end of the day, when the balance between light and night shifted into the darkness. That was the time when decorations would start to come to life like a swarm of fireflies, flickering in time with the city’s heartbeat.

          It was Julien’s first time in Paris after Lucien’s three years of exile, far from all his concerns and the glacial grasp of the dark couple. Julien had enjoyed his time traveling the world, discovering Asia, South America and even certain parts of Africa he would never have imagined he would dare enter. Julien made friends along the way, always curious about their ways of living and the way they looked at the world. But always the voice of Lucien made him wary of staying too long. He had the impression it would increase the possibility of chance encounters with Darius. And he longed to reconnect with his friend and his former life, it would lead to awkward moments, and he would have to give some explanations. But he feared it would make him want to go back, with the risk of attracting unwanted attention. So Julien had to leave in order to be free. That was the price he was willing to pay.

          But in the end, it was the longing of French winter time that made him come back home.

          “Lucien! Is that you?”

          #7682

          Matteo — Autumn 2023

          The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

          His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

          “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

          His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

          Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

          A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

          Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

          “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

          The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

          He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

          Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

          He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

          Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

          Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

          Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

          “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

          #7675
          Yurara FamelikiYurara Fameliki
          Participant

            Glynis making potions (in Dragon Heartswood Fellowship story)

            [Scene opens in Glynis’s cozy alchemical nook, where sunlight filters through stained glass, casting a kaleidoscope of colors onto the wooden workbench.]

            Glynis, hair tied in a practical bun, hums a gentle melody, her hands deftly moving among jars of fragrant herbs and sparkling crystals. The air is rich with the scent of cinnamon and cardamom, mingling with the earthy aroma of freshly picked herbs.

            Among her collection of vials and beakers, a group of soft, furry baby Snoots frolics, their fur a dazzling array of colors—from vibrant blues to shimmering purples—each reflecting their unique magic-imbued personalities.

            One baby Snoot, with fur like a sunset, nudges a vial toward Glynis, its tiny paws leaving prints of glowing stardust. Glynis chuckles, accepting the offering with a warm smile. “Thank you, little one,” she whispers, adding a sprinkle of the sparkling dust to the simmering potion.

            The Snoots, enchanted by the alchemical ballet, gather around the cauldron, their eyes wide with wonder as the potion bubbles and swirls with hues to match their fur. Occasionally, a brave Snoot dips a curious paw into the brew, causing a cascade of giggles as their fur momentarily absorbs the potion’s glow.

            Glynis, her heart full with the joy of companionship, pauses to gently scratch behind the ears of a Snoot nestled by her elbow. “You’re all such wonderful helpers,” she murmurs, her voice a melody of gratitude.

            As the potion reaches its peak, the room is momentarily filled with a burst of iridescent light, a reflection of the harmonious magic that binds Glynis and her Snoot companions in their delightful symbiotic dance.

            #7669
            Yurara FamelikiYurara Fameliki
            Participant

              Quintessence – Looking for the 5th — A concept film trailer… 

              The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

              • Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
              • Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
              • Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
              • Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

              The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

              #7665
              IdleIdle
              Participant

                A link to another previous video I quite like.

                Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.

                 

                La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
                La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
                La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
                La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
                La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.

                :fleuron:

                [Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]

                Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”

                [Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]

                Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”

                [Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]

                Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”

                [Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]

                Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”

                [End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]

                Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”

                [The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]

                #7662

                The Waking 

                Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
                Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
                The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
                “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
                The Endless Chase
                Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
                The Wandering Maze
                Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
                The Woven Tapestry
                Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
                The Scattered Grains
                Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
                The Mandala of Light
                Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

                :fleuron2:

                Dreamtime

                It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

                The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

                The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

                I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

                The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

                I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

                I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

                #7659
                Jib
                Participant

                  March 2024

                  The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

                  He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

                  Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

                  As always, no hello, no question about his health or anything personal.

                  “I didn’t want it”, Lucien said, his voice calm only on the surface.

                  “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

                  “I already told you, it’s not what I want. I’ve made my decision.”

                  Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

                  Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

                  “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

                  Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

                  A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

                  “We’re never finished”, Lucien muttered as the line went dead.

                  Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

                  “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

                  The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

                  The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

                  The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

                  Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

                  He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

                  When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

                  The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

                  “What have we here?” He asked, his voice bordering on disdain.

                  Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

                  Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

                  The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

                  Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

                  “It’s personal”, he said, his voice low.

                  Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

                  Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

                  Lucien nodded towards the covered stack of canvases near the wall. “Done.”

                  “Good. They’ll come tomorrow and take the lot.”

                  Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

                  Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

                  He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

                  Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
                  He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

                  #7656

                  Matteo — December 1st 2023: the Advent Visit

                  (near Avignon, France)

                  The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

                  When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

                  His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

                  “Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

                  Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

                  Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

                  She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

                  “It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

                  Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

                  As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

                  Matteo’s chest tightened. “You’ve never told me much about him.”

                  “There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

                  Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

                  “Why didn’t you give it to me before?” he asked, his voice quiet.

                  “I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

                  Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

                  Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

                  “Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

                  Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

                  Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

                  “Do you remember our house in Crest?” she asked.

                  Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

                  Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

                  “It was a good idea,” Matteo said. “It just… didn’t happen.”

                  “No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

                  Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

                  Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

                  :fleuron2:

                  They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

                  When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

                  Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

                  Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

                  Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

                  “Patron saint of travellers”, that felt like a sign, if not a blessing.

                  #7653

                  Matteo — Winter 2023: The Move

                  The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

                  The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

                  The sound of the doorbell brought him back from his rêverie.

                  Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

                  :fleuron2:

                  Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

                  “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

                  “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

                  The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

                  Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

                  Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

                  :fleuron2:

                  As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

                  “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

                  “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

                  Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

                  “Special how?” her mother asked lightly.

                  “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

                  Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

                  “Why you want to keep those?” Amei asked, tilting her head.

                  Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

                  Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

                  :fleuron2:

                  The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

                  As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

                  “It’s different, isn’t it?” she said suddenly, not looking at him.

                  “Moving?” Matteo asked, unsure if the question was for him.

                  “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

                  Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

                  :fleuron2:

                  The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

                  By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

                  “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

                  Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

                  #7652

                  Darius: The Call Home

                  South of France: Early 2023

                  Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.

                  The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.

                  “Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.

                  The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.

                  “I’ve got some things in the works,” he’d say, avoiding their eyes.

                  But the truth was, he didn’t.

                  It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”

                  The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.

                   

                  When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.

                  “Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”

                  Arrival in Guadeloupe

                  The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.

                  “You look thin,” she said, her tone clipped. “Let’s get you fed.”

                  The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.

                  “You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”

                  He nodded, too tired to argue.

                  :fleuron2:

                  The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.

                  “Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”

                  Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.

                  Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.

                  A Turning Point

                  One morning, as the sun rose over the fields, his aunt handed him a machete.

                  “Today, you clear,” she said.

                  He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.

                  With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.

                  By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.

                  As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.

                  “You’re starting to see it, aren’t you?” she said.

                  “See what?”

                  “That life isn’t just what you chase. It’s what you build.”

                  :fleuron2:

                  Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.

                  One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.

                  The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.

                  The Bell

                  It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.

                  Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.

                  He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.

                  Darius nodded, unable to speak.

                  “Good,” she said. “It means you know the way back.”

                  :fleuron2:

                  By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”

                  For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.

                  The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.

                  #7651
                  Yurara FamelikiYurara Fameliki
                  Participant

                    Exploring further potential backstory for the characters – to be explored further…

                    :fleuron2:

                    This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

                    Backstory: The Co-Housing Dream

                    Habitat Participatif: A Shared Vision

                    The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

                    What Drew Them In:

                    • Amei: Longing for a sense of rootedness and community after years of drifting.
                    • Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
                    • Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
                    • Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

                    The Land in Drôme

                    They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

                    The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

                    The Role of Monsieur Renard

                    When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

                    Initial Promise:

                    • Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
                    • His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

                    The Split: Fractured Trust

                    Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

                    1. Darius’s Drift:
                      • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
                      • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
                    2. Elara’s Resistance:
                      • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
                      • “This isn’t about community for him,” she had said. “It’s about control.”
                    3. Lucien’s Hesitation:
                      • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
                      • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
                    4. Amei’s Silence:
                      • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

                    Matteo’s Unseen Role

                    Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

                    The Missed Connection:

                    • Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
                    • By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

                    The Fallout: A Fractured Dream

                    The group dissolved after a final argument about Renard’s involvement:

                    • Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
                    • Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
                    • Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
                    • Amei, already pulling away, suggested they put the project on hold.

                    The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

                    Amei’s Perspective: Post-Split Reflection

                    In the scene where Amei buys candles :

                    • The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
                    • Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

                    Reunion at the Café: A New Beginning

                    When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

                    Matteo’s Role:

                    • His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
                    #7650
                    Yurara FamelikiYurara Fameliki
                    Participant

                      Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                      :fleuron2:

                      Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                      The Strange Couple: Éloïse and Monsieur Renard

                      Winter 2019: Paris, Just Before the Pandemic

                      The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                      It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                      First Impressions of Éloïse and Monsieur Renard

                      Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                      “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                      But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                      Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                      Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                      Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                      Darius’s Growing Involvement

                      Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                      “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                      “Connections to what?” she asked, her tone sharper than she intended.

                      “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                      Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                      The Séance

                      The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                      Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                      The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                      Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                      “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                      The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                      And then, the bell rang.

                      It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                      “What the hell is that?” Lucien muttered, his eyes snapping open.

                      Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                      Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                      Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                      The Fallout

                      The séance fractured the group.

                      • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                      • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                      • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                      • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                      Lingering Questions

                      1. What Happened to Darius with Éloïse and Renard?
                        • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                      2. The Bell’s Role:
                        • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                      3. Lucien’s Entanglement:
                        • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                      4. Éloïse and Renard’s Motives:
                        • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                      Impact on the Reunion

                      • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                      • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                      #7649
                      F LoveF Love
                      Participant

                        The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.

                        The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”

                        “Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.

                        A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.

                        “These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”

                        Amei nodded politely. “They do,” she said.

                        He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”

                        “They’re just for light on this occasion,” she said, her tone sharper than she intended.

                        “Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”

                        Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”

                        The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”

                        Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”

                        The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.

                        #7648
                        Jib
                        Participant

                          Spring 2024

                          Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

                          On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

                          Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

                          The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

                          The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

                          Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

                          Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

                          Matteo tilted his head, intrigued. “You mean you’ve drifted?”

                          Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

                          Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

                          Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

                          Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

                          Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

                          “Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

                          Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

                          “Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

                          Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

                          For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

                          #7647

                          Darius: A Map of People

                          June 2023 – Capesterre-Belle-Eau, Guadeloupe

                          The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

                          It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

                          Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

                          “Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

                          It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

                          Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

                          Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

                          “Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

                          He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

                          But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

                          A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

                          He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

                          Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

                          Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

                          Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

                          Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

                          When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

                          But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

                          Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

                          One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

                          “Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

                          He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

                          The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

                          “Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

                          “Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

                          She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

                          Darius accepted it with a quiet laugh. “Merci, tatie.”

                          As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

                          The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

                          “Nice scarf,” Darius said casually as he passed.

                          The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

                          Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

                          Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

                          The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

                          A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

                          He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

                          “Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

                          He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

                          As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

                          #7644

                          From Decay to Birth: a Map of Paths and Connections

                          7. Darius’s Encounter (November 2024)

                          Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

                          He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

                          When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

                           

                          6. Matteo’s Discovery (near Avignon, Spring 2024)

                          The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

                          His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

                          Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

                          Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

                          “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

                          Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

                          The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

                           

                          5. From Hand to Hand (1995–2024)

                          By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

                          2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

                          2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

                          1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

                          The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

                           

                          4. The Artist (1995)

                          The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

                          “I don’t map what is,” she once told a curious buyer. “I map what could be.”

                          In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

                           

                          3. The Ink (1990s)

                          The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

                          From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

                           

                          2. The Paper (1980)

                          The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

                          By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

                          The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

                          This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

                           

                          1. The Seed (1950s)

                          It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

                          “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

                          Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

                          #7642
                          TracyTracy
                          Participant

                            It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

                            When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

                            Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

                            Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

                            It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

                            When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

                            Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

                            “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

                            “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

                            “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

                            Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

                            “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

                            “Once a lecturer, always a lecturer, eh?” Florian teased.

                            “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

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