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Amy wondered afterwards if she should have said “Why is it always my fault” and hoped nobody would think el gran apagón was her fault too.  Another one of the issues with typecasting too soon.

The rumours and hoaxes were rife even before the electricity came back on.  The crisis of the lack of coffee beans was coming to a head: morning riots were breaking out in the places most affected by the shortage. As soon as the blackouts started, improvised statistics and numbers were cobbled together into snappy psychological colour combination images and plastered everywhere suggesting that the lack of electricity was saving an incomprehensible number of cups of coffee per day, but without causing any coffee related social disorder events.

Amy had heard that el gran apagón was foretold to occur when the pope died, that it was extraterrestrials, that it was el naranjo and his sidekick effin muck, and all manner of things, but the concerns with the coffee shortage happening at the same time as the blackouts were manifold.

The population was looking for scapegoats. Oh dear god, what did I say that for.

It was still raining the morning after the impromptu postcard party at the Golden Trowel in the Hungarian village, and for most of the morning nobody was awake to notice.  Molly had spent a sleepless night and was the only one awake listening to the pounding rain. Untroubled by the idea of lack of sleep, her confidence bolstered by the new company and not being solely responsible for the child,  Molly luxuriated in the leisure to indulge a mental re run of the previous evening.

Finjas bombshell revelation after the postcard game suddenly changed everything.  It was not what Molly had expected to hear. In their advanced state of inebriation by that time it was impossible for anyone to consider the ramifications in any sensible manner.   A wild and raucous exuberance ensued of the kind that was all but forgotten to all of them, and unknown to Tundra.   It was a joy that brought tears to Mollys eyes to see the wonderful time the child was having.

Molly didn’t want to think about it yet. She wasn’t so sure she wanted to have anything to do with it, the ship coming back.  Communication with it, yes. The ship coming back? There was so much to consider, so many ways of looking at it. And there was Tundra to think about, she was so innocent of so many things. Was it better that way?  Molly wasn’t going to think about that yet.  She wanted to make sure she remembered all the postcard stories.

There is no rush.

The postcard Finja had chosen hadn’t struck Molly as the most interesting, not at the time, but later she wondered if there was any connection with her later role as centre stage overly dramatic prophet. What an extraordinary scene that was! The unexpected party was quite enough excitement without all that as well.

Finja’s card was addressed to Miss FP Finly, c/o The Flying Fish Inn somewhere in the outback of Australia, Molly couldn’t recall the name of the town.  The handwriting had been hard to decipher, but it appeared to be a message from “forever your obedient servant xxx” informing her of a Dustsceawung convention in Tasmania.  As nobody had any idea what a Dustsceawung conference was,  and Finja declined to elaborate with a story or anecdote, the attention moved on to the next card.   Molly remembered the time many years ago when everyone would have picked up their gadgets to  find out what it meant. As it was now, it remained an unimportant and trifling mystery, perhaps something to wonder about later.

Why did Finja choose that card, and then decline to explain why she chose it? Who was Finly? Why did The Flying Fish Inn seem vaguely familiar to Molly?

I’m sure I’ve seen a postcard from there before.  Maybe Ellis had one in his collection.

Yes, that must be it.

Mikhail’s story had been interesting. Molly was struggling to remember all the names. He’d mentioned his Uncle Grishenka, and a cousin Zhana, and a couple called Boris and Elvira with a mushroom farm. The best part was about the snow that the reindeer peed on. Molly had read about that many years ago, but was never entirely sure if it was true or not.  Mickhail assured them all that it was indeed true, and many a wild party they’d had in the cold dark winters, and proceeded to share numerous funny anecdotes.

“We all had such strange ideas about Russia back then,” Molly had said. Many of the others murmured agreement, but Jian, a man of few words, merely looked up, raised an eyebrow, and looked down at his postcard again.  “Russia was the big bad bogeyman for most of our lives. And in the end, we were our own worst enemies.”

“And by the time we realised, it was too late,” added Petro.

In an effort to revive the party spirit from the descent into depressing memories,  Tala suggested they move on to the next postcard, which was Vera’s.

“I know the Tower of London better than any of you would believe,” Vera announced with a smug grin. Mikhail rolled his eyes and downed a large swig of vodka. “My 12th great grandfather was  employed in the household of Thomas Cromwell himself.  He was the man in charge of postcards to the future.” She paused for greater effect.  In the absence of the excited interest she had expected, she continued.  “So you can see how exciting it is for me to have a postcard as a prompt.”  This further explanation was met with blank stares.  Recklessly, Vera added, “I bet you didn’t know that Thomas Cromwell was a time traveller, did you? Oh yes!” she continued, although nobody had responded, “He became involved with a coven of witches in Ireland. Would you believe it!”

“No,” said Mikhail. “I probably wouldn’t.”

“I believe you, Vera,” piped up Tundra, entranced, “Will you tell me all about that later?”

Tundra’s interjection gave Tala the excuse she needed to move on to the next postcard.  Mikhail and Vera has always been at loggerheads, and fueled with the unaccustomed alcohol, it was in danger of escalating quickly.  “Next postcard!” she announced.

Everyone started banging on the tables shouting, “Next postcard! Next postcard!”  Luka and Lev topped up everyone’s glasses.

Molly’s postcard was next.

Helix 25 – Murder Board – Evie’s apartment

The ship had gone mad.

Riven Holt stood in what should have been a secured crime scene, staring at the makeshift banner that had replaced his official security tape. “ENTER FREELY AND OF YOUR OWN WILL,” it read, in bold, uneven letters. The edges were charred. Someone had burned it, for reasons he would never understand.

Behind him, the faint sounds of mass lunacy echoed through the corridors. People chanting, people sobbing, someone loudly trying to bargain with gravity.

“Sir, the floors are not real! We’ve all been walking on a lie!” someone had screamed earlier, right before diving headfirst into a pile of chairs left there by someone trying to create a portal.

Riven did his best to ignore the chaos, gripping his tablet like it was the last anchor to reality. He had two dead bodies. He had one ship full of increasingly unhinged people. And he had forty hours without sleep. His brain felt like a dried-out husk, working purely on stubbornness and caffeine fumes.

Evie was crouched over Mandrake’s remains, muttering to herself as she sorted through digital records. TP stood nearby, his holographic form flickering as if he, too, were being affected by the ship’s collective insanity.

“Well,” TP mused, rubbing his nonexistent chin. “This is quite the predicament.”

Riven pinched the bridge of his nose. “TP, if you say anything remotely poetic about the human condition, I will unplug your entire database.”

TP looked delighted. “Ah, my dear lieutenant, a threat worthy of true desperation!”

Evie ignored them both, then suddenly stiffened. “Riven, I… you need to see this.”

He braced himself. “What now?”

She turned the screen toward him. Two names appeared side by side:

ETHAN MARLOWE

MANDRAKE

Both M.

The sound that came out of Riven was not quite a word. More like a dying engine trying to restart.

TP gasped dramatically. “My stars. The letter M! The implications are—”

“No.” Riven put up a hand, one tremor away from screaming. “We are NOT doing this. I am not letting my brain spiral into a letter-based conspiracy theory while people outside are rolling in protein paste and reciting odes to Jupiter’s moons.”

Evie, far too calm for his liking, just tapped the screen again. “It’s a pattern. We have to consider it.”

TP nodded sagely. “Indeed. The letter M—known throughout history as a mark of mystery, malice, and… wait, let me check… ah, macaroni.”

Riven was going to have an aneurysm.

Instead, he exhaled slowly, like a man trying to keep the last shreds of his soul from unraveling.

“That means the Lexicans are involved.”

Evie paled. “Oh no.”

TP beamed. “Oh yes!”

The Lexicans had been especially unpredictable lately. One had been caught trying to record the “song of the walls” because “they hum with forgotten words.” Another had attempted to marry the ship’s AI. A third had been detained for throwing their own clothing into the air vents because “the whispers demanded tribute.”

Riven leaned against the console, feeling his mind slipping. He needed a reality check. A hard, cold, undeniable fact.

Only one person could give him that.

“You know what? Fine,” he muttered. “Let’s just ask the one person who might actually be able to tell me if this is a coincidence or some ancient space cult.”

Evie frowned. “Who?”

Riven was already walking. “My grandfather.”

Evie practically choked. “Wait, WHAT?!”

TP clapped his hands. “Ah, the classic ‘Wake the Old Man to Solve the Crimes’ maneuver. Love it.”

The corridors were worse than before. As they made their way toward cryo-storage, the lunacy had escalated:

A crowd was parading down the halls with helium balloons, chanting, “Gravity is a Lie!”
A group of engineers had dismantled a security door, claiming “it whispered to them about betrayal.”
And a bunch of Lexicans, led by Kio’ath, had smeared stinking protein paste onto the Atrium walls, drawing spirals and claiming the prophecy was upon them all.
Riven’s grip on reality was thin.

Evie grabbed his arm. “Think about this. What if your grandfather wakes up and he’s just as insane as everyone else?”

Riven didn’t even break stride. “Then at least we’ll be insane with more context.”

TP sighed happily. “Ah, reckless decision-making. The very heart of detective work.”

Helix 25 — Victor Holt’s Awakening

They reached the cryo-chamber. The pod loomed before them, controls locked down under layers of security.

Riven cracked his knuckles, eyes burning with the desperation of a man who had officially run out of better options.

Evie stared. “You’re actually doing this.”

He was already punching in override codes. “Damn right I am.”

The door opened. A low hum filled the room. The first thing Riven noticed was the frost still clinging to the edges of an already open cryopod. Cold vapor curled around its base, its occupant nowhere to be seen.

His stomach clenched. Someone had beaten them here. Another pod’s systems activated. The glass began to fog as temperature levels shifted.

TP leaned in. “Oh, this is going to be deliciously catastrophic.”

Before the pod could fully engage, a flicker of movement in the dim light caught Riven’s eye. Near the terminal, hunched over the access panel like a gang of thieves cracking a vault, stood Zoya Kade and Anuí Naskó—and, a baby wrapped in what could only be described as an aggressively overdesigned Lexican tapestry, layers of embroidered symbols and unreadable glyphs woven in mismatched patterns. It was sucking desperately the lexican’s sleeve.

Riven’s exhaustion turned into a slow, rising fury. For a brief moment, his mind was distracted by something he had never actually considered before—he had always assumed Anuí was a woman. The flowing robes, the mannerisms, the way they carried themselves. But now, cradling the notorious Lexican baby in ceremonial cloth, could they possibly be…

Anuí caught his look and smiled faintly, unreadable as ever. “This has nothing to do with gender,” they said smoothly, shifting the baby with practiced ease. “I merely am the second father of the child.”

“Oh, for f***—What in the hell are you two doing here?”

Anuí barely glanced up, shifting the baby to their other arm as though hacking into a classified cryo-storage facility while holding an infant was a perfectly normal occurrence. “Unlocking the axis of the spiral,” they said smoothly. “It was prophesied. The Speaker’s name has been revealed.”

Zoya, still pressing at the panel, didn’t even look at him. “We need to wake Victor Holt.”

Riven threw his hands in the air. “Great! Fantastic! So do we! The difference is that I actually have a reason.”

Anuí, eyes glinting with something between mischief and intellect, gave an elegant nod. “So do we, Lieutenant. Yours is a crime scene. Ours is history itself.”

Riven felt his headache spike. “Oh good. You’ve been licking the walls again.”

TP, absolutely delighted, interjected, “Oh, I like them. Their madness is methodical!”

Riven narrowed his eyes, pointing at the empty pod. “Who the hell did you wake up?”

Zoya didn’t flinch. “We don’t know.”

He barked a laugh, sharp and humorless. “Oh, you don’t know? You cracked into a classified cryo-storage facility, activated a pod, and just—what? Didn’t bother to check who was inside?”

Anuí adjusted the baby, watching him with that same unsettling, too-knowing expression. “It was not part of the prophecy. We were guided here for Victor Holt.”

“And yet someone else woke up first!” Riven gestured wildly to the empty pod. “So, unless the prophecy also mentioned mystery corpses walking out of deep freeze, I suggest you start making sense.”

Before Riven could launch into a proper interrogation, the cryo-system let out a deep hiss.

Steam coiled up from Victor Holt’s pod as the seals finally unlocked, fog spilling over the edges like something out of an ancient myth. A figure was stirring within, movements sluggish, muscles regaining function after years in suspension.

And then, from the doorway, another voice rang out, sharp, almost panicked.

Ellis Marlowe stood at the threshold, looking at the two open pods, his eyes wide with something between shock and horror.

“What have you done?”

Riven braced himself.

Evie muttered, “Oh, this is gonna be bad.”

The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.

The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.

The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.

Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.

As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.

Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.

“Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”

The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.

Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.

“Was the glitter necessary?” asked Lumina.

“Why not? It can’t do any harm.”

The fox jumped from the couch and looked at the potion.

“It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”

Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.

Jeezel opened Flick Flock and started typing a message to Roland.

The potion is ready. I’m sending it to you through the usual way.

[…]

As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.

Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.

Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.

With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.

Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.

I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.

Let’s get this done. And don’t forget to add a testimony and click the thumb up.

xoxox Jeezel.

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

A loud knock made them jump. Youssef tensed.

“Quick! Under the bed!” hissed Zara. Before he could move, the door flung open. It was Finly and she looked irritated.

“I’ve come to service the room,” she said.

“It’s so early!” said Yasmin. She smiled in what she hoped was a friendly manner. “It’s fine … really!”

Finly’s nose twitched as she cast her eyes around the room. “I’ve got a ton of work today and I prefer to clean when the room is vacated … ”

Yasmin thought of the package under her bed and wondered if she dared retrieve it. The cleaning lady scared her. She always seemed to be lurking somewhere nearby  … dusting and watching. She reminded Yasmin a little of Sister Finli, or Liani, as apparently she preferred to call herself now … maybe not so much in appearance but certainly in her surly manner. What a mad coincidence it was that there should be two of them! Apparently Finly was from New Zealand and Yasmin wondered what the enigmatic cleaning lady’s story was — a hidden talent for poetry? A tragic love affair that had left her heartbroken?  Yasmin daren’t ask.

“Well if you could just give me a minute so I can get up …  ”

“Sure,” said Finly, thumping her cleaning bucket on the ground and folding her arms. “I can wait.”

“Come on, Guys!” said Zara leaping up from the bed. “Lets go wake up Xavier. Maybe we could play the game to fill in some time before the race. It’s such a shit day out there.”

Mater having a moan:

It’s a funny old world.

At my age, you’d think I’d be able to put my feet up and watch the world go by for a bit, wouldn’t you? God knows, don’t I deserve it? Truth is, I’m still holding things together here. With a bit of practical help from Finly of course, who we all agree is a trouper even if she is a Kiwi.

Sometimes, it occurs to me I should just let go and see where the dice lands … what will be will be …  que sera sera … that sort of thing. Place will fall apart if I do though.

The kids don’t really care. And why would they at their age? Idle’s all talk about how she does this and that but the evidence is sadly lacking … she’s making a fool of herself with one of the new fellas, all goggle-eyed and tarting herself up more than ever. It’s embarrassing but I’m done telling her.

Since we got on that bnb site the bookings have tripled. Idle says I’ve got to be pleasant to people or we’ll get a bad review. Did my head in being pleasant to that toffee-nose one who won’t take her sunglasses off. That’s just plain bad manners! Another thing, she calls herself Liana but it sure takes her a while to answer to the name. Finly says she’s noticed the same. We’re keeping a close eye on that one.

And now sounds like the cart race in a dust storm is going ahead. I tell you right now, Finly is not going to be pleased about that.

Despite the late night and the abundance of wine, Zara awoke just after 6am as the sun was rising. It was too early to get up, but she desperately wanted a coffee. There was no sign of room service being available so she made her way quietly to the kitchen, hoping that someone would be up.

The strange child called Prune was sitting at the kitchen table eating rice crispies.

“Your friends are here,” she said, “But they went to bed before you came back. Late, weren’t you?  Bert was cussing about you, you know, not letting him know.”

“Oh, terribly sorry,” Zara thought the child a tad impertinent.  And was it really Bert’s place to be cussing about her, she was a guest after all.  “Any chance of a cup of coffee?  I’ll make it myself if you tell me where the things are.”

“Aunt Idle wasn’t bothered though,” Prune said, wiping some milk that had dribbled down her chin with the back of her hand.   “But Bert said he didn’t want you to find it.”

“Find what?”  The parrot had said the same thing.

“OBVIOUSLY I can’t tell you, can I? It’s a secret,” and with that Prune scraped her chair back, leaving her breakfast things on the table, and sauntered out of the kitchen in what could only be described as a cocky manner.  Zara found what she needed to make coffee and made two cups and took them both back to her room.  She had a couple of hours to play the game before breakfast and the reunion with her friends.

“Welcome to the Flying Fish, do come in and I’ll show you to your room. Good flight, I hope? I bet you’d like a drink. Bert? Would you mind?”

Zara smiled and nodded to the charming old lady, standing up to follow Mater inside. “Gin and tonic, please, Bert.”

“They have dry laws in Alice you know,” Mater paused in the entrance hall.  “Not allowed to drink on this day or that day, I don’t know what the world’s coming to.”  After a moments consideration she added,  “Our Idle could do with moving to Alice,” forgetting herself for a moment.

“The twins have just decorated all the bedrooms, quite amazing I must say, they did a wonderful job. I hope you can sleep alright, I’m not sure I’d be able to.   They call it dreamtime but it’d keep me awake all night I reckon. If you’d like to change rooms, room 8 hasn’t been decorated. But let us know, because it hasn’t been cleaned, either.”

Zara found Mater’s candid manner endearing.

“I’ll show you the four rooms for you and your friends, and you can choose which one you’d like.  Here we are,” Mater opened the door to room 7.

“Wow!” Zara hadn’t been expecting something so, well, dimensional looking.  “Can I see the other rooms?”

Mater opened the door to room 3, on the opposite side of the corridor.

and room 5

and finally room 2:

“I’d like room 3, please,” Zara told Mater.  “What fabulous rooms!”

“Well, let me know how you get on, dear. Now then, is that Idle back? She popped out to pick some fresh wild herbs for the supper. Now, come and relax on the vernadah and watch the sun go down, Bert’s bringing your drink.  I’ll go and see what Idle’s up to in the kitchen.”