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In reply to: Circle of Eights, Stories
1/11/2007
Finn felt the time had come to call a meeting.
She closed her eyes and waited to see which of the others would appear.
Yuni1 arrived first. Yuni had first arrived in her meditations about a year ago, a playful, mischievous character, gnomelike, who nonetheless had always given her very wise and practical advise. Armelle the wise Owl appeared next, silently, her loving energy enveloping Finn. The Indian also appeared. Finn did not know the Indian’s name, she called him White Feather and she was pleased to see him there, having not seen him for some time. A playful Lemur came bounding over. There were several other energies present and Finn knew they would make their identity known if needed, but she could feel their support.
I have been feeling quite heavy for several months now and it has been becoming more intense. I am tired of it. It’s as though I am wearing the cloak of heaviness again. I don’t understand it, and I don’t know how to take it off, Finn announced to the assembled group.
I want to know if you can help me?
Yuni spoke first, or rather he waved the faith document2 at her. Finn winced. She remembered the document well. I didn’t know you meant this long, she said quietly.
Armelle gave her a gift. When Finn opened the box, there was a joyful explosion of light and colour. There was also a key.
The key is Self Trust, said Finn, answering Armelle’s unspoken question.
White Feather had been whittling a piece of wood. He handed it to Finn. It was a staff. This symbolises powerful magic, he told her.
Finn felt herself withdraw, not wanting to cause offense and reject the gift, yet not feeling worthy.
This is your decision, said White Feather
Finn felt Armelle smile at her. She took the staff and thanked White Feather.
Do you remember the boxes you made as a child? asked Armelle
Finn nodded. It was one of the games she had loved to play with her older sister, transforming old cardboard boxes into designer rooms. They would painstakingly and lovingly decorate the interiors to create new worlds. Once the rooms were created they may play with them for a few minutes, but would pretty soon be onto the next one, it was the creating they loved.
Cast your mind back a few years, Armelle said. What were the things you wanted then?
Finn cast her mind back.
You have it all don’t you, said Armelle gently.
Yes I do, said Finn. Everything I wanted I have in my life.
You have created powerfully Finn.
Why do I feel so heavy? I suppose because what I thought I wanted has changed and I am trying to still keep it the same. Finn wanted to cry.
I don’t really know what I want anymore though.
What do you know? asked Armelle
I know how I want to feel.
Finn was on a raft, floating downstream. She closed her eyes and decided to let the river take her where it will.
1 Finn had tried to spell Yuni’s name as Uni initially, interpreting him to be symbolic of one of the “faeries of the Universe”, however Yuni had been adamant that was not the correct spelling. When Finn looked up Yuni only meaning she could find was “man from Iunu”.
2 The “Faith Document” was like a legal document Yuni gave Finn to sign, indicating that whatever happened she would keep trusting. Finn was surprised to note when she looked up in her records that this was November 1 st, exactly a year ago.
In reply to: Yuki’s Livrary
October 21 st
What’s the use of a new-born baby?
An interesting reflection is prompted by Armelle about the need to understand things for some of our focuses.
« I can do whatever I like with your Stories, give them any Meaning I want. It doesn’t matter… » (Armelle)
« Of course! that is the Magic of it » (Rafaela)
« And we can see them as Seeds. You don’t need to understand how Seeds work to have them grow » (Yuki)
« Yes, in a wild Wilderness. A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« A modicum of Cooperation but largely total Freedom to make what you Want » (Rafaela)
« It’s a repository of Energy Seeds » (Yuki)
« A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« Yes, that too! Or,… an Eden Garden, with a hovering scaly stinky beast . May it be either an English, Chinese or French Garden, whatever pleases your tastes… » (Yuki)In reply to: Talks on the latest Instalments
http://www.north-of-africa.com/article.php3?id_article=418
This might be a better link for the comment about the connection between Egypt and Tuaregs
as well as the Egypt connection :
At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.
I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)
~~~~~~~~~
AND: The Tassili n’Ajjer
…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……
There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).
(this reminds me of Oversoul Seven! # book by Jane Roberts)
Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”more:
http://www.philipcoppens.com/tassili.html
~~~~~~~~~~~~~~~~~~~~~
ENORMOUS CATS??????
In reply to: Circle of Eights, Stories
Jibberacky is…
- Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.
He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.
What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…
So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…
_
- an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.
Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…_
- Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.
Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.
That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.
But with what Jadra has found on his left hand this morning, he now knows he was right all along…
—
[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus
In reply to: Circle of Eights, Stories
After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.
She found this quite irritating. They are really bit rude around here, she muttered.
Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.
It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.
(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)
All I have done is wander around dark passageways really.
And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?
AND if one more person tells me to use my magic I will probably scream or something!
Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.
And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.
Oh cute, said Arona, a talking cat.
Cute yourself, responded Mandrake, love your cape by the way.
(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)
Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.
Mandrake sighed in an impatiently eggsagerated sort of a way.
Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?
All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.
of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!
—
[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .In reply to: Circle of Eights, Stories
The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.
Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.
They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.
That is, until Leörmn had it all changed again.
So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.
Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…
Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…
As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…
You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…
In reply to: Circle of Eights, Stories
Írtak was exploring the tunnels again. Leörmn had changed them for the 4th time since he fall down one of them, discovering the cave and everybody inside. Everybody meaning Malvina, the dragon and the eggs.
Leörmn was changing them each time he was laying new eggs, making it so difficult for Malvina to find them and bring them back to the rookery.
