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In reply to: The Last Cruise of Helix 25
Helix 25 – Onto The Second Murder Investigation
Very strangely, it was a lot less chaotic in the Lower Decks, while the Upper Decks were having a rave of a time with the moon and mood swings.
Evie stood over the diagnostics table, arms crossed, watching as Luca Stroud ran his scanner over Mandrake’s cybernetic collar. The black cat lay still, one eye flickering intermittently as though stuck between waking and shutdown. The deep gash along his side had been patched—Romualdo had insisted on carrying Mandrake to the lab himself, mumbling about how the garden’s automated sprinklers were acting up, and how Luca was the only one he trusted to fix delicate mechanisms.It had been a casual remark, but Evie had caught the subtext. Mandrake was no ordinary ship cat. He had always been tied to something larger.
“Neurolink’s still scrambled,” Luca muttered, adjusting his scanner. “Damage isn’t terminal, but whatever happened, someone tried to wipe part of his memory.”
Riven, arms crossed beside Evie, scoffed. “Why the hell would someone try to assassinate a cat?”
Luca didn’t answer, but the data flickering on his screen spoke for itself. The attack had been precise. Not just a careless act of cruelty, nor an accident in the low-gravity sector.
Mandrake had been targeted.
Evie exhaled sharply. “Can you fix him?”
Luca shrugged. “Depends. The physical repairs are easy enough—fractured neural pathways, fried circuits—but whatever was erased? That’s another story.” He tilted his head. “Thing is… someone didn’t just try to kill Mandrake. They tried to make him forget.”
Riven’s frown deepened. “Forget what?”
Silence settled between them.
Evie reached out, brushing a gloved hand over Mandrake’s sleek black fur. “We need to figure out what he knew.”
It had been Trevor Pee—TP himself—who first mentioned it, entirely offhand, as they reviewed logs of the last places Mandrake had been seen.
“He wasn’t always on his own, you know,” TP had said, twirling his holographic cane.
Evie and Riven both turned to him.
“What do you mean on his own, I though he was Seren’s?”
“Oh, no. He just had a liking for her, but he’d belonged to someone else long before.” TP’s mustache twitched. “I accessed some archival records during Mandrake’s diagnostic.”
Evie blinked. “Mmm, are you going to make me ask? What did you find?”
“Indeed,” TP offered cheerfully. “Before Mandrake wandered freely through the gardens and ventilation shafts, becoming a ship legend, he belonged—as much as a cat can belong—to someone.”
Riven’s expression darkened. “Who?! Will you just tell?!”
TP flicked his wrist, bringing up an old personnel file, heavily redacted. But one name flickered beneath the blurred-out sections.
Dr. Elias Arorangi.
Evie felt her heartbeat quicken. The name echoed faintly familiar, not directly connected to her, but she’d seen it once or twice before, buried in obscure references. “Dr. Arorangi—wait, he was part of the original Helix design team, wasn’t he?”
TP nodded gravely. “Precisely. A lead systems architect, responsible for designing key protocols for the AI integration—among them, some critical frameworks that evolved into Synthia’s consciousness. Disappeared without a trace shortly after Synthia’s initial activation.”
Riven straightened. “Disappeared? Do you think—”
TP raised a finger to silence him. “I don’t speculate, but here’s the interesting part: Dr. Arorangi had extensive, classified knowledge of Helix 25’s core systems. If Mandrake was his companion at that crucial time, it’s conceivable that Arorangi trusted something to him—a memory, a code fragment, perhaps even a safeguard.”
Evie’s mouth went dry.
An architect of Helix 25, missing under suspicious circumstances, leaving behind a cat whose cybernetics were more sophisticated than any pet implant she’d ever seen?
Evie looked down at Mandrake, whose damaged neural links were still flickering faintly. Someone had wanted Mandrake silenced and forgotten.
Later, in the dim light of his workshop, Luca Stroud worked in silence, carefully re-aligning the cat’s neural implants. Romualdo sat nearby, arms crossed, watching with the nervous tension of a man who had just smuggled a ferret into a rat convention.
“He’s tough,” Luca muttered, tightening a connection. “More durable than most of the junk I have to fix.”
Romualdo huffed. “He better be.”
A flicker of light pulsed through Mandrake’s collar. His single good eye opened, pupils dilating as his systems realigned.
Then, groggily, he muttered, “I hate this ship.”
Romualdo let out a relieved chuckle. “Yeah, yeah. Welcome back, Mandrake.”
Luca wiped his hands. “He’s still scrambled, but he’s functional. Just… don’t expect him to remember everything.”
Mandrake groaned, stretching his mechanical paw. “I remember… needing a drink.”
Romualdo smirked. “That’s a good sign, yeah?”
Luca hesitated before looking at Evie. “Whatever was wiped—it’s gone. But if he starts remembering things in fragments… we need to pay attention.”
Evie nodded. “Oh, we definitely will.”
Mandrake rolled onto his feet, shaking out his fur, a small but defiant flick of his cybernetic tail.
“I have the strangest feeling,” he muttered, “that someone is still looking for me.”
Evie exhaled.
For now, with his memory gone, he would probably be safe, but a killer was in their midst and they needed to find out the truth, and fast.
In reply to: The Last Cruise of Helix 25
Klyutch Base – an Unknown Signal
The flickering green light on the old console pulsed like a heartbeat.
Orrin Holt leaned forward, tapping the screen. A faint signal had appeared on their outdated long-range scanners—coming from the coastline near the Black Sea. He exchanged a glance with Commander Koval, the no-nonsense leader of Klyutch Base.
“That can’t be right,” muttered Janos Varga, Solara’s husband who was managing the coms’ beside him. “We haven’t picked up anything out of the coast in years.”
Koval grunted like an irate bear, then exhaled sharply. “It’s not our priority. We already lost track of the fools we were following at the border. Let them go. If they went south, they’ve got bigger problems.”
Outside, a distant roar sliced through the cold dusk—a deep, guttural sound that rattled the reinforced windows of the command room.
Orrin didn’t flinch. He’d heard it before.
It was the unmistakable cry of a pack of sanglions— лев-кабан lev-kaban as the locals called the monstrous mutated beasts, wild vicious boars as ferocious as rabid lions that roamed Hungary’s wilds— and they were hunting. If the escapees had made their way there, they were as good as dead.
“Can’t waste the fuel chasing ghosts,” Koval grunted.
But Orrin was still watching the blip on the screen. That signal had no right to be there, nothing was left in this region for years.
“Sir,” he said slowly, “I don’t think this is just another lost survivor. This frequency—it’s old. Military-grade. And repeating. Someone wants to be found.”
A beat of silence. Then Koval straightened.
“You better be right Holt. Everyone, gear up.”
Merdhyn – Lazurne Coastal Island — The Signal Tossed into Space
Merdhyn Winstrom wiped the sweat from his brow, his fingers still trembling from the final connection. He’d made a ramshackle workshop out of a crumbling fishing shack on the deserted islet near Lazurne. He wasn’t one to pay too much notice to the mess or anythings so pedestrian —even as the smell of rusted metal and stale rations had started to overpower the one of sea salt and fish guts.
The beacon’s old circuitry had been a nightmare, but the moment the final wire sparked to life, he had known that the old tech had awoken: it worked.
The moment it worked, for the first time in decades, the ancient transponder from the crashed Helix 57 lifeboat had sent a signal into the void.
If someone was still out there, something was bound to hear it… it was a matter of time, but he had the intuition that he may even get an answer back.
Tuppence, the chatty rat had returned on his shoulder to nestle in the folds of his makeshift keffieh, but squeaked in protest as the old man let out a half-crazed, victorious laugh.
“Oh, don’t give me that look, you miserable blighter. We just opened the bloody door.”
Beyond the broken window, the coastline stretched into the grey horizon. But now… he wasn’t alone.
A sharp, rhythmic thud-thud-thud in the distance.
Helicopters.
He stepped outside, the biting wind lashing at his face, and watched the dark shapes appear on the horizon—figures moving through the low mist.
Armed. Military-like.
The men from the nearby Klyutch Base had found him.
Merdhyn grinned, utterly unfazed by their weapons or the silent threat in their stance. He lifted his trembling, grease-stained hands and pointed back toward the wreckage of Helix 57 behind him.
“Well then,” he called, voice almost cheerful, “reckon you lot might have the spare parts I need.”
The soldiers hesitated. Their weapons didn’t lower.
Merdhyn, however, was already walking toward them, rambling as if they’d asked him the most natural of questions.
“See, it’s been a right nightmare. Power couplings were fried. Comms were dead. And don’t get me started on the damn heat regulators. But you lot? You might just be the final missing piece.”
Commander Koval stepped forward, assessing the grizzled old man with the gleam of a genuine mad genius in his eyes.
Orrin Holt, however, wasn’t looking at the wreck.
His eyes were on the beacon.
It was still pulsing, but its pulse had changed — something had been answering back.
In reply to: The Last Cruise of Helix 25
The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins. Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.
The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines. Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea. But a waterey tasteless courgette soup will have to do, I suppose.
It was mid afternoon but there was no debate about continuing the journey that day. There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.
The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire. Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.
Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside. Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.
Slowly Tundra toured the house, inspecting all the objects in the rooms. Gingerly she made her way up the stairs, testing each riser before committing her weight to it. In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges. Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day. And my dad.
Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones. She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.
In reply to: The Last Cruise of Helix 25
“I didn’t much like where the world was heading anyway, Gregor,” Molly said, leaning towards the old man who was riding beside her. “Before it all ended I mean. All that techno feudalist stuff. Once we got over the shock of it all, I’ll be honest, I rather liked it. Oh not that everyone was dead, I don’t mean that,” she added. She didn’t want to give the impression that she was cold or ruthless. “But, you know, something had to happen to stop where that was going.”
Gregor didn’t respond immediately. He hadn’t thought about the old days for a long time, and long suppressed memories flooded his mind. Eventually he replied, “If it hadn’t been for that plague, we’d have been exterminated, I reckon. Surplus to requirements, people like us.”
Molly looked at him sharply. “Did you hear of extermination camps here? We’d started to hear about them before the plague. But there were so many problems with communication. People started disappearing and it was impossible by then to find out what happened to them.”
“I was one of the ones who disappeared,” Gregor said. “They summoned me for questioning about something I’d said on Folkback. I told the wife not to worry, I’d be back soon when I’d explained to them, and she said to me to call in at the shop on the way home and get some milk and potatoes.” A large tear rolled down the old mans leathery cheek. “I never saw her again.”
Molly leaned over and compassionately gripped Gregors arm for a moment, and then steadied herself as Berlingo descended the last part of the hill before the track where the truck had been sighted.
The group halted and gathered around the tyre tracks. They were easily visible going in both directions and a discussion ensued about which way to go: follow the truck, or retrace the trucks journey to see where it came from?
“Down, Berlingo!” Molly instructed her horse. “I need to get off and find a bush. First time in years I’ve had to hide to have a pee!” she laughed, “There’s never been anyone around to see.”
Molly took her time, relishing a few moments of solitude. Suddenly being surrounded by people was a mixed blessing. It was stimulating and exciting, but also tiring and somewhat unsettling. She closed her eyes and took a few deep breaths and calmed her mind.
She returned to the group to a heated discussion on which way to go. Jian was in favour of going in the direction of the city, which appeared to be the direction the truck had come from. Mikhail wanted to follow where the truck had gone.
“If the truck came from the city, it means there is something in the city,” reasoned Jian. “It could be heading anywhere, and there are no cities in the direction the truck went.”
“There might not be any survivors in the city though,” Anya said, “And we know there’s at least one survivor IN the truck.”
“We could split up into two groups,” suggested Tala, but this idea was unanimously rejected.
“We have all the time in the world to go one way first, and the other way later,” Mikhail said. “I think we should head for the city first, and follow where the truck came from. Jian is right. And there’s more chance of finding something we can use in the city, than a wild goose chase to who knows where.”
“More chance of finding some disinfectant in the city, too,” Finja added.
In reply to: The Last Cruise of Helix 25
Helix 25 – Lower Decks – Secretive Adjustments
Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.
Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.
Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.
The Hold was where she found Luca Stroud.
A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.
Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”
Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”
Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.
Sue’s expression turned sharp. “You know why I can’t.”
Luca said nothing, but his smirk spoke volumes.
There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.
Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”
“Well, forgive me for using my own legs.”
He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”
Sue gave a slow, knowing smile. “And what minor favors will you require this time?”
Luca leaned back, thoughtful. “Information. Since you’re generous with it.”
She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”
He adjusted a component with expert hands. “Tell me about the murder.”
Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”
“They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”
She studied him, his interest piquing her own. “So you think it was a real murder.”
Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”
Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”
Luca glanced up, intrigued. “How far?”
Sue leaned in, voice hushed. “Crusader far.”
He let out a low whistle, shaking his head. “That’s… new.”
She tilted her head. “What does that mean to you?”
Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”
Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”
Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”
Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”
Luca smirked. “You always do.”
As she rose to leave, she paused at the door. “Oh, one last thing, dear.”
Luca glanced at her. “What?”
Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”
The question hung between them.
Luca narrowed his eyes. “Nobody’s ever met the Captain.”
She nodded, satisfied, and left him to his thoughts.
In reply to: Quintessence: Reversing the Fifth
Elara — Nov 2021: The End of Genealogix
The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.
She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.
Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.
Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.
When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”
The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.
And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.
She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”
Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.
Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.
As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.
Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.
By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.
Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”
It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.
Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.
The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.
In reply to: Quintessence: Reversing the Fifth
Elara — December 2021
Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.
It’s because I can’t go out and buy any, she told herself, I hate tinsel.
It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.
The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.
The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.
England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops, populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens. Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.
When the lockdown happened, instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.
The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.
Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone. The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.
If only I had some tinsel though.
In reply to: Quintessence: Reversing the Fifth
Matteo — December 1st 2023: the Advent Visit
(near Avignon, France)
The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.
When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.
His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.
“Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.
Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.
Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”
She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”
“It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”
Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”
As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.
Matteo’s chest tightened. “You’ve never told me much about him.”
“There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”
Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.
“Why didn’t you give it to me before?” he asked, his voice quiet.
“I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”
Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.
Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”
“Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”
Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”
Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.
“Do you remember our house in Crest?” she asked.
Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”
Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”
“It was a good idea,” Matteo said. “It just… didn’t happen.”
“No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”
Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”
Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”
They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.
When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”
Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.
Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”
Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.
“Patron saint of travellers”, that felt like a sign, if not a blessing.
In reply to: Quintessence: A Portrait in Reverse
Exploring further potential backstory for the characters – to be explored further…
This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.
Backstory: The Co-Housing Dream
Habitat Participatif: A Shared Vision
The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.
What Drew Them In:
- Amei: Longing for a sense of rootedness and community after years of drifting.
- Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
- Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
- Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.
The Land in Drôme
They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.
The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.
The Role of Monsieur Renard
When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.
Initial Promise:
- Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
- His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.
The Split: Fractured Trust
Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.
- Darius’s Drift:
- Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
- He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
- Elara’s Resistance:
- Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
- “This isn’t about community for him,” she had said. “It’s about control.”
- Lucien’s Hesitation:
- Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
- When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
- Amei’s Silence:
- Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.
Matteo’s Unseen Role
Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.
The Missed Connection:
- Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
- By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.
The Fallout: A Fractured Dream
The group dissolved after a final argument about Renard’s involvement:
- Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
- Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
- Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
- Amei, already pulling away, suggested they put the project on hold.
The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.
Amei’s Perspective: Post-Split Reflection
In the scene where Amei buys candles :
- The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
- Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.
Reunion at the Café: A New Beginning
When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.
Matteo’s Role:
- His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
In reply to: Quintessence: Reversing the Fifth
The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.
The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”
“Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.
A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.
“These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”
Amei nodded politely. “They do,” she said.
He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”
“They’re just for light on this occasion,” she said, her tone sharper than she intended.
“Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”
Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”
The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”
Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”
The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.
In reply to: Quintessence: Reversing the Fifth
Spring 2024
Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.
On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.
Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.
The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.
The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.
Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”
Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”
Matteo tilted his head, intrigued. “You mean you’ve drifted?”
Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”
Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.
Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”
Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.
Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”
“Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.
Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”
“Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”
Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.
For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.
In reply to: Quintessence: Reversing the Fifth
From Decay to Birth: a Map of Paths and Connections
7. Darius’s Encounter (November 2024)
Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.
He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.
When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.
6. Matteo’s Discovery (near Avignon, Spring 2024)
The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.
His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.
Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.
Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.
“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”
Matteo nodded. “Take it, then. Maybe you’ll figure it out.”
The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.
5. From Hand to Hand (1995–2024)
By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.
2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.
2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.
1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.
The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.
4. The Artist (1995)
The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.
“I don’t map what is,” she once told a curious buyer. “I map what could be.”
In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.
3. The Ink (1990s)
The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.
From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.
2. The Paper (1980)
The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.
By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.
The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.
This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.
1. The Seed (1950s)
It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.
“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.
Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”
In reply to: Quintessence: Reversing the Fifth
The Bell’s Moment: Paris, Summer 2024 – Olympic Games
The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.
1st Ring of the Bell: Matteo
The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.
“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”
Matteo nodded. “And after that?”
The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”
Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.
When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.
Somewhere, miles away, the bell rang its first note.
2nd Ring of the Bell: Darius
In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.
A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.
“Sometimes,” Darius replied, his pen still moving.
“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”
Darius chuckled. “You recruiting me?”
“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”
The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.
3rd Ring of the Bell: Elara
The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.
The voicemail notification glared at her, and she tapped it reluctantly.
“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”
Her coffee cup trembled slightly as she set it down.
Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.
Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.
She would have to travel to Montrouge for the funeral arrangements.
In that moment, the bell in Les Reliques rang a third time.
4th Ring of the Bell: Lucien
The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.
Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.
He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.
He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.
The bell rang again in Paris, its resonance threading through the quiet hum of the train.
5th Ring of the Bell: …. Tabitha
In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.
“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”
“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”
Her friend raised an eyebrow. “Pretending?”
“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”
The bell rang faintly in Paris, though neither of them could hear it.
“Maybe you should tell her to come with you,” the friend suggested.
Tabitha grinned. “Now that would be a trip.”
Last Ring: The Pawn
It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.
Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.
“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.
“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”
The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”
“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”
“Not anymore,” the shopkeeper murmured, handing him a stack of bills.
The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.
And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.
In reply to: Quintessence: Reversing the Fifth
It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing. It had been Florian’s idea to take the Mongolian hat with her. Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right. It had been a present from Amei, many years ago, but Elara had barely worn it. It wasn’t often that she found herself in a place cold enough to warrant it.
In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship. It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order. Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.
Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side. They had come into contact while researching the family, comparing notes and photographs and family anecdotes. They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing. He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.
If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.
Pulling the hat down over her ears, Elara ventured out into the early November chill. Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!” Mrs Lovejoy was bareheaded, wearing only a cardigan.
“It was a gift,” Elara told her, “I haven’t worn it much. A friend bought it for me years ago when we were in Mongolia.”
“Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.
“Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”
“Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go. Like my Bert…”
“Must go or I’ll be late!” Elara had already heard all about Bert a number of times.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 5:55am — Matteo’s morning
Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.
He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.
Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.
He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:
Lucien. Elara. Darius. Amei.
He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.
The strangest part wasn’t the names— it was the certainty that he’d see them that day.
Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.
Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.
The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.
“You’ve never come inside,” she said, her voice soft but certain.
“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.
“Today, you might,” the woman said, stepping forward. “Looking for something specific?”
“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.
“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”
“What’s uncommon about a bell?”
The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”
Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.
“How much?”
“For you?” The shopkeeper tilted his head. “A trade.”
Matteo raised an eyebrow. “A trade for what?”
“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”
It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.
Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.
Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.
The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.
Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.
By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.
He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.
In reply to: Quintessence: Reversing the Fifth
Nov.30, 2024 2:33pm – Darius: The Map and the Moment
Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.
The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.
Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.
It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.
“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.
“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.
“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”
Darius raised an eyebrow. “A philosophical map?”
The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”
Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”
“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.
Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.
He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.
He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.
He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.
India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.
One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.
Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.
The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.
The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.
The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.
Whatever this reunion was about, he’d be ready for it.
But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.
In reply to: The Incense of the Quadrivium’s Mystiques
“You! I never expected to see you here!” What was Thomas Cromwell doing in the colosseum in the year 1507? “Oh, of course, you were in Italy…what on earth are you wearing?” Truella asked, in some confusion. Never had she seen such an elaborate codpiece, and nobody else was wearing one.
He took his feathered cap off and ran a hand through his hair. “I’ve been to the very gates of purgatory trying to get back to Austin Friars, I unintentionally left Malove there.”
“In what year?” Truella was aghast. “How long has she been there? Who is she with? Is she safe?”
“There is no time to lose, how do I make this ~ this ~ thing go where and when I want?”
“Never mind that now, you had better come with us,” Trella was looking around to see where the others were. “We’ll all have to go. What’s the weather like? What are we going to do about clothes?”
“Clothes?” asked Jeezel, sneaking up behind them through some exotic foreign bushes, “Just you leave that to me! I’ve already found a marvellous museum costume shop. Did you get that codpiece there?” she said to Cromwell. ” I saw one in there similar to that, but with less padding.”
“Here you are,” announced Frella, suddenly appearing out of nowhere with her arms draped in costumes. “No time for shopping, so I did a quick spell.”
Why didn’t I think of just doing a spell? Truella wondered, not for the first time.
You never do was the unspoken reply that entered the scene with the appearance of Eris, armed with the approriate spells. “Right then. Here we go.”
In reply to: The Incense of the Quadrivium’s Mystiques
“Maybe I’m just old fashioned but those things are just weird,” Truella shook her head as she tried to get her focus and equilibrium back. “Great pics though, Jez. Look how clean my nails are.”
“I thought we were going to Amalfi, I was looking forward to that,” said Frella, not sure whether she liked the VR pod experience.
“So was I until I found out about the Limoncello. Can’t stand that evil brew, instant heartburn.”
“You don’t have to drink it, Tru,” Eris replied with a withering look. “We need to buy a few things before Giovanni’s time travel trip to the abandoned Colosseum. Secateurs and zip lock plastic bags for the seeds and plant cuttings. I wonder where the proper stores are, we seem to be surrounded with souvenir and gift shops and bakeries.”
“I’ll get a trowel. No, I’m not planning to start a dig, but it might come in handy. I’ll go with Eris and you two can mooch about buying over priced tourist tat. Get me a dozen postcards, will you? And some shawls and scarves for the photos at the Colosseum.”
In reply to: The Incense of the Quadrivium’s Mystiques
“I think we’re late setting our booths up, Frel,” Truella said with a frown. “We better go into the town. I need a toy shop and you need the ironmongers.”
“Toy shop? What for?”
“Miniature plastic cows. I’ll spray them all with some metallic paint and sell them as magical idols or something. And some empty miniature bottles or vials to fill with cow dung.”
“You won’t be able to sell cow dung!”
“I will if it says magical on the bottle, you wait and see!”
“And I’m going to buy a box of hinges and pretend they’re magical too, is that it?”
“Have you got any other ideas?”
Frella was forced to admit that she had not. “Come on then, there’s a bus to the shopping centre in ten minutes.”
“Perfect! You can tell me the rest of the story of the camphor chest on the way.”
In reply to: The Incense of the Quadrivium’s Mystiques
There was a quietness before the rush of tourists, and the placid disposition of cows near the field was a nice relief after the madness of the Coven’s endless succession of rituals, workshops, business cases and budgeting of late.
It would be as close a permission slip from Austreberthe for a holiday as any of them were likely to get in a lifetime, so they’d better enjoy it —Eris had reasoned.
Picking the assigned one without putting too much thought to it, Eris had found her yurt pleasantly arranged with an attractive purple color, and even if she was only midly fond of the very hippy and communal setup, with a few insonorisation spells, and interior-designer-enlargement spells, the tent had proven adequate enough.
She’d been here already when Truella and Frella had come through the other tents, chatting vivaciously of course. She’d lifted the muffling spell for long enough to overhear about Malové being here. Well, in case there were any doubt, it seemed it was again all about business. Eris was surprised though that Malové would join, but remembered that Malové was known in her youth to have been a mad racer with a fondness for breakneck speeds. She was probably just here for the Games, like many others.
The longwinded story about the camphor chest had started to recede in the background sound of cud chewing so she didn’t get the fine details of it for now.
Now Eris was wide awake from her nap, and it was as good a time as any to setup her Mellona stall. After all that Coven’s busy activity of the past weeks, there was no small irony (or synchronicity, which would be the same, with a better state of mind) that she’d found herself in charge of the Roman Goddess’ stall. Maybe she would find interesting ways to channel the hive’s power to support their queen.
