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  • #79
    ÉricÉric
    Keymaster

      These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

      Note: for the reader not familiar with all the names here is a quick reminder:

      • Araili > Yann, Írtak, Sam, Jacob …
      • Armelle > Fiona, Arona, Tina, Qixi …
      • Rafaela > Dory, Illi, Becky, Rodney …
      • Yuki > Quintin, Al, Janice …

      September 12 th, 2007

      Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
      Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

      Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

      I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

      September 13 th

      Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
      This first comment seems very promising.

      Right now, it feels easy and fun.

      Quintin seems to think that everything is very straightforward.
      The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
      The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

      But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
      That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
      But the thing is, that he missed the point in thinking one World is more “real” than the other.
      We’ll be having some fun soon…

      First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
      We will appeal to his imagination.
      It seems he has heard the suggestion.

      September 14 th

      For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

      But as I expected, some challenges seem to appear already.
      Is it raining or not in that world?
      The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

      He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
      At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
      How will it unfold?
      Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

      September 15 th

      Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

      Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

      Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

      September 16 th

      Halcyons days…
      My dear friend Archie is answering some of Quintin and Yann’s questions.
      Something starts to dawn on Quintin. But his mind is on other matters.

      He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

      September 18 th

      Quintin has been drawing some of the characters of the story. It’s interesting.
      He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

      Characters drawn:

      • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
      • Malika, Quintin, Yann, Fiona and Dory

      Interestingly, Fiona resolves her issues in her cave.
      Dory too, but she did not need the cave to do this.

      September 21 st

      For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
      And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
      Quintin will soon realize that he himself is doing this constantly, though he does not register it.

      But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

      Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
      There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

      Of course, some things still matter, and one of the point of the story is also to discover these.

      September 22 nd

      Quintin has been drawing new characters.

      Characters drawn:

      • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
      • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
      • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

      A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
      She had at first thought they were whiskers, which was not Quintin’s intent…

      September 23 rd

      Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

      Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

      Up to now, here are the names he could find:

      • North: the Icy Lands, and Dragon Cemeteries
      • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
      • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
        Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
      • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

      When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

      #237
      F LoveF Love
      Participant

        Magic is easy peasy
        My hand is sore
        This poem is rubbish
        So I won’t say any more

        Well we must thank the Gods for small mercies said Mandrake, sighing heavily. Arona laughed. Her mood felt so light again, as though something had really, really, REALLY fallen into place for her.

        Up ahead the tunnel widened. Arona gave a small gasp as she saw what appeared to be a coatstand with a black cape standing in the middle of the path.

        My Cloak, she cried, astonished, and feeling sure that the crafty dragon was behind its unexpected appearance. Hmmm, what a mouldy old thing, she thought, as though seeing it for the first time.

        There was a note pinned to the cape:

        I build up castles. I tear down mountains. I make some men blind, I help others to see. What am I?

        Arona hesitated only for a moment. Sand! She said, delighted with herself.

        #232

        A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

        Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

        Sorry for being late! said Al a bit uneasy.
        — Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
        — Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

        A silence was on the scene.

        :fleuron:

        At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

        :fleuron:

        Somewhere in Malvina’s cave.

        Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

        She asked Leörmn to come.

        :fleuron:

        Quintin’s bedroom.

        [1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

        :fleuron:

        Leörmn came almost instantly, appearing in a puff of teal smoke.

        Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

        :fleuron:

        — Why hasn’t that pirate, Badass…
        Badul, corected Al
        — Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
        — Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
        — Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
        — OK. So, for me, they have forgotten much about magic in his land.
        — Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
        — Which would explain the quest… said Al
        — Yeah, and he would have hidden that to the rest of the crew, probably… said Tina

        :fleuron:

        Leörmn had now finished assembling the magical artifact.

        — That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
        — Oh yes it is. And how would you call it?
        — Let’s see…

        :fleuron:

        sabulmantium !

        Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

        — Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
        — Hahahaha, the others continued
        — Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
        — Wow! Tina couldn’t help but say.

        :fleuron:

        Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

        #221

        Bådul was pondering at the bow of his boat.

        His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

        The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

        Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

        He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

        A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

        And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

        And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!

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