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In reply to: Circle of Eights, Stories
A Pacific island then… she thought
Let’s move there…
She could feel her ghost body hover, like a feather sucked into a whirlwind.
She had to be confident she’ll snap back right at her lying body when she’ll be over with the trip.
Trust that everything will be okay. As it always were. Will always be.She could see the Earth from above… The Pacific Ocean, its huge vastness, delimited by coasts of lights.
Oh, of course, she had not thought of that, but it was night there. She could see towns, concentrations of which were twinkling like shiny stars on a dark sky; but she didn’t want towns. Far too crowded, lots of energies that were maybe intoxicating at first, but she could feel she would be worn out in a second.
For, as she traveled in spirit, she had access to so much more information than people usually get with their physical senses alone,… it was hard to explain.There… in that dark patch, when she moves closer, she can feel the immensity of the ocean surrounding everywhere. She moves closer to that long island that must be New Zealand, because she doesn’t want to be far from any sort of indication of her location. Keeping an eye on this, she spots something which isn’t a city light. It’s dancing, like a fire.
How can she spot a fire at that distance is beyond her understanding, but she has learned not to question, and act upon her impulses.She wills herself at the fire.
Waves, the peaceful sound of the waves.
Around the fire, she can see a dog, crouched near a thoughtful man; there’s a young girl too, with a little white rabbit in her lap. The girl’s parents are resting in a hug, and a man with a strange energy configuration, the like of which she hasn’t seen, is closing the circle.
What a bunch of interesting people…
In reply to: Circle of Eights, Stories
Vessie Darl, Sha and I are just popping down to the beach for some more of them special beauty sea waters you told us about.
Great idea, Gloria, responded Veranassessee vaguely. She watched absent-mindedly as Gloria’s generous body, clad only in a skimpy red bikini, disappeared down the corridor. There was something about that shade of red tugging at her memory. Vermillion red …
Red! PLAN B! Oh my God! how could she have forgotten!
It was two days since she had called him, that meant he would be here soon, that did not leave her much time to prepare.
Everything has to be perfect. She wears a silk vermillion red camisole, the one he gave her, scarcely covered by lush black velvet and topped with bright red lipstick. She casts her eyes critically around the room. It is nearly three years since she has seen him, she doesn’t want to spoil this moment. The glasses of soft red merlot are ready, a plate of miniature liqueur chocolates on a plate by the bed.
She shakes out her long dark hair and looks in the mirror. Her chocolate skin glows, her eyes are bright. She will do. She touches the red silk camisole … it is still beyond her comprehension how she can have forgotten.
When he arrives he is beautiful. Too beautiful. she thinks. It is so easy for him, effortless. He appraises the room and laughs casually, he knows how hard she has tried. Agent V he says, a pleasure to see you again. He kisses her. She remembers everything.
He takes a sip of the wine. She watches him, unsure of herself. He has a black bag with him.
He looks at her, sees her looking at the bag, and smiles slowly, I have something to show you, Agent V, he says, and she can sense his pride, the barely suppressed excitement in his voice.
He opens the bag carefully, pulls out a small white box, handles it lovingly. Two years experimentation in the Russian lab, he says softly, delicate threads of spun blue bonnet spider silk and yet strong enough to hang a bridge on.
He looks at her. Come here. he says
She hesitates for just a moment thinking of Mahiliki, and then inwardly shrugs, bugger it, I never really wanted to live on Fukitupi island and have loads of babies anyway. She moves over to him. He takes the transparent silk and slowly starts to wind the delicate thread around her wrists. Try and break it, he whispers in her ear, kisses her neck.
Then stops.
My God, what the fuck is that?
Veranassessee sighs.
No I swear Sha, I am telling you, I saw him go into Vessie’s room.
Oh my God Glor, he might be a murderer, or a bloody rapist even!
I tell you though, he were right bloody gorgeous.
Well never mind that! The door is locked Sha. I think we’d better shout out. Make sure she’s okay.
Right, good idea. And then if she doesn’t answer we can bash the door in and we can both pounce on him.
Right, on the count of three Glor, we’‘ll shout out, one… two… THREE!”
In reply to: Synchronicity
OK I got a link to that serendipityfilly… ODAd about mandrake root, also known as wild lemon or racoon berry…
American Mandrake Root is a strong and powerful purgative that has been used historically and primarily to regulate bowel and liver function. It is believed to be a strong stimulant that efficiently cleanses and removes waste products from the body
We need that to let go of all the associations and bs
In reply to: Armelle – meditations, dreams, synchs, thoughts
Yurick wondered for a moment what action was required behind “floating downstream”, the motto that his friend Finn was brandishing with renewed fervor at each of their encounters.
Perhaps it was actually a “non action”, and that reminded him of all the Taoist texts he had loved to read when he was younger. One of the tenets of the philosophy of Taoists was wu wei 無為 or “non action”, but this was not meant as being lazy and passive, quite the contrary… A bit of a mind-stretching concept:
WU WEI (from the 道德经 Dao de jing, attributed to Lao Zi)
The Sage is occupied with the unspoken
and acts without effort.Teaching without verbosity,
producing without possessing,
creating without regard to result,
claiming nothing,
the Sage has nothing to lose.When he had asked his friend Elias about this, Yurick got that answer,
“We have spoken previously of how you each have divorced yourselves from essence, and subsequently have forgotten your own native language. You now incorporate a desire to be connecting with essence, to be dissolving of the veils that exist between the focus and the entirety of the whole. In this, it communicates to you, but you have forgotten your language! Therefore, be not in distress; and allow yourself the opportunity to be assimilating a new language, and not pressing yourself to be attempting to interpret within your present language.” [session 100, June 16, 1996]
and that completed nicely another thing he had previously heard from him, speaking about our natural language in essence:
“Be listening to your impressions and be recognizing of your impulses, and DO NOT be denying of your impulses! This is your language to yourself from essence, and it is not harmful to you. It naturally moves you into the most efficient directions, but you are taught within your belief systems to be discounting of your impulses and to be suspect of your impulses, for they are bad. They are not! They are your natural language to yourself. Therefore, be listening to this language.” [session 294, July 01, 1998]
So basically, floating downstream, or being in the wu wei state of mind required only one thing, to be focusing and acting upon our impulses, and not judging or denying them… Probably the most challenging thing we are learning to do now…
In reply to: Circle of Eights, Stories
Finn moves silently along the path, placing her feet with care. It is more overgrown in the wood than she remembers, but then it is such a long time since she came this way. She can see in the distance something small and pale. A gentle gust of wind and It seems to stir, as if shivering, as if caught.
She comes to a halt. The trees are still now, not a leaf stirs. She can hear nothing other than the sound of her own breathing. She can’t see the clearing yet either, but she remembers it’s further on, beyond the next winding of the path. She can see it in her mind’s eye though, a rough circle of random stones, with a greenish liquid light filtering through. The air smells of leaf mould and it is spongy underfoot. There’s a wooden bench, a grassy bank, and a circular area of emerald green moss. Finn thinks of it as place of enchantment, a fairy ring.
She reaches the tiny shivering thing and sees that it is a scrap of paper, impaled on a broken branch. She reaches out gently and touches it, then eases if off the branch, taking care not to rip it further. There is a message scribbled on the paper, incomplete. meet me, is all it says now
Finn feels dreamy and floaty. She smiles to herself, thinking of the purpose of her mission, feeling as though it is a message to her from the past. She is overwhelmed for a moment with a sense of love and acceptance towards her younger self. Yes, she whispers softly to the younger Finn, I will meet you at the fairy ring. We will talk a bit. Maybe I can help
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
In reply to: Circle of Eights, Stories
A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.
Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.
— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.A silence was on the scene.
At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.
Somewhere in Malvina’s cave.
Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.
She asked Leörmn to come.
Quintin’s bedroom.
[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.
Leörmn came almost instantly, appearing in a puff of teal smoke.
Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.
— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina… Leörmn had now finished assembling the magical artifact.
— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see… — sabulmantium !
Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.
— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say. Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.
