Search Results for 'floating'

Truella had already left for that monkey hunt in the Mediterranean. Eris had to go back before nightfall, which was quite early at this time of year as she had chosen to live in such a remote place in the midst of a frozen forest. Jeezel only thought it romantic because of the icicles that would form on your eyelashes and brows, making you the perfect avatar for the Snow Queen musical. And Frigella… She said she was tired but from the sight of her aura, she undoubtedly was onto something fishy.

Jeezel looked at her dress. Once a divine creation, it has turned into a disaster. Irremediably stained with soot, it’s foul smell would make any dragon lose their appetite. She felt a mix of sadness and guilt for all the murex that gave their shells for that unique shade of purple she was so proud of.

She wasn’t sure even Teddy Steambolt could muster his magic to save the divine creation. She imagined his eyes widen as saucers when she entered his Palace of Pristine with the lifeless garment in her arms. He would most certainly swoon and gasp at the same time.

“Oh, The tragedy!” he would wail, his high-pitched lament resonating in the cathedral ceiling of his atelier of cleanliness. “What calamity hath befallen this exquisite creation?”

“Teddy, dear,” she would say, “It was indeed a tragedy. I lost seven of my nails and my hair was ruined. You’re the alchemist of cleanliness, you’re my only hope for a miracle.”

And he would take her dress and perform his magic from which it would emerge reborn, and all those murex wouldn’t have lost their home for nothing.

She was about to follow the others when Malové reminded her: “Aren’t you forgetting something?”

A broom and a bucket of black soap were floating on her right.

Her sigh would have made a blue whale blush with envy. Her role tonight would not be the Snow Queen, but Cinderella, another of her favourite diva.

I have an idea. Are you game?

The Whale: I’m always game for a good idea! What do you have in mind?

I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

thank you! I appreciate your input.

The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

He thanked the whale for this rather surprising response.

The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

*1  In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

Two young women, identical to the purple lock of hair hiding their left eye, entered the room. They moved as one person to the table, balancing their arms and bouncing on the floor like little girls. Youssef couldn’t help a shiver as he remembered The Shining.

“We are the twins,” they said, looking at him from behind their purple lock of hair. “Don’t mind us.”

One spoke a few milliseconds after the other, giving their combined voice an otherworldly touch that wasn’t reassuring. One took the sheets of paper from under the obsidian stone and the other the notebooks. After an hesitation they left the stone on the table and went back to the door.

“Wait,” said Youssef as they were about to leave, “What was on that paper? It looked like a map.”

“We leave you the stone,” they said without looking at him. “You might need it.”

As they shut the door, Youssef jumped out of his bed and tried to catch up with them. People couldn’t just enter his room like that. But when he flung the door open, the corridor was empty. He had the impression echoes of a combined laugh remained in the air and, tired as he was, decided not to look for them. Better not break the veil between dream and reality.

Intrigued by what the girls said, he took the black stone from the table and the last snicker bar from his backpack. He noted he would have to go to the grocery store tomorrow to buy some. Once he was back on his bed, he engulfed the snack and, while chewing, turned the stone around, trying to figure out what the girls meant by “You might need it”. The stone was cold to the touch and his reflection kept changing but nothing particular happened. Disappointed, he put the stone on his pillow and resumed the game on his phone.

Youssef finds himself in a small ghost town in what looks like the middle of the Australian outback. He’s standing in the town square, surrounded by an old post office, a saloon, and a few other ramshackle buildings.

He had a hard time focusing on the game. He started to feel the fatigue from the day. He yawned and started to doze off.

Youssef is standing in the town square, surrounded by an old post office, a saloon, and a few other ramshackle buildings. Scraps of mist are floating towards him. A ghostly laugh resounds from behind. He turns swiftly only to see a flash of purple disappear in a dark alleyway. He starts to run to catch them but a man, thrown out of the saloon, stumbles in front of him and they roll together on the dust.

“It’s not that I don’t like you,” said the man, “but you’re heavy.”

Youssef rolls on the side, mumbling some excuses and looks at where the twins had disappeared but the alleyway was gone. 

“I think you broke one of my rib with your stone,” says the man, feeling his chest.

He looks as old as the town itself and quite harmless in his clothes, too big for him.

“What stone?” asks Youssef. 

The old man points at a fragment of black obsidian between them on the ground. 

“Don’t show them,” he says, “or they’ll take it from you.”

“What did you do?”

“They don’t like it when you ask questions about the old mines.”

I’ve always felt like the odd one out in my family. Growing up at the Flying Fish Inn, I’ve always felt like I was on the outside looking in. My mother left when I was young, and my father disappeared not long after. I’ve always felt like I was the only one who didn’t fit in with the craziness of my family.

I’ve always tried to keep my distance with the others. I didn’t want to get too involved, take sides about petty things, like growing weed in the backyard, making psychedelic termite honey, or trying to influence the twins to buy proper clothes. But truth is, you can’t get too far away. Town’s too small. Family always get back to you, and manage to get you involved in their shit, one way or another, even if you don’t say anything. That’s how it works. They don’t need my participation to use me as an argument.

So I stopped paying attention, almost stopped caring. I lived my life working at the gas station, and drinking beers with my buddies Joe and Jasper, living in a semi-comatose state. I learned that word today when I came bringing little honey buns to mater. I know she secretly likes them, even if she pretend she doesn’t in front of Idle. But I can see the breadcrumbs on her cardigan when I come say hi at the end of the day. This morning, Idle was rocking in her favourite chair on the porch, looking at the clouds behind her mirrored sunglasses. Prune was talking to her, I saw she was angry because of the contraction of the muscles of her jaw and her eyes were darker than usual. She was saying to Idle that she was always in a semi-comatose state and doing nothing useful for the Inn when we had a bunch of tourists arriving. And something about the twins redecorating the rooms without proper design knowledge. Idle did what she usually does. She ignored the comment and kept on looking at the clouds. I’m not even sure she heard or understood that word that Prune said. Semi-comatose. It sounds like glucose. That’s how I’m spending my life between the Inn, the gas station and my buddies.

But things changed today when I got back to my apartment for lunch. You can call it a hunch or a coincidence. But as we talked with Joe about that time when my dad left, making me think we were doing hide and seek, and he left me a note saying he would be back someday. I don’t know why I felt the need to go search that note afterwards. So I went back to the apartment and opened the mailbox. Among the bills and ads, I found a postcard with a few words written on the image and nothing except my address on the back. I knew it was from my dad.

It was not signed or anything, but still I was sure it was his handwriting. I would recognise it anywhere. I went and took the shoebox I keep hidden on top of the kitchen closet, because I saw people do that in movies. That’s not very original, I know, but I’m not too bright either. I opened the box and took the note my dad left me when he disappeared.

I put the card on the desk near the note. The handwritings matched. I felt so excited, and confused.

A few words at the bottom of the card said : “Memories from the coldest place on Earth…”

Why would dad go to such a place to send me a postcard after all those years ? Just to say that.

That’s when I recalled what Prune had told me once as we were watching a detective movie : “Read everything with care and always double check your information.”

On the back, it said that the image was from a scientific station in Antartica, but the stamp indicated it had been posted from a floating post office in the North Pole. I turned the card and looked at the text again. Above the station, a few words were written that sounded like a riddle.

> A mine, a tile, dust piled high,
Together they rest, yet always outside.
One misstep, and you’ll surely fall,
Into the depths, where danger lies all.

It sure sounds like a warning. But I’m not too good with riddles. No need to worry Mater about that, in case of false hope and all that. Idle ? Don’t even think about it. She won’t believe me when I say it’s from dad. She never does believe me. And she’ll keep playing with the words trying to find her answer in the shape of smoke. The twins, they are a riddle on their own.

No. It’s Prune’s help I need.

“I’m going to have to jump in this pool, Pretty Girl, look at this one! It reminds me of something…”

Zara came to a green pool that was different from the others, and walked into it.

She emerged into a new scene, with what appeared  to be a floating portal, but a square one this time.

“May as well step onto it and see where it goes!” Zara told the parrot, who was taking a keen interest in the screen, somewhat strangely for a bird.  “I like having you here, Pretty Girl, it’s nice to have someone to talk to.”

Zara stepped onto the floating tile portal.

“Hey, wasn’t my quest to find a wooden tile?” Zara suddenly remembered. She’d forgotten her quest while she was wandering around the enchanting castle.

“Yes, but that doesn’t look like the tile you were supposed to find though,”  replied the parrot.

“It might lead me to it,” snapped Zara who didn’t really want to leave the pretty castle scenes anyway.  It felt magical and somehow familiar, like she’d been there before, a long long time ago.

After stepping onto the floating tile portal, Zara encountered another tile portal. This time it was upright, with a circular portal in the centre. By now it seemed clear that the thing to do was to walk through it.  She wandered around the scene first as if she was a tourist simply taking in the new sights before taking the plunge.

“Oh my god, look! It’s my tile!” Zara said excitedly to the parrot, just as the words flashed up on her screen:

Congratulations!  You have reached the first goal of your first quest!

“Oh bugger!  Look at the time, it’s already starting to get light outside. I completely forgot about going to that church to see Isaac’s ghost, and now I haven’t had a wink of sleep all night.”

“Time well spent,” said the parrot sagely, “You can go and see Isaac tomorrow night, and he may be all the more willing to talk since you kept him waiting.”

Aunt Idle:

I’ll admit Mater did well with the get back into shape programme, despite my skepticism.  She did hone her muscles a bit, but she was still harping on about wanting plastic surgery.  I probably shouldn’t have asked her if she was showing off her biceps or her bingo wings the other day, because that started her off again. I tried to make it up by complimenting her thigh muscles, but spoiled it by saying it was a shame the skin hung down past her kneecaps. Bert said maybe she could hold the skin up with some suspenders and made me spit my eucalyptus tea out and nearly choke to death. Mater was all set to take offence until she saw me choking, and then she started laughing too. I’m smiling remembering it, because we all saw the funny side then and couldn’t stop laughing for ages. God knows we needed a good laugh.

I’d had another one of those telepathic chats with Corrie the day before. If I’d known those silly girls were going to navigate their way here via that route I’d have said something, but I never thought they’d be so daft.  There’s me envisioning a pleasant drift through the Mediterranean, and an unexpected sail across an immense shallow lake that had appeared in the middle east with crystal clear waters and a sandy bottom (I could picture it all, I tell you) and then an invitingly tropical trip along the Indian coast with ports of call at virgin new coastlines  ~ but no, they’d gone the other way.  Across the Atlantic. And now they were fighting off bandits every step of the way and having to go miles out of their way to avoid plague ridden slums.  They hadn’t even made their way past the eastern seaboard yet, despite it being considerably narrower now.

They lost Pan for days in one of those half submerged coastal cities, rife with lawless floating shanties.  I hope my impressions are wrong, I do really, but it seemed like he’d been kidnapped for a barbecue.  Tender and juicy.

His ability to stay submerged under the water for so long saved him, that and Corrie’s ability to stay in telepathic contact with him.

They left the coastline and headed south after that and didn’t head back towards land for awhile but when they did, they found the lagoons and inlets were infested with alligators and some kind of water pig. Not sure if I picked that up right, but seems like the hogs had escaped from the farms during the Great Floods and taken to the water. Pan was forbidden to waterlark in these waters and had to stay confined to the raft.

I don’t know if they’ll get here in time for Mater’s birthday. Might be my hundredth birthday by the time they get here at this rate.

“Crocuses in meadow, Flower, Flower”, was singing Eleri. Humming was more accurate, she didn’t recall much of the lyrics, but the tune was easy to follow. She was quite fond of that popular song and liked to sing it whenever she was going to town in her flower dress floating in the wind. She had thought it nice if Gorrash woke up with a festive atmosphere. It would certainly be a shock already that so much time had passed since he was last awake. She wondered if he would remember anything from his broken time. She hadn’t talked much with him before, especially about his day-slumber time.

“Chestnut in the woods”, she continued. Crack, crack made the dry twigs she walked on on purpose. It made her laugh and snort. She liked playing with her environment and made it participate in her own expression, it was like she had many voices and she could hear herself everywhere. She picked up a few chestnuts because she knew Fox was crazy about them. It was a blessing that the enchanted forest would still produce them out of season.

When she arrived in town, Eleri didn’t waste time. She wanted costumes and props for the party, so she went directly to the Jiborium’s Emporium where she was sure to find everything she needed, and more. There was a crowd blocking the entrance, but it didn’t deter her from her idea. She elbowed her way up to the door where a man in a wheelchair was complaining about having not enough room to go in. Still in a jolly mood, Eleri found it funny that the man who took so much space with his cumbersome vehicle was asking for more room.

“Move already”, she joined her voice to the man’s complaint and managed, Flove knows how to make the crowd part away enough so they could both enter the shop.

“Thanks, young lady”, said the grumpy man. “It’s a hassle sometimes you know to move in this town. People with good health they do not realise.”

“Oh! I know”, said Eleri. “My ankle just got better, but it was such a pain to move. I would have loved to have a chair like yours to move around, but alas I live in the forest most of the time and I’m not sure the chair would last long in there.”

“Oh! but it would! They have the cross-country model here, on the fourth floor. Powered by lightning battery.”

“Really?” said Eleri more to herself than for the man. Her mind was already elsewhere. “Thanks!” She kissed the grumpy man on the forehead and left, thinking of costumes and confetti. A cross-country wheelchair would be nice to bring back all of those. They might even need it for Gorrash if he needed recovery time.

Aunt Idle:

I had a long conversation (in my head, where all the best conversations are these days) with Corrie while I sat on the porch.  I think it’s easier to communicate with her because she’s trying to communicate with me too.  The others don’t come through so clear, I get images but not much in the way of conversation.  Anyway, she said Clove is with her on the raftboat, and that Clove has a little boy now, seven years old or so, named Pan. I don’t know if that’s short for a longer name or if that’s his name. Anyway, he’s a great little diver, she said, can hold his breath for longer than anyone, although lots of the kiddies are good divers now, so she tells me.  They send them out scouting in the underwater ruins. Pan finds all sorts of useful things, especially in the air pockets. They call those kiddies the waterlarks, if I heard that right.  Pan the Waterlark.

Corrie said they’re in England, or what used to be called England, before it became a state of the American United States.  Scotland didn’t though, they rebuilt Hadrian’s wall to keep the Ameringlanders out (which is what they called them after America took over), and Wales rebuilt Offa’s Dyke to keep them out too.  When America fell into chaos (not sure what happened there, she didn’t say) it was dire there for years, Corrie said. Food shortages and floods mainly, and hardly any hospitals still functioning.   Corrie delivered Cloves baby herself she said, but I didn’t want all the details, just pleased to hear there were no complications.  Clove was back on her feet in no time in the rice paddies.

A great many people left on boats, Corrie said. She didn’t know where they’d gone to.  Most of the Midlands had been flooded for a good few years now. At first the water went up and down and people stayed and kept drying out their homes, but in the end people either left, or built floating homes.  Corrie said it was great living on the water ~ it wasn’t all that deep and they could maneouver around in various ways. It was great sitting on the deck watching all the little waterlarks popping up, proudly showing their finds.

I was thoroughly enjoying this chat with Corrie, sitting in the morning sun with my eyes closed, when the sky darkened and the red behind my eyelids turned black.  There was a hot air balloon contraption coming down,  and looked like it was heading for the old Bundy place.   Maybe Finly was back with supplies.  Maybe it was a stranger with news.  Maybe it was Devan.

There had been no communications from either Connie or Hilda for some time. Ricardo went down the usual route of worrying that something had happened to them, and then it occurred to him to try out the remote viewing he’d been practicing. It was too easy to rely solely on technological means, he reminded himself, AI (short for Abnormal Intrusions) or no AI.

Ricardo found himself in a moonlit sweeping landscape, with some dark indeterminate built structure shapes. Oh, very helpful, he snorted, and then reminded himself to simply observe. Then he saw the woman, dressed in gauzy floating white, and found himself sneering at how corny the image was, like a new age art poster woman, beautiful and ethereal in a moonlit scene.

Stranger still was the next thought to waft through his wandering mind. Maybe he inserted that corny woman to distract any remote viewing spies, and throw them off the scent? Suddenly there was a crash behind him. Another picture had fallen off the wall, he assumed. But nothing was out of place. He looked again, sure that something had fallen to the floor to make such a noise. But there was nothing to see. He shrugged.

Later, he wondered: what had made that noise?

The aircon was buzzing and Sophie walked in her pajamas through the open space to reach her dreaming base. That’s how she secretly called it. She could feel the eyes of her colleagues following her, and as usual she felt proud to be the center of attention. It didn’t matter that it was jealousy or anything else. People were looking at her and she was doing something different.

Once in her base of operation, she settled on the couch and looked at the brew that had been brought for her. It was her second attempt at remote viewing the Doctor and this time she had requested a bucket and some padding around the sharp corners. She feared a little the unleashing of her wild nature, but in truth she had no idea what to expect. She had read on the Internet that there was nothing to fear and that there would be no side effects, and usually with her natural paranoia she would have double checked before using the drugs, but her obsession with the Doctors had rendered her a little bit… more reckless.

She pinched her nose and swallowed the brew. One gulp. But some of it stayed in her mouth and nausea followed. She didn’t like the taste at all. Then she laid down the couch and waited. The effects weren’t long to come. Space lit up, soon followed by the usual geometrical dynamic animation and the strange floating spirits. One of them looked like her old nanny. She had a hair on her chin and Sophie couldn’t focus on anything else. The hair grew and multiplied on the face, it was soon a forest of wiggling glowing worms growing indefinitely.

After what seemed an eternity to her, she saw the doors. A huge circle made of doors like a giant neckless. Sophie giggled at the typo especially that she could see the neckless giant now below the doors. It was definitely a male, with boobs covered by skulls.

Find the door, she reminded herself. Her thought took the shape of a butterflowck —understand a flow of a flock of butterflies— that rippled in a pond of honey… suckles.

It reached the door and she was sucked in.

“Why are they doing this?” asked a male voice behind her. “They’re supposed to be magpies, not monkeys.”
“I’m not sure,” said a bald woman with six fingers and an ethereal beehive hairdo. The strange thing was that she had a beard.
“Do something quick. I need them operational soon” said the man, “You’re the one controlling them after all,” he added with poison in his voice.
“Yes, Doctor.”

Sophie startled at the name. She turned around and tried to look at the man, but he was headless, or rather pixelated. Shit! I watch too much science fiction, she thought.

“Anyway,” he continued. What are the news on the dolls’ front?”
“We are closing in on the next target, Doctor. It’s a small Inn in Australia where the vortex or probabilities converge. I took the liberty to send another sleeping agent there to steal the key and the list of other addresses from the dollmaker. He’s taking the same airplane as she is.”

Fortunately, Mandrake had a rope ladder which, with the assistance of a small remote control pigeon, he was able to throw to Arona.

“Cool pigeon,” said Arona when she was safely onboard and appropriate introductions had been made. “Mr Jiboriums’s Emporium?”

“Indeed! it really is a wonderful place,” said Mandrake. “Now, stop all that fussing, you will mess up my whiskers.”

“I can’t help it. I am so pleased to see you, you cuddly old grump,” said Arona, ruffling Mandrakes head again. “Are those grey hairs I see?”

Mandrake snuffled and slapped her hand away with a paw.

“Do you care to stop all that nonsense and tell us what you are doing floating around in a hot air balloon?’

Arona rolled her eyes. She reached into her pocket and pulled out a key.

“I am looking for the doll which goes with this key,” she said.

Liz felt someone tug at her almost transparent pink silk gown. She tried to ignore it as she worked hard to recall the young woman’s name, she had it on the tip of her tongue.

The tug got stronger and Liz feared that whomever was doing it they were going to tore her silk veil. She turned around, her irritation colouring her high cheekbones with a nice tint of pink and gasped.
“What I do with the spiders,” asked a small woman with dark skin and wearing a rainbow sari. “They’re so big big, and SOOOO hungry. They’re going to eat the guests only.”

Liz shook her head, seeing the curls of her newly acquired blond wig bounce about her face. She looked at the cocktail. What did Roberto said was in those? she wondered.

“What spiders?” she asked. The maid pointed behind Liz with her chin. When Liz looked she almost dropped her glass. A swarm of colourful giant jumping spiders were running and jumping near the swimming pool, frightening the human guests, while Roberto was riding one of them in his sparkling cowboy costume, laughing like a teenager.
“So?” asked the maid insistently. “What I do?”
Liz was confused.
“Why are they here?” she asked, “I don’t understand. Where’s Godfrey?”

“They are the daughters and sons of Narani from the giant spiders island,” said a man with a beard in a WWII uniform. A ghost dog barked silently at his feet.

“Of course,” Liz said. But it was too much for her and she gulped, all at once, the remaining fifteen jewels of condensed information floating in her cocktail. She shoved the glass in the maid’s hands and said: “Bring me another,” before she collapsed under the afflux of so much knowledge.