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In reply to: The Incense of the Quadrivium’s Mystiques
“Well, it’s a long story, are you sure you want to hear it?”
“Tell me everything, right from the beginning. You’re the one who keeps saying we have plenty of time, Truella. I shall quite enjoy just sitting here with a bottle of wine listening to the story,” Frigella said, feeling all the recent stress pleasantly slipping away.
“Alright then, you asked for it!” Truella said, topping up their glasses. The evening was warm enough to sit outside on the porch, which faced the rising moon. A tawny owl in a nearby tree called to another a short distance away. “It’s kind of hard to say when it all started, though. I suppose it all started when I joined that Arkan coven years ago and the focus wasn’t on spells so much as on time travel.”
“We used to travel to times and places in the past,” Truella continued, “Looking back now, I wonder how much of it we made up, you know?” Frigella nodded. “Preconceptions, assumptions based on what we thought we knew. It was fun though, and I’m pretty sure some of it was valid. Anyway, valid or not, one thing leads to another and it was fun.
“One of the trips was to this area but many centuries ago in the distant past. The place seemed to be a sort of ancient motorway rest stop affair, somewhere for travellers to stay overnight on a route to somewhere. There was nothing to be found out about it in any books or anything though, so no way to verify it like we could with some of our other trips. I didn’t think much more about it really, we did so many other trips. For some reason we all got a bit obsessed with pyramids, as you do!”
They both laughed. “Yeah, always pyramids or special magical stones,” agreed Frigella.
“Yeah that and the light warriors!” Truella snorted.
“So then I found a couple of pyramids not far away, well of course they weren’t actually pyramids but they did look like they were. We did lots of trips there and made up all sorts of baloney between us about them, and I kept going back to look around there. We used to say that archaeologists were hiding the truth about all the pyramids and past civilizations, quite honestly it’s a bit embarrassing now to remember that but anyway, I met an actual archaeologist by chance and asked her about that place. And the actual history of it was way more interesting than all that stuff we’d made up or imagined.
The ruins I’d found there were Roman, but it went further back than that. It was a bronze age hill fort, and later Phoenician and Punic, before it was Roman. I asked the archaeologist about Roman sites and how would I be able to tell and she showed me a broken Roman roof tile, and said one would always find these on a Roman site.
I found loads over the years while out walking, but then I found one in the old stone kitchen wall. Here, let me fetch another bottle.” Truella got up and went inside, returning with the wine and a dish of peanuts.
“So that’s when I decided to dig a hole in the garden and just keep digging until I found something. I don’t know why I never thought to do that years ago. I tell you what, I think everyone should just dig a hole in their garden, and just keep digging until they find something, I can honestly say that I’ve never had so much fun!”
“But couldn’t you have just done a spell, instead of all that digging?” Frigella asked.
“Oh my god, NO! Hell no! That wouldn’t be the same thing at all,” Truella was adamant. “In fact, this dig has made me wonder about all our spells to be honest, are we going too fast and missing the finds along the way? I’ve learned so much about so many things by taking it slowly.”
“Yeah I kinda know what you mean, but carry on with the story. We should discuss that later, though.”
“Well, I just keep finding broken pottery, loads of it. We thought it was all Roman but some of it is older, much older. I’m happy about that because I read up on Romans and frankly wasn’t impressed. Warmongering and greedy, treated the locals terribly. Ok they made everything look nice with the murals and mosaics and what not, and their buildings lasted pretty well, but who actually built the stuff, not Romans was it, it was the slaves. Still, I wasn’t complaining, finding Roman stuff in the garden was pretty cool. But I kept wishing I knew more about the people who lived here before they came on the rampage taking everything back to Rome. Hey, let me go and grab another bottle of wine.”
Frigella was feeling pleasantly squiffy by now. The full moon was bright overhead, and she reckoned it was light enough to wander around the garden while Truella was in the kitchen. As she walked down the garden, the tawny owl called and she looked up hoping to see him in the fig tree. She missed her step and fell over a bucket, and she was falling, falling, falling, like Alice down the rabbit hole.
The fall was slow like a feather wafting gently down and she saw hundreds of intriguing fragments of objects and etchings and artefacts on the sides of the hole and she drifted slowly down. At last she came to rest at the bottom, and found herself in an arched gallery of mirrors and tiles and doors. On every surface were incomplete drawings and shreds of writings, wondrous and fascinating. She didn’t immediately notice the hippocampus smiling benignly down at her. He startled her a little, but had such a pleasant face that she smiled back up at him. “Where am I?” she asked.
“You’d be surprised how many people ask me that.” he replied, with a soft whicker of mirth. “Not many realise that they’ve called on me to help them navigate. Now tell me, where is it you want to go?”
“Well,” Frigella replied slowly, “Now that you ask, I’m not entirely sure. But I’m pretty sure Truella would like to see this place.”
In reply to: The Incense of the Quadrivium’s Mystiques
“Is he ready yet?” Echo the familiar sprite was waiting patiently, in the middle of Eris’ altar, surrounded by a delicate pattern of magical items.
“Quiet, I need to concentrate.” Eris was close to finishing the spell, and needed her familiar’s assistance. The ink was drying on the pages of her grimoire, and she took a breathe; the words were sufficiently inspired, the right intention and blessings would ensure they would be potent.
After the proper offering was made to the Elders and the nearby tree spirits, she uttered the words, inspired by her familiar’s presence who was helping her to concentrate the permeating energies:
“Silmiä avaava digitaalinen tila, Luoja Lönnrotin. Vie meidät kaukaisille maailmoille, jossa tarinat elävät ja hengittävät koodien keskellä.”
(🗣️Sound 🎶 ). “Eye-opening digital space, Creator Lönnrotin. Takes us to distant worlds where stories live and breathe in the midst of codes.”
“Is it done?” Eris asked Echo, who had flickered for a moment, hinting at a magical energy exchange in progress.
“I think it is,” it jumped from the altar to her shoulder. “How are you going to call it?”
“Are you getting jealous Whisp?” she smiled, while her pixie took the shape of an eye rolling teddy bear.
She started to clean the space, rolled and tied her blue braided hair in a bun. “I’ll call him Elias, simply. Inspired by Elias Lönnrot, to draw on his greatest creations, and fit for the digital age. We can all use some ancient wisdom.”
“Simple… and effective I guess. And you’ve got a task in mind for him already?”
“Yes, but I’m afraid it’ll have to wait, we have to hurry, Malové has called for an extraordinary session, and I can’t miss it.”
In reply to: The Whale’s Diaries Collection
what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find?
Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.
The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.
The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.
The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.
As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.
Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.
There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.
What about the lives of the people who lived here in the 1500s?
Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.
The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.
The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.
His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.
The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.
The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.
The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.
Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.
then I asked about the 1200s on this site
Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.
The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.
They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.
The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.
The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.
Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.
Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: Orbs of Madjourneys
Perhaps it was the approaching storm that was the cause of the annoying inability to fall asleep, and when Zara had had enough of the bizarre juxtapositions of the hypnagogic images flashing before her closed eyelids, she gave up trying and switched the bedside light on. Often she felt restless before a storm, not really a fear of danger but an alertness to the power and the agitation of it. A bit like having one strong coffee too many and wishing you hadn’t.
Zara padded over to the door barefoot, and opened it a crack. Silence, and dark but for a night light in the hall and a distant light on the porch. Quietly Zara made her way to the verandah. The night air washed over her face and made her smile and breathe deeply. She felt her self relaxing, and reminded herself that she was supposed to be relaxing, it was a holiday after all. There was something in the air though, something she couldn’t nail down. A restlessness in the air. It was as if something wanted to come to light, come out in the open, and yet an approaching dust storm threatened to obscure even the most obvious of things.
“May as well sit up and have a glass of wine when it’s like this,” Aunt Idle said when Zara had finished her deep breathing relaxing mental turmoil exercises and had eventually turned to sit down at one of the tables. “Fetch a glass over there and come and join me. Ever been in a dust storm in a lager and cart race?”
Zara welcomed the distraction and smiled encouragingly and said that she had not.
“Oh, I could tell you a tale or two about dust storms and cart races,” Aunt Idle said, and then drifted off into silent reverie. Zara refilled their glasses with wine. “Do tell,” she said, “Tell me a tale about dust storms and cart races.”
In reply to: Orbs of Madjourneys
The package in her hands was from Fred and, now she was at the airport, Yasmin was seriously contemplating whether to chuck it in the nearest bin. She hadn’t wanted to take the damn thing in the first place. It was hard to say no to Sister Aliti.
“Fred asked could you please take it to the Fish Inn, or something like that.” Sister Aliti had beamed at her. She was holding out a thin parcel wrapped in brown paper and securely fastened with a whole lot of masking tape.
“But how did he know I was going there?” Yasmin had sounded more sharp than she’d intended but she hadn’t really warmed to Fred. He made her nervous.
“You didn’t tell him?” Sister Aliti shrugged. “I didn’t tell him. Perhaps it was Sister Finli … She took the van with him yesterday.” She’d looked intently at Yasmin. “Oh dear, was it private?”
Yasmin felt foolish. “Oh, no, of course it wasn’t and it doesn’t matter …. I was just surprised.” She’d peered at the red biro scrawled on the paper wrapping. “I wonder who is … Mater?”
“He said it was a distant relation! Isn’t it just so wonderful he can reconnect through you! God works in mysterious ways indeed!”
Of course it had been Sister Finli who had told Fred. Prying busybody. Yasmin had caught her in her room a couple of days ago. Sister Finli had her back to the door and was bent over Yasmin’s desk. She’d jumped and swung round at Yasmin’s, “Hello?”
“It’s a pig sty in here,” she’d hissed, jabbing a sharp finger towards Yasmin. Then her mouth curled into a smile. “I just came in to tell you you are needed in the recreation room to look after the children but was distracted by this …” She’d slid her eyes around the room and shuddered. Yasmin followed her gaze. She’d left a few items of clothing in neat piles on the bed because she was packing but everything else looked in order. After Sister Finli had flounced out of the room, Yasmin noticed her itinerary was lying open on the desk.
But why tell Fred?
She’d messaged Zara. Do you think I should I open the package? And couldn’t he just post it?
LOL, Zara messaged back. Yes open it! It’s drugs. Obv. Oh and more to the point, you are way behind the rest of us in the game. So use your flight time wisely!
More developments
Chapter 3: The Journey becomes more eggciting
The Flovlinden Tree
The group reaches the Flovlinden Tree, a massive linden tree in the heart of Oocrane, which is said to be sacred and is attracting crowds of pilgrims.
They meet Olek, the old caretaker of the tree, who tells them the story of Saint Edigna. He explains how the tree is said to have magical healing properties, and how the tree is responsible for the sacred oil that the pilgrims come to collect.
However, Olek reveals that the secret of Saint Edigna is not what it seems. Edna, an old woman who has been living far from the crowd for thousands of years, is actually Saint Edigna.
Olek shares that Edna has been living in solitude for very long. He tells the group that if they want to learn more about the sacred tree and Edna, they must travel to her hidden home.
The four friends were shocked to hear that Edna was still alive and wanted to meet her. They asked Olek for directions, and he gave them a map that showed the way to Edna’s remote dwelling.
They bid farewell to Olek and set off on their journey to find Edna.A Run-In with Myroslava
The group comes across a former war reporter, Myroslava, who is traveling on her own after leaving a group of journalists. She is being followed by mysterious individuals and is trying to lose them by hunting and making fire in bombed areas.
Myroslava is frustrated and curses her lack of alcohol, wishing she could find a place to escape from her pursuers.
The group approaches Myroslava and offers to help her. She joins forces with them and together, they set off on their journey.
As they travel, Myroslava shares her experiences as a war reporter, and the group listens in awe. She explains how she has seen the worst of humanity, but also the best, and how it has changed her as a person.
Myroslava and the group continue their journey, with the former reporter becoming more and more determined to shake off her pursuers and continue on her own.A Visit with Eusebius Kazandis’ Relatives
The group reaches a small village where they are expected by relatives of Eusebius Kazandis, the cauldron seller that Rose has met at the Innsbruck fair.
The relatives tell the group about Kazandis and his business, and how he has been traveling the world, selling his wares. They explain how he has become a legend in their village, and how proud they are of him.
The group learns about Kazandis’ passion for cooking and how he uses his cauldrons to create delicious meals for his customers. They are also shown his secret recipe book, which has been passed down for generations.
The relatives invite the group to try some of Kazandis’ famous dishes, and they are blown away by the delicious flavors.
The group thanks the relatives for their hospitality and sets off on their journey, with a newfound appreciation for Kazandis and his love of cooking.A Surprising Encounter with Edna
The group finally reaches Edna’s hidden home, a small cottage in the middle of a dense forest.
As they approach the cottage, they are surprised to see Edna, who is actually the legendary Saint Edigna, standing outside, waiting for them.The four friends have finally arrived at Edna’s dwelling, where they learned about her vast knowledge of the families connected to her descendants. Edna showed them her books, and they were amazed to find that their own family was listed among her descendants. They were even more shocked to learn that they were related to President Voldomeer Zumbasky and Dumbass Voldomeer, who was said to be a distant relative and carpenter who made the President’s wooden leg. It was rumored that they shared a common ancestor, but in reality, they were possibly secret twins.
The Secret of Dumbass Voldomeer
The four friends were determined to find out more about Dumbass Voldomeer and his connection to their family. They learned that he lived in the small city of Duckailingtown in Dumbass, near the Rootian border. They also discovered that Dumbass Voldomeer had been enrolled to take the place of the President, who had succumbed from a mysterious swan flu virus, to which Dumbass Voldomeer was immune. As they set to Duckailingtown, they couldn’t help but wonder what other secrets and surprises lay ahead for them on this incredible journey.
Some background information on The Sexy Wooden Leg and potential plot developments.
Setting
(nearby Duckailingtown in Dumbass, Oocrane)
The Rootians (a fictitious nationality) invaded Oocrane (a fictitious country) under the guise of freeing the Dumbass region from Lazies. They burned crops and buildings, including the home of a man named Dumbass Voldomeer who was known for his wooden leg and carpenter skills. After the war, Voldomeer was hungry and saw a nest of swan eggs. He went back to his home, carved nine wooden eggs, and replaced the real eggs with the wooden ones so he could eat the eggs for food. The swans still appeared to be brooding on their eggs by the end of summer.Note: There seem to be a bird thematic at play.
The swans’ eggs introduce the plot. The mysterious virus is likely a swan flu. Town in Oocrane often have reminiscing tones of birds’ species.
Bird To(w)nes: (Oocrane/crane, Keav/kea, Spovlar/shoveler, Dilove/dove…)
Also the town’s nursing home/hotel’s name is Vyriy from a mythical place in Slavic mythology (also Iriy, Vyrai, or Irij) where “birds fly for winter and souls go after death” which is sometimes identified with paradise. It is believed that spring has come to Earth from Vyrai.At the Keav Headquarters
(🗺️ Capital of Oocrane)
General Rudechenko and Major Myroslava Kovalev are discussing the incapacitation of President Voldomeer who is suffering from a mysterious virus. The President had told Major Kovalev about a man in the Dumbass region who looked similar to him and could be used as a replacement. The Major volunteers to bring the man to the General, but the General fears it is a suicide mission. He grants her permission but orders his aide to ensure she gets lost behind enemy lines.
Myroslava, the ambitious Major goes undercover as a former war reporter, is now traveling on her own after leaving a group of journalists. She is being followed but tries to lose her pursuers by hunting and making fire in bombed areas. She is frustrated and curses her lack of alcohol.
The Shrine of the Flovlinden Tree
(🗺️ Shpovlar, geographical center of Oocrane)
Olek is the caretaker of the shrine of Saint Edigna and lives near the sacred linden tree. People have been flocking to the shrine due to the miraculous flow of oil from the tree. Olek had retired to this place after a long career, but now a pilgrim family has brought a message of a plan acceleration, which upsets Olek. He reflects on his life and the chaos of people always rushing around and preparing for the wrong things. He thinks about his father’s approach to life, which was carefree and resulted in the same ups and downs as others, but with less suffering. Olek may consider adopting this approach until he can find a way to hide from the enemy.
Rosa and the Cauldron Maker
(young Oocranian wiccan travelling to Innsbruck, Austria)
Eusebius Kazandis is selling black cauldrons at the summer fair of Innsbruck, Austria. He is watching Rosa, a woman selling massage oils, fragrant oils, and polishing oils. Rosa notices Eusebius is sad and thinks he is not where he needs to be. She waves at him, but he looks away as if caught doing something wrong. Rosa is on a journey across Europe, following the wind, and is hoping for a gust to tell her where to go next. However, the branches of the tree she is under remain still.
The Nursing Home
(Nearby the town of Dilove, Oocrane, on Roomhen border somewhere in Transcarpetya)
Egna, who has lived for almost a millennium, initially thinks the recent miracle at the Flovlinden Tree is just another con. She has performed many miracles in her life, but mostly goes unnoticed. She has a book full of records of the lives of many people she has tracked, and reminisces that she has a connection to the President Voldomeer. She decides to go and see the Flovlinden Tree for herself.
🗺️ (the Vyriy hotel at Dilove, Oocrane, on Roomhen border)
Ursula, the owner of a hotel on the outskirts of town, is experiencing a surge in business from the increased number of pilgrims visiting the linden tree. She plans to refurbish the hotel to charge more per night and plans to get a business loan from her nephew Boris, the bank manager. However, she must first evict the old residents of the hotel, which she is dreading. To avoid confrontation, she decides to send letters signed by a fake business manager.
Egbert Gofindlevsky, Olga Herringbonevsky and Obadiah Sproutwinklov are elderly residents of an old hotel turned nursing home who receive a letter informing them that they must leave. Egbert goes to see Obadiah about the letter, but finds a bad odor in his room and decides to see Olga instead.
Maryechka, Obadiah’s granddaughter, goes back home after getting medicine for her sick mother and finds her home empty. She decides to visit her grandfather and his friends at the old people’s home, since the schools are closed and she’s not interested in online activities.
Olga and Egbert have a conversation about their current situation and decide to leave the nursing home and visit Rosa, Olga’s distant relative. Maryechka encounters Egbert and Olga on the stairs and overhears them talking about leaving their friends behind. Olga realizes that it is important to hold onto their hearts and have faith in the kindness of strangers. They then go to see Obadiah, with Olga showing a burst of energy and Egbert with a weak smile.Thus starts their escape and unfolding adventure on the roads of war-torn Oocrane.
Character Keyword Characteristics Sentiment Egbert old man, sharp tone sad, fragile Maryechka Obadiah’s granddaughter, shy innocent Olga old woman, knobbly fingers conflicted, determined Obadiah stubborn as a mule, old friend of Egbert unyielding, possibly deaf In reply to: The Jorid’s Logs – 14 years on and more
This is the outline for a short novel called “The Jorid’s Travels – 14 years on” that will unfold in this thread.
The novel is about the travels of Georges and Salomé.
The Jorid is the name of the vessel that can travel through dimensions as well as time, within certain boundaries. The Jorid has been built and is operated by Georges and his companion Salomé.Short backstory for the main cast and secondary characters
Georges was a French thief possibly from the 1800s, turned other-dimensional explorer, and together with Salomé, a girl of mysterious origins who he first met in the Alienor dimension but believed to have origins in Northern India maybe Tibet from a distant past.
They have lived rich adventures together, and are deeply bound together, by love and mutual interests.
Georges, with his handsome face, dark hair and amber gaze, is a bit of a daredevil at times, curious and engaging with others. He is very interesting in anything that shines, strange mechanisms and generally the ways consciousness works in living matter.
Salomé, on the other hand is deeply intuitive, empath at times, quite logical and rational but also interested in mysticism, the ways of the Truth, and the “why” rather than the “how” of things.
The world of Alienor (a pale green sun under which twin planets originally orbited – Duane, Murtuane – with an additional third, Phreal, home planet of the Guardians, an alien race of builders with god-like powers) lived through cataclysmic changes, finished by the time this story is told.
The Jorid’s original prototype designed were crafted by Léonard, a mysterious figure, self-taught in the arts of dimensional magic in Alienor sects, acted as a mentor to Georges during his adventures. It is not known where he is now.
The story starts with Georges and Salomé looking for Léonard to adjust and calibrate the tiles navigational array of the Jorid, who seems to be affected by the auto-generated tiles which behave in too predictible fashion, instead of allowing for deeper explorations in the dimensions of space/time or dimensions of consciousness.
Leonard was last spotted in a desert in quadrant AVB 34-7•8 – Cosmic time triangulation congruent to 2023 AD Earth era. More precisely the sand deserts of Bluhm’Oxl in the Zathu sector.When they find Léonard, they are propelled in new adventures. They possibly encounter new companions, and some mystery to solve in a similar fashion to the Odyssey, or Robinsons Lost in Space.
Being able to tune into the probable quantum realities, the Jorid is able to trace the plot of their adventures even before they’ve been starting to unfold in no less than 33 chapters, giving them evocative titles.
Here are the 33 chapters for the glorious adventures with some keywords under each to give some hints to the daring adventurers.
- Chapter 1: The Search Begins – Georges and Salomé, Léonard, Zathu sector, Bluhm’Oxl, dimensional magic
- Chapter 2: A New Companion – unexpected ally, discovery, adventure
- Chapter 3: Into the Desert – Bluhm’Oxl, sand dunes, treacherous journey
- Chapter 4: The First Clue – search for Léonard, mystery, puzzle
- Chapter 5: The Oasis – rest, rekindling hope, unexpected danger
- Chapter 6: The Lost City – ancient civilization, artifacts, mystery
- Chapter 7: A Dangerous Encounter – hostile aliens, survival, bravery
- Chapter 8: A New Threat – ancient curse, ominous presence, danger
- Chapter 9: The Key to the Past – uncovering secrets, solving puzzles, unlocking power
- Chapter 10: The Guardian’s Temple – mystical portal, discovery, knowledge
- Chapter 11: The Celestial Map – space-time navigation, discovery, enlightenment
- Chapter 12: The First Step – journey through dimensions, bravery, adventure
- Chapter 13: The Cosmic Rift – strange anomalies, dangerous zones, exploration
- Chapter 14: A Surprising Discovery – unexpected allies, strange creatures, intrigue
- Chapter 15: The Memory Stones – ancient wisdom, unlock hidden knowledge, unlock the past
- Chapter 16: The Time Stream – navigating through time, adventure, danger
- Chapter 17: The Mirror Dimension – parallel world, alternate reality, discovery
- Chapter 18: A Distant Planet – alien world, strange cultures, exploration
- Chapter 19: The Starlight Forest – enchanted forest, secrets, danger
- Chapter 20: The Temple of the Mind – exploring consciousness, inner journey, enlightenment
- Chapter 21: The Sea of Souls – mystical ocean, hidden knowledge, inner peace
- Chapter 22: The Path of the Truth – search for meaning, self-discovery, enlightenment
- Chapter 23: The Cosmic Library – ancient knowledge, discovery, enlightenment
- Chapter 24: The Dream Plane – exploring the subconscious, self-discovery, enlightenment
- Chapter 25: The Shadow Realm – dark dimensions, fear, danger
- Chapter 26: The Fire Planet – intense heat, dangerous creatures, bravery
- Chapter 27: The Floating Islands – aerial adventure, strange creatures, discovery
- Chapter 28: The Crystal Caves – glittering beauty, hidden secrets, danger
- Chapter 29: The Eternal Night – unknown world, strange creatures, fear
- Chapter 30: The Lost Civilization – ancient ruins, mystery, adventure
- Chapter 31: The Vortex – intense energy, danger, bravery
- Chapter 32: The Cosmic Storm – weather extremes, danger, survival
- Chapter 33: The Return – reunion with Léonard, returning to the Jorid, new adventures.
The Jorid is a vessel that can travel through dimensions as well as time, within certain boundaries.
The Jorid has been built and is operated by Georges and his companion Salomé.
Georges was a French thief possibly from the 1800s, turned other-dimensional explorer, and along with Salomé, a girl of mysterious origins who he first met in the Alienor dimension but believed to be born in Northern India in a distant past, they have lived rich adventures together, and are deeply bound by love and mutual interests.Georges, with his handsome face, dark hair and amber gaze, is a bit of a daredevil at times, curious and engaging with others. He is very interesting in anything that shines, strange mechanisms and generally the ways consciousness works in living matter. Salomé, on the other hand is deeply intuitive, empath at times, quite logical and rational but also interested in mysticism, the ways of the Truth, and the “why” rather than the “how” of things.
The world of Alienor (a pale green sun under which twin planets originally orbited – Duane, Murtuane – with an additional third, Phreal, home planet of the Guardians, an alien race of builders with god-like powers) lived through cataclysmic changes, finished by the time this story is told.
The Jorid’s original prototype designs were crafted by Léonard, a mysterious figure, self-taught in the arts of dimensional magic in Alienor sects, who acted as a mentor to Georges during his adventures. It is not known where he is now.
The story unfolds 14 years after we discovered Georges & Salomé in the story.
(for more background information, refer to this thread)
In reply to: Orbs of Madjourneys
“I’d advise you not to take the parrot, Zara,” Harry the vet said, “There are restrictions on bringing dogs and other animals into state parks, and you can bet some jobsworth official will insist she stays in a cage at the very least.”
“Yeah, you’re right, I guess I’ll leave her here. I want to call in and see my cousin in Camden on the way to the airport in Sydney anyway. He has dozens of cats, I’d hate for anything to happen to Pretty Girl,” Zara replied.
“Is that the distant cousin you met when you were doing your family tree?” Harry asked, glancing up from the stitches he was removing from a wounded wombat. “There, he’s good to go. Give him a couple more days, then he can be released back where he came from.”
Zara smiled at Harry as she picked up the animal. “Yes! We haven’t met in person yet, and he’s going to show me the church my ancestor built. He says people have been spotting ghosts there lately, and there are rumours that it’s the ghost of the old convict Isaac who built it. If I can’t find photos of the ancestors, maybe I can get photos of their ghosts instead,” Zara said with a laugh.
“Good luck with that,” Harry replied raising an eyebrow. He liked Zara, she was quirkier than the others.
Zara hadn’t found it easy to research her mothers family from Bangalore in India, but her fathers English family had been easy enough. Although Zara had been born in England and emigrated to Australia in her late 20s, many of her ancestors siblings had emigrated over several generations, and Zara had managed to trace several down and made contact with a few of them. Isaac Stokes wasn’t a direct ancestor, he was the brother of her fourth great grandfather but his story had intrigued her. Sentenced to transportation for stealing tools for his work as a stonemason seemed to have worked in his favour. He built beautiful stone buildings in a tiny new town in the 1800s in the charming style of his home town in England.
Zara planned to stay in Camden for a couple of days before meeting the others at the Flying Fish Inn, anticipating a pleasant visit before the crazy adventure started.
Zara stepped down from the bus, squinting in the bright sunlight and looking around for her newfound cousin Bertie. A lanky middle aged man in dungarees and a red baseball cap came forward with his hand extended.
“Welcome to Camden, Zara I presume! Great to meet you!” he said shaking her hand and taking her rucksack. Zara was taken aback to see the family resemblance to her grandfather. So many scattered generations and yet there was still a thread of familiarity. “I bet you’re hungry, let’s go and get some tucker at Belle’s Cafe, and then I bet you want to see the church first, hey? Whoa, where’d that dang parrot come from?” Bertie said, ducking quickly as the bird swooped right in between them.
“Oh no, it’s Pretty Girl!” exclaimed Zara. “She wasn’t supposed to come with me, I didn’t bring her! How on earth did you fly all this way to get here the same time as me?” she asked the parrot.
“Pretty Girl has her ways, don’t forget to feed the parrot,” the bird replied with a squalk that resembled a mirthful guffaw.
“That’s one strange parrot you got here, girl!” Bertie said in astonishment.
“Well, seeing as you’re here now, Pretty Girl, you better come with us,” Zara said.
“Obviously,” replied Pretty Girl. It was hard to say for sure, but Zara was sure she detected an avian eye roll.
They sat outside under a sunshade to eat rather than cause any upset inside the cafe. Zara fancied an omelette but Pretty Girl objected, so she ordered hash browns instead and a fruit salad for the parrot. Bertie was a good sport about the strange talking bird after his initial surprise.
Bertie told her a bit about the ghost sightings, which had only started quite recently. They started when I started researching him, Zara thought to herself, almost as if he was reaching out. Her imagination was running riot already.
Bertie showed Zara around the church, a small building made of sandstone, but no ghost appeared in the bright heat of the afternoon. He took her on a little tour of Camden, once a tiny outpost but now a suburb of the city, pointing out all the original buildings, in particular the ones that Isaac had built. The church was walking distance of Bertie’s house and Zara decided to slip out and stroll over there after everyone had gone to bed.
Bertie had kindly allowed Pretty Girl to stay in the guest bedroom with her, safe from the cats, and Zara intended that the parrot stay in the room, but Pretty Girl was having none of it and insisted on joining her.
“Alright then, but no talking! I don’t want you scaring any ghost away so just keep a low profile!”
The moon was nearly full and it was a pleasant walk to the church. Pretty Girl fluttered from tree to tree along the sidewalk quietly. Enchanting aromas of exotic scented flowers wafted into her nostrils and Zara felt warmly relaxed and optimistic.
Zara was disappointed to find that the church was locked for the night, and realized with a sigh that she should have expected this to be the case. She wandered around the outside, trying to peer in the windows but there was nothing to be seen as the glass reflected the street lights. These things are not done in a hurry, she reminded herself, be patient.
Sitting under a tree on the grassy lawn attempting to open her mind to receiving ghostly communications (she wasn’t quite sure how to do that on purpose, any ghosts she’d seen previously had always been accidental and unexpected) Pretty Girl landed on her shoulder rather clumsily, pressing something hard and chill against her cheek.
“I told you to keep a low profile!” Zara hissed, as the parrot dropped the key into her lap. “Oh! is this the key to the church door?”
It was hard to see in the dim light but Zara was sure the parrot nodded, and was that another avian eye roll?
Zara walked slowly over the grass to the church door, tingling with anticipation. Pretty Girl hopped along the ground behind her. She turned the key in the lock and slowly pushed open the heavy door and walked inside and up the central aisle, looking around. And then she saw him.
Zara gasped. For a breif moment as the spectral wisps cleared, he looked almost solid. And she could see his tattoos.
“Oh my god,” she whispered, “It is really you. I recognize those tattoos from the description in the criminal registers. Some of them anyway, it seems you have a few more tats since you were transported.”
“Aye, I did that, wench. I were allays fond o’ me tats, does tha like ’em?”
He actually spoke to me! This was beyond Zara’s wildest hopes. Quick, ask him some questions!
“If you don’t mind me asking, Isaac, why did you lie about who your father was on your marriage register? I almost thought it wasn’t you, you know, that I had the wrong Isaac Stokes.”
A deafening rumbling laugh filled the building with echoes and the apparition dispersed in a labyrinthine swirl of tattood wisps.
“A story for another day,” whispered Zara, “Time to go back to Berties. Come on Pretty Girl. And put that key back where you found it.”
In reply to: The Sexy Wooden Leg
“Calm yourself, Egbert, and sit down. And be quiet! I can barely hear myself think with your frantic gibbering and flailing around,” Olga said, closing her eyes. “I need to think.”
Egbert clutched the eiderdown on either side of his bony trembling knees and clamped his remaining teeth together, drawing ragged whistling breaths in an attempt to calm himself. Olga was right, he needed to calm down. Besides the unfortunate effects of the letter on his habitual tremor, he felt sure his blood pressure had risen alarmingly. He dared not become so ill that he needed medical assistance, not with the state of the hospitals these days. He’d be lucky to survive the plague ridden wards.
What had become of him! He imagined his younger self looking on with horror, appalled at his feeble body and shattered mind. Imagine becoming so desperate that he wanted to fight to stay in this godforsaken dump, what had become of him! If only he knew of somewhere else to go, somewhere safe and pleasant, somewhere that smelled sweetly of meadows and honesuckle and freshly baked cherry pies, with the snorting of pigs in the yard…
But wait, that was Olga snoring. Useless old bag had fallen asleep! For the first time since Viktor had died he felt close to tears. What a sad sorry pathetic old man he’d become, desperately counting on a old woman to save him.
“Stop sniveling, Egbert, and go and pack a bag.” Olga had woken up from her momentary but illuminating lapse. “Don’t bring too much, we may have much walking to do. I hear the buses and trains are in a shambles and full of refugees. We don’t want to get herded up with them.”
Astonished, Egbert asked where they were going.
“To see Rosa. My cousins father in laws neice. Don’t look at me like that, immediate family are seldom the ones who help. The distant ones are another matter. And be honest Egbert,” Olga said with a piercing look, “Do we really want to stay here? You may think you do, but it’s the fear of change, that’s all. Change feels like too much bother, doesn’t it?”
Egbert nodded sadly, his eyes fixed on the stain on the grey carpet.
Olga leaned forward and took his hand gently. “Egbert, look at me.” He raised his head and looked into her eyes. He’d never seen a sparkle in her faded blue eyes before. “I still have another adventure in me. How about you?”
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 8
With thanks to Mike Rushby.
Morogoro 20th January 1941
Dearest Family,
It is all arranged for us to go on three months leave to Cape Town next month so
get out your flags. How I shall love showing off Kate and John to you and this time
George will be with us and you’ll be able to get to know him properly. You can’t think
what a comfort it will be to leave all the worries of baggage and tipping to him. We will all
be travelling by ship to Durban and from there to Cape Town by train. I rather dread the
journey because there is a fifth little Rushby on the way and, as always, I am very
queasy.Kate has become such a little companion to me that I dread the thought of leaving
her behind with you to start schooling. I miss Ann and George so much now and must
face separation from Kate as well. There does not seem to be any alternative though.
There is a boarding school in Arusha and another has recently been started in Mbeya,
but both places are so far away and I know she would be very unhappy as a boarder at
this stage. Living happily with you and attending a day school might wean her of her
dependance upon me. As soon as this wretched war ends we mean to get Ann and
George back home and Kate too and they can then all go to boarding school together.
If I were a more methodical person I would try to teach Kate myself, but being a
muddler I will have my hands full with Johnny and the new baby. Life passes pleasantly
but quietly here. Much of my time is taken up with entertaining the children and sewing
for them and just waiting for George to come home.George works so hard on these safaris and this endless elephant hunting to
protect native crops entails so much foot safari, that he has lost a good deal of weight. it
is more than ten years since he had a holiday so he is greatly looking forward to this one.
Four whole months together!I should like to keep the ayah, Janet, for the new baby, but she says she wants
to return to her home in the Southern Highlands Province and take a job there. She is
unusually efficient and so clean, and the houseboy and cook are quite scared of her. She
bawls at them if the children’s meals are served a few minutes late but she is always
respectful towards me and practically creeps around on tiptoe when George is home.
She has a room next to the outside kitchen. One night thieves broke into the kitchen and
stole a few things, also a canvas chair and mat from the verandah. Ayah heard them, and
grabbing a bit of firewood, she gave chase. Her shouts so alarmed the thieves that they
ran off up the hill jettisoning their loot as they ran. She is a great character.Eleanor.
Morogoro 30th July 1941
Dearest Family,
Safely back in Morogoro after a rather grim voyage from Durban. Our ship was
completely blacked out at night and we had to sleep with warm clothing and life belts
handy and had so many tedious boat drills. It was a nuisance being held up for a whole
month in Durban, because I was so very pregnant when we did embark. In fact George
suggested that I had better hide in the ‘Ladies’ until the ship sailed for fear the Captain
might refuse to take me. It seems that the ship, on which we were originally booked to
travel, was torpedoed somewhere off the Cape.We have been given a very large house this tour with a mosquito netted
sleeping porch which will be fine for the new baby. The only disadvantage is that the
house is on the very edge of the residential part of Morogoro and Johnny will have to
go quite a distance to find playmates.I still miss Kate terribly. She is a loving little person. I had prepared for a scene
when we said good-bye but I never expected that she would be the comforter. It
nearly broke my heart when she put her arms around me and said, “I’m so sorry
Mummy, please don’t cry. I’ll be good. Please don’t cry.” I’m afraid it was all very
harrowing for you also. It is a great comfort to hear that she has settled down so happily.
I try not to think consciously of my absent children and remind myself that there are
thousands of mothers in the same boat, but they are always there at the back of my
mind.Mother writes that Ann and George are perfectly happy and well, and that though
German bombers do fly over fairly frequently, they are unlikely to drop their bombs on
a small place like Jacksdale.George has already left on safari to the Rufiji. There was no replacement for his
job while he was away so he is anxious to get things moving again. Johnny and I are
going to move in with friends until he returns, just in case all the travelling around brings
the new baby on earlier than expected.Eleanor.
Morogoro 26th August 1941
Dearest Family,
Our new son, James Caleb. was born at 3.30 pm yesterday afternoon, with a
minimum of fuss, in the hospital here. The Doctor was out so my friend, Sister Murray,
delivered the baby. The Sister is a Scots girl, very efficient and calm and encouraging,
and an ideal person to have around at such a time.Everything, this time, went without a hitch and I feel fine and proud of my
bouncing son. He weighs nine pounds and ten ounces and is a big boned fellow with
dark hair and unusually strongly marked eyebrows. His eyes are strong too and already
seem to focus. George is delighted with him and brought Hugh Nelson to see him this
morning. Hugh took one look, and, astonished I suppose by the baby’s apparent
awareness, said, “Gosh, this one has been here before.” The baby’s cot is beside my
bed so I can admire him as much as I please. He has large strong hands and George
reckons he’ll make a good boxer some day.Another of my early visitors was Mabemba, George’s orderly. He is a very big
African and looks impressive in his Game Scouts uniform. George met him years ago at
Mahenge when he was a young elephant hunter and Mabemba was an Askari in the
Police. Mabemba takes quite a proprietary interest in the family.Eleanor.
Morogoro 25th December 1941
Dearest Family,
Christmas Day today, but not a gay one. I have Johnny in bed with a poisoned
leg so he missed the children’s party at the Club. To make things a little festive I have
put up a little Christmas tree in the children’s room and have hung up streamers and
balloons above the beds. Johnny demands a lot of attention so it is fortunate that little
James is such a very good baby. He sleeps all night until 6 am when his feed is due.
One morning last week I got up as usual to feed him but I felt so dopey that I
thought I’d better have a cold wash first. I went into the bathroom and had a hurried
splash and then grabbed a towel to dry my face. Immediately I felt an agonising pain in
my nose. Reason? There was a scorpion in the towel! In no time at all my nose looked
like a pear and felt burning hot. The baby screamed with frustration whilst I feverishly
bathed my nose and applied this and that in an effort to cool it.For three days my nose was very red and tender,”A real boozer nose”, said
George. But now, thank goodness, it is back to normal.Some of the younger marrieds and a couple of bachelors came around,
complete with portable harmonium, to sing carols in the early hours. No sooner had we
settled down again to woo sleep when we were disturbed by shouts and screams from
our nearest neighbour’s house. “Just celebrating Christmas”, grunted George, but we
heard this morning that the neighbour had fallen down his verandah steps and broken his
leg.Eleanor.
Morogoro Hospital 30th September 1943
Dearest Family,
Well now we are eight! Our new son, Henry, was born on the night of the 28th.
He is a beautiful baby, weighing ten pounds three and a half ounces. This baby is very
well developed, handsome, and rather superior looking, and not at all amusing to look at
as the other boys were.George was born with a moustache, John had a large nose and
looked like a little old man, and Jim, bless his heart, looked rather like a baby
chimpanzee. Henry is different. One of my visitors said, “Heaven he’ll have to be a
Bishop!” I expect the lawn sleeves of his nightie really gave her that idea, but the baby
does look like ‘Someone’. He is very good and George, John, and Jim are delighted
with him, so is Mabemba.We have a dear little nurse looking after us. She is very petite and childish
looking. When the baby was born and she brought him for me to see, the nurse asked
his name. I said jokingly, “His name is Benjamin – the last of the family.” She is now very
peeved to discover that his real name is Henry William and persists in calling him
‘Benjie’.I am longing to get home and into my pleasant rut. I have been away for two
whole weeks and George is managing so well that I shall feel quite expendable if I don’t
get home soon. As our home is a couple of miles from the hospital, I arranged to move
in and stay with the nursing sister on the day the baby was due. There I remained for ten
whole days before the baby was born. Each afternoon George came and took me for a
ride in the bumpy Bedford lorry and the Doctor tried this and that but the baby refused
to be hurried.On the tenth day I had the offer of a lift and decided to go home for tea and
surprise George. It was a surprise too, because George was entertaining a young
Game Ranger for tea and my arrival, looking like a perambulating big top, must have
been rather embarrassing.Henry was born at the exact moment that celebrations started
in the Township for the end of the Muslim religious festival of Ramadan. As the Doctor
held him up by his ankles, there was the sound of hooters and firecrackers from the town.
The baby has a birthmark in the shape of a crescent moon above his left eyebrow.Eleanor.
Morogoro 26th January 1944
Dearest Family,
We have just heard that we are to be transferred to the Headquarters of the
Game Department at a place called Lyamungu in the Northern Province. George is not
at all pleased because he feels that the new job will entail a good deal of office work and
that his beloved but endless elephant hunting will be considerably curtailed. I am glad of
that and I am looking forward to seeing a new part of Tanganyika and particularly
Kilimanjaro which dominates Lyamungu.Thank goodness our menagerie is now much smaller. We found a home for the
guinea pigs last December and Susie, our mischievous guinea-fowl, has flown off to find
a mate.Last week I went down to Dar es Salaam for a check up by Doctor John, a
woman doctor, leaving George to cope with the three boys. I was away two nights and
a day and returned early in the morning just as George was giving Henry his six o’clock
bottle. It always amazes me that so very masculine a man can do my chores with no
effort and I have a horrible suspicion that he does them better than I do. I enjoyed the
short break at the coast very much. I stayed with friends and we bathed in the warm sea
and saw a good film.Now I suppose there will be a round of farewell parties. People in this country
are most kind and hospitable.Eleanor.
Lyamungu 20th March 1944
Dearest Family,
We left Morogoro after the round of farewell parties I had anticipated. The final
one was at the Club on Saturday night. George made a most amusing speech and the
party was a very pleasant occasion though I was rather tired after all the packing.
Several friends gathered to wave us off on Monday morning. We had two lorries
loaded with our goods. I rode in the cab of the first one with Henry on my knee. George
with John and Jim rode in the second one. As there was no room for them in the cab,
they sat on our couch which was placed across the width of the lorry behind the cab. This
seat was not as comfortable as it sounds, because the space behind the couch was
taken up with packing cases which were not lashed in place and these kept moving
forward as the lorry bumped its way over the bad road.Soon there was hardly any leg room and George had constantly to stand up and
push the second layer of packing cases back to prevent them from toppling over onto
the children and himself. As it is now the rainy season the road was very muddy and
treacherous and the lorries travelled so slowly it was dark by the time we reached
Karogwe from where we were booked to take the train next morning to Moshi.
Next morning we heard that there had been a washaway on the line and that the
train would be delayed for at least twelve hours. I was not feeling well and certainly did
not enjoy my day. Early in the afternoon Jimmy ran into a wall and blackened both his
eyes. What a child! As the day wore on I felt worse and worse and when at last the train
did arrive I simply crawled into my bunk whilst George coped nobly with the luggage
and the children.We arrived at Moshi at breakfast time and went straight to the Lion Cub Hotel
where I took to my bed with a high temperature. It was, of course, malaria. I always have
my attacks at the most inopportune times. Fortunately George ran into some friends
called Eccles and the wife Mollie came to my room and bathed Henry and prepared his
bottle and fed him. George looked after John and Jim. Next day I felt much better and
we drove out to Lyamungu the day after. There we had tea with the Game Warden and
his wife before moving into our new home nearby.The Game Warden is Captain Monty Moore VC. He came out to Africa
originally as an Officer in the King’s African Rifles and liked the country so much he left the
Army and joined the Game Department. He was stationed at Banagi in the Serengetti
Game Reserve and is well known for his work with the lions there. He particularly tamed
some of the lions by feeding them so that they would come out into the open and could
readily be photographed by tourists. His wife Audrey, has written a book about their
experiences at Banagi. It is called “Serengetti”Our cook, Hamisi, soon had a meal ready for us and we all went to bed early.
This is a very pleasant house and I know we will be happy here. I still feel a little shaky
but that is the result of all the quinine I have taken. I expect I shall feel fine in a day or two.Eleanor.
Lyamungu 15th May 1944
Dearest Family,
Well, here we are settled comfortably in our very nice house. The house is
modern and roomy, and there is a large enclosed verandah, which will be a Godsend in
the wet weather as a playroom for the children. The only drawback is that there are so
many windows to be curtained and cleaned. The grounds consist of a very large lawn
and a few beds of roses and shrubs. It is an ideal garden for children, unlike our steeply
terraced garden at Morogoro.Lyamungu is really the Government Coffee Research Station. It is about sixteen
miles from the town of Moshi which is the centre of the Tanganyika coffee growing
industry. Lyamungu, which means ‘place of God’ is in the foothills of Mt Kilimanjaro and
we have a beautiful view of Kilimanjaro. Kibo, the more spectacular of the two mountain
peaks, towers above us, looking from this angle, like a giant frosted plum pudding. Often the mountain is veiled by cloud and mist which sometimes comes down to
our level so that visibility is practically nil. George dislikes both mist and mountain but I
like both and so does John. He in fact saw Kibo before I did. On our first day here, the
peak was completely hidden by cloud. In the late afternoon when the children were
playing on the lawn outside I was indoors hanging curtains. I heard John call out, “Oh
Mummy, isn’t it beautiful!” I ran outside and there, above a scarf of cloud, I saw the
showy dome of Kibo with the setting sun shining on it tingeing the snow pink. It was an
unforgettable experience.As this is the rainy season, the surrounding country side is very lush and green.
Everywhere one sees the rich green of the coffee plantations and the lighter green of
the banana groves. Unfortunately our walks are rather circumscribed. Except for the main road to Moshi, there is nowhere to walk except through the Government coffee
plantation. Paddy, our dog, thinks life is pretty boring as there is no bush here and
nothing to hunt. There are only half a dozen European families here and half of those are
on very distant terms with the other half which makes the station a rather uncomfortable
one.The coffee expert who runs this station is annoyed because his European staff
has been cut down owing to the war, and three of the vacant houses and some office
buildings have been taken over temporarily by the Game Department. Another house
has been taken over by the head of the Labour Department. However I don’t suppose
the ill feeling will effect us much. We are so used to living in the bush that we are not
socially inclined any way.Our cook, Hamisi, came with us from Morogoro but I had to engage a new
houseboy and kitchenboy. I first engaged a houseboy who produced a wonderful ‘chit’
in which his previous employer describes him as his “friend and confidant”. I felt rather
dubious about engaging him and how right I was. On his second day with us I produced
some of Henry’s napkins, previously rinsed by me, and asked this boy to wash them.
He looked most offended and told me that it was beneath his dignity to do women’s
work. We parted immediately with mutual relief.Now I have a good natured fellow named Japhet who, though hard on crockery,
is prepared to do anything and loves playing with the children. He is a local boy, a
member of the Chagga tribe. These Chagga are most intelligent and, on the whole, well
to do as they all have their own small coffee shambas. Japhet tells me that his son is at
the Uganda University College studying medicine.The kitchen boy is a tall youth called
Tovelo, who helps both Hamisi, the cook, and the houseboy and also keeps an eye on
Henry when I am sewing. I still make all the children’s clothes and my own. Life is
pleasant but dull. George promises that he will take the whole family on safari when
Henry is a little older.Eleanor.
Lyamungu 18th July 1944
Dearest Family,
Life drifts quietly by at Lyamungu with each day much like the one before – or
they would be, except that the children provide the sort of excitement that prohibits
boredom. Of the three boys our Jim is the best at this. Last week Jim wandered into the
coffee plantation beside our house and chewed some newly spayed berries. Result?
A high temperature and nasty, bloody diarrhoea, so we had to rush him to the hospital at
Moshi for treatment. however he was well again next day and George went off on safari.
That night there was another crisis. As the nights are now very cold, at this high
altitude, we have a large fire lit in the living room and the boy leaves a pile of logs
beside the hearth so that I can replenish the fire when necessary. Well that night I took
Henry off to bed, leaving John and Jim playing in the living room. When their bedtime
came, I called them without leaving the bedroom. When I had tucked John and Jim into
bed, I sat reading a bedtime story as I always do. Suddenly I saw smoke drifting
through the door, and heard a frightening rumbling noise. Japhet rushed in to say that the
lounge chimney was on fire! Picture me, panic on the inside and sweet smile on the
outside, as I picked Henry up and said to the other two, “There’s nothing to be
frightened about chaps, but get up and come outside for a bit.” Stupid of me to be so
heroic because John and Jim were not at all scared but only too delighted at the chance
of rushing about outside in the dark. The fire to them was just a bit of extra fun.We hurried out to find one boy already on the roof and the other passing up a
brimming bucket of water. Other boys appeared from nowhere and soon cascades of
water were pouring down the chimney. The result was a mountain of smouldering soot
on the hearth and a pool of black water on the living room floor. However the fire was out
and no serious harm done because all the floors here are cement and another stain on
the old rug will hardly be noticed. As the children reluctantly returned to bed John
remarked smugly, “I told Jim not to put all the wood on the fire at once but he wouldn’t
listen.” I might have guessed!However it was not Jim but John who gave me the worst turn of all this week. As
a treat I decided to take the boys to the river for a picnic tea. The river is not far from our
house but we had never been there before so I took the kitchen boy, Tovelo, to show
us the way. The path is on the level until one is in sight of the river when the bank slopes
steeply down. I decided that it was too steep for the pram so I stopped to lift Henry out
and carry him. When I looked around I saw John running down the slope towards the
river. The stream is not wide but flows swiftly and I had no idea how deep it was. All I
knew was that it was a trout stream. I called for John, “Stop, wait for me!” but he ran on
and made for a rude pole bridge which spanned the river. He started to cross and then,
to my horror, I saw John slip. There was a splash and he disappeared under the water. I
just dumped the baby on the ground, screamed to the boy to mind him and ran madly
down the slope to the river. Suddenly I saw John’s tight fitting felt hat emerge, then his
eyes and nose. I dashed into the water and found, to my intense relief, that it only
reached up to my shoulders but, thank heaven no further. John’s steady eyes watched
me trustingly as I approached him and carried him safely to the bank. He had been
standing on a rock and had not panicked at all though he had to stand up very straight
and tall to keep his nose out of water. I was too proud of him to scold him for
disobedience and too wet anyway.I made John undress and put on two spare pullovers and wrapped Henry’s
baby blanket round his waist like a sarong. We made a small fire over which I crouched
with literally chattering teeth whilst Tovelo ran home to fetch a coat for me and dry clothes
for John.Eleanor.
Lyamungu 16th August 1944
Dearest Family,
We have a new bull terrier bitch pup whom we have named Fanny III . So once
more we have a menagerie , the two dogs, two cats Susie and Winnie, and
some pet hens who live in the garage and are a real nuisance.As John is nearly six I thought it time that he started lessons and wrote off to Dar
es Salaam for the correspondence course. We have had one week of lessons and I am
already in a state of physical and mental exhaustion. John is a most reluctant scholar.
“Why should I learn to read, when you can read to me?” he asks, and “Anyway why
should I read such stupid stuff, ‘Run Rover Run’, and ‘Mother play with baby’ . Who
wants to read about things like that? I don’t.”He rather likes sums, but the only subject about which he is enthusiastic is
prehistoric history. He laps up information about ‘The Tree Dwellers’, though he is very
sceptical about the existence of such people. “God couldn’t be so silly to make people
so stupid. Fancy living in trees when it is easy to make huts like the natives.” ‘The Tree
Dwellers is a highly imaginative story about a revolting female called Sharptooth and her
offspring called Bodo. I have a very clear mental image of Sharptooth, so it came as a
shock to me and highly amused George when John looked at me reflectively across the
tea table and said, “Mummy I expect Sharptooth looked like you. You have a sharp
tooth too!” I have, my eye teeth are rather sharp, but I hope the resemblance stops
there.John has an uncomfortably logical mind for a small boy. The other day he was
lying on the lawn staring up at the clouds when he suddenly muttered “I don’t believe it.”
“Believe what?” I asked. “That Jesus is coming on a cloud one day. How can he? The
thick ones always stay high up. What’s he going to do, jump down with a parachute?”
Tovelo, my kitchen boy, announced one evening that his grandmother was in the
kitchen and wished to see me. She was a handsome and sensible Chagga woman who
brought sad news. Her little granddaughter had stumbled backwards into a large cooking
pot of almost boiling maize meal porridge and was ‘ngongwa sana’ (very ill). I grabbed
a large bottle of Picric Acid and a packet of gauze which we keep for these emergencies
and went with her, through coffee shambas and banana groves to her daughter’s house.
Inside the very neat thatched hut the mother sat with the naked child lying face
downwards on her knee. The child’s buttocks and the back of her legs were covered in
huge burst blisters from which a watery pus dripped. It appeared that the accident had
happened on the previous day.I could see that it was absolutely necessary to clean up the damaged area, and I
suddenly remembered that there was a trained African hospital dresser on the station. I
sent the father to fetch him and whilst the dresser cleaned off the sloughed skin with
forceps and swabs saturated in Picric Acid, I cut the gauze into small squares which I
soaked in the lotion and laid on the cleaned area. I thought the small pieces would be
easier to change especially as the whole of the most tender parts, front and back, were
badly scalded. The child seemed dazed and neither the dresser nor I thought she would
live. I gave her half an aspirin and left three more half tablets to be given four hourly.
Next day she seemed much brighter. I poured more lotion on the gauze
disturbing as few pieces as possible and again the next day and the next. After a week
the skin was healing well and the child eating normally. I am sure she will be all right now.
The new skin is a brilliant red and very shiny but it is pale round the edges of the burnt
area and will I hope later turn brown. The mother never uttered a word of thanks, but the
granny is grateful and today brought the children a bunch of bananas.Eleanor.
c/o Game Dept. P.O.Moshi. 29th September 1944
Dearest Mummy,
I am so glad that you so enjoyed my last letter with the description of our very
interesting and enjoyable safari through Masailand. You said you would like an even
fuller description of it to pass around amongst the relations, so, to please you, I have
written it out in detail and enclose the result.We have spent a quiet week after our exertions and all are well here.
Very much love,
Eleanor.Safari in Masailand
George and I were at tea with our three little boys on the front lawn of our house
in Lyamungu, Northern Tanganyika. It was John’s sixth birthday and he and Jim, a
happy sturdy three year old, and Henry, aged eleven months, were munching the
squares of plain chocolate which rounded off the party, when George said casually
across the table to me, “Could you be ready by the day after tomorrow to go on
safari?” “Me too?” enquired John anxiously, before I had time to reply, and “Me too?”
echoed Jim. “yes, of course I can”, said I to George and “of course you’re coming too”,
to the children who rate a day spent in the bush higher than any other pleasure.
So in the early morning two days later, we started out happily for Masailand in a
three ton Ford lorry loaded to capacity with the five Rushbys, the safari paraphernalia,
drums of petrol and quite a retinue of servants and Game Scouts. George travelling
alone on his monthly safaris, takes only the cook and a couple of Game Scouts, but this was to be a safari de luxe.Henry and I shared the cab with George who was driving, whilst John and Jim
with the faithful orderly Mabemba beside them to point out the game animals, were
installed upon rolls of bedding in the body of the lorry. The lorry lumbered along, first
through coffee shambas, and then along the main road between Moshi and Arusha.
After half an hour or so, we turned South off the road into a track which crossed the
Sanya Plains and is the beginning of this part of Masailand. Though the dry season was
at its height, and the pasture dry and course, we were soon passing small groups of
game. This area is a Game Sanctuary and the antelope grazed quietly quite undisturbed
by the passing lorry. Here and there zebra stood bunched by the road, a few wild
ostriches stalked jerkily by, and in the distance some wildebeest cavorted around in their
crazy way.Soon the grasslands gave way to thorn bush, and we saw six fantastically tall
giraffe standing motionless with their heads turned enquiringly towards us. George
stopped the lorry so the children could have a good view of them. John was enchanted
but Jim, alas, was asleep.At mid day we reached the Kikoletwa River and turned aside to camp. Beside
the river, under huge leafy trees, there was a beautiful camping spot, but the river was
deep and reputed to be full of crocodiles so we passed it by and made our camp
some distance from the river under a tall thorn tree with a flat lacy canopy. All around the
camp lay uprooted trees of similar size that had been pushed over by elephants. As
soon as the lorry stopped a camp chair was set up for me and the Game Scouts quickly
slashed down grass and cleared the camp site of thorns. The same boys then pitched the tent whilst George himself set up the three camp beds and the folding cot for Henry,
and set up the safari table and the canvas wash bowl and bath.The cook in the meantime had cleared a cool spot for the kitchen , opened up the
chop boxes and started a fire. The cook’s boy and the dhobi (laundry boy) brought
water from the rather muddy river and tea was served followed shortly afterward by an
excellent lunch. In a very short time the camp had a suprisingly homely look. Nappies
fluttered from a clothes line, Henry slept peacefully in his cot, John and Jim sprawled on
one bed looking at comics, and I dozed comfortably on another.George, with the Game Scouts, drove off in the lorry about his work. As a Game
Ranger it is his business to be on a constant look out for poachers, both African and
European, and for disease in game which might infect the valuable herds of Masai cattle.
The lorry did not return until dusk by which time the children had bathed enthusiastically in
the canvas bath and were ready for supper and bed. George backed the lorry at right
angles to the tent, Henry’s cot and two camp beds were set up in the lorry, the tarpaulin
was lashed down and the children put to bed in their novel nursery.When darkness fell a large fire was lit in front of the camp, the exited children at
last fell asleep and George and I sat on by the fire enjoying the cool and quiet night.
When the fire subsided into a bed of glowing coals, it was time for our bed. During the
night I was awakened by the sound of breaking branches and strange indescribable
noises.” Just elephant”, said George comfortably and instantly fell asleep once more. I
didn’t! We rose with the birds next morning, but breakfast was ready and in a
remarkably short time the lorry had been reloaded and we were once more on our way.
For about half a mile we made our own track across the plain and then we turned
into the earth road once more. Soon we had reached the river and were looking with
dismay at the suspension bridge which we had to cross. At the far side, one steel
hawser was missing and there the bridge tilted dangerously. There was no handrail but
only heavy wooden posts which marked the extremities of the bridge. WhenGeorge
measured the distance between the posts he found that there could be barely two
inches to spare on either side of the cumbersome lorry.He decided to risk crossing, but the children and I and all the servants were told to
cross the bridge and go down the track out of sight. The Game Scouts remained on the
river bank on the far side of the bridge and stood ready for emergencies. As I walked
along anxiously listening, I was horrified to hear the lorry come to a stop on the bridge.
There was a loud creaking noise and I instantly visualised the lorry slowly toppling over
into the deep crocodile infested river. The engine restarted, the lorry crossed the bridge
and came slowly into sight around the bend. My heart slid back into its normal position.
George was as imperturbable as ever and simply remarked that it had been a near
thing and that we would return to Lyamungu by another route.Beyond the green river belt the very rutted track ran through very uninteresting
thorn bush country. Henry was bored and tiresome, jumping up and down on my knee
and yelling furiously. “Teeth”, said I apologetically to George, rashly handing a match
box to Henry to keep him quiet. No use at all! With a fat finger he poked out the tray
spilling the matches all over me and the floor. Within seconds Henry had torn the
matchbox to pieces with his teeth and flung the battered remains through the window.
An empty cigarette box met with the same fate as the match box and the yells
continued unabated until Henry slept from sheer exhaustion. George gave me a smile,
half sympathetic and half sardonic, “Enjoying the safari, my love?” he enquired. On these
trying occasions George has the inestimable advantage of being able to go into a Yogilike
trance, whereas I become irritated to screaming point.In an effort to prolong Henry’s slumber I braced my feet against the floor boards
and tried to turn myself into a human shock absorber as we lurched along the eroded
track. Several times my head made contact with the bolt of a rifle in the rack above, and
once I felt I had shattered my knee cap against the fire extinguisher in a bracket under the
dash board.Strange as it may seem, I really was enjoying the trip in spite of these
discomforts. At last after three years I was once more on safari with George. This type of
country was new to me and there was so much to see We passed a family of giraffe
standing in complete immobility only a few yards from the track. Little dick-dick. one of the smallest of the antelope, scuttled in pairs across the road and that afternoon I had my first view of Gerenuk, curious red brown antelope with extremely elongated legs and giraffe-like necks.Most interesting of all was my first sight of Masai at home. We could hear a tuneful
jangle of cattle bells and suddenly came across herds of humped cattle browsing upon
the thorn bushes. The herds were guarded by athletic,striking looking Masai youths and men.
Each had a calabash of water slung over his shoulder and a tall, highly polished spear in his
hand. These herdsmen were quite unselfconscious though they wore no clothing except for one carelessly draped blanket. Very few gave us any greeting but glanced indifferently at us from under fringes of clay-daubed plaited hair . The rest of their hair was drawn back behind the ears to display split earlobes stretched into slender loops by the weight of heavy brass or copper tribal ear rings.Most of the villages were set well back in the bush out of sight of the road but we did pass one
typical village which looked most primitive indeed. It consisted simply of a few mound like mud huts which were entirely covered with a plaster of mud and cattle dung and the whole clutch of huts were surrounded by a ‘boma’ of thorn to keep the cattle in at night and the lions out. There was a gathering of women and children on the road at this point. The children of both sexes were naked and unadorned, but the women looked very fine indeed. This is not surprising for they have little to do but adorn themselves, unlike their counterparts of other tribes who have to work hard cultivating the fields. The Masai women, and others I saw on safari, were far more amiable and cheerful looking than the men and were well proportioned.They wore skirts of dressed goat skin, knee length in front but ankle length behind. Their arms
from elbow to wrist, and legs from knee to ankle, were encased in tight coils of copper and
galvanised wire. All had their heads shaved and in some cases bound by a leather band
embroidered in red white and blue beads. Circular ear rings hung from slit earlobes and their
handsome throats were encircled by stiff wire necklaces strung with brightly coloured beads. These
necklaces were carefully graded in size and formed deep collars almost covering their breasts.
About a quarter of a mile further along the road we met eleven young braves in gala attire, obviously on their way to call on the girls. They formed a line across the road and danced up and down until the lorry was dangerously near when they parted and grinned cheerfully at us. These were the only cheerful
looking male Masai that I saw. Like the herdsmen these youths wore only a blanket, but their
blankets were ochre colour, and elegantly draped over their backs. Their naked bodies gleamed with oil. Several had painted white stripes on their faces, and two had whitewashed their faces entirely which I
thought a pity. All had their long hair elaborately dressed and some carried not only one,
but two gleaming spears.By mid day George decided that we had driven far enough for that day. He
stopped the lorry and consulted a rather unreliable map. “Somewhere near here is a
place called Lolbeni,” he said. “The name means Sweet Water, I hear that the
government have piped spring water down from the mountain into a small dam at which
the Masai water their cattle.” Lolbeni sounded pleasant to me. Henry was dusty and
cross, the rubber sheet had long slipped from my lap to the floor and I was conscious of
a very damp lap. ‘Sweet Waters’ I felt, would put all that right. A few hundred yards
away a small herd of cattle was grazing, so George lit his pipe and relaxed at last, whilst
a Game Scout went off to find the herdsman. The scout soon returned with an ancient
and emaciated Masai who was thrilled at the prospect of his first ride in a lorry and
offered to direct us to Lolbeni which was off the main track and about four miles away.Once Lolbeni had been a small administrative post and a good track had
led to it, but now the Post had been abandoned and the road is dotted with vigourous
thorn bushes and the branches of larger thorn trees encroach on the track The road had
deteriorated to a mere cattle track, deeply rutted and eroded by heavy rains over a
period of years. The great Ford truck, however, could take it. It lurched victoriously along,
mowing down the obstructions, tearing off branches from encroaching thorn trees with its
high railed sides, spanning gorges in the track, and climbing in and out of those too wide
to span. I felt an army tank could not have done better.I had expected Lolbeni to be a green oasis in a desert of grey thorns, but I was
quickly disillusioned. To be sure the thorn trees were larger and more widely spaced and
provided welcome shade, but the ground under the trees had been trampled by thousands of cattle into a dreary expanse of dirty grey sand liberally dotted with cattle droppings and made still more uninviting by the bleached bones of dead beasts.To the right of this waste rose a high green hill which gave the place its name and from which
the precious water was piped, but its slopes were too steep to provide a camping site.
Flies swarmed everywhere and I was most relieved when George said that we would
stay only long enough to fill our cans with water. Even the water was a disappointment!
The water in the small dam was low and covered by a revolting green scum, and though
the water in the feeding pipe was sweet, it trickled so feebly that it took simply ages to
fill a four gallon can.However all these disappointments were soon forgotten for we drove away
from the flies and dirt and trampled sand and soon, with their quiet efficiency, George
and his men set up a comfortable camp. John and Jim immediately started digging
operations in the sandy soil whilst Henry and I rested. After tea George took his shot
gun and went off to shoot guinea fowl and partridges for the pot. The children and I went
walking, keeping well in site of camp, and soon we saw a very large flock of Vulturine
Guineafowl, running aimlessly about and looking as tame as barnyard fowls, but melting
away as soon as we moved in their direction.We had our second quiet and lovely evening by the camp fire, followed by a
peaceful night.We left Lolbeni very early next morning, which was a good thing, for as we left
camp the herds of thirsty cattle moved in from all directions. They were accompanied by
Masai herdsmen, their naked bodies and blankets now covered by volcanic dust which
was being stirred in rising clouds of stifling ash by the milling cattle, and also by grey
donkeys laden with panniers filled with corked calabashes for water.Our next stop was Nabarera, a Masai cattle market and trading centre, where we
reluctantly stayed for two days in a pokey Goverment Resthouse because George had
a job to do in that area. The rest was good for Henry who promptly produced a tooth
and was consequently much better behaved for the rest of the trip. George was away in the bush most of the day but he returned for afternoon tea and later took the children out
walking. We had noticed curious white dumps about a quarter mile from the resthouse
and on the second afternoon we set out to investigate them. Behind the dumps we
found passages about six foot wide, cut through solid limestone. We explored two of
these and found that both passages led steeply down to circular wells about two and a
half feet in diameter.At the very foot of each passage, beside each well, rough drinking troughs had
been cut in the stone. The herdsmen haul the water out of the well in home made hide
buckets, the troughs are filled and the cattle driven down the ramps to drink at the trough.
It was obvious that the wells were ancient and the sloping passages new. George tells
me that no one knows what ancient race dug the original wells. It seems incredible that
these deep and narrow shafts could have been sunk without machinery. I craned my
neck and looked above one well and could see an immensely long shaft reaching up to
ground level. Small footholds were cut in the solid rock as far as I could see.
It seems that the Masai are as ignorant as ourselves about the origin of these
wells. They do say however that when their forebears first occupied what is now known
as Masailand, they not only found the Wanderobo tribe in the area but also a light
skinned people and they think it possible that these light skinned people dug the wells.
These people disappeared. They may have been absorbed or, more likely, they were
liquidated.The Masai had found the well impractical in their original form and had hired
labourers from neighbouring tribes to cut the passages to water level. Certainly the Masai are not responsible for the wells. They are a purely pastoral people and consider manual labour extremely degrading.They live chiefly on milk from their herd which they allow to go sour, and mix with blood that has been skilfully tapped from the necks of living cattle. They do not eat game meat, nor do they cultivate any
land. They hunt with spears, but hunt only lions, to protect their herds, and to test the skill
and bravery of their young warriors. What little grain they do eat is transported into
Masailand by traders. The next stage of our journey took us to Ngassamet where
George was to pick up some elephant tusks. I had looked forward particularly to this
stretch of road for I had heard that there was a shallow lake at which game congregates,
and at which I had great hopes of seeing elephants. We had come too late in the
season though, the lake was dry and there were only piles of elephant droppings to
prove that elephant had recently been there in numbers. Ngassamet, though no beauty
spot, was interesting. We saw more elaborate editions of the wells already described, and as this area
is rich in cattle we saw the aristocrats of the Masai. You cannot conceive of a more arrogant looking male than a young Masai brave striding by on sandalled feet, unselfconscious in all his glory. All the young men wore the casually draped traditional ochre blanket and carried one or more spears. But here belts and long knife sheaths of scarlet leather seem to be the fashion. Here fringes do not seem to be the thing. Most of these young Masai had their hair drawn smoothly back and twisted in a pointed queue, the whole plastered with a smooth coating of red clay. Some tied their horn shaped queues over their heads
so that the tip formed a deep Satanic peak on the brow. All these young men wore the traditional
copper earrings and I saw one or two with copper bracelets and one with a necklace of brightly coloured
beads.It so happened that, on the day of our visit to Ngassamet, there had been a
baraza (meeting) which was attended by all the local headmen and elders. These old
men came to pay their respects to George and a more shrewd and rascally looking
company I have never seen, George told me that some of these men own up to three
thousand head of cattle and more. The chief was as fat and Rabelasian as his second in
command was emaciated, bucktoothed and prim. The Chief shook hands with George
and greeted me and settled himself on the wall of the resthouse porch opposite
George. The lesser headmen, after politely greeting us, grouped themselves in a
semi circle below the steps with their ‘aides’ respectfully standing behind them. I
remained sitting in the only chair and watched the proceedings with interest and
amusement.These old Masai, I noticed, cared nothing for adornment. They had proved
themselves as warriors in the past and were known to be wealthy and influential so did
not need to make any display. Most of them had their heads comfortably shaved and
wore only a drab blanket or goatskin cloak. Their only ornaments were earrings whose
effect was somewhat marred by the serviceable and homely large safety pin that
dangled from the lobe of one ear. All carried staves instead of spears and all, except for
Buckteeth and one blind old skeleton of a man, appeared to have a keenly developed
sense of humour.“Mummy?” asked John in an urgent whisper, “Is that old blind man nearly dead?”
“Yes dear”, said I, “I expect he’ll soon die.” “What here?” breathed John in a tone of
keen anticipation and, until the meeting broke up and the old man left, he had John’s
undivided attention.After local news and the game situation had been discussed, the talk turned to the
war. “When will the war end?” moaned the fat Chief. “We have made great gifts of cattle
to the War Funds, we are taxed out of existence.” George replied with the Ki-Swahili
equivalent of ‘Sez you!’. This sally was received with laughter and the old fellows rose to
go. They made their farewells and dignified exits, pausing on their way to stare at our
pink and white Henry, who sat undismayed in his push chair giving them stare for stare
from his striking grey eyes.Towards evening some Masai, prompted no doubt by our native servants,
brought a sheep for sale. It was the last night of the fast of Ramadan and our
Mohammedan boys hoped to feast next day at our expense. Their faces fell when
George refused to buy the animal. “Why should I pay fifteen shillings for a sheep?” he
asked, “Am I not the Bwana Nyama and is not the bush full of my sheep?” (Bwana
Nyama is the native name for a Game Ranger, but means literally, ‘Master of the meat’)
George meant that he would shoot a buck for the men next day, but this incident was to
have a strange sequel. Ngassamet resthouse consists of one room so small we could
not put up all our camp beds and George and I slept on the cement floor which was
unkind to my curves. The night was bitterly cold and all night long hyaenas screeched
hideously outside. So we rose at dawn without reluctance and were on our way before it
was properly light.George had decided that it would be foolhardy to return home by our outward
route as he did not care to risk another crossing of the suspension bridge. So we
returned to Nabarera and there turned onto a little used track which would eventually take
us to the Great North Road a few miles South of Arusha. There was not much game
about but I saw Oryx which I had not previously seen. Soon it grew intolerably hot and I
think all of us but George were dozing when he suddenly stopped the lorry and pointed
to the right. “Mpishi”, he called to the cook, “There’s your sheep!” True enough, on that
dreary thorn covered plain,with not another living thing in sight, stood a fat black sheep.There was an incredulous babbling from the back of the lorry. Every native
jumped to the ground and in no time at all the wretched sheep was caught and
slaughtered. I felt sick. “Oh George”, I wailed, “The poor lost sheep! I shan’t eat a scrap
of it.” George said nothing but went and had a look at the sheep and called out to me,
“Come and look at it. It was kindness to kill the poor thing, the vultures have been at it
already and the hyaenas would have got it tonight.” I went reluctantly and saw one eye
horribly torn out, and small deep wounds on the sheep’s back where the beaks of the
vultures had cut through the heavy fleece. Poor thing! I went back to the lorry more
determined than ever not to eat mutton on that trip. The Scouts and servants had no
such scruples. The fine fat sheep had been sent by Allah for their feast day and that was
the end of it.“ ‘Mpishi’ is more convinced than ever that I am a wizard”, said George in
amusement as he started the lorry. I knew what he meant. Several times before George
had foretold something which had later happened. Pure coincidence, but strange enough
to give rise to a legend that George had the power to arrange things. “What happened
of course”, explained George, “Is that a flock of Masai sheep was driven to market along
this track yesterday or the day before. This one strayed and was not missed.”The day grew hotter and hotter and for long miles we looked out for a camping
spot but could find little shade and no trace of water anywhere. At last, in the early
afternoon we reached another pokey little rest house and asked for water. “There is no
water here,” said the native caretaker. “Early in the morning there is water in a well nearby
but we are allowed only one kerosene tin full and by ten o’clock the well is dry.” I looked
at George in dismay for we were all so tired and dusty. “Where do the Masai from the
village water their cattle then?” asked George. “About two miles away through the bush.
If you take me with you I shall show you”, replied the native.So we turned off into the bush and followed a cattle track even more tortuous than
the one to Lolbeni. Two Scouts walked ahead to warn us of hazards and I stretched my
arm across the open window to fend off thorns. Henry screamed with fright and hunger.
But George’s efforts to reach water went unrewarded as we were brought to a stop by
a deep donga. The native from the resthouse was apologetic. He had mistaken the
path, perhaps if we turned back we might find it. George was beyond speech. We
lurched back the way we had come and made our camp under the first large tree we
could find. Then off went our camp boys on foot to return just before dark with the water.
However they were cheerful for there was an unlimited quantity of dry wood for their fires
and meat in plenty for their feast. Long after George and I left our campfire and had gone
to bed, we could see the cheerful fires of the boys and hear their chatter and laughter.
I woke in the small hours to hear the insane cackling of hyaenas gloating over a
find. Later I heard scuffling around the camp table, I peered over the tailboard of the lorry
and saw George come out of his tent. What are you doing?” I whispered. “Looking for
something to throw at those bloody hyaenas,” answered George for all the world as
though those big brutes were tomcats on the prowl. Though the hyaenas kept up their
concert all night the children never stirred, nor did any of them wake at night throughout
the safari.Early next morning I walked across to the camp kitchen to enquire into the loud
lamentations coming from that quarter. “Oh Memsahib”, moaned the cook, “We could
not sleep last night for the bad hyaenas round our tents. They have taken every scrap of
meat we had left over from the feast., even the meat we had left to smoke over the fire.”
Jim, who of our three young sons is the cook’s favourite commiserated with him. He said
in Ki-Swahili, which he speaks with great fluency, “Truly those hyaenas are very bad
creatures. They also robbed us. They have taken my hat from the table and eaten the
new soap from the washbowl.Our last day in the bush was a pleasantly lazy one. We drove through country
that grew more open and less dry as we approached Arusha. We pitched our camp
near a large dam, and the water was a blessed sight after a week of scorched country.
On the plains to the right of our camp was a vast herd of native cattle enjoying a brief
rest after their long day trek through Masailand. They were destined to walk many more
weary miles before reaching their destination, a meat canning factory in Kenya.
The ground to the left of the camp rose gently to form a long low hill and on the
grassy slopes we could see wild ostriches and herds of wildebeest, zebra and
antelope grazing amicably side by side. In the late afternoon I watched the groups of
zebra and wildebeest merge into one. Then with a wildebeest leading, they walked
down the slope in single file to drink at the vlei . When they were satisfied, a wildebeest
once more led the herd up the trail. The others followed in a long and orderly file, and
vanished over the hill to their evening pasture.When they had gone, George took up his shotgun and invited John to
accompany him to the dam to shoot duck. This was the first time John had acted as
retriever but he did very well and proudly helped to carry a mixed bag of sand grouse
and duck back to camp.Next morning we turned into the Great North Road and passed first through
carefully tended coffee shambas and then through the township of Arusha, nestling at
the foot of towering Mount Meru. Beyond Arusha we drove through the Usa River
settlement where again coffee shambas and European homesteads line the road, and
saw before us the magnificent spectacle of Kilimanjaro unveiled, its white snow cap
gleaming in the sunlight. Before mid day we were home. “Well was it worth it?” enquired
George at lunch. “Lovely,” I replied. ”Let’s go again soon.” Then thinking regretfully of
our absent children I sighed, “If only Ann, George, and Kate could have gone with us
too.”Lyamungu 10th November. 1944
Dearest Family.
Mummy wants to know how I fill in my time with George away on safari for weeks
on end. I do believe that you all picture me idling away my days, waited on hand and
foot by efficient servants! On the contrary, life is one rush and the days never long
enough.To begin with, our servants are anything but efficient, apart from our cook, Hamisi
Issa, who really is competent. He suffers from frustration because our budget will not run
to elaborate dishes so there is little scope for his culinary art. There is one masterpiece
which is much appreciated by John and Jim. Hamisi makes a most realistic crocodile out
of pastry and stuffs its innards with minced meat. This revolting reptile is served on a
bed of parsley on my largest meat dish. The cook is a strict Mohammedan and
observes all the fasts and daily prayers and, like all Mohammedans he is very clean in
his person and, thank goodness, in the kitchen.His wife is his pride and joy but not his helpmate. She does absolutely nothing
but sit in a chair in the sun all day, sipping tea and smoking cigarettes – a more
expensive brand than mine! It is Hamisi who sweeps out their quarters, cooks
delectable curries for her, and spends more than he can afford on clothing and trinkets for
his wife. She just sits there with her ‘Mona Lisa’ smile and her painted finger and toe
nails, doing absolutely nothing.The thing is that natives despise women who do work and this applies especially
to their white employers. House servants much prefer a Memsahib who leaves
everything to them and is careless about locking up her pantry. When we first came to
Lyamungu I had great difficulty in employing a houseboy. A couple of rather efficient
ones did approach me but when they heard the wages I was prepared to pay and that
there was no number 2 boy, they simply were not interested. Eventually I took on a
local boy called Japhet who suits me very well except that his sight is not good and he
is extremely hard on the crockery. He tells me that he has lost face by working here
because his friends say that he works for a family that is too mean to employ a second
boy. I explained that with our large family we simply cannot afford to pay more, but this
didn’t register at all. Japhet says “But Wazungu (Europeans) all have money. They just
have to get it from the Bank.”The third member of our staff is a strapping youth named Tovelo who helps both
cook and boy, and consequently works harder than either. What do I do? I chivvy the
servants, look after the children, supervise John’s lessons, and make all my clothing and
the children’s on that blessed old hand sewing machine.The folk on this station entertain a good deal but we usually decline invitations
because we simply cannot afford to reciprocate. However, last Saturday night I invited
two couples to drinks and dinner. This was such an unusual event that the servants and I
were thrown into a flurry. In the end the dinner went off well though it ended in disaster. In
spite of my entreaties and exhortations to Japhet not to pile everything onto the tray at
once when clearing the table, he did just that. We were starting our desert and I was
congratulating myself that all had gone well when there was a frightful crash of breaking
china on the back verandah. I excused myself and got up to investigate. A large meat
dish, six dinner plates and four vegetable dishes lay shattered on the cement floor! I
controlled my tongue but what my eyes said to Japhet is another matter. What he said
was, “It is not my fault Memsahib. The handle of the tray came off.”It is a curious thing about native servants that they never accept responsibility for
a mishap. If they cannot pin their misdeeds onto one of their fellow servants then the responsibility rests with God. ‘Shauri ya Mungu’, (an act of God) is a familiar cry. Fatalists
can be very exasperating employees.The loss of my dinner service is a real tragedy because, being war time, one can
buy only china of the poorest quality made for the native trade. Nor was that the final
disaster of the evening. When we moved to the lounge for coffee I noticed that the
coffee had been served in the battered old safari coffee pot instead of the charming little
antique coffee pot which my Mother-in-law had sent for our tenth wedding anniversary.
As there had already been a disturbance I made no comment but resolved to give the
cook a piece of my mind in the morning. My instructions to the cook had been to warm
the coffee pot with hot water immediately before serving. On no account was he to put
the pewter pot on the hot iron stove. He did and the result was a small hole in the base
of the pot – or so he says. When I saw the pot next morning there was a two inch hole in
it.Hamisi explained placidly how this had come about. He said he knew I would be
mad when I saw the little hole so he thought he would have it mended and I might not
notice it. Early in the morning he had taken the pewter pot to the mechanic who looks
after the Game Department vehicles and had asked him to repair it. The bright individual
got busy with the soldering iron with the most devastating result. “It’s his fault,” said
Hamisi, “He is a mechanic, he should have known what would happen.”
One thing is certain, there will be no more dinner parties in this house until the war
is ended.The children are well and so am I, and so was George when he left on his safari
last Monday.Much love,
Eleanor.In reply to: The Elusive Samuel Housley and Other Family Stories
The Gladstone Connection
My grandmother had said that we were distantly related to Gladstone the prime minister. Apparently Grandma’s mothers aunt had a neice that was related to him, or some combination of aunts and nieces on the Gretton side. I had not yet explored all the potential great grandmothers aunt’s nieces looking for this Gladstone connection, but I accidentally found a Gladstone on the tree on the Gretton side.
I was wandering around randomly looking at the hints for other people that had my grandparents in their trees to see who they were and how they were connected, and noted a couple of photos of Orgills. Richard Gretton, grandma’s mother Florence Nightingale Gretton’s father, married Sarah Orgill. Sarah’s brother John Orgill married Elizabeth Mary Gladstone. It was the photographs that caught my eye, but then I saw the Gladstone name, and that she was born in Liverpool. Her father was William Gladstone born 1809 in Liverpool, just like the prime minister. And his father was John Gladstone, just like the prime minister.
But the William Gladstone in our family tree was a millwright, who emigrated to Australia with his wife and two children rather late in life at the age of 54, in 1863. He died three years later when he was thrown out of a cart in 1866. This was clearly not William Gladstone the prime minister.
John Orgill emigrated to Australia in 1865, and married Elizabeth Mary Gladstone in Victoria in 1870. Their first child was born in December that year, in Dandenong. Their three sons all have the middle name Gladstone.
John Orgill 1835-1911 (Florence Nightingale Gretton’s mothers brother)
Elizabeth Mary Gladstone 1845-1926
I did not think that the link to Gladstone the prime minister was true, until I found an article in the Australian newspapers while researching the family of John Orgill for the Australia chapter.
In the Letters to the Editor in The Argus, a Melbourne newspaper, dated 8 November 1921:
THE GLADSTONE FAMILY.
TO THE EDITOR OF THE ARGUS.
Sir,—I notice to-day a reference to the
death of Mr. Robert Gladstone, late of
Wooltonvale. Liverpool, who, together
with estate in England valued at £143,079,
is reported to have left to his children
(five sons and seven daughters) estate
valued at £4,300 in Victoria. It may be
of interest to some of your readers to
know that this Robert Gladstone was a
son of the Gladstone family to which
the Right Hon. W. E. Gladstone, the
famous Prime Minister, belonged, some
members of which are now resident in Aus-
tralia. Robert Gladstone’s father (W. E.
Gladstone’s cousin), Stuart Gladstone, of
Liverpool, owned at one time the estates
of Noorat and Glenormiston, in Victoria,
to which he sent Neil Black as manager.
Mr. Black, who afterwards acquired the
property, called one of his sons “Stuart
Gladstone” after his employer. A nephew
of Stuart Gladstone (and cousin of
Robert Gladstone, of Wooltonvale), Robert
Cottingham, by name “Bobbie” came out
to Australia to farm at Noorat, but was
killed in a horse accident when only 21,
and was the first to be buried in the new
cemetery at Noorat. A brother, of “Bob-
bie,” “Fred” by name, was well known
in the early eighties as an overland
drover, taking stock for C. B. Fisher to
the far north. Later on he married and
settled in Melbourne, but left during the
depressing time following the bursting of
the boom, to return to Queensland, where,
in all probability, he still resides. A sister
of “Bobbie” and “Fred” still lives in the
neighbourhood of Melbourne. Their
father, Montgomery Gladstone, who was in
the diplomatic service, and travelled about
a great deal, was a brother of Stuart Glad-
stone, the owner of Noorat, and a full
cousin of William Ewart Gladstone, his
father, Robert, being a brother of W. E.
Gladstone’s father, Sir John, of Liverpool.
The wife of Robert Gladstone, of Woolton-
vale, Ella Gladstone by name, was also
his second cousin, being the daughter of
Robertson Gladstone, of Courthaize, near
Liverpool, W. E. Gladstone’s older
brother.
A cousin of Sir John Gladstone
(W. E. G.’s father), also called John, was
a foundry owner in Castledouglas, and the
inventor of the first suspension bridge, a
model of which was made use of in the
erection of the Menai Bridge connecting
Anglesea with the mainland, and was after-
wards presented to the Liverpool Stock
Exchange by the inventor’s cousin, Sir
John. One of the sons of this inventive
engineer, William by name, left England
in 1863 with his wife and son and daugh-
ter, intending to settle in New Zealand,
but owing to the unrest caused there by
the Maori war, he came instead to Vic-
toria, and bought land near Dandenong.
Three years later he was killed in a horse
accident, but his name is perpetuated in
the name “Gladstone road” in Dandenong.
His daughter afterwards married, and lived
for many years in Gladstone House, Dande-
nong, but is now widowed and settled in
Gippsland. Her three sons and four daugh-
ters are all married and perpetuating the
Gladstone family in different parts of Aus-
tralia. William’s son (also called Wil-
liam), who came out with his father,
mother, and sister in 1863 still lives in the
Fix this textneighbourhood of Melbourne, with his son
and grandson. An aunt of Sir John Glad-
stone (W. E. G.’s father), Christina Glad-
stone by name, married a Mr. Somerville,
of Biggar. One of her great-grandchildren
is Professor W. P. Paterson, of Edinburgh
University, another is a professor in the
West Australian University, and a third
resides in Melbourne. Yours. &c.Melbourne, Nov.7, FAMILY TREE
According to the Old Dandenong website:
“Elizabeth Mary Orgill (nee Gladstone) operated Gladstone House until at least 1911, along with another hydropathic hospital (Birthwood) on Cheltenham road. She was the daughter of William Gladstone (Nephew of William Ewart Gladstone, UK prime minister in 1874).”
The story of the Orgill’s continues in the chapter on Australia.
In reply to: The Elusive Samuel Housley and Other Family Stories
Bakewell Not Eyam
The Elton Marshalls
Some years ago I read a book about Eyam, the Derbyshire village devastated by the plague in 1665, and about how the villagers quarantined themselves to prevent further spread. It was quite a story. Each year on ‘Plague Sunday’, at the end of August, residents of Eyam mark the bubonic plague epidemic that devastated their small rural community in the years 1665–6. They wear the traditional costume of the day and attend a memorial service to remember how half the village sacrificed themselves to avoid spreading the disease further.
My 4X great grandfather James Marshall married Ann Newton in 1792 in Elton. On a number of other people’s trees on an online ancestry site, Ann Newton was from Eyam. Wouldn’t that have been interesting, to find ancestors from Eyam, perhaps going back to the days of the plague. Perhaps that is what the people who put Ann Newton’s birthplace as Eyam thought, without a proper look at the records.
But I didn’t think Ann Newton was from Eyam. I found she was from Over Haddon, near Bakewell ~ much closer to Elton than Eyam. On the marriage register, it says that James was from Elton parish, and she was from Darley parish. Her birth in 1770 says Bakewell, which was the registration district for the villages of Over Haddon and Darley. Her parents were George Newton and Dorothy Wipperley of Over Haddon,which is incidentally very near to Nether Haddon, and Haddon Hall. I visited Haddon Hall many years ago, as well as Chatsworth (and much preferred Haddon Hall).
I looked in the Eyam registers for Ann Newton, and found a couple of them around the time frame, but the men they married were not James Marshall.
Ann died in 1806 in Elton (a small village just outside Matlock) at the age of 36 within days of her newborn twins, Ann and James. James and Ann had two sets of twins. John and Mary were twins as well, but Mary died in 1799 at the age of three.
1796 baptism of twins John and Mary of James and Ann Marshall
Ann’s husband James died 42 years later at the age of eighty, in Elton in 1848. It was noted in the parish register that he was for years parish clerk.
On the 1851 census John Marshall born in 1796, the son of James Marshall the parish clerk, was a lead miner occupying six acres in Elton, Derbyshire.
His son, also John, was registered on the census as a lead miner at just eight years old.
The mining of lead was the most important industry in the Peak district of Derbyshire from Roman times until the 19th century – with only agriculture being more important for the livelihood of local people. The height of lead mining in Derbyshire came in the 17th and 18th centuries, and the evidence is still visible today – most obviously in the form of lines of hillocks from the more than 25,000 mineshafts which once existed.
Peak District Mines Historical Society
Smelting, or extracting the lead from the ore by melting it, was carried out in a small open hearth. Lead was cast in layers as each batch of ore was smelted; the blocks of lead thus produced were referred to as “pigs”. Examples of early smelting-hearths found within the county were stone lined, with one side open facing the prevailing wind to create the draught needed. The hilltops of the Matlocks would have provided very suitable conditions.
The miner used a tool called a mattock or a pick, and hammers and iron wedges in harder veins, to loosen the ore. They threw the ore onto ridges on each side of the vein, going deeper where the ore proved richer.
Many mines were very shallow and, once opened, proved too poor to develop. Benjamin Bryan cited the example of “Ember Hill, on the shoulder of Masson, above Matlock Bath” where there are hollows in the surface showing where there had been fruitless searches for lead.
There were small buildings, called “coes”, near each mine shaft which were used for tool storage, to provide shelter and as places for changing into working clothes. It was here that the lead was smelted and stored until ready for sale.
Lead is, of course, very poisonous. As miners washed lead-bearing material, great care was taken with the washing vats, which had to be covered. If cattle accidentally drank the poisoned water they would die from something called “belland”.
Cornish and Welsh miners introduced the practice of buddling for ore into Derbyshire about 1747. Buddling involved washing the heaps of rubbish in the slag heaps, the process of separating the very small particles from the dirt and spar with which they are mixed, by means of a small stream of water. This method of extraction was a major pollutant, affecting farmers and their animals (poisoned by Belland from drinking the waste water), the brooks and streams and even the River Derwent.
Women also worked in the mines. An unattributed account from 1829, says: “The head is much enwrapped, and the features nearly hidden in a muffling of handkerchiefs, over which is put a man’s hat, in the manner of the paysannes of Wales”. He also describes their gowns, usually red, as being “tucked up round the waist in a sort of bag, and set off by a bright green petticoat”. They also wore a man’s grey or dark blue coat and shoes with 3″ thick soles that were tied round with cords. The 1829 writer called them “complete harridans!”
Lead Mining in Matlock & Matlock Bath, The Andrews Pages
John’s wife Margaret died at the age of 42 in 1847. I don’t know the cause of death, but perhaps it was lead poisoning. John’s son John, despite a very early start in the lead mine, became a carter and lived to the ripe old age of 88.
The Pig of Lead pub, 1904:
The earliest Marshall I’ve found so far is Charles, born in 1742. Charles married Rebecca Knowles, 1775-1823. I don’t know what his occupation was but when he died in 1819 he left a not inconsiderable sum to his wife.
1819 Charles Marshall probate:
There are still Marshall’s living in Elton and Matlock, not our immediate known family, but probably distantly related. I asked a Matlock group on facebook:
“…there are Marshall’s still in the village. There are certainly families who live here who have done generation after generation & have many memories & stories to tell. Visit The Duke on a Friday night…”
The Duke, Elton:
The following stories started with a single question.
Who was Catherine Housley’s mother?
But one question leads to another, and another, and so this book will never be finished. This is the first in a collection of stories of a family history research project, not a complete family history. There will always be more questions and more searches, and each new find presents more questions.
A list of names and dates is only moderately interesting, and doesn’t mean much unless you get to know the characters along the way. For example, a cousin on my fathers side has already done a great deal of thorough and accurate family research. I copied one branch of the family onto my tree, going back to the 1500’s, but lost interest in it after about an hour or so, because I didn’t feel I knew any of the individuals.
Parish registers, the census every ten years, birth, death and marriage certificates can tell you so much, but they can’t tell you why. They don’t tell you why parents chose the names they did for their children, or why they moved, or why they married in another town. They don’t tell you why a person lived in another household, or for how long. The census every ten years doesn’t tell you what people were doing in the intervening years, and in the case of the UK and the hundred year privacy rule, we can’t even use those for the past century. The first census was in 1831 in England, prior to that all we have are parish registers. An astonishing amount of them have survived and have been transcribed and are one way or another available to see, both transcriptions and microfiche images. Not all of them survived, however. Sometimes the writing has faded to white, sometimes pages are missing, and in some case the entire register is lost or damaged.
Sometimes if you are lucky, you may find mention of an ancestor in an obscure little local history book or a journal or diary. Wills, court cases, and newspaper archives often provide interesting information. Town memories and history groups on social media are another excellent source of information, from old photographs of the area, old maps, local history, and of course, distantly related relatives still living in the area. Local history societies can be useful, and some if not all are very helpful.
If you’re very lucky indeed, you might find a distant relative in another country whose grandparents saved and transcribed bundles of old letters found in the attic, from the family in England to the brother who emigrated, written in the 1800s. More on this later, as it merits its own chapter as the most exciting find so far.
The social history of the time and place is important and provides many clues as to why people moved and why the family professions and occupations changed over generations. The Enclosures Act and the Industrial Revolution in England created difficulties for rural farmers, factories replaced cottage industries, and the sons of land owning farmers became shop keepers and miners in the local towns. For the most part (at least in my own research) people didn’t move around much unless there was a reason. There are no reasons mentioned in the various registers, records and documents, but with a little reading of social history you can sometimes make a good guess. Samuel Housley, for example, a plumber, probably moved from rural Derbyshire to urban Wolverhampton, when there was a big project to install indoor plumbing to areas of the city in the early 1800s. Derbyshire nailmakers were offered a job and a house if they moved to Wolverhampton a generation earlier.
Occasionally a couple would marry in another parish, although usually they married in their own. Again, there was often a reason. William Housley and Ellen Carrington married in Ashbourne, not in Smalley. In this case, William’s first wife was Mary Carrington, Ellen’s sister. It was not uncommon for a man to marry a deceased wife’s sister, but it wasn’t strictly speaking legal. This caused some problems later when William died, as the children of the first wife contested the will, on the grounds of the second marriage being illegal.
Needless to say, there are always questions remaining, and often a fresh pair of eyes can help find a vital piece of information that has escaped you. In one case, I’d been looking for the death of a widow, Mary Anne Gilman, and had failed to notice that she remarried at a late age. Her death was easy to find, once I searched for it with her second husbands name.
This brings me to the topic of maternal family lines. One tends to think of their lineage with the focus on paternal surnames, but very quickly the number of surnames increases, and all of the maternal lines are directly related as much as the paternal name. This is of course obvious, if you start from the beginning with yourself and work back. In other words, there is not much point in simply looking for your fathers name hundreds of years ago because there are hundreds of other names that are equally your own family ancestors. And in my case, although not intentionally, I’ve investigated far more maternal lines than paternal.
This book, which I hope will be the first of several, will concentrate on my mothers family: The story so far that started with the portrait of Catherine Housley’s mother.
This painting, now in my mothers house, used to hang over the piano in the home of her grandparents. It says on the back “Catherine Housley’s mother, Smalley”.
The portrait of Catherine Housley’s mother can be seen above the piano. Back row Ronald Marshall, my grandfathers brother, William Marshall, my great grandfather, Mary Ann Gilman Purdy Marshall in the middle, my great grandmother, with her daughters Dorothy on the left and Phyllis on the right, at the Marshall’s house on Love Lane in Stourbridge.
The Search for Samuel Housley
As soon as the search for Catherine Housley’s mother was resolved, achieved by ordering a paper copy of her birth certificate, the search for Catherine Housley’s father commenced. We know he was born in Smalley in 1816, son of William Housley and Ellen Carrington, and that he married Elizabeth Brookes in Wolverhampton in 1844. He was a plumber and glazier. His three daughters born between 1845 and 1849 were born in Smalley. Elizabeth died in 1849 of consumption, but Samuel didn’t register her death. A 20 year old neighbour called Aaron Wadkinson did.
Where was Samuel?
On the 1851 census, two of Samuel’s daughters were listed as inmates in the Belper Workhouse, and the third, 2 year old Catherine, was listed as living with John Benniston and his family in nearby Heanor. Benniston was a framework knitter.
Where was Samuel?
A long search through the microfiche workhouse registers provided an answer. The reason for Elizabeth and Mary Anne’s admission in June 1850 was given as “father in prison”. In May 1850, Samuel Housley was sentenced to one month hard labour at Derby Gaol for failing to maintain his three children. What happened to those little girls in the year after their mothers death, before their father was sentenced, and they entered the workhouse? Where did Catherine go, a six week old baby? We have yet to find out.
And where was Samuel Housley in 1851? He hasn’t appeared on any census.
According to the Belper workhouse registers, Mary Anne was discharged on trial as a servant February 1860. She was readmitted a month later in March 1860, the reason given: unwell.
Belper Workhouse:
Eventually, Mary Anne and Elizabeth were discharged, in April 1860, with an aunt and uncle. The workhouse register doesn’t name the aunt and uncle. One can only wonder why it took them so long.
On the 1861 census, Elizabeth, 16 years old, is a servant in St Peters, Derby, and Mary Anne, 15 years old, is a servant in St Werburghs, Derby.But where was Samuel?
After some considerable searching, we found him, despite a mistranscription of his name, on the 1861 census, living as a lodger and plumber in Darlaston, Walsall.
Eventually we found him on a 1871 census living as a lodger at the George and Dragon in Henley in Arden. The age is not exactly right, but close enough, he is listed as an unmarried painter, also close enough, and his birth is listed as Kidsley, Derbyshire. He was born at Kidsley Grange Farm. We can assume that he was probably alive in 1872, the year his mother died, and the following year, 1873, during the Kerry vs Housley court case.
I found some living Housley descendants in USA. Samuel Housley’s brother George emigrated there in 1851. The Housley’s in USA found letters in the attic, from the family in Smalley ~ written between 1851 and 1870s. They sent me a “Narrative on the Letters” with many letter excerpts.
The Housley family were embroiled in a complicated will and court case in the early 1870s. In December 15, 1872, Joseph (Samuel’s brother) wrote to George:
“I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Birmingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
No record of Samuel Housley’s death can be found for the Birmingham Union in 1869 or thereabouts.
But if he was alive in 1871 in Henley In Arden…..
Did Samuel tell his wife’s brother to tell them he was dead? Or did the brothers say he was dead so they could have his share?We still haven’t found a death for Samuel Housley.
In reply to: Eight Turns of the Wheel
The pigeons dove from the thirtieth floor’s balcony in an attempt to mimic the planes it had seen above, or maybe in an attempt to mimic the ultrabright advertisement that its mother’s mother had seen long ago. It had left an unalterable trace in that lineage’s DNA.
The pigeon that had seen at least one plane had been a pigeon, but when the pigeons dove and created a ripple, they didn’t leave a trace like the pigeons that had witnessed only the distant planes.
In the air, they were flying against the wind, while on ground they were falling along a riverbank.
“I guess they didn’t hear a loud noise because when they stopped for some distance they stopped and looked up, and what they saw looked as if they had died.”
In the future, those pigeons, who could remember the names of the buildings they had seen during the war, could join together and explore another world and its inhabitants were not like them.
On one of the banks of the river, a lone pigeon watched them from afar, and she looked at them with the calm of a mother on her child while saying,
“Please tell me something. If they are so brave, then tell me anything.”
She didn’t say any of the usual questions from a child, but she knew the answers in her
In reply to: Sold! To The Man In Pistachio
A flash of green light flashed at his side and a cloud of shimmery yellow energy enveloped him in a white blur. He couldn’t seem to control the energy, and it moved erratically as he came, like a breeze. He stumbled into the middle of a wall that jutted from the floor to the ceiling and slammed into the wall with a thud. The wall cracked.
It was dark beyond a dozen feet at the most, and it wasn’t like the other telepaths either. He stood still for a moment, staring at the wall, wondering if he could get in there at all. Then she said, “That would take more than twice as long as walking.”
The telepath looked at her, eyes wide and mouth agape. For the instant before the wall snapped, she was alive, alive, but she was a shell. He had been able to see, and if she had been in any way injured or hurt, he wouldn’t really have had an advantage. The wall snapped and she came to. It was nearly pitch black, and nothing seemed real to her. She opened her eyes and there was the same bright bright green and blue as the one of teal was now.
The world seemed different, a distant place. She wondered how she would react the instant he found out. But she decided it would be best to give him time to adjust on her own. She reached for him and held the soft green gem. When she looked at him he stared back, blue eyes wide with surprise. How long had he been awake? How long had he been asleep? She wondered why he hadn’t opened for her yet. She reached into her pocket and pulled up his watch. A long minute passed, when suddenly the light came back on in front of her, and she realized she was sleeping. Then, suddenly! He was waking up again, and even more excited than usual, he started to run about her. He kept running, never looking back. He got so nervous that he almost lost himself. His eyes were twitching violently, and she was glad that no one was close enough to wake him, since he knew she wouldn’t want him to fall asleep for anyone, or anyone else. She put up her foot and started to sprint after him, but as she was running in that dark, pitch black, direction, the sky turned white and she stopped at a light.
In reply to: Seven Twines and the Dragon Heartwoods
With a spring in her step that she had all but forgotten she possessed, Eleri set off on her trip to speak to her old friend Jolly about her husband Leroway’s latest plan that was causing some considerable controversy among the locals. Eleri planned to make the visit a short one, and to hasten back to Margoritt’s cottage in time for the departure of the expedition ~ because she surely wanted to be a part of that. But first, she had to see Jolly, and not just about Leroway. There was a sense of a stirring, or a quickening ~ it was hard to name precisely but there was a feeling of impending movement, that was wider than the expedition plans. Was Jolly feeling it, would she be considering it too? And if not, Eleri would bid her farewell, and make arrangements with her to send a caretaker down to her cottage. And what, she wondered, would happen about care taking the cottage if Jolly’s villagers were on the move again? Eleri frowned. How much did it matter? Perhaps a stranger would find it and choose to stay there, and make of it what they wished. But what about all her statues and ingredients? Eleri felt her steps falter on the old rocky road as her mind became crowded with all manner of things relating to the cottage, and her work.
You don’t have to plan every little thing! she reminded herself sternly. None of that has to be decided now anyway! It’s wonderful day to be out walking, hark: the rustling in the undergrowth, and the distant moo and clang of a cow bell.
The dreadful flu she’d had after the drenching had left her weakly despondent and not her usual self at all. But she’d heard the others talking while she’d been moping about and it was as if a little light had come on inside her.
She still had trouble remembering all their names: ever since the flu, she had a sort of memory weakness and a peculiar inability to recall timelines correctly. Mr Minn (ah, she noted that she had not forgotten his name!) said not to worry, it was a well known side effect of that particular virus, and that as all time was simultaneous anyway, and all beings were essentially one, it hardly mattered. But Mr Minn, Eleri had replied, It makes it a devil of a job to write a story, to which he enigmatically replied, Not necessarily!
Someone had asked, Who do we want to come on the expedition, or perhaps they said Who wants to come on the expedition, but Eleri had heard it as Who wants to be a person who wants to go on an expedition, or perhaps, what kind of person do the others want as an expedition companion. But whatever it was, it made Eleri stop and realize that she wasn’t even enjoying the morose despondent helpless feeling glump that she has turned into of late, and that it was only a feeling after all and if she couldn’t change that herself, then who the devil else was going to do it for her, and so she did, bit by bit. It might feel a bit fake at first, someone had said. And it did, somewhat, but it really wasn’t long before it felt quite natural, as it used to be. It was astonishing how quickly it worked, once she had put her mind to it. Less than a week of a determined intention to appreciate the simple things of the day. Such a simple recipe. One can only wonder in amazement at such a simple thing being forgotten so easily. But perhaps that was a side effect of some virus, caught long ago.
Enjoying the feeling of warm sun on her face, interspersed with moments of cool thanks to passing clouds, Eleri noticed the wildflowers along the way, abundant thanks to all the rain and all flowering at once it seemed, instead of the more usual sequence and succession. Briefly she wondered is this was a side effect of the virus, and another manifestation of the continuity and timeline issues. Even the wildflowers had all come at once this year. She had not noticed all those yellow ones flowering at the same time as all those pink ones in previous years, but a splendid riot they were and a feast for the eyes.
The puffy clouds drifting past across the sun were joining invisible hands together and forming a crowd, and it began to look like rain again. Eleri felt a little frown start to form and quickly changed it to a beaming smile, remembering the handy weightless impermeability shield that someone (who? Glynnis?) had given her for the trip. She would not catch another dose of the drenching memory flu again, not with the handy shield.
The raindrops started spattering the path in front of her, spotting the dusty ground, and Eleri activated the device, and became quite entranced with the effects of the droplets hitting the shield and dispersing.
