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“Lace, did you say?” asked Cerenise with interest. “I must have a look at it. Stench, you say? How very odd. But I want to see it. Fetch me the container while I look for my mask and rubber gloves.”

“I’m not going near it again, I’ll get Boothroyd to bring it,” Spirius replied making a hasty exit.

“I’d have thought you’d have wanted to bottle the smell, Spirius.”

In due course the gardener appeared holding a container at arms length with a pained expression on his face.  “Stinks worse than keeg, this does, and I’ve smelled some manure and compost in my time, but never anything as disgusting as this.  Where am I to put it?”

Cerenise cleared a space on a table piled with old books and catalogues. “Gosh, that is a pong, isn’t it!  Reminds me of something,” she said twitching her nose.  “There is a delicate note of ~ what is it?”

“Dead rats?” suggested Boothroyd helpfully, adding “Will that be all?” as he backed towards the door.

As Cerenise lifted the lid, the gardener turned and fled.

“Why, it’s a Nottingham lace Lambrequin window drape if I’m not mistaken!” exclaimed Cerenise, gently lifting the delicate fabric and holding it up to the light. “Probably 1912 or thereabouts, and in perfect condition.”

“Perfectly rancid,”  said Yvoise, her voice muffled by the thick towel she had wrapped around her mouth and nose.

“Come and look, it’s a delightful specimen.  Not terribly rare, but it wonderful condition.  Oh look! There’s another piece underneath. Aha! seventeenth century bone lace!”

Yvoise crept closer. “What’s that other thing? Is that where the smell’s coming from?”

“By Georges, I think you’re right.  It’s a bone bobbin.  Bone lace, they used to call it, until they started making bobbins out of wood.”  Cerenise was pleased. She could get Mrs Fennel to wash the lace and then she could add it to her collection. “Spirius can bottle the bone bobbin and bury it in Bobbington Woods.”

Duly summoned from the kitchen, the faithful daily woman appeared, drying her hands on her apron.

“Pooo eee!” exclaimed Mrs Fennel, “That’ll need a good boil in bleach, will that!”

“Good lord woman, no!  A gentle soak in some soap should do it. It won’t smell half so bad as soon as this bone bobbin is removed.”

“Did you say BONE bobbin?” asked Helier from a relatively safe distance just outside the door. “WHOSE bone?”

“By Georges!” Cerenise said again. “Whose bone indeed! Therein lies the clue to the mystery, you know.”

“Can’t you just put it in a parcel and mail it to someone horrible?” suggested Mrs Fennel.

“A capital idea, Mrs Fennel, a politician. So many horrible ones to choose from though,” Yvoise was already making a mental list.

“We can mail the smelly empty box to the prime minister, but we must keep the bone bobbin safe,” said Helier.  “And we must find out whose bones it was made from. Cerenise is right. It’s the clue.”

“An empty smelly box, even better. More fitting, if I do say so myself, for the prime minister,” said Mrs Fennel with some relief. At least she wasn’t going to be required to wash the bone and the box as well as the smelly lace.

Phurt was starting to think something fishy was a play, each time he thought his short spider life had ended he was pulled back from Spiderheaven by some unknown force. Not that he minded this time, there were plenty of places to hide and cast his strong silk cables. He had developed a sense of adventure and the sheer height of some of the mounds made him dizzy. It also made him want to be the first spider in the history of this thread to climb on top of that Mount Wobbly of the Topperware Chain.

Phurt had also noticed a strange and strong smell that seemed to come from the top of Mount Wobbly. Not that he minded the hygiene of the place; it was, to the contrary, a rather promising smell. It was the smell that said swarms of flies would gather there like an endless supply of blessed food.

Seeing that other spiders were gathering at the bottom of Mount Wobbly, he contorted his butt and secured his first cable.

Spirius had been investigating the origin of a strong smell that had started not long after Austreberthe puffed out of existence and became part of the dust she had spent her life chasing away. Which gave him one more proof that his theory of the holy body influence upon the physical world was true. He looked for a pen but they were behind two piles of unopened parcels he had started collecting when he had noticed that the postmen were leaving the boxes unattended and unprotected from the elements on the front porch of houses. His intentions were pure, as any saintly intentions are, but when he saw what good addition to the other boxes they made, he felt a pang of regret each time he thought of giving back those boxes to their rightful recipients.

Alas, most of them were dead by now, so he felt his duty was to keep those boxes intact to honour the memory of the dead.

Yvoise came in just as Spirius saw an odd and colourful australian jumping spider cast a delicate silk thread to one of the bottom row of his Tupperware collection.

“You should really do something about that smell,” she said. “I remember a time when decorum required holy people to exude only fragrance and essential oils.”

“Well, you know, it’s Austreberthe,” he said as wobbly as his heaps of plastic boxes. He had them all. You could even say he started the whole trend of pyramid schemes when his friend Pearl Topper saw him buy boxes from antiques shops. She invented the first plastic box as…

“Well, I asked you a question,” said Yvoise, interrupting his wandering thoughts.

“Have you noticed the spiders,” said Spirius.

“What spiders?”

“I think they’re trying to go up there,” Spirius said. “Look!”

He pointed a proud finger at the top of the highest Topperware tower in the Guyness book of records. A swarm of flies was circling around one of the boxes.

“And that means the smell comes from there.”

With a warm smile of approval, Cerenise tapped out the names and dates on her keyboard.  So refreshing when people were original when naming the fruit of their loins, she thought.  Some of the family trees she’d done for friends and clients had been a veritable cesspit of endlessly repeated Johns and Marys, Williams and Elizabeths.  Despite suppressing a shudder when introduced to a modern human named River or Sky, or worse, the ridiculously creative spelling of a common name, some of the older examples of unusual names she found quite delightful. Especially, it had to be said, French ones.

Pierre Wenceslas Varlet born on the 28th of  September, 1824  in Clenleu, Pas-de-Calais, brother of Austreberthe Varlet, born two years previously on the 8th of June.  Wenceslas!   What would you call Wenceslas for short? she mused. Wence?

“An ’twere not as good a deed as drink to turn true man and to leave these rogues, I am the veriest varlet that ever chewed with a tooth”.

A cautious knock at the door interrupted Cerenise’s mental meanderings.

“Enter,” she called, and Laddie Bentry sidled in looking sheepish.

“Ah, it’s you, the veriest varlet of number 26. Well, what is it?  You look as though you accidentally dropped Helier’s trashy novel in the water butt.”

Taken aback by Cernice’s perspicacity, Laddie recoiled slightly and then squared his shoulders. “How did you know?” he asked.

“Oh just a lucky guess,” Cerenise replied breezily, tapping the side of her nose. “I suppose you want me to order you another copy from Amaflob before he notices?  I’ll arrange for an express delivery. Keep an eye out for the delivery man”

Waving away his thanks, she picked up the old document on her desk that Yvoise had kindly provided, albeit reluctantly, and squinted at it. She could make out the name Austreberthe, but what did the rest say?

Cerenise dozed off, dreaming of the Folies Bergere. The atmosphere was exciting and convivial at first, escalating into an eruption of approval when the new act came on the stage. Cerenise felt the energy of the crowd but her attention was drawn to the flamboyant figure of a man dressed as one of the three kings of the Magi, and he was making his way over to her. Why, it was Lazuli Galore! What on earth was he doing here? And who was that dumpy overly made up woman in the blue dress, Godfreda, who had tagged along with them?

Another knock on the door wakened her and she called out “Come in!” in an irritable tone. She’d been having such fun in the dream.  “Oh it’s you, oh good, the book has arrived.”

Laddie shifted his feet and replied, “Well yes, a Liz Tattler novel has arrived.”

“Oh, good, well be off with you then so I can get on with my work.”

“But it’s not The Vampires of Varna.  It’s The Valedictorian Vampires of Valley View High.”

“Jolly good, I expect you’ll enjoy it,”  Cerenise said, picking up the old document again and peering at it.  Perceiving that Laddie had not yet exited the room, she looked up.  “Helier won’t notice, those books are all the same. Now get off with you.”

As soon as Boothroyd had gone, Laddie Bentry, the under gardener, emerged from behind the Dicksonia squarrosa that was planted in a rare French Majolica Onnaing dragon eagle pot.  The pot, and in particular the tree fern residing within it, were Laddie’s favourite specimen, reminding him of his homeland far away.

Keeping a cautious eye on the the door leading into the house, Laddie hurried over to the cast iron planter and retrieved the Liz Tattler novel hidden underneath.  Quickly he tucked in into the inside pocket of his shabby tweed jacket and hastened to the door leading to the garden. Holding on to his cap, for the wind was cold and gusty, he ran to the old stable and darted inside.  Laddie reckoned he had an hour or two free without Boothroyd hovering over him, and he settled himself on a heap of old sacks.

The Vampire Hoarders of Varna.  It wasn’t the first time Laddie had seen Boothroyd surreptitiously reading Helier’s books, and it had piqued his curiosity.  What was it the old fart found so interesting about Helier’s novels? The library was full of books, if he wanted to read. Not bothering to read the preface, and not having time to start on page one, Laddie Bentry flicked through the book, pausing to read random passages.

….the carriage rattled and lurched headlong through the valley, jostling the three occupants unmercifully. “I’ll have the guts of that coachman for garters! The devil take him!” Galfrey exclaimed, after bouncing his head off the door frame of the compartment. 

“Is it bleeding?” asked Triviella, inadvertently licking her lips and she inspected his forehead. 

“The devil take you too, for your impertinence,” Galfrey scowled and shook her off, his irritation enhanced by his alarm at the situation they found themselves in.

Ignoring his uncharacteristic bad humour, Triviella snuggled close and and stroked his manly thigh, clad in crimson silk breeches.  “Just think about the banquet later,” she purred. 

Jacobino, austere and taciturn, on the opposite seat, who had thus far been studiously ignoring both of them, heard the mention of the banquet and smiled for the first time since…

Laddie opened the book to another passage.

“……1631, just before the siege of Gloucester, and what a feast it was!  It was hard to imagine a time when we’d feasted so well. Such rich and easy pickings and such a delightful cocktail.  One can never really predict a perfect cocktail of blood types at a party, and centuries pass between particularly memorable ones. Another is long overdue, and one would hate to miss it,” Jacobino explained to the innocent and trusting young dairy maid, who was in awe that the handsome young gentleman was talking to her at all, yet understood very little of his dialogue.

“Which is why,” Jacobino implored, taking hold of her small calloused hands, “You must come with me to the banquet tonight.” 

Little did she know that her soft rosy throat was on the menu…..

It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.

Cerenise had spent the best part of a week choosing a suitable outfit to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair  (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on.  She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.

Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses.  She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.

It was just after the siege of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public.  Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers.  Decades, or was it centuries, it was hard to keep track,  of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.

It was when she gave up walking in public that the hoarding started.  Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.

Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.

Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the labyrinthine old building.  There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.

Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenance but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

Amy rushed over to Kit when she saw what had happened and said, “Kit, give me your hat!”

Tentatively Kit put his hand on his head and sure enough he felt a hat upon it. Carefully he removed it and wonderingly gazed at the cowboy hat.  He loved it! Just looking at the hat was already giving him ideas for his character,  newly baked memories were starting to slide in like a tray of chocolate chip cookies on a baking sheet, pulled out of the oven at the perfect golden melting moment.

But Amy wants it! I can’t say no to her, but I want to keep it. It’s my first hat! Kit was close to tears.

“Oh poppet,” Amy said kindly when she noticed his face.  Giving him a quick hug she explained.   “I only want to borrow it, just to keep the Padre happy. He keeps asking where his hat is.  I’ll bring it back as soon as we’ve settled him back at home.”

The releif was immense, and he graciously surrendered the hat to Aunt Amy. “Did you call me Poppet?” he asked. “Because Thiram just called me Trevor.”

“To me, you’ll always be Kit,” Amy said as she rushed back to her father. “See you later, Poppet!” she called over her shoulder.

“What does that mean?” asked Kit, but Amy had gone.

Disgruntled and bored with the fruitless wait for the other characters to reveal more of themselves, Amy started staying in her room all day reading books, glad that she’d had an urge to grab a bag full of used paperbacks from a chance encounter with a street vendor in Bogota.

A strange book about peculiar children lingered in her mind, and mingled  somehow with the vestiges of the mental images of the writhing Uriah in the book Amy had read prior to this one.

Aunt Amy?  a childs voice came unbidden to Amys ear.  Well, why not? Amy thought, Some peculiar children is what the story needs. Nephews and neices though, no actual children, god forbid. 

“Aunt Amy!”  A gentle knocking sounded on the bedroom door.  “Are you in there, Aunt Amy?”

“Is that at neice or nephew at my actual door? Already?” Amy cried in amazement.

“Can I come in, please?” the little voice sounded close to tears.  Amy bounded off the bed to unloock leaving that right there the door to let the little instant ramen rellie in.

The little human creature appeared to be ten years old or so, as near as Amy could tell, with a rather androgenous look: a grown out short haircut in a nondescript dark colour, thin gangling limbs robed in neutral shapelessness, and a pale pinched face.

“I’ve never done this before, can you help me?” the child said.

“Never been a story character before, eh?” Amy said kindly. “Do you know your name? Not to worry if you don’t!” she added quickly, seeing the child’s look of alarm. “No?  Well then you can choose what ever you like!”

The child promptly burst into tears, and Amy wanted to kick herself for being such a tactless blundering fool.  God knows it wasn’t that easy to choose, even when you knew the choice was yours.

Amy wanted to ask the child if it was a boy or a girl, but hesitated, and decided against it. I’ll have to give it a name though, I can’t keep calling it the child.

“Would you mind very much if I called you Kit, for now?” asked Amy.

“Thanks, Aunt Amy,” Kit said with a tear streaked smile. “Kit’s fine.”

Key Themes and Narrative Elements

Metafiction & Self-Reference: Characters frequently comment on their own construction, roles, and how being written (or observed) defines their reality. Amy especially embodies this.

Lucid Dreaming & Dream Logic: The boundary between reality and dream is porous. Lucid Dreamers are parachuting onto plantations, and Carob dreams in reverse. Lucid Dreamers are adverse to Coffee Plantations as they keep the World awake.

Coffee as Sacred Commodity: The coffee plantation is central to the story’s stakes. It’s under threat from climate (rain), AI malfunctions, and rogue dreamers. This plays comically on global commodity anxiety.

Technology Satire & AI Sentience: Emotional AI, “Silly Intelligence” devices, and exasperation with modern tech hint at mild technophobia or skepticism. All fueled by hot caffeinated piece of news.

Fictionality vs. Reality: Juan and Dolores embody this—grappling with what it means to be real. Dolores vanishes when no one looks—existence contingent on observation.

Rain & Weather as Mood Symbol: The rain is persistent—setting a tone of gentle absurdity and tension, while also providing plot catalyst.

“Look, don’t get upset, ok?” Amy felt she had to nip this in the bud.  “There’s something glaringly wrong with the map.  I mean, yes, it does make a nice picture. A very nice picture,” she added, and then stopped.  Does it really matter? she asked herself. Am I always causing trouble?

Amy sighed. Would life be easier for everyone if she stopped pointing things out and just went along with things?  Was there any stopping it anyway? It’s like a runaway train.

“You were saying?” Ricardo asked.

“Pray, continue,” added Carob with a mischeivous gleam in her eye.  She knew where this was leading.

“Who is he?” Amy whispered to Carob. “Well never mind that now, you can tell me later.”

Amy cleared her throat and faced Ricardo (noting that he was dark complexioned and and of medium height and wiry build, dressed  in a crumpled off white linen suit and a battered Panama hat, and likely to be of Latino heritage)  noticing out of the corner of her eye a smirk on Thiram’s face who was leaning against a tree with his arms folded, looking as if he might start whistling Yankee Doodle any moment.

“According to your map, my good man, nice map that it is, in fact it’s so nice one could make a flag out of it, the colours are great and….”   Amy realised she was waffling.  She cleared her throat and braced her shoulders, glaring at Carob over her shoulder who had started to titter.

Speak your mind even if your voice shakes, and keep the waffling to a minimum.

“My dear Ricardo,” Amy began again, pushing her long light brown hair out of her sweaty hazel eyes, and pushing the sleeves of her old grey sweatshirt up over her elbows and glancing down at her short thin but shapely denim clad legs. “My dear man, as you can see I’m a slightly underweight middle aged woman eminently capable of trudging up and down coffee growing mountains, with a particular flair for maps, and this map of yours begs a few questions.”

“Coffee beans don’t grow in Florida,” Carob interjected, in an attempt to move the discourse along.

“Nor in Morocco,” added Amy quickly, shooting a grateful glance at Carob.

“It’s the rain,” explained Amy when she’d caught her breath. “Too much of it. They’re very particular about how much rain they like, not too little, and not too much. And there’s been too much. The Padre says unless we can come up with a plan to keep the rain off them, the whole crop is doomed.”

Thiram frowned. “We could buy thousands of golf umbrellas from China, do a deal with El Salvador, and use deportees to hold umbrellas over the coffee plants?”

Amy gave him a playful punch in the arm. “How about we wait and see if Carob and Chico have any better ideas.  We don’t have time to wait for the umbrellas and deportees to get here.”  Amy smiled, picturing the scene, and then sighed as the rain started again.

Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.

Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”

“Oh is that what you’ve been doing, I wondered where you were.  Well, let’s thank our lucky stars THAT’S all over!”

“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place.  Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”

“Good old Roberto, at least he doesn’t keep complaining.  You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”

Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper.  “Is it some sort of historical re enactment?  Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”

“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”

“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.

“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”

“Sounds gripping,” muttered Finnley.

“And a blind uncle who never married and lived to 102.  He was so good at being blind that he knew all his sheep individually.”

“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.

“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”

“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”