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  • #1846
    Jib
    Participant

      The legend of The Weaving Princess

      Once upon a time, in the Warring Kingdom of Landgurdy, lived the Yellow Princess Atiara. She was living with her father, the Yellow King of Landgurdy in the Subtle Palace of Aram Ardun, the capital.

      The day of Her 20 th birthday was a very special day. As for any normal citizen of the Warring Kindgom, it was the day She fully became an adult. And furthermore, it was the day of Her wedding with the man to whom she was betrothed the day of her 12 th birthday, Prince Shomar At Gurna from the War Clan Gurna Drom.

      The Yellow King had organized a sumptuous banquet in the Palace, and although the people of Landgurdy was not invited in the Palace, many banquets had been set all around the country. Only the War Clanners of Landgurdy were to be admitted in Her presence in this most special day.

      At the very moment of the blessing by the Priest of Tatasi, the slaughter had already been perpetrated. The treacherous War Clanner Namad Gurdin had made an agreement with the Warring Kingdom of Cromash Tur. One of them had been replaced by the Assassin Varad Romash Karad Din, Master of this infamous Guild. Cromash Tur had sworn that very day would be the end of the Landgurdy. And it was. Many had tried to unfold the mystery of the sudden death of all the War Clanners and the Nobles present at that moment. The fact is that they were all found dead by the servants who were intrigued by the silence following the blessing… No wound, no trace of poison. The death of all these people remains a mystery.

      Though, two were missing. The Assassin, and the Yellow Princess.

      Cromash Tur’s army invaded the Landgurdy shortly after that… No resistance encountered, no more War Clanners to assure the safety of the land.

      Though Cromash Tur’s Warlord always denied having captured the Yellow Princess, she was supposed held captive in an unknown shadowy place of the Marshes of Doom.

      The Death Guards were keeping an eye on her, and every cloth, every dish, every book that was given to her was meticulously checked. Nothing was to bear the slightest trace of yellow. According to the legend, her family was famous with their use of this magic color, one of their most powerful talent was the control of the weather pattern, and the King of Cromash Tur feared strongly she would use her power to destroy his Kingdom if She could see a yellow dot.

      The Marshes of Doom were so grey and shadowy, she could never see any trace of yellow there.

      (to be continued)

      #1845
      Jib
      Participant

        Set of Maps

        Political map of the Warring Kingdoms

        • Erpet Mesh (green)
        • Ata Meliu (yellow)
        • Cromash Tur (red)
        • Dam Adbor (purple)
        • Portal Network map
          blahblah
        #393
        F LoveF Love
        Participant

          ARONA MEETS THE NANNY

          Dreamily Arona wandered away from the cave, gently holding the sleeping Yikesy close to her heart. Mandrake the cat followed, elegantly attempting to convey the impression he was there by mere chance, and by some stroke of fortune happened to be heading in the same direction.

          Arona had no clear idea where she was going, or what her intentions were even. Still this was nothing new for Arona, who was a bit of an aimless wanderer really herself at heart. She pretended she was looking for magic, but really, she wasn’t so sure anymore what she was looking for.

          Wooha!

          Arona was momentarily rendered speechless by a vison up ahead. The most beautiful creature she had ever seen sat no more than 5 dragon-lengths up ahead.
          .
          Mandrake, she eventually whispered when she had regained her composure, What is this miracle ahead? Is this some maiden’s dream? A heavenly creature come to earth perhaps?

          A miracle sent by God to save you? suggested Mandrake

          His near naked body a masterpiece of bronzed skin pulled taut over rippling muscles.

          Steady on Arona, said Mandrake

          But you know I am no hapless fool Mandrake, to swoon over a handsome stranger.

          No, indeed. And might I enquire why for art we art speaking so oddly? asked Mandrake

          Buggered if I know, answered Arona

          Despite the bravado she managed to display at times, Arona was very shy, and would never have had the confidence to approach such a godlike creature. However at that moment Yikesy started to cry loudly. The god looked up from his silent reverie and smiled.

          Oh a baby, he said in a deep melodic voice. I love babies. He came bounding athletically over and gazed down at Yikesy. My, that is an endearingly ugly baby.

          This is Arona, stuttered Arona, I mean I am Arona, and this is Yikesy, and this is .. Arona looked blankly at Mandrake

          Mandrake looked unhelpfully back at her, with a rather sarcastic little smile on his face.

          I am delighted to meet you. Vincentius at your service. May I hold Arona for a few moments?

          Oh I am sure that could be arranged, snorted Mandrake.

          Arona glared at Mandrake and decided the time had come to pull herself together. I am so sorry for the misunderstanding, she said charmingly to Vincentius. The baby’s name is Yikesy. And certainly you may hold him for a moment.

          Vincentius held Yikesy in his strong arms as though he had been cradling little babies all his life.

          Look this is probably a silly question but you aren’t after a nanny by any chance? Oh no of course you aren’t, said Vincentius, apologetically, seeing the amazed expression on Arona’s face. I am so sorry, just wishful thinking on my part. Please forget I said anything and forgive me for my impudence.

          Well actually, said Arona, frantically attempting to remain calm, I really have no idea how to look after this baby and I did have a bit of an idea a nanny might be quite useful.

          Well this is a fortuitous meeting indeed then!

          But I can’t afford to pay you, she said sadly, unconsciously fiddling with her hair and fluttering her long thick eyelashes.

          Oh don’t worry about that small detail. I am sure we can come to some sort of mutually beneficial arrangement, and Vincentius winked at her.

          Arona drew herself up to her full height, firmly took Yikesy back and said; I will have you know if you are going to wink at me this can’t possibly work. I have no idea what a wink means. You will have to speak clearly if you have something to say to me.

          OH bugger bugger bugger! thought Arona. What is it with me and winking. Now I have blown it. BUGGER.

          But Vincentius just laughed good naturedly, and musically too of course. Perhaps we will just play it by ear then shall we? I am delighted to be your new Nanny :yahoo_big_hug:.

          #1311

          In reply to: Yuki’s Livrary

          ÉricÉric
          Keymaster

            October 23 rd

            “I may express to you that each of these chapters basically, so to speak, are not necessarily identified by one particular action, or that they are accomplishing one particular direction, in a manner of speaking. But that they all incorporate actions and movements that create a contribution to your awareness in this focus.

            “They all lend, in a manner of speaking, energy through experiences to you within THIS focus that benefits your movement in allowing yourselves to widen your awareness and insert this shift in consciousness into your actual objective reality.

            “As I have stated, this shift in consciousness, in a manner of speaking, is an enormous undertaking. It is a Source Event. And as you are aware, Source Events are so immense within consciousness that they may not be entirely inserted into your physical dimension. They are, in your terms physically speaking, larger than your dimension incorporates the capacity to express.

            “Therefore, in recognizing this immensity of this movement and this creation within your reality, one focus, one time framework would be overwhelmed in attempting to create this type of movement singularly, and independent of other energy and other focuses that may be creating experiences that shall offer you as essence the type of opening within this physical experience that shall allow for this insertion of this shift into your actual objective reality.” [Elias, March 02, 2001]

            #1534

            In reply to: Synchronicity

            ÉricÉric
            Keymaster

              About Yurara Fameliki (comment # 220)

              Yurara (ゆらら の月 Yurara no Tsuki)

              Yurara Tsukinowa is a quiet girl who can see spirits and sense their emotions. Not wanting to seem abnormal, she hides her secret until she meets Mei Tendo and Yako Hoshino, two guys who use their spiritual powers to ward off vengeful spirits. The dormant guardian spirit in Yurara arises and a strong-willed beauty with the power to release souls emerges.

              #355

              Gibraltar, Spain, October, 23 rd 2007

              When Dory’s partner (well, the last one that is) came back from his shower into the lounge, he found little Becky playing with Dory’s computer as though it were her own.
              He had always found strange that his first wife’s daughter had get along so well with the temperamental archaeologist… In fact they mostly ignored each other, but they were so similar in many respect that it was like they didn’t even need to communicate, they just knew each other.

              Becky was only 5 (or was it 7? Dan never knew of course, which made Sabine, his first wife, constantly reproach him his lack of care) but she was brilliant. Perhaps that was the father in him talking, but he knew she would be doing great things. At such a young age, she had read The Perilous Treks of Lord Gustard Willoughby Fergusson (written by the Lord’s widow-then-remarried wife Floribunda von Grotto) so many times he had lost track himself (“as always,…” “now shut up Sabine, will you!”) and that was the least of her talents, he could tell.

              For the moment, Dan was more wondering about Dorothy. It had been nearly a month she had been away for her vacations in Madagascar. Two weeks more than she had told him… And there was this Jabin man in Tel-Aviv still trying to reach her. Well at least, he had forwarded the message to the hotel, so she would have had it.
              She might have delayed her return, especially if she had found some interesting archaeological stuff… well or a more handsome man… At least Dan could understand the handsome man, he laughed so loud Becky turned her head to him.

              — Are you alright Daddy?
              — Oh yes I am, treasure. What are you doing on Dory’s laptop? Not breaking anything are you?
              — Oh no… I’m just having fun with one of Dory’s friend…
              — Ahahaha, really? Dan was impressed
              — Yes! But I didn’t tell her that Dody Doo was not home, she’s a bit of a worry wort.
              — Ahahaha… Dory will come back, sooner or later, don’t worry…
              — Oh, but I don’t worry Daddy! I know that she’s well. Now, I’ll tell bye bye to Fionny Fea and we can play backgammon!

              #353
              TracyTracy
              Participant

                Nora Long was dying. She knew she didn’t have long left, and she had some affairs still to attend to before she was no longer able. Nora was a childless spinster, a frugal recluse with an uncanny knack for winning premium bond and lottery prizes; nothing big enough to attract much attention, but more than enough for her needs. Consequently, she had quietly amassed a fortune over the years ~ and she wasn’t about to let the state have it all.

                Nora had spent most of her 88 years dreaming, and talking to ghosts and spirits. She wrote all of it down in notebooks, hundreds and hundreds of them, until the advent of the computer in more recent years. She had splashed out and bought one, and gamely taught herself how to use it, keeping her journals online from then on.

                Nora discovered how to google one day. Wondering what in the world she might want to search for, a name popped into her head: Yurara Fameliki.

                Nora had learned to trust her impulses, and she searched for the unusual name, double checking first with the voice in her head as to the correct spelling.

                Nora began to read the story on the websites first page. Three days later, she was still reading it, as it grew day by day. Nora was almost sorry she had already chosen to die. At last she had found some people she could relate to!

                But Nora was too weary to change her mind. She did have a plan though, a plan that cheered her greatly. On the websites pages she had noticed a little sign saying ‘Buy a Drink’.

                #1312

                In reply to: Yuki’s Livrary

                ÉricÉric
                Keymaster
                  #336

                  Hi Torsten, said Tina, giving her old friend a hug. Thanks for calling and saying you had some time to chat, hope I didn’t sound odd when I answered the phone, Becky was there, and I didn’t want to tell her. I am trying to pretend I am normal you see, she laughed wryly.

                  I really need someone who isn’t involved with the play to talk to though, I feel like I am going a bit weirdo, bottling everything up. And it is affecting the play and my relationship with the others.

                  I can’t find my place in the play the others are writing. See it is the play “the others are writing”. I feel as though I am drifting through it, trying to find my way amidst the structure, if you can call it structure, they give it. And that is the way I am feeling about life, I can’t find my place in it

                  At the moment I claim to believe in magic, and that I create my own reality, but I certainly don’t feel it the last few days. She thought for a moment. Well other days recently have been golden, it is all magic. I find it everywhere. Yes, I have had days like that, but the last week or so I can’t find it.

                  What changed?

                  I felt as though I couldn’t create what I wanted to.

                  What if you could?

                  All of it? It would be a miracle though. My rational mind tells me it is not possible. And in that lies the source of this pain.

                  So you don’t believe what you claim to believe

                  Tina thought for a moment. I keep feeling the eyes of that Blue Mule character I told you we created on me. That’s not his name, but I keep getting stuck on the spelling . Well actually I didn’t create him. The others keep creating new characters, every time someone does a typo, it is “hey! new character!” Anyway this was ages ago. And in the play there was a picture that one of the characters, Quintin, did, and whenever I say “I can’t”, then I feel these eyes of Blue Mule challenging me, and it’s like he’s saying, “ well what DO you believe then?” and it is like a real challenge in these eyes.

                  #327

                  The rain was pouring cabbages :weather-showers: for several days now, almost the whole week… Baul was fed up with that filthy weather of Cromash Tur. The capital of this 4th kingdom was quite nice and pleasurable, but it lacked sun and warmth… Baul had come to Nâabooli, the capital of Cromash, in order to settle an arrangement. Something quite particular that he couldn’t find in his own land of Erpet Mesh. He’d been travelling for weeks with his guards and servants when he arrived in the city and all that for some foo’kin rain! But something more important than brooding and pouting was on his mind.

                  Tonight he was alone, no servant, no guard… he was wearing a black coat made of goat skin on his usual blue and yellow silk robe, he couldn’t wear anything else, his skin was too smooth and delicate. He was spending great amount of money to take care of his body, it was his own pride, and he considered himself as a very handsome and appealing male.

                  The man he was about to meet wasn’t hiding, but oddly was acting in full sight. Nonetheless, Baul didn’t want to be seen with him, Baul was an ambassador of sort from Erpet and he couldn’t be seen entering in an Assassin’s house. In Cromash, the Assassins were quite a respectable and wealthy, but in Erpet they were outlaw… one of the numerous differences between the two kingdoms, one they would never agree upon. Baul found it quite useful though; many times he’d met Ar’Am Khra, one of the best of this profession.

                  For this meeting, as always, Baul had chosen a tavern, the Landgurdy, called after one of the former 12 kingdoms. The 4 remaining ones were at war most of the times, they couldn’t maintain peace more than a few years at best, and Baul had found many ways of benefiting of this situation. Merchant, Ambassador, and much more. He was thriving with plotting :face-angel: :face-devil-grin: and it was quite useful to be one of the ambassadors of Erpet Mesh, offering him safety wherever he was going. It was one of the few respected rules that were common between the Warring Kingdoms.

                  The Landgurdy was quite a crowded tavern, and the owner was a friend of his, though not really officially. There was that private room on the rear of the building, know only of a few chosen “friends”, so they could enter unnoticed by the usual customers and by would be spies. The rear door was seemingly leading into another building, and some arrangements had been made over the years.

                  Baul knocked the code at the door, and a vasistas was open quickly and closed even more quickly. The door opened then and he entered in the darkness of the house. If anyone opened the door, he or she wasn’t there anymore, but Baul knew the place quite well as it wasn’t his first meeting with the Assassin.

                  :fleuron:

                  The Assassin was waiting in the small room, square shaped with only a wood table and one chair. No window. One dim lamp.
                  He was sitting on the lone carved chair. His clients needn’t sit.
                  They were mere beggers.
                  The one that was coming now, was quite amusing.
                  The first time he met him, Baul was quite young and inexperienced in his own skills. Though he was quite ambitious, Ar’Am Khra had to admit it.
                  The usual reaction when seeing the Assassin’s pale complexion was shivers and disgust. He was used to it and it was a game that he had enhanced with a little bluish glowing dagger tattooed on his forehead.
                  The dagger was the mark of his profession, though not so obviously exhibited by the others. Cowards.
                  At that first meeting, Baul didn’t react the way his other clients did. And it was not influenced by his utmost concerns at that time. Beside his inexperience he was quite engrossed in what he had called his “mission”.
                  Ar’Am Khra did not know of any mission, there were merely contracts.
                  And he was doing what his clients were paying for.
                  Accomplishing his contract even after the death of his clients.

                  He was remembering of an amusing event.
                  A client had hired him to end the life of another man, and the second man went a few days after to his office to beg him to kill the first man.
                  The Assassin accepted the contract.
                  A few days later he killed the second man.
                  He executed the first one not long after that, thus respecting the second contract. :yahoo_skull:

                  He never questioned the motives of his clients.
                  It was not for him to judge or to understand. Though most of the time he did understand quite well.
                  His main motivation was the payment and his own pride in expressing his skill with subtleties and newness.

                  The door opened smoothly. Baul entered the room.

                  :yahoo_alien:

                  :fleuron:

                  Yann and Quintin had an interesting chat during the afternoon. Yann had some new impressions about the map of Lord Wrick annotated by Quintin. Something about the Warring Kingdoms, triggered by a dream of an Assassin in one of them. It was frustrating not to be in the same room so Yann could show Quintin directly on the map, but with Internet there were some other options.

                  The names of these lands were Ata’Meliu, Dam Adbor, Erpet Mesh and Cromash Tur. These 4 Kingdoms were rather scattered on the Lan’Ork part of the continent, pieces and bits everywhere, though Ata’Meliu was more in the center and the South of the Lan’Ork, Dam Adbor in the East and in the North, and Cromash Tur in the West and South West parts, Erpet was divided in 2 main areas, one located on the Northern land just before the Isthmus of Ghört’s Hammer, and a smaller one lost in the middle of Ata’Meliu.

                  Yann only had the impression of 2 of the capitals, Naat Medin was the one of Erpet Mesh and Nâabooli of Cromash Tur.

                  Quintin just sent him the map so he could draw some more comments and sketch the boundaries of the Warring Kingdoms. He didn’t know why, but he felt some movements were about to begin, some reconfigurations of the borders :world:

                  #318
                  TracyTracy
                  Participant

                    Let me show you something, Dory. George reached into a big red and orange and purple kilim carpet bag ( Dory wondered where it had appeared from; she certainly didn’t recall seeing there when they arrived) and pulled out a large sheaf of printed papers. He passed it to Dory.

                    Dory read on the first page:
                    Chapter 343,482,927,457,299,209,2819,298,357,008,557,057: ‘REMEMBERING
                    Blimey, said Dory, Long book!

                    George grinned enigmatically and said, Indeed.

                    Dory flicked through the pages, reading a bit here and a bit there. Glancing up at George she said, I guess you couldn’t possibly carry the whole book round with you all the time in your carpet bag, the whole book must be enormous!

                    Oh, the whole book is always in my bag, he said.

                    Really? Dory asked in a disbelieving tone.

                    Why yes, of course. ‘It’s all in there somewhere’ he said, and laughed heartily, and a trifle rudely, Dory thought. Yes Dory, the whole book is always in there.

                    With a hmpf, Dory returned to scanning the pages. Before long she was overcome with waves of nostalgia and familiarity and deja vu, even a sort of backwards deja vu…a vuja de…Dory snickered to herself…

                    Why is this chapter called remembering, George? If I had written this chapter I’d have called it forgetting.

                    #302
                    F LoveF Love
                    Participant

                      Well I think I can answer that for you, said a small round green blobby creature, in response to Roselyn’s question. The creature had actually been sitting there all the time, however everyone had assumed it was some sort of exotic plant.

                      Let me introduce myself, I am Frowdup, yes an unusual name I know. I am a long time and faithful friend to the dear little Fairy Princess, who is rather friendless at the moment owing to her extraordinarily antisocial behaviour , such as that which you see so sadly exhibited before you.

                      Frowdup cleared his throat in an important and significant sort of way. I will try and relate this sad tale as succinctly and precisely as possible, he said.

                      Our dear little Fairy Princess was the head Fairy Princess of the Hot Pink and Sky Blue bands of the North East Fairies from the Land of the Long White Cloud. Each Fairy Princess in her initiate years has a witch assigned to her, to help her develop her magical abilities. Our dear little Fairy Princess was designated one of the 13 Witches of Loathing, Whanga, from the far North of the North Island of the Land of the Long White Cloud.

                      Dear Fairy Princess had her own cave which she took admirable pains to make sure was always fully stocked with sand. You know about the sand of course? I can see you are a woman of great stature, no offense intended, I mean I can see you are tremendously well versed in the ways of magic yourself, so you will know that some of the more basic ways of magic involve a symbolic representation of magical symbols, so to speak, such as sand and wands and whatnot sort of thingies. Really completely unnecessary, of course, as you will know, however for her, each grain of sand was the exact and precise equivalent of one wish, activated by a determined wave of her magic wand and the words abracadabra. Yes, I know, very primitive, but she is a very young initiate, although I will say she showed great potential had Whanga the Witch of Loathing not managed to convince her of her own lack of worth.

                      Whanga was constantly and every single moment whispering in the ear of the Fairy Princess magic spells of self loathing. My young friend lacked the expertise to counteract these powerful spells and began to believe them. One day she was so sad at her own horridness that she could bear it no longer and put a spell on herself. This enabled her to curl up into a deep sleep of forgetfulness for a rather long time, enabling Whanga to easily procure said wand. In addition to this Whanga managed to obtain the source of the music which the Fairy Princess felt she required in order to help her to fly. When the dear little Fairy Princess awakened from her sleep, she was devastated by the loss of her wand and music, and still convinced of her own worthlessness you see this poor creature before you today.

                      The poor creature had stopped sobbing and was glaring at Frowdup.

                      #301

                      Illi was quite pleased with the sand dragons.

                      HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!

                      Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.

                      Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!

                      Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.

                      ~~~

                      When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.

                      Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.

                      #1448
                      TracyTracy
                      Participant

                        http://www.north-of-africa.com/article.php3?id_article=418

                        This might be a better link for the comment about the connection between Egypt and Tuaregs :) :weather-clear:

                        as well as the Egypt connection :

                        At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

                        I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….) :yahoo_thinking:

                        ~~~~~~~~~

                        AND: The Tassili n’Ajjer

                        …..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

                        There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

                        (this reminds me of Oversoul Seven! # book by Jane Roberts)

                        Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
                        He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

                        more:

                        http://www.philipcoppens.com/tassili.html

                        ~~~~~~~~~~~~~~~~~~~~~

                        ENORMOUS CATS?????? :yahoo_surprise:

                        #291
                        F LoveF Love
                        Participant

                          Oh yes, it is all perfect, interjected Tina, in her new soft and gentle voice. Thank you so much for helping me to understand.

                          AHAHAHAAHAH, laughed Becky, nearly snorting, Tina are you okay today?

                          Well no actually, my head has been pounding for the last 24 hours. I think I have been taken over by those pesky aliens again. They tell me that the only way to get rid of them is to revert back to my own true self.

                          Hope you do it soon muttered Becky, all this niceness is quite unnerving.

                          #280

                          When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
                          The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

                          So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

                          But Bådul knew better.
                          He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
                          He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

                          :fleuron: :fleuron:

                          A few months earlier, Northern Åsgurdy

                          A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

                          He knew that such a shelter wouldn’t be far away now.
                          That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
                          At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
                          He had felt he could trust that man known to him only by a strange name, something like Gheorg.
                          There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
                          He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

                          ~~~

                          Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
                          It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
                          She needed to move on.

                          ~~~

                          When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

                          In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
                          Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

                          He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

                          It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

                          :fleuron: :fleuron:

                          Austor did not believe his eyes…
                          They had crossed the Rift, all three of the ships.
                          And it was nothing like the dark void they had nearly expected behind.

                          It was an open sea, glistening in the sun, and all hope had come back through them all.

                          #1467
                          ÉricÉric
                          Keymaster

                            Blue quote thingy

                            The blue quote thingy is made with bq. (blockquote) at the beginning of a new line.

                            bq. will give that

                            will give that

                            If it extends to many paragraphs, then use

                            bq.. my long quote
                            continued
                            p.  *back to normal paragraph again*

                            my long quote

                            continued

                            back to normal paragraph again

                            You can have more details in the Textile help file for other more complex designs…

                            Searching

                            :face-glasses: I tried in both the search tab, and the “quicksearch”, and it seems OK.

                            Only trick is in the search tab, when you look up, say… “Arona”… you have to click on the highlighted extract, and not on the title, if you want to be brought directly to the one of the many comments where Arona appears ;))

                            #1308

                            In reply to: Yuki’s Livrary

                            ÉricÉric
                            Keymaster

                              September 24 th

                              Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

                              Relevant extracts:

                              At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
                              […] HE KNEW HIS WAY INSIDE !
                              When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
                              focus opening/doors ; time/space…
                              The central cavernous part is some kind of key center, where anyone can meet…

                              This has inspired Quintin to write some notes too.
                              He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

                              September 26 th

                              The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

                              Here would be what we will say to him, if he wants to listen:

                              « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
                              Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
                              These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
                              And you begin to really experience it, and really pay attention.

                              « As was expressed many times, “essence” is no thing. It is an action.
                              The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
                              In that, your purpose, you see, is only to experience, nothing more, nothing less.
                              And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
                              Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
                              Just as your dreams at night overlap and blend into each other.
                              Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

                              « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

                              « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
                              In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

                              « Let us explain this in other terms.
                              When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
                              In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
                              You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
                              Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

                              « We will let you ponder this, and we will continue our own story, writing about you… »

                              September 28 th

                              This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
                              Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

                              Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
                              It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
                              And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
                              It is almost limitless in your understanding.
                              As is your magic.

                              This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
                              The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
                              The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

                              As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
                              In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

                              With that said, let us see how much more will appear from that sandbox…

                              September 30 th

                              The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

                              The Secret Life of Margaret Wrick , a newspaper cut from 2033.

                              October 7 th

                              The dragon Naasir’s dream
                              A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

                              And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

                              #79
                              ÉricÉric
                              Keymaster

                                These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                                Note: for the reader not familiar with all the names here is a quick reminder:

                                • Araili > Yann, Írtak, Sam, Jacob …
                                • Armelle > Fiona, Arona, Tina, Qixi …
                                • Rafaela > Dory, Illi, Becky, Rodney …
                                • Yuki > Quintin, Al, Janice …

                                September 12 th, 2007

                                Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                                Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                                Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                                I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                                September 13 th

                                Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                                This first comment seems very promising.

                                Right now, it feels easy and fun.

                                Quintin seems to think that everything is very straightforward.
                                The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                                The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                                But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                                That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                                But the thing is, that he missed the point in thinking one World is more “real” than the other.
                                We’ll be having some fun soon…

                                First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                                We will appeal to his imagination.
                                It seems he has heard the suggestion.

                                September 14 th

                                For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                                But as I expected, some challenges seem to appear already.
                                Is it raining or not in that world?
                                The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                                He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                                At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                                How will it unfold?
                                Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                                September 15 th

                                Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                                Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                                Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                                September 16 th

                                Halcyons days…
                                My dear friend Archie is answering some of Quintin and Yann’s questions.
                                Something starts to dawn on Quintin. But his mind is on other matters.

                                He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                                September 18 th

                                Quintin has been drawing some of the characters of the story. It’s interesting.
                                He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                                Characters drawn:

                                • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                                • Malika, Quintin, Yann, Fiona and Dory

                                Interestingly, Fiona resolves her issues in her cave.
                                Dory too, but she did not need the cave to do this.

                                September 21 st

                                For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                                And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                                Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                                But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                                Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                                There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                                Of course, some things still matter, and one of the point of the story is also to discover these.

                                September 22 nd

                                Quintin has been drawing new characters.

                                Characters drawn:

                                • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                                • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                                • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                                A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                                She had at first thought they were whiskers, which was not Quintin’s intent…

                                September 23 rd

                                Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                                Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                                Up to now, here are the names he could find:

                                • North: the Icy Lands, and Dragon Cemeteries
                                • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                                • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                                  Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                                • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                                When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                                #274

                                Pssst Arona, over here, Mandrake hissed

                                Mandrake there you are, what ever are you doing. I was so worried I had lost you!

                                Mandrake was quite touched, but managed not to show it

                                I couldn’t stand all the snorting anymore.

                                Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

                                Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

                                Sanso, realising that Arona was no longer following him, returned.

                                Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

                                Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

                                Mandrake actually corrected the cat, huffily

                                To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

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