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  • #1308

    In reply to: Yuki’s Livrary

    ÉricÉric
    Keymaster

      September 24 th

      Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

      Relevant extracts:

      At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
      […] HE KNEW HIS WAY INSIDE !
      When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
      focus opening/doors ; time/space…
      The central cavernous part is some kind of key center, where anyone can meet…

      This has inspired Quintin to write some notes too.
      He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

      September 26 th

      The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

      Here would be what we will say to him, if he wants to listen:

      « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
      Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
      These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
      And you begin to really experience it, and really pay attention.

      « As was expressed many times, “essence” is no thing. It is an action.
      The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
      In that, your purpose, you see, is only to experience, nothing more, nothing less.
      And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
      Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
      Just as your dreams at night overlap and blend into each other.
      Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

      « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

      « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
      In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

      « Let us explain this in other terms.
      When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
      In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
      You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
      Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

      « We will let you ponder this, and we will continue our own story, writing about you… »

      September 28 th

      This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
      Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

      Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
      It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
      And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
      It is almost limitless in your understanding.
      As is your magic.

      This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
      The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
      The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

      As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
      In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

      With that said, let us see how much more will appear from that sandbox…

      September 30 th

      The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

      The Secret Life of Margaret Wrick , a newspaper cut from 2033.

      October 7 th

      The dragon Naasir’s dream
      A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

      And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

      #79
      ÉricÉric
      Keymaster

        These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

        Note: for the reader not familiar with all the names here is a quick reminder:

        • Araili > Yann, Írtak, Sam, Jacob …
        • Armelle > Fiona, Arona, Tina, Qixi …
        • Rafaela > Dory, Illi, Becky, Rodney …
        • Yuki > Quintin, Al, Janice …

        September 12 th, 2007

        Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
        Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

        Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

        I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

        September 13 th

        Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
        This first comment seems very promising.

        Right now, it feels easy and fun.

        Quintin seems to think that everything is very straightforward.
        The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
        The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

        But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
        That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
        But the thing is, that he missed the point in thinking one World is more “real” than the other.
        We’ll be having some fun soon…

        First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
        We will appeal to his imagination.
        It seems he has heard the suggestion.

        September 14 th

        For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

        But as I expected, some challenges seem to appear already.
        Is it raining or not in that world?
        The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

        He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
        At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
        How will it unfold?
        Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

        September 15 th

        Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

        Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

        Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

        September 16 th

        Halcyons days…
        My dear friend Archie is answering some of Quintin and Yann’s questions.
        Something starts to dawn on Quintin. But his mind is on other matters.

        He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

        September 18 th

        Quintin has been drawing some of the characters of the story. It’s interesting.
        He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

        Characters drawn:

        • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
        • Malika, Quintin, Yann, Fiona and Dory

        Interestingly, Fiona resolves her issues in her cave.
        Dory too, but she did not need the cave to do this.

        September 21 st

        For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
        And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
        Quintin will soon realize that he himself is doing this constantly, though he does not register it.

        But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

        Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
        There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

        Of course, some things still matter, and one of the point of the story is also to discover these.

        September 22 nd

        Quintin has been drawing new characters.

        Characters drawn:

        • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
        • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
        • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

        A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
        She had at first thought they were whiskers, which was not Quintin’s intent…

        September 23 rd

        Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

        Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

        Up to now, here are the names he could find:

        • North: the Icy Lands, and Dragon Cemeteries
        • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
        • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
          Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
        • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

        When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

        #274

        Pssst Arona, over here, Mandrake hissed

        Mandrake there you are, what ever are you doing. I was so worried I had lost you!

        Mandrake was quite touched, but managed not to show it

        I couldn’t stand all the snorting anymore.

        Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

        Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

        Sanso, realising that Arona was no longer following him, returned.

        Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

        Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

        Mandrake actually corrected the cat, huffily

        To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

        #272

        Sanso was finding it hard to stop laughing at Arona’s funny wooping hoots of laughter. He snorted and gasped until his side ached.

        Mandrake? Mandrake! Arona came to her senses. Where has he gone? Mandrake!

        He’s taken that glass sand thing, too! All that laughing had jumbled up Sanso’s memories, and he couldn’t recall the name of that Glass sand thing

        (that glass sand thing, Becky made a note to look it up and correct the script later)

        That creature’s made off with it!

        Oh, bugger off, Sanso, Mandrake wouldn’t do that! Arona spoke sharply, forgetting her manners in her panic. What would a Mandrake want with a glass sand thing? Arona almost stamped in frustration at not remembering the name of that thing, and in front of Sanso, too.

        Sanso didn’t hear her anyway, he was striding purposefully across the cavern towards the waterfall.

        Well wait for me! Arona ran to catch up with him. How do you know he went this way?

        I don’t, Sanso was honest, But when I gets an urge, I gets an urge, and I follows it.

        Arona couldn’t think of a better idea, so she followed him. Slow down, will you! Mandrake! MANDRAKE! Where are you, Mandrake!

        #267

        AHAHAHAHAHAHAHAHAHAHAHAHA laughed Arona, and then when Sanso kept snorting she laughed even more.

        Mandrake sighed heavily and retreated to a safe distance to sit it out.

        #266

        Sanso didn’t notice that the creature called Madrake was rolling his eyes. While he explained to the rather odd but delightfully enchanting Arona the finer points of sabulmantium technology, he was thinking about what Arona had just said about her mission. Her overall mission, she’d said, was to learn all about magic.

        Sanso wondered what his own mission was and didn’t think he had one. Unless his mission was a glorious infinite wandering, threading multicoloured silken skeins of clues and riddles, people and places, weaving them in and out of time and to each other….the never ending tapestry, ever changing and splendid in it’s magnificence…..

        Arona was looking up at Sanso with barely hidden astonishment, and he blushed ever so slightly when he realized he’d been speaking out loud. Shouting actually, his deep voice booming out with joy and passion, his wild gesticulations causing Arona to flinch and take an involuntary step backwards.

        Suddenly both Arona and Sanso saw the funny side, giggles erupting into gales of laughter until tears rolled down their cheeks and they collapsed on the floor whooping and snorting and wiping their eyes, not really knowing, in the end, what they were laughing at…..

        #255
        TracyTracy
        Participant

          Cuthbert woke up with a start, and called for Nanny Gibbon. What a horrible nightmare he was having!

          CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

          Cuthbert trembled and checked his hands. Phew! they looked normal.

          GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

          Nanny I just had an awful dream! Cuthbert clutched Nanny Gibbon’s dressing gown, and shuddered. There was this madman, Nanny, by a river, and he kept shouting about an evil hand….

          There, there, Bertie, it was only a dream. How about a nice piece of Manon’s Yorkshire parkin and a cup of cocoa?

          #245

          Captain Bone was packing his trunk. The boat was leaving at noon from the quayside of the fishing village, and the captain was nearly ready to say goodbye to the Sharples family. He’s been happy staying with the Sharples and their unruly brood, but he was a man of the sea, and the salty breezes and rollings waves and promise of new adventures was beckoning.

          The sea mist rolled over the cluster of cottages as it often did in the early mornings, mingling with the aroma of coffee and freshly toasted crumpets. Captain Bone remembered other morning mists from other shores, warm ones laced with cinnamon and cloves, and chilly ones pungent with fishy smells and squalking gulls…… bright sunny mornings with long golden shadows and the endless half light of arctic northern ones.

          The captain closed his trunk without checking to see if he’d remembered everything. Whatever he needed on his journey, he knew he would find. Whatever he left behind, he knew the Sharples would keep safe until his return.

          ***

          Manolo the vet helped the captain onto the boat.

          ¡Hasta la vista, hombre! ¡Buen viaje! Long Tom Bone winked and smiled. As soon as he’d set foot on the boat, he sighed a huge sigh of relief, and all the aches and worries of living on dry land drifted away.

          The Sharples family passed the tissues round. It was going to seem strange for awhile without the captain.

          #243
          ÉricÉric
          Keymaster

            William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

            The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

            The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

            But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

            It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

            « Suffering is not good for the soul, unless it teaches you to stop suffering. »

            He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

            The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

            Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

            But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

            Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

            Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

            Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

            Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

            Oh… said Bill who did not expect them to come back so quickly.

            Appendix: The Wrick family tree

            #231

            HAHAHA! it is your first step now. Let me just remind you that you need not play MY game, the game is yours, ever.” said Georges.

            Dory was feeling a bit confused now. What was he talking about, what game? And first step to what? She couldn’t hold to the anger nor the irritation; all of that was feeling not real or not here, or not there for all she knew.

            “The direction you follow is your choice, and where I come from is not relevant to this conversation. You may say I come from yourself :) and indeed you called me and I wanted company. Do you want more coleslaw?”

            Without waiting for her answer he refilled her plate with the tasty food.

            All those smells,… she could feel so many different things, things that appeared not to be here. A movement caught her attention in her periphery. As she turned her gaze whatever was there had vanished. And this humming, it was like music, but not very clear… if she could just focus more on it, yes like that, she was feeling sooo calm and she began laughing.

            “Hahahah… haha. Did you drug the coleslaw?” She asked, trying to appear angry and unhappy, but all she could do was smile and laugh.

            The images around her were shape-shifting, there were many colors, some of them she didn’t know could be possible, the walls were melting of sort and becoming transparent, or just fluid maybe…

            “Well you see how it’s easy to relax. Let’s see where you want to go now my dear Rafaela”, he said winking.

            And everything turned into a great maelström but she felt secure and could feel his presence reassuring, and there were all those other faces and places, some felt very familiar, had she ever been there before?

            #230

            Illi had not known as powerful an opponent as this other Illi.

            At first, she had been remembered of stories of possession by evil sprites (or djinns) that she had heard in her youth, when Ibn al’ Gruk, the old angora storyteller was entertaining the desert settlement beating the rhythm with sonorous drums.

            So, she had pushed, and rebelled, and fought, as fiercely as any other gripshawk skilled and trained in the hand-to-hand martial arts would have done.

            But the other Illi wasn’t so easily vanquished.

            Then Illi had collapsed. She had sorrowfully abandoned the fight to the dreaded adversary.

            All of this had been occurring in a twinkle of an eye, but for Illi, the fight had been during ages and ages, while she was trying to focus on what BelleDora was explaining to her about the land where she was now.

            And when she had abandoned the fight, everything was again so easy. She did not care any longer, she was free again. Her evil twin could do anything, it could not matter less.

            But the evil twin had been in fact doing the same, and she had struggled to keep the focus coherent to her. Didn’t want stupid moth-looking people in her reality, or even spare hair on her face! But that other one was strong, and fierce. And stubborned too!

            — Who are you? she finally had asked
            — I’m Illi, had the other answered
            — I am Illi.
            — So we are both Illi…
            — Yeah, that may be it, but we are quite different.
            — Are we? You feel quite like me, despite your stupid affection for smooth baby face.
            — Well, wouldn’t it be for that, I can see some resemblance…
            — Will you let me continue my trip?
            — Oh, I would have, but you’ve hijacked mine, said Illi Fergusson.
            — So you think.
            — And where does your trip leads to? asked Illi F. who wasn’t too sure of her trip either
            — From traveling portals to traveling portals, to discover all that can be discovered on this world. Magical creatures, I distrust them, but the lands and people are fascinating… And what about yours?
            — Hmm, hmm, pondered Illi F. for a moment… Well, I’m dead actually, but I didn’t expect being dead to be so busy. There are so many things to discover, and I like that. I see funny looking people, and this looks like fun. Like a minute ago, I was in some kind of funny cave, with a parrot…
            — A what?
            — A parrot, you know, a kind of talking bird full of colours…
            — Mmm, some kind of demonic creature for sure. Would have slain it without an hesitation!
            — Hey! You see, that’s why I didn’t want you to come with me.
            — Well, seems like for a moment, we don’t have much more choice…
            — At least, look at the bright side, with us merged like that, each of us can provide the other one with some sound experience on each other’s worlds.
            — Well, that’s not as airy-fairy as it seems…
            — Well, thank you for that, I’ll take that as a compliment.
            — You really are dreadfully serious at times!
            — Hey, I’m not anybody you see. My parents were aristocrats, I’m not the common hairy lot.
            — Ahahah, you’re funny.
            — So are you!

            And they ended laughing blissfully together.

            After a moment, Illi asked again:

            — Huh, a funny cave you said?
            — Well, yes. With lots of people…
            — Interesting… I was near some sort of strange cave too a while ago, that is, before I was found by this nice man and his dogs. Perhaps there is some connection here.
            — And could you go there again?
            — Not sure if I want to; there were some smelly fumes, smelt like demonic magic in there.
            — Oh you see, for as long as I’ve been dead, well even if that’s not so long ago, anyway, the point is I’ve not seen any demon so far… blustered Illi F.
            — Oh, and I have to take your word like that then?
            — Well, do as you please, but I’m going there again…
            — Just wait for me now, will you; let’s try to do things hand in hand, because you’re driving me mad!

            And the deal was made.

            BelleDora had continued to explain lots of things about her ancestors, but had not really noticed Illi’s attention had been so far away. She was a bit surprised when she found herself interrupted in a middle of a poetic depiction of the coastal plains of the Peninsula of the Dragon Head, where some glistening Capricorns were sometimes seen swimming in the creeks.

            — And how do I get back safely to this hole where I was found? asked Illi abruptly.

            #226

            Jadra Iamamad stared intently at his left hand. He had been looking closely at it now for nigh on 2 hours since awakening that morning. He held it up and compared it with his right hand. He shook his head, a mixture of astonishment and disbelief, however there could be no doubt about it. A rather extraordinary thing had occurred whilst he had slept. It was truly momentous. He wanted to dance and shout and raise his voice to the heavens and praise the mighty Gods who had bestowed such an honor upon him.

            Ha! They call Jadra Iamamad a fool, a madman, but it is the God’s who have spoken now. Who are the fools now? It is the God’s who have chosen!. And he fell prostrate upon the earth.

            Not for long though, for Jadra knew what he had to do. He had been entrusted with this mighty honor and he must guard it carefully. He ripped off his shirt and tied it carefully around his left hand in order to protect it from spying, prying eyes. And there were many such eyes in Jadra’s world. He could feel them upon him even now. He knew full well there would be many who would wish to deprive him of the special privilege the Gods had bestowed upon him.

            He had to take his hand to the cave.

            Jadra could not restrain himself from doing a small dance.

            Carefully, carefully now Jadra, he whispered gleefully.

            #224

            Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

            Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

            Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

            — And how can I be of assistance, dear little one?

            — Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
            — Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
            — Well, let me think.

            India Louise took a moment, and asked again

            — For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
            — Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

            Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

            — Areas of consciousness?

            — Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

            — And Illi? Who is she?
            — This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
            — Mmmm, this is quite intricate…
            — Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
            — Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
            — These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

            Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

            — Thank you Grandad, it’s becoming a bit less confusing.
            — Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

            #221

            Bådul was pondering at the bow of his boat.

            His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

            The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

            Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

            He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

            A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

            And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

            And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!

            #210
            ÉricÉric
            Keymaster

              Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.

              Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.

              They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.

              When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.

              But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.

              And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.

              Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.

              When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.

              Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.

              At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…

              #206

              India Louise had been switching her own book with Cuthbert’s that night. And as she was exploring some of the stories told in his, he was having a peek into hers.

              Very quickly, he became aware of a whole new continent, in that World, across the Middle Seas. In that continent far North of the one where Malvina’s was living, lived some intrepid people. They were strong with big voices, and a bit quarrelsome too. Their ways had forgotten lots about Magix and they placed most of the value into tangible items.

              The next page, a man was sailing across the Middle Seas with a handful of trusted men. He was a captain pirate, named Båd Al’Guz, which meant, Båd son of Guz. His crew referred to him as Bådul.

              Cuthbert was intrigued by this man, and had begun to discuss with him mentally, asking who he was, who were his people. The same as Cuthbert had been very innocently doing with gentle Malvina.

              But Bådul was tricky, and after a bit of a surprise, very soon discovered that the little boy could be a very interesting informant, though an unusual one.

              And in fact, his information was much more interesting than that which the shamans of King Wulfrick babbled in the most inspired manner.

              Till now, from the mouths of the buck-pelts clothed shamans had only came stupid gibberish that the King and his court gobbled endlessly. Something about “YaWn”, as they said: You animate Worlds neatly .

              How stupid was that? Their only answers were useless to him, they were only telling him that he activated and animated the Worlds neatly, and that, in short, nothing was fixed and he could do anything.

              Well, with that boy, that was different. He was talking about a cave with gilded dragon eggs, and THAT was of a great value to Bådul.

              But of course, he would not frighten the young boy and pretended that his intentions were that of an explorer, trying to discover new shores and new continents, so as to become closer to understand from where he came, and hopefully make people aware of their closeness to each others.

              He was such an eloquent actor that he almost shed a tear saying that sentence.

              As a matter of fact, for as long as he remembered, he had been wandering in many situations, and lots of them had not been very pleasant. Born from uncaring parents, as lots, if not all, of his people were, working as a janitor in a sordid tavern, then as a warden (if not executioner when requested) in an even more sordid jail… Were the Gods to be blamed for that? Well, according to the shamans, he was the only one to be blamed, because he did not accept his responsibility as a weaver of Worlds.

              Idiots.

              At least, he had found his passion. He love sailing, and taking riches for his pleasure. Whatever then, he would take his share, and not care about what was next.

              At least, if he could coax the boy into revealing more about that cave.

              #186
              F LoveF Love
              Participant

                Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

                She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

                She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

                Use your magic, she had said.

                When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

                Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

                :fleuron: :fleuron: :fleuron:

                The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

                Thank you for having me room, she said as she left.

                No, thank YOU, replied the sleepy glukenitch.

                :fleuron: :fleuron: :fleuron:

                The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

                Why sad?

                I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

                You always know, just feel it

                So Arona closed her eyes tightly and allowed herself to feel the answer.

                Because you know who you are, and it made me realise I have no idea who I am.

                Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

                Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

                The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
                The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

                Arona, who had felt immediately connected with the young child frowned.

                Doesn’t the little girl feel left out?

                Go in, said the woman, Go inside the picture and feel the answer.

                Oh, and you might want to leave your cloak behind.

                So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
                I remember feeling like that, thought Arona, before the magic went.
                She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
                As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

                :fleuron: :fleuron: :fleuron:

                Arona returned to the cave.

                You look troubled

                Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

                On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

                Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

                Arona shuddered a little. I might not jump into that one .

                The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

                Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

                Well I gave her the same advice, years ago.

                More damn riddles, Arona thought to herself, and the woman laughed.

                One final painting of yours I would like to show you. It is beautiful is it not?

                Arona stared mesmerised for a moment, and then leapt right in.

                She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

                Dance Arona, she heard the woman’s voice

                I can’t dance like that, I’m not good enough.

                It doesn’t matter

                And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

                :fleuron: :fleuron: :fleuron:

                Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

                Things are shifting she said

                Oh lordy, are they said Arona, What should I do now?

                Feel the answer

                Arona felt. I am very hungry, eggceptionally so.

                #184

                The transmugrification was about to start.

                Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

                He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

                But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

                Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

                As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

                Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

                As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

                The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

                So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

                Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

                He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

                And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

                And a new egg was laid somewhere in the cave, glowing of an emerald tint.

                This “one” was a bit different though…

                #139

                Leörmn was quite amused by his role as a door-keeper.

                He was by no means an impressive dragon in size, but he could project upon people and creatures an appearance of a great terrific dragon. For those like that young adventuress, who he could see was pure of heart, he did not create too frightening an image. But after all, he took his role much to heart, and decided he would play a bit with her.

                The few humans to whom he had revealed his true form were most of the time a bit surprised at first by what a funny little endearing dragon he was, and even more surprised when they knew he was laying such big eggs.

                He was not really a “he” either, nor a “she”, and as most of the dragons of his race, would not choose a gender, and would travel alone, or with a human companion, until he would find a place comfortable enough were he could start a rookery of his own progeny.

                As far as the size of the eggs was concerned, they were at first only the size of big pearls, opalescent and iridescent, and upon the course of many moons they slowly grew in size, taking solidity in the form of that much sought gilded shell.

                Buckberry had been the first one to hatch. His colour was a pretty shade of indogo (the same colour of the blue flamingos that lived in the Eastern Lagunas) and he was a very strong-headed one he could tell. Very funny too. This little one would have a hard time choosing a human companion worthy of him…

                #136

                Inside her cave, Malvina was playing the harp. She was happy and in harmony with the Worlds.

                She came from a long lineage of Light Sorcerers and Sorceresses, but had preferred to the fuss of a great career in one of the quarreling kingdoms, a pleasant life inside this cave. The cave had been empty when she had found it, safe from some schpurniatz, but she knew how to tame them, and she had even left a few shadowy places for them to rest , hung upside down under the holes and crevices during daylight, when she had used Magix to transform the rocky walls into a comfortable dwelling place.

                She was happy, because new eggs had been laid, and they had come early this time. The eggs, she cherished not because of their gilded aspect, but because they were the sons and daughters of her mighty dragon friend Leörmn. Eggs were highly sought by greedy pirates of the Northern Seas, and though she had been as discrete as possible, she knew they had lots of informants, and her aura was spreading in the villages around, especially since she had helped that little boy who had fallen inadvertently inside the cave.

                At least, this time she would be warned by Leörmn, who was keeping watch at the entrance, and whose riddles could very well befuddle the greedy uninvited fellows into forgetting their names altogether.

                So now, she played, and played, and music notes were like soothing water drops, carried away by the rivulet inside the cave…

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