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In reply to: Circle of Eights, Stories
Yann stroke Arona, lost in his thoughts. He’d spent the last few days with Yurick at Gustav’s place. He’d met Gustav a few days ago, when Yurick came to Paris with him. Gustav was a very sympathetic and fun fellow, his energy felt very soft to Yann and quite sensitive though he could appear a bit rough to others. Gustav was kind enough to let Yann sleep one night at his house when he was still there, before his holidays with his parents before Christmas and friends after Christmas. It was the occasion to eventually be with Yurick.
The life together was a bit different from what he would have normally expected… before. Now it was just a new experience, the interaction was different, and the configuration of energy could be a bit tricky.
Yann had noticed that in his perception even if an aspect of his attention was focused on the physical place and that he was physically seeing other individuals and objects in the official room, his main attention was elsewhere… he was beginning to be able to let more of this periphery to bleedthrough in his official reality, and he was well aware that the interactions weren’t always what they appeared to be. He first had the reflex to filter it through his usual associations and what he knew of this reality… but often enough he had that twinge about it like it wasn’t really fitting… it wasn’t fitting at all, he was trying to mold it into another shape, a familiar and distorted shape, so to speak. Ok, that was acceptable, and most of the time his attention and his movement was toward Yurick’s energy.
Yurick was creating some weird stuffs in with his mouth… some itching and uncomfortable pain… it was a bit weird because of the familiar associations with it… associations with pain, illness, preoccupations, caring, even self worth… but most of all it was showing Yann about the automatic movement “outside” of self, and not being present in what himself was doing.
Yann had noticed that most of the time when he was in what he was doing there was that warm expansion feeling in his belly… but still there was that location association with it… and the association that Yurick was outside and the room was outside and then at times it was fading and there was not much separation within energy.
And he just noticed that no separation didn’t necessarily mean continuity
Ok, again this Owl music of the Harry Potter series… the “scum of the universe” connection was a bit hidden by this music now, but it was still in his periphery. And something he wanted to explore. A feeling of space travel and of mercenaries… that reminded him of the video games he was playing when he was a kid. There was always a time when he was fascinated by the “bad guys”, the pirates. Haha, maybe a pie rat would do as a dessert.
He would soon come back “home”. He had that DVD of the pilots of a series about space travels that he liked a lot… Yurick had told him about it 2 days ago, he had never seen it.
In reply to: Circle of Eights, Stories
Malika jotted down some notes on the chat window, depicting the images as they whizzed into her mind like the pages of a multicoloured flip-book
“As she swam swiftly to regain the spot of her observation, she skimmed almost to the surface, and as she did, she saw lights. She surfaced and heard sounds that resembled the music that she and her sisters played.
They held in their hands objects that projected sounds…”
As she swam swiftly to regain the spot of her observation, she skimmed almost to the surface, and as she did, she saw lights. She surfaced and heard sounds that resembled the music that she and her sisters played.
They held in their hands objects that projected sounds, and their echoes in the waters were projecting harmonious symphonies that were carried miles across the waters.How odd that the sounds where so similar to the ones she had always known. But they were different, rasher, suffused of a violent nature which was so alien to the world she was coming from. It all was perplexing, and almost deafening to her. Her eyes getting slowly accustomed to the light could not yet perceive that there was no longer the life she’d felt on the strange floating body, but she knew it assuredly even without seeing it.
She plunged back into the waters, to reattain the gliding peace and softness that she had been missing so much already, even though she had been out of it for barely a few moments.
Where was the life she had felt… Gone in the strange world of the surface? She knew so little of that world, that she imagined that all their creatures could swim as easily in the airs as she could do in the waters. Was there a bottom to their environment?
All of these questions were erupting and expanding in her mind, when a sudden feeling got her forthwith.She could feel him. Sinking slowly… and she could feel his pain inside, something else that was alien to her… He was so fascinating…
She swam fleetly to where he was.
She turned in small rounds around him, following closely his descent, not daring to touch him.
So alien, yet so beautiful.She could communicate with him, as he was in something close to a deep slumber, and allowing for that exchange to happen. It was a breach of the rules, she knew.
She had been told not to interfere with things from the surface, yet she was interfering already, and she’d always been doing it in a sense… At what point did that breach leapt from her imagination to reality? She couldn’t say…The light was casting a yellow radiance in the blue waters. A feeling of warmth and comfort surrounding them.
He was telling her he was dying, yet he was comfortable. Time meant nothing…
She conveyed to him that she could help him, bring him back to his floating station, where he could spring back into his world… She wanted to share so many things with him…In reply to: Yuki’s Livrary
December 5 th, 2007
My dear friend Elias has whispered this to Yurick this morning, which he has apparently connected.
“Through your inner senses, you may connect with vibrational tones. Everything within your perception incorporates a vibrational tone. Your table incorporates a vibrational tone. Every molecule, every atom, every unit of consciousness incorporates a vibrational tone. Therefore, within your inner senses your ‘objective,’ so to speak, would be to be connecting with an individual scenario of connection of vibrational tones, of which there are more than you may count.” [Elias #79, March 17, 1996]
In reply to: Circle of Eights, Stories
Madame Butterbutt, the saloon landlady and iconic colourful figure, came back to her room in a fury.
She was living above the saloon, in a large room tastefully furnished, with some exuberant objects that she had gathered from her many commercial acquaintances.She took one of her favourite cigarillos to calm her down.
That Mc Gaughran was such a… she wasn’t at loss for words. But none of them would have been strong or decent enough for the dork that he was. Ooops she smiled, this last one had almost slipped out unnoticed.Unlike many people in that small town of San Demangelo, she wasn’t fearful of the man. Not of the man himself (she was almost a giantess compared to many women), and certainly not of his threats either, even though she knew what the man was capable of.
She knew well many of his shady tricks, but she also knew things about him that most of the time sufficed to keep him quiet and docile.Today, she would have almost laughed at him when he had tried to pressure her by threatening to reveal to sheriff Ted Marshall her little trafficking of hallucinogenic toads. Pathetic of him.
That was really nothing, a little commerce she had with some remote part of her family in Guatemala, especially the voodoo witch Nana Del Conda. These were regularly brought to her by the old ambulant quack Myrlin who was selling all sorts of hocus pocus remedies, keeping the potent ones for Madame Butterbutt.So nothing extraordinary about that… No,… what had brought her in that terrible mood was when the hoity-toity, pompous, arrogant, full of himself f*ckhead, oops she bit her lip again… When that jelly belly mugger had tried to coerce her into pushing the little Twi into his bed.
Repugnant.When that foolhardy brother El Disperso is storming again into the bar to try to find quarrel and provoke the jelly pig into a brawl, she would perhaps let him have it his own way after all.
Last time her loath of firearms had been directed strongly against the young boy, perhaps also to protect him too… Anyway, he was perhaps right, allowing himself to “float downstream”, from the hate to the anger… and perhaps to hope and joy again.
She started to sound like dear ol’ Abe…In reply to: Circle of Eights, Stories
Narani was waiting patiently for her sisters to unfold their own desire. She had multiplexed their personal threads of desire for a new game to generate the magnetic field that was attracting the machinery of the 2 lEGGed creatures. She knew them well, as the oldest sister of her tribe, she was linked to all her “sisters”. And actually there were none of them that wouldn’t be a relative of sort. She had managed to maintain her own children on the island.
Her cousin Ararog had also managed her own nest in England. She was connected to her through a strange egg, white with threads of pistachio in it. She could speak from very long distance with that object, that was merely helping her to focus her energy in the most probable direction. She was doing well and there had been lots of movements for her too.
smelled some chocolate cake in the distance… it seemed delicious and she was so hungry… needed chocolate Aldous Mc Gaughran farted contentedly, causing some disgusted glances from the other customers, he smurggled puffing on his cigar. He was feeling aroused by that beautiful blond chick dancing on the stage of the saloon and was making his decision about their family.
He
would have her.In reply to: Circle of Eights, Stories
Valparaíso, Chile, November 1997
Cillian Mc Gaughran was finding that dying was longer than he expected. Since Fidelma’s death, twenty years from now, he would have vouched pain would get him on the other side quickly. But it was as if every object his wife had touched was letting him know of her presence. Perhaps they were holding him here…
He couldn’t wait to be reunited with his dear wife. Sixty six year-old wasn’t old enough to die for many people, but it was enough for him. The world was changing too fast. He decided he had to let go of all these objects. By and by, he had released every one of them… But one.Of all of them, this one was very dear to him. An old family artifact that was handed down in the family for as long as he could remember. It was said to have been the property of a famous dancer during the Gold rush period and was rumoured to bring good luck… Lord knows how it came into the family…
It was dear to him because he had given it to Fidelma when she was having her chemotherapy, battling the blood cancer she had been diagnosed with. It looked wonderful on her delicate features. The wig had not aged since all these years.
It would surely finish him off to release that last object.Cillian had heard some exuberant stories of a new company named eBargey where things were auctioned on the Internet. New technology he was finding a bit hard to follow the progress though he was not ignorant of it due to his years spent as a high rank officer in the US Army.
That could be a great way to release the wig. Auction it off, and see how high and how far away it could sell… Perhaps it would find a perfect match. Chris Bronkelhampton had always loved to cross-dress since he was a child. He was a fine collector of wigs and had many lined up in his secret closet.
He had just managed to do a risqué plastic surgery operation on a kingpin that would grant him all he had ever dreamt of. He leaned comfortably on his chair, rubbing his hands gleefully.
Something on the computer screen caught his eye. On the newly auctioned items there was something that he wouldn’t have dreamt of acquiring in his wildest dreams.In reply to: Circle of Eights, Stories
As Arona started to turn away, Lucille called her back.
Arona, my dear, I have a gift for you. A story.
Oh, I don’t think I have time for stories, but thanks anyway, said Arona, anxious to get going.
A little bit rudely disregarding Arona’s objections, Lucille continued:
Once there were several people standing around a lake in which the full moon was reflected. They discussed the reflection. One person said it was an egg, another said “No, someone must have drowned, it is a bald head”. “Rubbish” said another, “clearly it is a balloon in the water.” One thought the moon was yellow, another thought the reflection of the moon was very emotional. Someone else thought it was soft. Why they had quite a discussion about the reflection of the moon and each one had a separate and disparate view of things. Of course they did, they were looking at it from different perspectives. All were looking at the reflection and not the the moon itself shining in the sky.
Arona, Lucille said intently, Each person’s perception of the moon reflected in the water, tells us as much about that person as it does about the moon itself. Remember that.
Arona tried not to giggle, she felt Lucille was getting a little carried away with this moon talk.
Lucille, undeterred, continued; That’s the best any of us can do, is offer our own perspective. But it is just a point of view. Don’t you worry about who others think you are, unless that’s what you choose also. You be free. You trust yourself Arona and you will shine brightly like the moon.
I understand, said Arona, as the flork cried out again, with incredible and stunning synchronistic timing. And she did, although she really did think Lucille had got a bit garbled in the telling of it, yet she did get the gist of the unusual little story. And after all, she realised, her own perception of Lucille had changed rather dramatically since that first encounter. Why, now she seemed like quite a sweetie, and really quite profound, in a complicated way. How very odd
Lucille cackled and winked. Hmmm thought Arona, well, buggered if I know….
In reply to: Yuki’s Livrary
November 9 th
For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.
Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.
Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…
In reply to: Circle of Eights, Stories
Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.
It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…
Captain Bone had laughed.
— Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
— So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
— Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.Tomkin laid down on the warm sand, looking at the clear starry night.
— The legend of Mævel — (Part VI)
Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.
Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
He could chose any of them… But, would that make the story the same?
Then he recalled that it was his own story… So why make it difficult then…The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.
— Oh, really? Mævel was saying
— Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
— I want to help you.
— Fine. You know about Shaint Lejüs Festival?
— Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
— and of the Accursed Ones.
— Oh…
— That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
— Every year? Why then aren’t all of them Remembered?
— Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
— Yes, I remember now…
— There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
— And Accursed Ones?
— For them to be Graced, they need to do one pure act of altruism.
— A simple act?
— Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
— How so? You probably saved her life?
— Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
— I understand. And how can I help?
— One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
— Shaint Lejüs Festival is tomorrow…
— Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…In reply to: Yuki’s Livrary
October 23 rd
“I may express to you that each of these chapters basically, so to speak, are not necessarily identified by one particular action, or that they are accomplishing one particular direction, in a manner of speaking. But that they all incorporate actions and movements that create a contribution to your awareness in this focus.
“They all lend, in a manner of speaking, energy through experiences to you within THIS focus that benefits your movement in allowing yourselves to widen your awareness and insert this shift in consciousness into your actual objective reality.
“As I have stated, this shift in consciousness, in a manner of speaking, is an enormous undertaking. It is a Source Event. And as you are aware, Source Events are so immense within consciousness that they may not be entirely inserted into your physical dimension. They are, in your terms physically speaking, larger than your dimension incorporates the capacity to express.
“Therefore, in recognizing this immensity of this movement and this creation within your reality, one focus, one time framework would be overwhelmed in attempting to create this type of movement singularly, and independent of other energy and other focuses that may be creating experiences that shall offer you as essence the type of opening within this physical experience that shall allow for this insertion of this shift into your actual objective reality.” [Elias, March 02, 2001]
In reply to: Circle of Eights, Stories
The Assassin was already in the room when Baul came in… Baul wasn’t sure if he would have prefered him not to be here so he could himself gather his mind. But he was well used to camouflage his feelings and inner struggle and his face was quite smiling, as usual.
Looking at the Assassin’s face, Baul was feeling very uncomfortable, he almost winced… the bluish glow of the dagger tatoo on the forehead of the man was quite disgusting. Baul kept smiling though, he wouldn’t dare show his own weakness to anyone, especially an Assassin. His eyes were piercing his soul, if Baul had believed in such thing he would have run away, but he didn’t believe in anything except himself and the power of money.
As the Assassin was never talking first, Baul presented his offer putting the object he had brought on the table.
— Open the chest. You’ll find your paiement inside.
Ar’Am Khra was waiting, still gazing sharply at Baul, making him feel even more uncomfortable.
The Assassin was quite impressed with how the man Baul could master his own reactions, and though he was quite intrigued by what his client had brought, he wanted to play for a few moments. With a very slight movement of his eyebrows, so slight one wouldn’t have notice, he managed to add an irritation in his look. He saw the movement of fear in his client’s face, but still it was so subtle he could have imagined it. Baul pushed the chest toward the Assassin, a bit nervous, but he could …. a sudden thought came to his mind, wandering like a Strokgnutch in a henhouse. He swallowed imperceptibly… Had someone already put a contract on his head? He managed a smile as he was opening the chest for the Assassin.
This Baul was quite impressive. Ar’Am Khra had known what he was thinking as though he could read his mind.
He lowered his eyes to look at what was in the chest. He really desired being surprised by his clients, and this one had never failed to surprise him…
Once again…
Baul was surprised as the Assassin wasn’t showing any hint of the slightest emotion at all… Would he show anything else than disdain even once!?
— A glubolín
In reply to: Circle of Eights, Stories
Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”
That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…
Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.
Let’s insert the Shift, now.
And let the fun continue, and worry wither away.
Well, and what’s that Shift all about?
Quintin’s friends Michaela and Elias had said about it :
“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” 1
In reply to: Circle of Eights, Stories
The City, year 2257
Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…
Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.
Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.
Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?
(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)
— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”… While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.
— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.
Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.
She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.
Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.
This is a thread for referencing terms, creatures and other funny words that may be useful to find easily…
Don’t hesitate to post your suggestions below, that I will integrate later.Races
- Dragons
- Gripshawks [ ˈgrip-ˌshȯk ]: feline-like race.
- Humans
- Uglings
Creatures
- capricorn [ ˈka-pri-ˌkȯrn ]: goat-like fish-tailed aquatic creature
- fincheon [ ˈfin-chən ]: grey ugly birds, with the particularity of being extremely discreet (almost invisible) with a great sense of orientation, and loyalty to their owner. They are mostly used as message deliverers
- glukenitch [ ˈglu̇-ˌken-nitch ] (Gripshawk dialect: [ ˈglu̇k-ˌnitch ]) : Slimy wet creatures fearing light, sharing one mind, found in Malvina’s cave. Useful recyclers of garbage, their droppings emit a glowing bluish halo, until they dry up completely and coalesce into a glassy substance.
- golfindel [ ˈgōl-ˌfin-dəl ] : golden coloured cetacean, found in Golfindely.
- grake [ ˈgrāk ]: big birds of Golfindely, with colours like mandarin ducks and shaped as geese.
- indogo [ ˈin-dō-ˌgō ]: blue type of flamingo living in the Eastern Lagunas of Lan’ork.
- langoat [ ˈlan-ˌgōt ]: daft three-eyed goat-like creature living in the Dragon Head Peninsula, the wool of which has many magical uses (enchanted cloaks, tapestries etc.). Their milk is known to have remarkable healing powers too.
- marmoth [ ˈmär-məth ]: big toothed hibernating woolliphants
- saurhse [ ˈsȯr-əs ] : bidepal saurian used as a mount in Asgurdy.
- schpurniatz [ ˈshpər-ˌniats ] : bat-like creatures, found in dark caves.
- sparfly [ ˈspär-ˌflī ] : birds usually seen in couples, loving to nest in silgreen trees, and their songs is one of the Treasure of the Worlds.
- weaszchilla [ ˈwēz-ˌchi-lə ]: little mouse-like ferret
Magical Artefacts
- buntifluën [ ˈbənti-ˌflün ] (or [ ˈbau̇nti-ˌflün ]): A magical artefact having in most of its variations the form of a knot-like object, which allows the wearer or bearer to communicate directly with the energy of sentient beings.
- glubolín [ ˈglü-bȯ-ˌlin ]: A device made from unhatched dragon eggs of the same brood, that allows people to communicate through it.
- sabulmantium [ ˈsā-bəl-ˌman(t)-shəm ] (or [ ˈsā-bu̇l-ˌman(t)-shəm ]): A device made from rare unhatched dragon egg with crystalline transparent shells, which is filled with sands. May be used as a divination device or as a compass, in any case as an intent focusing device.
Plants
- buckberry [ ˈbək-ˌbe-rē ]: fruit of wild buckberries shrubs, in the form of big electric blue-vermilion reddish berries, known to have thwarted all attempts to be grown in gardens.
- grogonut [ ˈgrō-ˌgə-nət ] tree: a tree indigenous of the warm coasts of Golfindely, known to provide grogonuts, which have a wide range of uses (food, drinks, cups etc.) depending on the maturation level of the nut.
- silgreen [ ˈsil-ˈgrēn ] tree: a big decorative shrub, blooming sparkling flowers of emerald and silver once every moon. Leafs can have medicinal use too.
More here later…
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
On the shores of Golfindely, a young boy was playing in the carmine fields of ripe Scotch bonnets.
Since the captain Bone had left, Tomkin Sharple was feeling a bit sad.
The old captain always had fascinating stories to tell him, and he would indulge the endlessly curious little boy in telling him for hours all about what he had discovered in all the parts of the Worlds he had been traveling to.
Now, all he had to do was to take care of the herd of grakes of his parents, and while they were eating the weeds of the crops, he would sat on the cliff, looking at the sea, glimmering in the sunlight.
Grakes were funny to play with, as they were big birds, with a slender neck as geese, colourful patterns as mandarin ducks, and Tomkin always had fun jumping on the back of the alpha one, and ride it, leading the whole herd to the crops where they helped the farmers by eating all kinds of nuisances.
But after Captain Bone’s departure, it was no longer fun.
Tomkin was contemplating a strange thing that the captain had given him before he’d left. It was a sort of knot, shaped as a eight, and the captain had told him it was magic and meant that all was connected, but that he had to discover that magic for himself.
Tomkin had asked the captain to tell him about this object, but all he had told him was a legend which did not reveal much about the circumstances in which the old sea dog had acquired it. Perhaps the captain had fooled him about the magic…
Stuffing the thing again in his pocket, Tomkin let his mind wander on the sea waves, dreaming of being a cabin boy on a big boat, when he saw something on the horizon.
At first he thought that it was a group of swimming golfindels, but golfindels were more brilliant and smaller than the shapes he was seeing, and moving less heavily too…
In reply to: Circle of Eights, Stories
Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.
A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…
Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.
When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.
One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.
She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?
Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.
He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.
One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…
She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.
Haha, he had felt her smile.
Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.
But she’s been looking for him for so long she wonder if she could find the way again…
Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.
She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother
nothing really important to her. She Jibbled.Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy
She was looking the clouds, some were grayishly sparkling, she was enjoying it…
“Are you looking for something” a voice said.
Chiara quickly sat up and gazed at the fat lady who was standing before her.
“Hahahaha, you found me at least my dear” laughed the woman.
“My name is Roselÿn, and you are Chiara, aren’t you?”
The little girl was gaping at Roselÿn… how could she possibly know her name?
“I feel I know you :yahoo_thinking:” she said dreamily.
“You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”
In reply to: Circle of Eights, Stories
Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.
So what shall we make now Mandrake? Something we both like maybe?
A fish perhaps? suggested Mandrake
Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.
Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!
Some milk for me, said Mandrake
Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.
Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.
Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.
The glass ball was now filled with a miniature world of sand objects.
Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.
Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.
Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.
She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on
In reply to: Circle of Eights, Stories
India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.
Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.
India Louise looked up from her drawing.
What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.
It is beautiful India Louise.
What did the letter say Grandpa. Why is it making you so sad?
It is just an old letter, India Louise.
Yes it looks very old. Was it bad news?
Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse
The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.
He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.
Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.
Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.
He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.
The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.
As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.
Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.
