Search Results for 'named'

Forums Search Search Results for 'named'

Viewing 20 results - 1 through 20 (of 158 total)
  • Author
    Search Results
  • #7779

    Gregor gratefully clambered onto Tundra’s horse, with the assistance of Mikhail and Jian.  Molly had long since trained her horse, Berlingo (named after the last car she’d had),  to lie down to enable her to mount easily.  Riding wasn’t easy at a such an advanced age but it was preferable to walking long distances.

    Tundra didn’t mind in the least giving up hers to the old man, as she wanted to walk with Vera and Yulia.  “Helix will keep stopping to graze,” Tundra warned Gregor, to which he replied, “Don’t you worry about me, I used to ride and I haven’t forgotten how.  Thank you kindly, young miss.”

    Mikhail and Anya led the way, and Molly and Gregor brought up the rear, riding side by side.

    #7707

    Matteo — Easter Break 2023

    The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

    Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

    Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

    “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

    She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

    The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

    Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

    “This guy’s great,” Matteo said. “What happened to him?”

    “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

    Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

    The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

    As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

    “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

    “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

    Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

    “Reinventing where they came from, like us, always reinventing where we go…”

    Juliette chuckled but didn’t reply.

    Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

    As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

    :fleuron2:

    Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

    “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

    Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

    Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

    As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

    #7653

    Matteo — Winter 2023: The Move

    The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

    The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

    The sound of the doorbell brought him back from his rêverie.

    Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

    :fleuron2:

    Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

    “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

    “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

    The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

    Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

    Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

    :fleuron2:

    As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

    “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

    “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

    Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

    “Special how?” her mother asked lightly.

    “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

    Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

    “Why you want to keep those?” Amei asked, tilting her head.

    Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

    Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

    :fleuron2:

    The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

    As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

    “It’s different, isn’t it?” she said suddenly, not looking at him.

    “Moving?” Matteo asked, unsure if the question was for him.

    “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

    Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

    :fleuron2:

    The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

    By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

    “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

    Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

    #7634

    Nov.30, 2024 2:33pm – Darius: The Map and the Moment

    Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

    The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

    Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

    It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

    “Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

    “This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

    “It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

    Darius raised an eyebrow. “A philosophical map?”

    The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

    Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

    “It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

    Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

    He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

    :fleuron2:

    He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

    He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

    India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

    One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

    Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

    The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

    The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

    The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

    Whatever this reunion was about, he’d be ready for it.

    But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

    #7574

    In a dream that night, Jeezel connected to one of her Neanderthal ancestry who lived and died in Gibraltar. While that Gibraltar Woman, as affectionately named by archaeologists grunted her name with prehistoric fabulousness, Jeezel thought that nowadays her ancestor would deserve a name like Chantelle.

    Chantelle de Gibraltar, a name with flair, mystery and a touch of French elegance.

    Jeezel giggled and her ancestor grunted with satisfaction in recognition of their eternal bond.

    #7548
    TracyTracy
    Participant

      Elton Marshall’s

      Early Quaker Emigrants to USA.

       

      The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

      According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

      While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

      Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

      Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

      (There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

      colonial books

       

      In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

      An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

      But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

       

      Derbyshire Quakers

      In “Derbyshire Quakers 1650-1761” by Helen Forde:

      “… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

      Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
      John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

      Quaker Emigrants

       

      The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

      A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
      Besse, Joseph. 1753

      Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

      Quaker Sufferings

       

       

      The Botanist

      Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

      Humphry marshall book

       

      In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

      Marshall has been called the “Father of American Dendrology”.

      A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

      In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

      via Wikipedia.

       

      From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

      Marshallton

       

      From The Chester Country History Center:

      “Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
      pay for the whole.’

      – Benjamin Franklin to Humphry, March 18, 1770

      “In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

      In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

      Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

      Humphry signature

      #7544
      TracyTracy
      Participant

        Youlgreave

        The Frost Family and The Big Snow

         

        The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

        “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

        Youlgreave registers

         

        Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

        churchwardens accounts

        Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

        Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
        On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

        John Keeling

         

        John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

        Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

        Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

        The Frosts of Youlgreave

        Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

        (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

        John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

        Frost and keeling

         

        John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

        David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

        William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

        Ellens will

         

        William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
        William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

        (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

        Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

        Baptisms:
        1581 Eliz Frost, father Michael.
        1582 Francis f Michael. (must have died in infancy)
        1582 Margaret f William.
        1585 Francis f Michael.
        1586 John f Nicholas.
        1588 Barbara f Michael.
        1590 Francis f Nicholas.
        1591 Joane f Michael.
        1594 John f Michael.
        1598 George f Michael.
        1600 Fredericke (female!) f William.

        Marriages in Youlgreave which could be William’s parents:
        1579 Michael Frost Eliz Staley
        1587 Edward Frost Katherine Hall
        1600 Nicholas Frost Katherine Hardy.
        1606 John Frost Eliz Hanson.

        Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

        (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

        Frideswide:

        A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

        (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

        An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

        Frideswide

        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

         

        King James

        A parish register entry in 1603:
        “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

        King James

         

        The Big Snow

        “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

        The Big Snow

        From the Youlgreave parish registers.

        Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

        #7470

        After all the months of secret work for Malové, where Eris was being tasked to scout for profitable new ventures for the Quadrivium’s Emporium that would keep with traditions, and endless due diligence under the seal of secrecy, she’d learnt that the deal had been finally sealed by Austreberthe.

        The announcement had just went out, not really making quite the splash Eris would have expected.

        Press Release

        FOR IMMEDIATE RELEASE

        Quadrivium Emporium Announces Strategic Acquisition of Spanish based company Quintessivium Cloister Crafts

        Limerick, 12th June 2024 – Quadrivium Emporium, renowned for its exceptional range of artisanal incense blends and commitment to quality, is pleased to announce the successful acquisition of Quintessivium Cloister Crafts. This strategic move marks a significant milestone in Quadrivium Emporium’s ongoing expansion and diversification efforts.

        About Quintessivium Cloister Crafts

        Quintessivium Cloister Crafts has been a trusted name in the production of high-quality nun’s couture. Known for their craftsmanship and dedication to preserving traditional techniques, started as a small business focussed on quills and writing accessories as well as cardigans, Quintessivium Cloister Crafts has maintained a reputation for excellence and innovation in the market.

        Strategic Vision and Synergies

        The integration of Quintessivium Cloister Crafts into the Quadrivium family aligns with our vision to expand our product portfolio while maintaining the high standards of quality and craftsmanship our customers have come to expect. This acquisition will allow Quadrivium Emporium to diversify its offerings and tap into new markets and customer segments.

        “We are thrilled to welcome Quintessivium Cloister Crafts to the Quadrivium Emporium family,” said Austreberthe Baltherbridge, interim CEO of Quadrivium Emporium. “Their commitment to quality and tradition mirrors our own values, and we are excited about the opportunities this acquisition presents. Together, we will continue to innovate and deliver exceptional products to our customers.”

        Future Endeavours

        Quadrivium Emporium plans to leverage the expertise and resources of Quintessivium Cloister Crafts to develop new and unique product lines. Customers can look forward to an expanded range of high-quality writing instruments, apparel and accessories, crafted with the same attention to detail and dedication that both brands are known for.

        For more information, please contact: media@quadrivium.emporium

         

        The internal memo that they’d received on the internal email list bore some of the distinct style of Malové, even if sent from Austreberthe’s email and adjusted with the painstaking attention to minute details she was known for.

        Internal Memo

        To: Quadrivium Leadership Team
        Subject: Synergies and Strategic Integration with Quintessivium Cloister Crafts (previously codenamed as ‘Cardivium Nun’s Quills & Cardigans’)

        Team,

        With the acquisition of Quintessivium Cloister Crafts finalised, we are poised to explore the deeper synergies between our coven and the nun witches’ coven operating behind their front. Here are some key areas where we can harness our collective strengths:

        1. Resource Sharing:
        – Their expertise in crafting high-quality quills can complement our focus on artisanal incense blends. By sharing resources and best practices, both covens can enhance their craftsmanship and innovation.

        2. Collaborative Spellcraft:
        – The nun witches bring a unique perspective and set of rituals that can enrich our own magical practices. Joint spellcasting sessions and workshops can lead to the development of powerful new enchantments and products.

        3. Knowledge Exchange:
        – The historical and esoteric knowledge held by the nuns is a treasure trove we can tap into. Regular exchanges of scrolls, texts, and insights can deepen our understanding of ancient magic and its applications in modern contexts.

        4. Market Expansion:
        – By combining our product lines, we can create bundled offerings that appeal to a broader audience. Imagine a premium writing set that includes a handcrafted quill, a magical ink blend, and a specially composed incense for enhancing focus and creativity. Or outdoor outfits with puffer jackets, or specially knit cardigans with embedded magical properties.

        5. Strengthening Alliances:
        – This acquisition sets a precedent for future alliances with other covens and magical entities. It demonstrates our commitment to growth and collaboration, reinforcing our position as a leading force in the magical community.

        Remember, the true value of this acquisition lies not just in the products we can create together, but in the unity and strength we gain as a collective. Let’s approach this integration with the spirit of collaboration and mutual respect.

        Yours in strength and magic,
        Austreberthe, on behalf of Malové

        #7449

        Eris looked at the meme on her phone, the one with a picture of tarts and the caption “the tarts are here, let the games begin,” and couldn’t help but chuckle despite the weight of relentless recent events. The humor was a brief respite from the jiggling thoughts bouncing in her mind since the treasure hunt and the increasingly intricate seminars which felt like a boiling cauldron evaporating her wits under Malové’s stern guidance.

        The postcards from Truella had been a welcome enigma, doubled with piquant inspiration —a collection of images featuring the dramatic promontories of Madeira, with cryptic notes about a witch-friendly host named Herma. An inspired soul would have found the idea of such a sanctuary enticing, but Eris’ mind was in many places, and patience for obscure cypher lacking context didn’t register long enough to stick in the midst of the other activities demanding her attention. But of course, the underlying messages in Truella’s words seemed to hint at something more profound, something Eris had to trust would come fully revealed, if only in Truella’s own mind ever.

        She had just fired the cook, who was lazy at her job, and mean towards the baglady whom Eris had asked her to feed. But the shopkeepers liked her well; they’ll surely commiserate, and she wouldn’t be long to find another placement. Even with justification, it didn’t make Eris’ decision easier. Power and responsibility often came with such burdens, that was the way of the wheel.

        As Eris tried to piece together the meaning behind Truella’s postcards and the events at the coven, she felt a returning familiar sense of urgency. The coven was at a critical juncture; Malové’s tests had shown that they were not as united or prepared as they should be. The competitive nature of the other witches, their underhanded tactics, had revealed vulnerabilities within their group that needed addressing.

        “The tarts are here, let the games begin,” she mused again, this time contemplating the deeper implications. Was it a call to arms? A reminder that they were in the midst of a game far more complex and perilous than they had realized?

        Everyday, Eris had to remind herself that in the midst of uncontrollable changes, it was important to focus on the core, one’s own inner balance. At the moment, there was no point in getting carried away in conjectures.

        It was about the game. All she had wanted was to participate, add a piece, and that would be enough.

        Regardless of what the silly robot that Thorsten had setup for her (she called it Silibot) which always tried to appeal to her sense of drama in the story. Put that to rest Silibot — that’s the message in the tarts: there’s power in the game, and that’s well enough.

        #7293

        thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

        Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

        Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

        Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

        Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

        Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

        And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

        In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

        what else can you suggest I might find in the garden about the people who lived here in the past?

        Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

        Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

        Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

        Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

        You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

        Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

        And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

        Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

        the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

        Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

        Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

        Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

        Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

        You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

        Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

        And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

        In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

        What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

        Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

        Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

        Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

        Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

        The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

        Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

        And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

        The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

        you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

        Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

        Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

        Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

        Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

        Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

        Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

        In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

        Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

        Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

        Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

        Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

        Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

        Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

        The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

        In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

        That’s wonderful. Can you offer anything else, something I haven’t thought of?

        Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

        Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

        Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

        Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

        Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

        What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

        Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

        In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

        Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

        A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

        This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

        And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

        why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

        What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

        In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

        The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

        Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

        Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

        Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

        thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

        Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

        Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

        If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

        Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

        Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

        Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

        Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

        Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

        Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

        Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

        Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

        Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

        Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

        Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

        The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

        what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

        Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

        Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

        If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

        Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

        Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

        Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

        Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

        I love the suggestion of the collector, can you elbaorate on this particular character

        Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

        Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

        Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

        His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

        Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

        Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

        In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

        thank you very much. Very good!

        Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

        sweet dreams

        Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

        #7282
        TracyTracy
        Participant

          Ellastone Gerrards in the 1500s.

           

          John Gerrard 1633-1681 was born and died in Ellastone.

          Other trees on the ancestry website inexplicably have John’s father as Sir John Garrard, baronet of Lamer, who was born in Hertfordshire and died in Buckinghamshire, yet his children were supposedly born in Ellastone.

          Fortunately the Ellastone parish records begin in 1537. I found the transcribed register via a googlebooks search, and read all the earliest pages. I had previously contacted the Staffordshire Archives about John’s will, and they informed me that the name Gerrard was Garratt in the earlier records.

          I found the baptism of John in the Ellastone parish register on 7th September 1626, father George Garratt. One of John’s brothers was named George, which makes sense as the children were invariably named after parents and siblings. However, John born in 1626 died in 1628. Another son named John was baptised in 1633.
          I found the baptisms of ten children with the father George Garratt in the Ellastone register, from 1623 to 1643, and although all the first entries only had the fathers name, the last couple included the mothers name, Judith. George Garratt was a churchwarden in Ellastone in 1627.

          George Garratt of Ellastone seems to be a much more likely father for John than a baronet from Hertfordshire who mysteriously had a son baptised in Ellastone but does not appear to have ever lived there.

          I did not find a marriage of George and Judith in the Ellastone register, however Judith may have come from a neighbouring village and the marriage was usually held in the brides parish. The wedding was probably circa 1622.

          George was baptised in Ellastone on the 19th March 1595. Some of the transcriptions say March 1794, some say 1795. The official start of the year on the Julian calendar used to be Lady Day (25th March). This was changed in 1752.

          His father was Rycharde Garrarde. Rycharde married Agnes Bothom in Ellastone on the 29th September 1594. George’s parents were married in the September of 1594 and George was born the following March. On the old calendar, March came after September.

          George died in 1669 in Ellastone. He was my 10X great grandfather. I have not found a death recorded for his father Rycharde, my 11X great grandfather.

          George’s mother Agnes Bothom was baptised in Ellastone on the 9th January 1567. Her father was John Bothom. On the 27th November 1557 John Bothom married Margaret Hurde in Ellastone.

          The earliest entry in the Ellastone parish registers is 1537, a bit too late for the baptism of John Bothom, but only by a couple of years.  John Bothom and his wife Agnes were probably born around 1535. Obviously the John Bothom baptism in 1550 with father William is too late for a marriage in 1557.

          #7267
          TracyTracy
          Participant

            Thomas Josiah Tay

            22 Feb 1816 – 16 November 1878

             

            “Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.”

            Thomas Josiah Tay 1878

             

            I first came across the name TAY in the 1844 will of John Tomlinson (1766-1844), gentleman of Wergs, Tettenhall. John’s friends, trustees and executors were Edward Moore, surgeon of Halesowen, and Edward Tay, timber merchant of Wolverhampton.

             

            1844 will John Tomlinson

             

            Edward Moore (born in 1805) was the son of John’s wife’s (Sarah Hancox born 1772) sister Lucy Hancox (born 1780) from her first marriage in 1801. In 1810 widowed Lucy married Josiah Tay (1775-1837).

            Edward Tay was the son of Sarah Hancox sister Elizabeth (born 1778), who married Thomas Tay in 1800. Thomas Tay (1770-1841) and Josiah Tay were brothers.

            Edward Tay (1803-1862) was born in Sedgley and was buried in Penn. He was innkeeper of The Fighting Cocks, Dudley Road, Wolverhampton, as well as a builder and timber merchant, according to various censuses, trade directories, his marriage registration where his father Thomas Tay is also a timber merchant, as well as being named as a timber merchant in John Tomlinsons will.

            John Tomlinson’s daughter Catherine (born in 1794) married Benjamin Smith in Tettenhall in 1822. William Tomlinson (1797-1867), Catherine’s brother, and my 3x great grandfather, was one of the witnesses.

            1822 William Tomlinson witness

             

            Their daughter Matilda Sarah Smith (1823-1910) married Thomas Josiah Tay in 1850 in Birmingham. Thomas Josiah Tay (1816-1878) was Edward Tay’s brother, the sons of Elizabeth Hancox and Thomas Tay.

            Therefore, William Hancox 1737-1816 (the father of Sarah, Elizabeth and Lucy), was Matilda’s great grandfather and Thomas Josiah Tay’s grandfather.

             

            Thomas Josiah Tay’s relationship to me is the husband of first cousin four times removed, as well as my first cousin, five times removed.

             

            In 1837 Thomas Josiah Tay is mentioned in the will of his uncle Josiah Tay.

            1837 will Josiah Tay

             

            In 1841 Thomas Josiah Tay appears on the Stafford criminal registers for an “attempt to procure miscarriage”. He was found not guilty.

            According to the Staffordshire Advertiser on 14th March 1840 the listing for the Assizes included: “Thomas Ashmall and Thomas Josiah Tay, for administering noxious ingredients to Hannah Evans, of Wolverhampton, with intent to procure abortion.”

            The London Morning Herald on 19th March 1840 provides further information: “Mr Thomas Josiah Tay, a chemist and druggist, surrendered to take his trial on a charge of having administered drugs to Hannah Lear, now Hannah Evans, with intent to procure abortion.” She entered the service of Tay in 1837 and after four months “an intimacy was formed” and two months later she was “enciente”. Tay advised her to take some pills and a draught which he gave her and she became very ill. The prosecutrix admitted that she had made no mention of this until 1939. Verdict: not guilty.

            However, the case of Thomas Josiah Tay is also mentioned in a couple of law books, and the story varies slightly. In the 1841 Reports of Cases Argued and Rules at Nisi Prius, the Regina vs Ashmall and Tay case states that Thomas Ashmall feloniously, unlawfully, and maliciously, did use a certain instrument, and that Thomas Josiah Tay did procure the instrument, counsel and command Ashmall in the use of it. It concludes that Tay was not compellable to plead to the indictment, and that he did not.

            Thomas Josiah Tay 1840

            Thomas Josiah Tay 1840 2

            Thomas Josiah Tay 1840 3

            Thomas Josiah Tay 1840 4

             

            The Regina vs Ashmall and Tay case is also mentioned in the Encyclopedia of Forms and Precedents, 1896.

            Thomas Josiah Tay 1840 5

            Thomas Josiah Tay 1840 6

             

            In 1845 Thomas Josiah Tay married Isabella Southwick in Tettenhall. Two years later in 1847 Isabella died.

            In 1850 Thomas Josiah married Matilda Sarah Smith. (granddaughter of John Tomlinson, as mentioned above)

            On the 1851 census Thomas Josiah Tay was a farmer of 100 acres employing two labourers in Shelfield, Walsall, Staffordshire. Thomas Josiah and Matilda Sarah have a daughter Matilda under a year old, and they have a live in house servant.

            In 1861 Thomas Josiah Tay, his wife and their four children Ann, James, Josiah and Alice, live in Chelmarsh, Shropshire. He was a farmer of 224 acres. Mercy Smith, Matilda’s sister, lives with them, a 28 year old dairy maid.

            In 1863 Thomas Josiah Tay of Hampton Lode (Chelmarsh) Shropshire was bankrupt. Creditors include Frederick Weaver, druggist of Wolverhampton.

            In 1869 Thomas Josiah Tay was again bankrupt. He was an innkeeper at The Fighting Cocks on Dudley Road, Wolverhampton, at the time, the same inn as his uncle Edward Tay, aforementioned timber merchant.

             

            Fighting Cocks Inn

             

             

            In 1871, Thomas Josiah Tay, his wife Matilda, and their three children Alice, Edward and Maryann, were living in Birmingham. Thomas Josiah was a commercial traveller.

             

            He died on the 16th November 1878 at the age of 62 and was buried in Darlaston, Walsall. On his gravestone:

            “Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.” Psalm XC 15 verse.

             

            Edward Moore, surgeon, was also a MAGISTRATE in later years. On the 1871 census he states his occupation as “magistrate for counties Worcester and Stafford, and deputy lieutenant of Worcester, formerly surgeon”. He lived at Townsend House in Halesowen for many years. His wifes name was PATTERN Lucas. Her mothers name was Pattern Hewlitt from Birmingham, an unusal name that I have not heard before. On the 1871 census, Edward’s son was a 22 year old solicitor.

            In 1861 an article appeared in the newspapers about the state of the morality of the women of Dudley. It was claimed that all the local magistrates agreed with the premise of the article, concerning unmarried women and their attitudes towards having illegitimate children. Letters appeared in subsequent newspapers signed by local magistrates, including Edward Moore, strongly disagreeing.

            Staffordshire Advertiser 17 August 1861:

            Dudley women 1861

            #7263
            TracyTracy
            Participant

              Solomon Stubbs

              1781-1857

               

              Solomon was born in Hamstall Ridware, Staffordshire, parents Samuel Stubbs and Rebecca Wood. (see The Hamstall Ridware Connection chapter)

              Solomon married Phillis Lomas at St Modwen’s in Burton on Trent on 30th May 1815. Phillis was the llegitimate daughter of Frances Lomas. No father was named on the baptism on the 17th January 1787 in Sutton on the Hill, Derbyshire, and the entry on the baptism register states that she was illegitimate. Phillis’s mother Frances married Daniel Fox in 1790 in Sutton on the Hill. Unfortunately this means that it’s impossible to find my 5X great grandfather on this side of the family.

              Solomon and Phillis had four daughters, the last died in infancy.
              Sarah 1816-1867, Mary (my 3X great grandmother) 1819-1880, Phillis 1823-1905, and Maria 1825-1826.

               

              Solomon Stubbs of Horninglow St is listed in the 1834 Whites Directory under “China, Glass, Etc Dlrs”. Next to his name is Joanna Warren (earthenware) High St. Joanna Warren is related to me on my maternal side.  No doubt Solomon and Joanna knew each other, unaware that several generations later a marriage would take place, not locally but miles away, joining their families.

              Solomon Stubbs is also listed in Whites Directory in 1831 and 1834 Burton on Trent as a land carrier:

              “Land Carriers, from the Inns, Etc: Uttoxeter, Solomon Stubbs, Horninglow St, Mon. Wed. and Sat. 6 mng.”

              1831 Solomon Stubbs

               

              Solomon is listed in the electoral registers in 1837. The 1837 United Kingdom general election was triggered by the death of King William IV and produced the first Parliament of the reign of his successor, Queen Victoria.

              National Archives:

              “In 1832, Parliament passed a law that changed the British electoral system. It was known as the Great Reform Act, which basically gave the vote to middle class men, leaving working men disappointed.
              The Reform Act became law in response to years of criticism of the electoral system from those outside and inside Parliament. Elections in Britain were neither fair nor representative. In order to vote, a person had to own property or pay certain taxes to qualify, which excluded most working class people.”

               

              Via the Burton on Trent History group:

              “a very early image of High street and Horninglow street junction, where the original ‘ Bargates’ were in the days of the Abbey. ‘Gate’ is the Saxon meaning Road, ‘Bar’ quite self explanatory, meant ‘to stop entrance’. There was another Bargate across Cat street (Station street), the Abbot had these constructed to regulate the Traders coming into town, in the days when the Abbey ran things. In the photo you can see the Posts on the corner, designed to stop Carts and Carriages mounting the Pavement. Only three Posts remain today and they are Listed.”

              Horninglow St

               

              On the 1841 census, Solomon’s occupation was Carrier. Daughter Sarah is still living at home, and Sarah Grattidge, 13 years old, lives with them. Solomon’s daughter Mary had married William Grattidge in 1839.

              Solomon Stubbs of Horninglow Street, Burton on Trent, is listed as an Earthenware Dealer in the 1842 Pigot’s Directory of Staffordshire.

              In May 1844 Solomon’s wife Phillis died.  In July 1844 daughter Sarah married Thomas Brandon in Burton on Trent. It was noted in the newspaper announcement that this was the first wedding to take place at the Holy Trinity church.

              Solomon married Charlotte Bell by licence the following year in 1845.   She was considerably younger than him, born in 1824.  On the marriage certificate Solomon’s occupation is potter.  It seems that he had the earthenware business as well as the land carrier business, in addition to owning a number of properties.

              The marriage of Solomon Stubbs and Charlotte Bell:

              1845 Solomon Stubbs

               

              Also in 1845, Solomon’s daughter Phillis was married in Burton on Trent to John Devitt, son of CD Devitt, Esq, formerly of the General Post Office Dublin.

              Solomon Stubbs died in September 1857 in Burton on Trent.  In the Staffordshire Advertiser on Saturday 3 October 1857:

              “On the 22nd ultimo, suddenly, much respected, Solomon Stubbs, of Guild-street, Burton-on-Trent, aged 74 years.”

               

              In the Staffordshire Advertiser, 24th October 1857, the auction of the property of Solomon Stubbs was announced:

              “BURTON ON TRENT, on Thursday, the 29th day of October, 1857, at six o’clock in the evening, subject to conditions then to be produced:— Lot I—All those four DWELLING HOUSES, with the Gardens and Outbuildings thereto belonging, situate in Stanleystreet, on Goose Moor, in Burton-on-Trent aforesaid, the property of the late Mr. Solomon Stubbs, and in the respective occupations of Mr. Moreland, Mr. Scattergood, Mr. Gough, and Mr. Antony…..”

              1857 Solomoon Stubbs

               

              Sadly, the graves of Solomon, his wife Phillis, and their infant daughter Maria have since been removed and are listed in the UK Records of the Removal of Graves and Tombstones 1601-2007.

              #7261
              TracyTracy
              Participant

                 

                Long Lost Enoch Edwards

                 

                Enoch Edwards

                 

                My father used to mention long lost Enoch Edwards. Nobody in the family knew where he went to and it was assumed that he went to USA, perhaps to Utah to join his sister Sophie who was a Mormon handcart pioneer, but no record of him was found in USA.

                Andrew Enoch Edwards (my great great grandfather) was born in 1840, but was (almost) always known as Enoch. Although civil registration of births had started from 1 July 1837, neither Enoch nor his brother Stephen were registered. Enoch was baptised (as Andrew) on the same day as his brothers Reuben and Stephen in May 1843 at St Chad’s Catholic cathedral in Birmingham. It’s a mystery why these three brothers were baptised Catholic, as there are no other Catholic records for this family before or since. One possible theory is that there was a school attached to the church on Shadwell Street, and a Catholic baptism was required for the boys to go to the school. Enoch’s father John died of TB in 1844, and perhaps in 1843 he knew he was dying and wanted to ensure an education for his sons. The building of St Chads was completed in 1841, and it was close to where they lived.

                Enoch appears (as Enoch rather than Andrew) on the 1841 census, six months old. The family were living at Unett Street in Birmingham: John and Sarah and children Mariah, Sophia, Matilda, a mysterious entry transcribed as Lene, a daughter, that I have been unable to find anywhere else, and Reuben and Stephen.

                Enoch was just four years old when his father John, an engineer and millwright, died of consumption in 1844.

                In 1851 Enoch’s widowed mother Sarah was a mangler living on Summer Street, Birmingham, Matilda a dressmaker, Reuben and Stephen were gun percussionists, and eleven year old Enoch was an errand boy.

                On the 1861 census, Sarah was a confectionrer on Canal Street in Birmingham, Stephen was a blacksmith, and Enoch a button tool maker.

                On the 10th November 1867 Enoch married Emelia Parker, daughter of jeweller and rope maker Edward Parker, at St Philip in Birmingham. Both Emelia and Enoch were able to sign their own names, and Matilda and Edwin Eddington were witnesses (Enoch’s sister and her husband). Enoch’s address was Church Street, and his occupation button tool maker.

                1867 Enoch Edwards

                 

                Four years later in 1871, Enoch was a publican living on Clifton Road. Son Enoch Henry was two years old, and Ralph Ernest was three months. Eliza Barton lived with them as a general servant.

                By 1881 Enoch was back working as a button tool maker in Bournebrook, Birmingham. Enoch and Emilia by then had three more children, Amelia, Albert Parker (my great grandfather) and Ada.

                Garnet Frederick Edwards was born in 1882. This is the first instance of the name Garnet in the family, and subsequently Garnet has been the middle name for the eldest son (my brother, father and grandfather all have Garnet as a middle name).

                Enoch was the licensed victualler at the Pack Horse Hotel in 1991 at Kings Norton. By this time, only daughters Amelia and Ada and son Garnet are living at home.

                Pack Horse Hotel

                 

                 

                Additional information from my fathers cousin, Paul Weaver:

                “Enoch refused to allow his son Albert Parker to go to King Edwards School in Birmingham, where he had been awarded a place. Instead, in October 1890 he made Albert Parker Edwards take an apprenticeship with a pawnboker in Tipton.
                Towards the end of the 19th century Enoch kept The Pack Horse in Alcester Road, Hollywood, where a twist was 1d an ounce, and beer was 2d a pint. The children had to get up early to get breakfast at 6 o’clock for the hay and straw men on their way to the Birmingham hay and straw market. Enoch is listed as a member of “The Kingswood & Pack Horse Association for the Prosecution of Offenders”, a kind of early Neighbourhood Watch, dated 25 October 1890.
                The Edwards family later moved to Redditch where they kept The Rifleman Inn at 35 Park Road. They must have left the Pack Horse by 1895 as another publican was in place by then.”

                Emelia his wife died in 1895 of consumption at the Rifleman Inn in Redditch, Worcestershire, and in 1897 Enoch married Florence Ethel Hedges in Aston. Enoch was 56 and Florence was just 21 years old.

                1897 Enoch Edwards

                 

                The following year in 1898 their daughter Muriel Constance Freda Edwards was born in Deritend, Warwickshire.
                In 1901 Enoch, (Andrew on the census), publican, Florence and Muriel were living in Dudley. It was hard to find where he went after this.

                From Paul Weaver:

                “Family accounts have it that Enoch EDWARDS fell out with all his family, and at about the age of 60, he left all behind and emigrated to the U.S.A. Enoch was described as being an active man, and it is believed that he had another family when he settled in the U.S.A. Esmor STOKES has it that a postcard was received by the family from Enoch at Niagara Falls.

                On 11 June 1902 Harry Wright (the local postmaster responsible in those days for licensing) brought an Enoch EDWARDS to the Bedfordshire Petty Sessions in Biggleswade regarding “Hole in the Wall”, believed to refer to the now defunct “Hole in the Wall” public house at 76 Shortmead Street, Biggleswade with Enoch being granted “temporary authority”. On 9 July 1902 the transfer was granted. A year later in the 1903 edition of Kelly’s Directory of Bedfordshire, Hunts and Northamptonshire there is an Enoch EDWARDS running the Wheatsheaf Public House, Church Street, St. Neots, Huntingdonshire which is 14 miles south of Biggleswade.”

                It seems that Enoch and his new family moved away from the midlands in the early 1900s, but again the trail went cold.

                When I started doing the genealogy research, I joined a local facebook group for Redditch in Worcestershire. Enoch’s son Albert Parker Edwards (my great grandfather) spent most of his life there. I asked in the group about Enoch, and someone posted an illustrated advertisement for Enoch’s dog powders.  Enoch was a well known breeder/keeper of St Bernards and is cited in a book naming individuals key to the recovery/establishment of ‘mastiff’ size dog breeds.

                 

                We had not known that Enoch was a breeder of champion St Bernard dogs!

                Once I knew about the St Bernard dogs and the names Mount Leo and Plinlimmon via the newspaper adverts, I did an internet search on Enoch Edwards in conjunction with these dogs.

                Enoch’s St Bernard dog “Mount Leo” was bred from the famous Plinlimmon, “the Emperor of Saint Bernards”. He was reported to have sent two puppies to Omaha and one of his stud dogs to America for a season, and in 1897 Enoch made the news for selling a St Bernard to someone in New York for £200. Plinlimmon, bred by Thomas Hall, was born in Liverpool, England on June 29, 1883. He won numerous dog shows throughout Europe in 1884, and in 1885, he was named Best Saint Bernard.

                In the Birmingham Mail on 14th June 1890:

                “Mr E Edwards, of Bournebrook, has been well to the fore with his dogs of late. He has gained nine honours during the past fortnight, including a first at the Pontypridd show with a St Bernard dog, The Speaker, a son of Plinlimmon.”

                In the Alcester Chronicle on Saturday 05 June 1897:

                Enoch St Bernards

                Enoch press releases

                 

                It was discovered that Enoch, Florence and Muriel moved to Canada, not USA as the family had assumed. The 1911 census for Montreal St Jaqcues, Quebec, stated that Enoch, (Florence) Ethel, and (Muriel) Frida had emigrated in 1906. Enoch’s occupation was machinist in 1911. The census transcription is not very good. Edwards was transcribed as Edmand, but the dates of birth for all three are correct. Birthplace is correct ~ A for Anglitan (the census is in French) but race or tribe is also an A but the transcribers have put African black! Enoch by this time was 71 years old, his wife 33 and daughter 11.

                Additional information from Paul Weaver:

                “In 1906 he and his new family travelled to Canada with Enoch travelling first and Ethel and Frida joined him in Quebec on 25 June 1906 on board the ‘Canada’ from Liverpool.
                Their immigration record suggests that they were planning to travel to Winnipeg, but five years later in 1911, Enoch, Florence Ethel and Frida were still living in St James, Montreal. Enoch was employed as a machinist by Canadian Government Railways working 50 hours. It is the 1911 census record that confirms his birth as November 1840. It also states that Enoch could neither read nor write but managed to earn $500 in 1910 for activity other than his main profession, although this may be referring to his innkeeping business interests.
                By 1921 Florence and Muriel Frida are living in Langford, Neepawa, Manitoba with Peter FUCHS, an Ontarian farmer of German descent who Florence had married on 24 Jul 1913 implying that Enoch died sometime in 1911/12, although no record has been found.”

                The extra $500 in earnings was perhaps related to the St Bernard dogs.  Enoch signed his name on the register on his marriage to Emelia, and I think it’s very unlikely that he could neither read nor write, as stated above.

                However, it may not be Enoch’s wife Florence Ethel who married Peter Fuchs.  A Florence Emma Edwards married Peter Fuchs,  and on the 1921 census in Neepawa her daugther Muriel Elizabeth Edwards, born in 1902, lives with them.  Quite a coincidence, two Florence and Muriel Edwards in Neepawa at the time.  Muriel Elizabeth Edwards married and had two children but died at the age of 23 in 1925.  Her mother Florence was living with the widowed husband and the two children on the 1931 census in Neepawa.  As there was no other daughter on the 1911 census with Enoch, Florence and Muriel in Montreal, it must be a different Florence and daughter.  We don’t know, though, why Muriel Constance Freda married in Neepawa.

                Indeed, Florence was not a widow in 1913.  Enoch died in 1924 in Montreal, aged 84.  Neither Enoch, Florence or their daughter has been found yet on the 1921 census. The search is not easy, as Enoch sometimes used the name Andrew, Florence used her middle name Ethel, and daughter Muriel used Freda, Valerie (the name she added when she married in Neepawa), and died as Marcheta.   The only name she NEVER used was Constance!

                A Canadian genealogist living in Montreal phoned the cemetery where Enoch was buried. She said “Enoch Edwards who died on Feb 27 1924  is not buried in the Mount Royal cemetery, he was only cremated there on March 4, 1924. There are no burial records but he died of an abcess and his body was sent to the cemetery for cremation from the Royal Victoria Hospital.”

                 

                1924 Obituary for Enoch Edwards:

                Cimetière Mont-Royal Outremont, Montreal Region, Quebec, Canada

                The Montreal Star 29 Feb 1924, Fri · Page 31

                1924 death Enoch Edwards

                 

                Muriel Constance Freda Valerie Edwards married Arthur Frederick Morris on 24 Oct 1925 in Neepawa, Manitoba. (She appears to have added the name Valerie when she married.)

                Unexpectedly a death certificate appeared for Muriel via the hints on the ancestry website. Her name was “Marcheta Morris” on this document, however it also states that she was the widow of Arthur Frederick Morris and daughter of Andrew E Edwards and Florence Ethel Hedges. She died suddenly in June 1948 in Flos, Simcoe, Ontario of a coronary thrombosis, where she was living as a housekeeper.

                Marcheta Morris

                #7255
                TracyTracy
                Participant

                  The First Wife of John Edwards

                  1794-1844

                  John was a widower when he married Sarah Reynolds from Kinlet. Both my fathers cousin and I had come to a dead end in the Edwards genealogy research as there were a number of possible births of a John Edwards in Birmingham at the time, and a number of possible first wives for a John Edwards at the time.

                  John Edwards was a millwright on the 1841 census, the only census he appeared on as he died in 1844, and 1841 was the first census. His birth is recorded as 1800, however on the 1841 census the ages were rounded up or down five years. He was an engineer on some of the marriage records of his children with Sarah, and on his death certificate, engineer and millwright, aged 49. The age of 49 at his death from tuberculosis in 1844 is likely to be more accurate than the census (Sarah his wife was present at his death), making a birth date of 1794 or 1795.

                  John married Sarah Reynolds in January 1827 in Birmingham, and I am descended from this marriage. Any children of John’s first marriage would no doubt have been living with John and Sarah, but had probably left home by the time of the 1841 census.

                  I found an Elizabeth Edwards, wife of John Edwards of Constitution Hill, died in August 1826 at the age of 23, as stated on the parish death register. It would be logical for a young widower with small children to marry again quickly. If this was John’s first wife, the marriage to Sarah six months later in January 1827 makes sense. Therefore, John’s first wife, I assumed, was Elizabeth, born in 1803.

                  Death of Elizabeth Edwards, 23 years old.  St Mary, Birmingham, 15 Aug 1826:

                  Death Eliz Edwards

                   

                  There were two baptisms recorded for parents John and Elizabeth Edwards, Constitution Hill, and John’s occupation was an engineer on both baptisms.
                  They were both daughters: Sarah Ann in 1822 and Elizabeth in 1824.

                  Sarah Ann Edwards: St Philip, Birmingham. Born 15 March 1822, baptised 7 September 1822:

                  1822 Sarah Ann Edwards

                  Elizabeth Edwards: St Philip, Birmingham. Born 6 February 1824, baptised 25 February 1824:

                  1824 Elizabeth Edwards

                   

                  With John’s occupation as engineer stated, it looked increasingly likely that I’d found John’s first wife and children of that marriage.

                  Then I found a marriage of Elizabeth Beach to John Edwards in 1819, and subsequently found an Elizabeth Beach baptised in 1803. This appeared to be the right first wife for John, until an Elizabeth Slater turned up, with a marriage to a John Edwards in 1820. An Elizabeth Slater was baptised in 1803. Either Elizabeth Beach or Elizabeth Slater could have been the first wife of John Edwards. As John’s first wife Elizabeth is not related to us, it’s not necessary to go further back, and in a sense, doesn’t really matter which one it was.

                  But the Slater name caught my eye.

                  But first, the name Sarah Ann.

                  Of the possible baptisms for John Edwards, the most likely seemed to be in 1794, parents John and Sarah. John and Sarah had two infant daughters die just prior to John’s birth. The first was Sarah, the second Sarah Ann. Perhaps this was why John named his daughter Sarah Ann? In the absence of any other significant clues, I decided to assume these were the correct parents. I found and read half a dozen wills of any John Edwards I could find within the likely time period of John’s fathers death.

                  One of them was dated 1803. In this will, John mentions that his children are not yet of age. (John would have been nine years old.)
                  He leaves his plating business and some properties to his eldest son Thomas Davis Edwards, (just shy of 21 years old at the time of his fathers death in 1803) with the business to be run jointly with his widow, Sarah. He mentions his son John, and leaves several properties to him, when he comes of age. He also leaves various properties to his daughters Elizabeth and Mary, ditto. The baptisms for all of these children, including the infant deaths of Sarah and Sarah Ann have been found. All but Mary’s were in the same parish. (I found one for Mary in Sutton Coldfield, which was apparently correct, as a later census also recorded her birth as Sutton Coldfield. She was living with family on that census, so it would appear to be correct that for whatever reason, their daughter Mary was born in Sutton Coldfield)

                  Mary married John Slater in 1813. The witnesses were Elizabeth Whitehouse and John Edwards, her sister and brother. Elizabeth married William Nicklin Whitehouse in 1805 and one of the witnesses was Mary Edwards.
                  Mary’s husband John Slater died in 1821. They had no children. Mary never remarried, and lived with her bachelor brother Thomas Davis Edwards in West Bromwich. Thomas never married, and on the census he was either a proprietor of houses, or “sinecura” (earning a living without working).

                  With Mary marrying a Slater, does this indicate that her brother John’s first wife was Elizabeth Slater rather than Elizabeth Beach? It is a compelling possibility, but does not constitute proof.

                  Not only that, there is no absolute proof that the John Edwards who died in 1803 was our ancestor John Edwards father.

                   

                  If we can’t be sure which Elizabeth married John Edwards, we can be reasonably sure who their daughters married. On both of the marriage records the father is recorded as John Edwards, engineer.

                  Sarah Ann married Mark Augustin Rawlins in 1850. Mark was a sword hilt maker at the time of the marriage, his father Mark a needle manufacturer. One of the witnesses was Elizabeth Edwards, who signed with her mark. Sarah Ann and Mark however were both able to sign their own names on the register.

                  Sarah Ann Edwards and Mark Augustin Rawlins marriage 14 October 1850 St Peter and St Paul, Aston, Birmingham:

                  1850 Sarah Ann Edwards

                  Elizabeth married Nathaniel Twigg in 1851. (She was living with her sister Sarah Ann and Mark Rawlins on the 1851 census, I assume the census was taken before her marriage to Nathaniel on the 27th April 1851.) Nathaniel was a stationer (later on the census a bookseller), his father Samuel a brass founder. Elizabeth signed with her mark, apparently unable to write, and a witness was Ann Edwards. Although Sarah Ann, Elizabeth’s sister, would have been Sarah Ann Rawlins at the time, having married the previous year, she was known as Ann on later censuses. The signature of Ann Edwards looks remarkably similar to Sarah Ann Edwards signature on her own wedding. Perhaps she couldn’t write but had learned how to write her signature for her wedding?

                  Elizabeth Edwards and Nathaniel Twigg marriage 27 April 1851, St Peter and St Paul, Aston, Birmingham:

                  1851 Elizabeth Edwards

                  Sarah Ann and Mark Rawlins had one daughter and four sons between 1852 and 1859. One of the sons, Edward Rawlins 1857-1931, was a school master and later master of an orphanage.

                  On the 1881 census Edward was a bookseller, in 1891 a stationer, 1901 schoolmaster and his wife Edith was matron, and in 1911 he and Edith were master and matron of St Philip’s Catholic Orphanage on Oliver Road in Birmingham. Edward and Edith did not have any children.

                  Edward Rawlins, 1911:

                  Edward Rawlins 1911

                   

                  Elizabeth and Nathaniel Twigg appear to have had only one son, Arthur Twigg 1862-1943. Arthur was a photographer at 291 Bloomsbury Street, Birmingham. Arthur married Harriet Moseley from Burton on Trent, and they had two daughters, Elizabeth Ann 1897-1954, and Edith 1898-1983. I found a photograph of Edith on her wedding day, with her father Arthur in the picture. Arthur and Harriet also had a son Samuel Arthur, who lived for less than a month, born in 1904. Arthur had mistakenly put this son on the 1911 census stating “less than one month”, but the birth and death of Samuel Arthur Twigg were registered in the same quarter of 1904, and none were found registered for 1911.

                  Edith Twigg and Leslie A Hancock on their Wedding Day 1925. Arthur Twigg behind the bride. Maybe Elizabeth Ann Twigg seated on the right: (photo found on the ancestry website)

                  Edith Twigg wedding 1925

                   

                  Photographs by Arthur Twigg, 291 Bloomsbury Street, Birmingham:

                  Arthur Twigg 1

                  Arhtur Twigg photo

                  #7243
                  ÉricÉric
                  Keymaster

                    Using a random generator for the next challenge with 5 objects.

                    • straw
                    • pop can
                    • pencil holder
                    • Christmas ornament
                    • turtle

                    🐋

                    In the dreary town of Ravenwood, where shadows loomed and the wind howled through the empty streets, there was one house that stood out above the rest. It was the old mansion at the end of the road, shrouded in mystery and secrets. No one had lived there for years, but whispers of strange happenings and eerie lights could be heard wafting through the air.

                    One stormy night, a young writer named Edgar arrived in Ravenwood seeking inspiration for his latest story. Drawn to the mansion by a strange force, he ventured inside, and found himself face to face with a peculiar sight. A straw sat on the table, next to a pop can and a pencil holder, and a Christmas ornament hung from a cobweb in the corner. But it was the turtle, a giant terrapin that seemed to be staring back at him with knowing eyes, that caught his attention.

                    Edgar couldn’t shake the feeling that something was amiss, that the objects in the room were connected in some strange way. As he looked closer, he noticed that a thick layer of dust had settled on everything, as if no one had been there in years. And yet, the pop can still seemed to be fizzing, the straw stirred as if someone had just taken a sip, and the turtle’s eyes seemed to glow in the dim light.

                    Suddenly, a voice from behind him made Edgar jump. It was the ghost of the previous owner, who had died under mysterious circumstances years ago. The ghost revealed that the objects in the room had been cursed by a vengeful witch who had once lived in the nearby forest. Each object was imbued with a terrible power, and whoever possessed them would be consumed by darkness.

                    Edgar knew he had to escape, but as he turned to run, he felt a strange force pulling him towards the turtle. He tried to resist, but the turtle’s eyes seemed to hypnotize him, drawing him in closer and closer. Just as he was about to touch it, the turtle suddenly snapped its jaws shut, and Edgar woke up back in his own bed, drenched in sweat.

                    He realized it had all been a nightmare, but as he looked down at his feet, he saw the turtle from his dream, sitting innocently at the end of his bed. Suddenly, he remembered the words of the ghost, and knew he had to destroy the cursed objects before it was too late. With trembling hands, he picked up the turtle, and opened his window to cast it out into the night. But as he did so, he caught a glimpse of his own reflection in the glass, and saw that his eyes had turned a bright shade of red. The curse had already taken hold, and Edgar knew he was doomed to a life of darkness and despair.

                    Bit dark, Whale!
                    :yahoo_worried: :yahoo_nailbiting: :yahoo_dontwannasee:   :yahoo_rofl:

                    #6787
                    ÉricÉric
                    Keymaster

                      Some connecting ideas for this thread so far — doesn’t make yet complete sense, but we’ll see… :

                      As it turns out, Aaron and Tibu are the same person. After Aaron attached his watch to the Wall of Watches, he suddenly found himself transported to a different time and place. Disoriented and confused, he stumbled upon a time-traveling device and accidentally activated it, sending him hurtling through time and space.

                      As Tibu, Aaron found himself in a strange new world, unable to remember anything about his past life as Aaron. He struggled to adapt to his new surroundings, living on the streets and relying on the kindness of strangers to survive.

                      One day, while wandering the streets of a small Spanish town, Tibu stumbled upon a lost little girl named Lily. Recognizing the fear and confusion in her eyes, Tibu felt an instant connection to her. He promised to help her find her way home and they set off together, embarking on a journey to discover Lily’s true identity.

                      As they traveled together, Lily began to open up to Tibu, sharing her dreams and fears with him. Tibu, in turn, began to share his own story with her, remembering parts about his life as Aaron and finally the accident that had left him in a coma.

                      It was only through his travels with Lily that Tibu began to piece together the fragments of his past and come to terms with his true identity. And it was through his connection with Lily that he found the strength and courage to confront the truth about his past and move forward with his life.

                      As for how Aaron ended up in a coma, it was revealed that he had been involved in a car accident while on his way to an important meeting. The accident left him in a coma, and it was only through his journey as Tibu that he was finally able to wake up and remember his past life as Aaron.

                      #6621

                      In reply to: Orbs of Madjourneys

                      As the four of them walked into the tavern, having walked the mile or so from the Flying Fish Inn to the main street of the tiny town, Zara noticed the black BMW that she and Yasmin had seen parked outside the Piggly supermarket on the way back from the airport in Alice.  She elbowed Yasmin in the ribs to point it out, but there was no need as Yasmin was already snorting nervously at the sight of it.

                      black bmw

                       

                      Sister Finli caught sight of them as she was just about to leave Betsy’s gem shop and paused until they’d disappeared into the bar before leaving the shop.   It was the first time that Finli had seen Betsy in the flesh, and what a lot of flesh there was to see.   Finli was horrifed, comparing her own elegant thin fingers with the fat sausage like digits of Betsy.  She would never have expected Betsy to look this way. Still, it had thrown her, and she lost her usual efficient composure and quickly purchased a pink speckled gummy bear necklace.  Annoyingly, this transaction reminded her that she seemed to have lost her crucifix.

                      Finli was an orphan.  The nuns had named her Finean Lisa. Finean meant beautiful daughter, and Lisa meant devoted to god.  Later they shortened it to Finli.  She’d spent all her life at the orphanage in Suva, having been deposited there at birth, and although she had no particular calling to be a nun, she had not known what else to do with her life.  It was the only family she’d ever known, and so she stayed on.  It was only in the past year or two that she’d had any curiosity about who her real parents were, when she read about DNA tests and ancestry research. She’d been told in the past that no records existed as she had been found on the doorstep of the orphanage one morning 43 years ago.  The knowledge had filled her with comtempt for her parents, whoever they were,  and for the most part she pushed them from her mind, not caring to know.  But when she read about all the successes of adopted people finding their real parents, she was consumed with curiosity. At first she just wanted to know who they were. But once she had found their names, she wanted to know more. She wanted to know why.  One thing led to another.

                      Her real father had disappeared, lost down some mines although the story there was far from clear.  Indeed, that particular story was a darn sight more than unclear, it was downright fishy.  Her real mother was was alive and kicking, and living near to the mines where Howard had disappeared. Finli deduced that she must have been born, or at least conceived, in this godforsaken place in the outback.  What an ignominous start to her uneventful life.

                      She knew that Fred was her uncle, but she had not told him she knew that. Did Fred know who she was? He’d always been kind to her, but then, he was affable to everyone.   When it came to her knowledge that Fred had given that tiresome snorting volunteer girl a parcel to take with her, to, of all places! that very town in the outback, Finli simply had to know what was in it.  But she didn’t want to spill the beans too soon, in case it hindered her attempts to find the truth about Howard, her father.   She decided to travel to the town incognito.  But how was she going to find the money for it?  Well, she knew she was burning her bridges, but she had to do it. She stole the golden chalice from the church and sold it on Ubay.  She was suprised at how much money it fetched. Not only could she afford the trip, she could do it in style.

                      It was an exciting adventure, but Finli was not accustomed to travel and adventure. In fact, she was dreading meeting her mother.   At times she wished she’d just stayed at the orphanage.  But it was too late now. She was here.

                      Finli

                      #6520

                      In reply to: Orbs of Madjourneys

                      Rajkumar had named his car JUMPY because he said it reminded him of his mother country. He drove like they were in the chaotic streets of an Indian city. Youssef’s fist was clenched on the door handle, his knuckles white. He needed to hold on to something just as much as he was afraid of loosing the door.

                      He had never been so happy as when Rajkumar stopped in front of his cousin’s shop and restaurant.

                      “Just in time for the best butter chicken in all Alice Springs!” said Rajkumar, pointing to the restaurant on the left.

                      Smells of greasy sauce, meat and spices floated in the air. Despite his legendary hunger, Youssef’s stomach started to protest from the recent treatment on the road. If he had had any doubt, he was sure now that he wouldn’t go on a trip in Jumpy with Rajkumar.

                      “Maybe I’ll go for the scarf first,” he said.

                      Rajkumar noded and pointed to the right, to a stout man squating in front of a pile of scarves.

                      “This is cousin Ashish. You can’t find a better shop in town for scarves,” said Rajkumar. He high fived his cousin who looked like a giant in comparison with the short guide. They talked for a long time in what Youssef assumed to be some Indian dialect. At some point, his guide pointed a finger at him and said : “This big man is looking for a red scarf. I told him you had the best quality in town. Hand made, right from India. Ashish buys and sells the best to the best only. I have to go park the car and tell my other cousin to prepare you a meal. Best Indian food in Alice.”

                      After he left, cousin Ashish showed Youssef in. At the entrance incense burned at the feet of a couple of colourful Hindu gods. The intoxicating smell reminded him of a stop at a temple during his last trip with the documentary team. The face of Miss Tartiflate jumped into his mind. He would have to take care of THE BLOG at some point, but for now, he was looking for a red scarf. The inside of the shop was as messy as a Mongolian bazaar. Clothes upon clothes, and piles of scarves everywhere.

                      “Red scarves are over there, said Ashish. Follow me.”

                      He was less talkative than his cousin, which was a welcome relief. He led Youssef to the back of the shop. On the wall, the portrait in black and white of an old Indian man was watching over their shoulder.

                      Ashish took one long red scarf and put it around his neck.

                      “You can touch, he said. Very good quality. Very light. Like you wear nothing.”

                      Youssef took the end of the fabric in his hand. It felt very silky and light to the touch.

                      “That’s perfect, I’ll take it”, he said.

                      His phone buzzed in his pocket. He took it out and checked his messages.

                      • 📨 [Quirk Land] NEW QUEST OPENED

                      Looking at the time, it was already noon. Xavier must have landed in Alice already. He started to type a message to his friend :

                      💬 Meet me for lunch at Todd Mall. Patel indian restaurant next to fabric shop

                      #6511
                      ÉricÉric
                      Keymaster

                        Potential Plot Arch

                        The uncovered box in the garden of Bob & Clara is a Time Capsule which was actually buried in the future, but mistakenly sent to the past. It has symbols etched on it, that activate some nano-technology.
                        Due to its contact with it, Bob starts recovering his memories, while retaining the hallucinations of his dead wife Jane, which actually become more credible and intense.

                        Will Tarkin is actually a time traveler from the future, who came to live a simple life in the past, selling stone gargoyles at the local supermarket and rediscovering the ways of his ancestors.

                        With the box being found and opened at the wrong time, it creates unwanted attention from the Time Dragglers who need to intervene to prevent alterations of the timeline.
                        Contents of the box are in part encoded books of stories from local families and would have revealed important things about the past, Jane’s death, and Clara’s future.

                        With Bob recovering his memories, it’s revealed Jane and Bob were actually also refugees from the future, but had aged naturally in the past, which is why Will seemed to recognize Bob. Bob was living in hiding from the Time Police, but with the box discovery, it changes everything. The box being opened at the wrong time disrupts the natural flow of events and starts causing unexpected consequences. This creates a complex web of relationships and events that must be untangled and understood in order to move forward.

                        With his recovering of mental capacities, Bob partners with Will in order to restore the natural flow of time, even if it means his mental health will deteriorate again, which he is happy to do while continuing to live the rest of his life span with his daughter.

                        Potential developments

                        Clara Meets the Mysterious Will

                        Nora finally reaches the little village where Clara and Bob live and is greeted by a man named Will
                        Will seems to know Bob from somewhere
                        Clara starts to feel suspicious of Will’s intentions and begins to investigate

                        The Power of Memories

                        Bob starts to have flashbacks of his past and begins to remember the connection between him, Will, and the mysterious time capsule
                        Bob realizes that Jane, his wife, had been keeping something from him and that the time capsule holds the key to unlocking the truth
                        Jane appears to Bob and urges him to tell Clara about their past and the significance of the time capsule

                        The Truth Behind the Capsule

                        Nora, Clara, and Bob finally find the answers they’ve been searching for by opening the time capsule
                        The contents of the capsule reveal a shocking truth about Jane’s past and the reason behind her death
                        They learn that Jane was part of a secret society that protected ancient knowledge and artifacts and that the time capsule was meant to be opened at a specific time
                        The group realizes that they were meant to find the capsule and continue Jane’s work in protecting the knowledge and artifacts

                        The Ties Between Living and Dead

                        Bob comes to terms with Jane’s death and the role she played in their lives
                        Clara and Bob grow closer as they work together to continue Jane’s work and preserve the knowledge and artifacts
                        The group encounters obstacles but with the help of the spirits of the past, they are able to overcome them and succeed in their mission

                        A Realization of the Past and Present

                        Clara, Bob, and Nora come to realize the power of memories and how they shape our present and future
                        They also learn that things never truly remain buried and that the past always finds a way to resurface
                        The group successfully preserves the knowledge and artifacts, ensuring that they will be passed down for generations to come
                        The story ends with Clara, Bob, and Nora sitting by the fire, reflecting on their journey and the lessons they’ve learned.

                      Viewing 20 results - 1 through 20 (of 158 total)