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In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Chico drank the cup of freshly ground coffee beans. He winked with distaste and jotted a few words on his notebook before trying a second batch of ground coffee beans.
He wasn’t aware of much from his past life, or if he even had a life before the others summoned him. They were a mystery to him, and he didn’t understand the reasons or the purpose of his existence. He didn’t even like coffee; he only pretended to, because the job and his own physical appearance kind of fit with the stereotype. He chuckled thinking it could be a stereotypo.
He thought the taste of coffee was the reason why he chewed betel leaves. Their taste, slightly spicy and pungent with hints of clove and cinnamon helped mask the bitterness of the coffee he had to drink. He suddenly became aware of some other information about himself. He could swear he had forgotten them, they simply weren’t there before. His father had lost his teeth. The reason wasn’t clear yet, but looming behind the jungle trees. What about his mother? Was she slim or fat? Both possibilities flickered in his head and disappeared. Apparently it hadn’t been chosen yet. He pondered about that last remark before forgetting it.
Too many weird questions were passing through his fat head. The heat and sweat were no good for his mental health… because of all the flies. He wondered if that was the reason why the old lady had started breeding them under her rooftop. She claimed it was an infestation but he had seen her secretly releasing swarms of flies in the evening, exciting the cauldron of bats. She had seen him looking at her, but they had tacitly convened they would not betray each other’s secret. Only, Chico wasn’t yet aware of what his own secret was.
He winced as he tasted the third batch of coffee from the plantation.
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Feeling somewhat disgruntled at revealing so much of her raw new floundering character and yet learning so very little about the mysterious Thiram, Amy undertook a little side project and attempted to find out who THira I think I’ll leave that typo there was by the conventional means of a simple search.
There were a number of exciting possibilities:
Thiram, directeur de Gelec Energy, gère avec sérénité la “ruée” sur ses groupes électrogènes…
Thiram, developer and PSC member of many OsGeo projects: OpenLayers; GeoExt….
Thiram, Director of the Systems Engineering Division at the Canadian Nuclear….
Thiram, Actor: Origami. Known for Origami (2017), The Snip (2024) and Catharsis (2011).
Thiram, Managing Director, Kidou, tel. +33 & 73 %9 9$ 41, e-mail e.lmroine @ cosmoledo. comachamelean
So many likely possibilities, but what was the connection to port?
In reply to: The Last Cruise of Helix 25
A Quick Vacay on Mars
“The Helix is coming in for descent,” announced Luca Stroud, a bit too solemnly. “And by descent, I mean we’re parking in orbit and letting the cargo shuttles do the sweaty work.”
From the main viewport, Mars sprawled below in all its dusty, rust-red glory. Gone was the Jupiter’s orbit pulls of lunacy, after a 6 month long voyage, they were down to the Martian pools of red dust.
Even from space, you could see the abandoned domes of the first human colonies, with the unmistakable Muck conglomerate’s branding: half-buried in dunes, battered by storms, and rumored to be haunted (well, if you believed the rumors from the bored Helix 25 children).
Veranassessee—Captain Veranassessee, thank you very much— stood at the helm with the unruffled poise of someone who’d wrested control of the ship (and AI) with consummate style and in record time. With a little help of course from X-caliber, the genetic market of the Marlowe’s family that she’d recovered from Marlowe Sr. before Synthia had had a chance of scrubbing all traces of his DNA. Now, with her control back, most of her work had been to steer the ship back to sanity, and rebuild alliances.
“That’s the plan. Crew rotation, cargo drop, and a quick vacay if we can manage not to break a leg.”
Sue Forgelot, newly minted second in command, rolled her eyes affectionately. “Says the one who insisted we detour for a peek at the old Mars amusements. If you want to roast marshmallows on volcanic vents, just say it.”
Their footsteps reverberated softly on the deck. Synthia’s overhead panels glowed calm, reined in by the AI’s newly adjusted parameters. Luca tapped the console. “All going smoothly, Cap’n. Next phase of ‘waking the sleepers’ will happen in small batches—like you asked.”
Veranassessee nodded silently. The return to reality would prove surely harsh to most of them, turned soft with low gravity. She would have to administrate a good dose of tough love.
Sue nodded. “We’ll need a slow approach. Earth’s… not the paradise it once was.”
Veranassessee exhaled, eyes lingering on the red planet turning slowly below. “One challenge at a time. Everyone’s earned a bit of shore leave. If you can call an arid dustball ‘shore.’”
The Truce on Earth
Tundra brushed red dust off her makeshift jacket, then gave her new friend a loving pat on the flank. The baby sanglion—already the size of a small donkey—sniffed the air, then leaned its maned, boar-like head into Tundra’s shoulder. “Easy there, buddy,” she murmured. “We’ll find more scraps soon.”
They were in the ravaged outskirts near Klyutch Base, forging a shaky alliance with Sokolov’s faction. Sokolov—sharp-eyed and suspicious—stalked across the battered tarmac with a crate of spare shuttle parts. “This is all the help you’re getting from me,” he said, his accent carving the words. “Use it well. No promises once the Helix 25 arrives.”
Commander Koval hovered by the half-repaired shuttle, occasionally casting sidelong glances at the giant, (mostly) friendly mutant beast at Tundra’s side. “Just keep that… sanglion… away from me, will you?”
Molly, Tundra’s resilient great-grandmother, chuckled. “He’s harmless unless you’re an unripe melon or a leftover stew. Aren’t you, sweetie?”
The creature snorted. Sokolov’s men loaded more salvage onto the shuttle’s hull. If all went well, they’d soon have a functioning vessel to meet the Helix when it finally arrived.
Tundra fed her pet a chunk of dried fruit. She wondered what the grand new ship would look like after so many legends and rumors. Would the Helix be a promise of hope—or a brand-new headache?
Finkley’s Long-Distance Lounge
On Helix 25, Finkley’s new corner-lounge always smelled of coffee and antiseptic wipes, thanks to her cleaning-bot minions. Rows of small, softly glowing communication booths lined the walls—her “direct Earth Connection.” A little sign reading FINKLEY’S WHISPER CALLS flickered overhead. Foot traffic was picking up, because after the murder spree ended, people craved normalcy—and gossip.
She toggled an imaginary switch —she had found mimicking old technology would help tune the frequencies more easily. “Anybody out there?”
Static, then a faint voice from Earth crackled through the anchoring connection provided by Finja on Earth. “Hello? This is…Tala from Spain… well, from the Hungarian border these days…”
“Lovely to hear from you, Tala dear!” Finkley replied in the most uncheerful voice, as she was repeating the words from Kai Nova, who had found himself distant dating after having tried, like many others on the ship before, to find a distant relative connected through the FinFamily’s telepathic bridge. Surprisingly, as he got accustomed to the odd exchange through Finkley-Finja, he’d found himself curious and strangely attracted to the stories from down there.
“Doing all right down there? Any new postcards or battered souvenirs to share with the folks on Helix?”
Tala laughed over the Fin-line. “Plenty. Mostly about wild harvests, random postcards, and that new place we found. We’re calling it The Golden Trowel—trust me, it’s quite a story.”
Behind Finkley, a queue had formed: a couple of nostalgic Helix residents waiting for a chance to talk to distant relatives, old pen pals, or simply anyone with a different vantage on Earth’s reconstruction. Even if those calls were often just a “We’re still alive,” it was more comfort than they’d had in years.
“Hang in there, sweetie,” Finkley said with a drab tone, relaying Kai’s words, struggling hard not to be beaming at the imaginary booth’s receiver. “We’re on our way.”
Sue & Luca’s Gentle Reboot
In a cramped subdeck chamber whose overhead lights still flickered ominously, Luca Stroud connected a portable console to one of Synthia’s subtle interface nodes. “Easy does it,” he muttered. “We nudge up the wake-up parameters by ten percent, keep an eye on rising stress levels—and hopefully avoid any mass lunacy like last time.”
Sue Forgelot observed from behind, arms folded and face alight with the steely calm that made her a natural second in command. “Focus on folks from the Lower Decks first. They’re more used to harsh realities. Less chance of meltdown when they realize Earth’s not a bed of roses.”
Luca shot her a thumbs-up. “Thanks for the vote of confidence.” He tapped the console, and Synthia’s interface glowed green, accepting the new instructions.
“Well, Synthia, dear,” Sue said, addressing the panel drily, “keep cooperating, and nobody’ll have to forcibly remove your entire matrix.”
A faint chime answered—Synthia’s version of a polite half-nod. The lines of code on Luca’s console rearranged themselves into a calmer pattern. The AI’s core processes, thoroughly reined in by the Captain’s new overrides, hummed along peacefully. For now.
Evie & Riven’s Big News
On Helix 25’s mid-deck Lexican Chapel, full of spiral motifs and drifting incense, Evie and Riven stood hand in hand, ignoring the eerie chanting around them. Well, trying to ignore it. Evie’s belly had a soft curve now, and Riven couldn’t stop glancing at it with a proud smile.
One of the elder Lexicans approached, wearing swirling embroidered robes. “The engagement ceremony is prepared, if you’re still certain you want our… elaborate rituals.”
Riven, normally stoic, gave a slight grin. “We’re certain.” He caught Evie’s eye. “I guess you’re stuck with me, detective. And the kid inside you who’ll probably speak Lexican prophecies by the time they’re one.”
Evie rolled her eyes, though affection shone behind it. “If that’s the worst that happens, I’ll take it. We’ve both stared down bigger threats.” Then her hand drifted to her abdomen, protective and proud. “Let’s keep the chanting to a minimum though, okay?”
The Lexican gave a solemn half-bow. “We shall refrain from dancing on the ceilings this time.”
They laughed, past tensions momentarily lifted. Their child’s future, for all its uncertain possibilities, felt like hope on a ship that was finally getting stirred in a clear direction… away from the void of its own nightmares. And Mars, just out the window, loomed like a stepping stone to an Earth that might yet be worth returning to.
In reply to: The Incense of the Quadrivium’s Mystiques
“Actually,” Eris ventured, “There’s that spell I’ve been meaning to try for a while, but it’s not entirely safe to do on one’s own.”
“Oh, brazen Eris being cautious, paint me curious now!” tittered Truella.
“It was initially devised as a memory spell, but it soon became clear it was opening more possibilities. It can make us travel in any mentally accessible space, spend as much time as we want there with barely a second passing in the physical world.”
“You’re basically describing dreaming, aren’t you?” Jeezel interjected.
“True, in a sense, it’s like lucid dreaming, but with your physical body —and with an energetic anchoring from the coven, that means you can have a lot more control, and spend as much time there as you’d like.”
“So that means we can have more than one vacation destination at a time!” Truella was starting to see the possibilities.
“Yes, and that’s where it becomes perilous. It’s as physical as real life, so you can die there. And without converging focus, we can be propelled into alternative and unwanted mind spaces. We could spend lifetimes and grow old in realities we’d forget were only mental projections.”
“Right, if we can’t agree an a simple vacation, what could possibly go wrong.”
“Shtt, Frella,” Truella’s imagination was already getting wild. “It also means we can go to fantasy lands as well. Lothlórien, Rivendell,… oh wait! Abalone and Gazalbion, always wanted to see those places!”
“With this one, we’ll need more than one anchor to keep us tethered to reality then…” Frella added sarcastically.
In reply to: The Incense of the Quadrivium’s Mystiques
After Truella had gone, happily clutching her carefully contained droplets (in an unusual but eminently practical miniature container, the likes of which he had never before seen), he realised that he should have asked her to tell him when. When? If he knew when, armed with the knowledge, he could disappear in the nick of time and teleport with Truella to her time in the future, and organise all their paperwork. He would be in charge of everything, obviously.
The possibilities of being able to time travel began to unfold in his minds eye. He wondered how he had not thus far entertained the idea of taking over a future coven, it made so much more sense than sending reluctant men on tortuous journeys across land and stormy seas to spy for him.
In reply to: The Incense of the Quadrivium’s Mystiques
“What? Malové sent you a personal letter? And a golden key! We merely had a memo for the merger,” Truella said, pacing quickly in Jeezel’s bedroom.
“You’ve been swooning over Mr. Dark since we got here,” said Jeezel. “Have you even checked your own things? Maybe you have some kind of message or clue or I don’t know what. But stop pacing like that, you’ll bore a hole in my floor.”
“That’s not your floor,” said Truella with fire in her eyes.
“Girls, stop. That’s not the point,” said Eris, her voice carrying icy breeze of Sweden’s coldest winters. “We don’t even know if that message is from Malové.”
“What do you mean?” asked Jeezel and Truella in unison.
“Yes, what do you mean?” asked a floating glowing orb with Frella’s voice.
Eris brushed a few sparkling dark purple powder from her chest. “Bloody dragon soot,” she muttered. “Well, from what you told us, Silas tried to jinx you when you were discussing about the rituals. Baiting you with the idea that there are amongst or around us forces that would rather see this merger fail. Then, conveniently, handsome Garrett comes to your rescue and warns you about Silas’ evil plot, and talks to you about the very thing Malové supposedly entrusted you with in that letter, and muddying the waters even further with that tale about ancient Punic families.”
“What’s wrong with Punic families,” said Truella.
“Why are you blushing?” asked Jeezel.
“The point is, that it could very well be part of a plot to plant doubts about everyone and everything, so that we make the merger fail ourselves.”
“And then exit the witches from the picture,” said Frella’s glowing voice.
“But who could possibly have hidden the envelope amongst my things without me noticing?” asked Jeezel.
“Who comes and goes into your home?” asked Eris.
“Yes, who?” asked Truella with a sudden renewed interest.
After a few moments of reflection, Jeezel raised her hand to her mouth. “You can’t mean Joe? My fan’s brother who came to do some works for me.”
“I don’t mean anything. But if I recall well, you mentioned you gave him the keys or your home so that he could come do the repairs whenever you’re not there.”
“You gave him your keys?” asked Truella, her eyes wide open.
“But Luminia would have seen him.”
“Well even a familiar needs to go out sometimes.”
“Or maybe after a torrid night, when you’re finally resting,” suggested Truella.
“Ooh! You would love that!” Jeezel said. Then she put the back of her hand on her forehead and moaned: “My brain’s not made for that kind of messy story. I can’t investigate, do the rituals, flirt with the enemy. There are too many things to do and too many possibilities.”
“There, dear. You have us now,” said Eris, still brushing the dragon soot from her dress.
“And I know one who needs to go to the bottom of a chest,” added Truella. “Frella, we need you here.”
“I’m not sure,” Frella said. “I guess someone has to investigate what really happened to Malové. Who knows if that postcard and that love affair are even real? I’ll let you know.”
In reply to: The Incense of the Quadrivium’s Mystiques
After everyone got the program for the six rituals, they dispersed. Jeezel observed groups reform and the whereabouts of people. Eris walked alone toward the dark corridors. Truella, Sandra and Sassafras went to the gardens. Rufus followed shortly after, his dark moody eyes showing intense reflections. Jeezel noticed that Bartolo from the convent had been observing the mortician and hurried to catch up with him. Mother Lorena stood as stern as ever in the center of the lobby. She kept cupping her hands around her ears to check if her earpieces were working. Which they weren’t from the irritated look on her face. Silas was in an animated discussion with Austreberthe and the remaining nuns were laughing heartily and running around as if they had overindulged in Sister Sassafras’ hallucinogenic mushroom canapés.
Jeezel decided to go back to the lounge and explore the antiques, maybe see if there were hidden passageways behind those tapestries. She found Garrett waiting for her in the corridor as if he knew what she intended to do. His deep blue eyes seemed to embrace her whole silhouette in a myriad of unspoken emotions, and when they settle on her emerald green eyes, a subtle grin showed his appreciation.
“Don’t look back,” he said, his voice a deep velvet baritone. “Old Silas and Austreberthe are looking at us with a very disapproving look.”
Jeezel couldn’t help but chuckle softly. “And what if they do? We’re not doing anything wrong.”
Garrett’s grin widened. He took a step closer, the scent of his cologne– a tantalizing mix of cedarwood and bergamot– mingling with the faint aroma of her own enchanting perfume.
“You intrigue me, Jeezel. More than the rituals, more than any relic or spell.”
Jeezel laughed heartily. Don’t they say keep your enemy close? I have questions for him. And I wouldn’t mind the company while I’m exploring the area? she thought.
“I was about to check for secret passages in the old lounge,” she said. “Would you join me?”
She let him take her hand and guide her toward the lounge. As they entered the heavy scent of aged wood and old books greeted them. Jeezel’s eyes darted to the tapestries lining the walls, each depicting scenes of ancient rituals and forgotten histories.
“Where do you think we should start?” Garrett asked, his deep voice barely above a whisper, adding to the mysterious ambiance of the room.
Jeezel tilted her head, considering the possibilities. “That one,” she said, pointing to a particularly intricate tapestry depicting a moonlit garden. “It looks like it could hide something.” She reached out to the fabric and pulled it aside, revealing a wooden door. She tensed when she noticed lingering traces of cedarwood and bergamot. “Or someone,” she added, turning toward him. “You’ve been here recently, have you not?”
“Direct as ever. Very well. I’m here to protect and help you. You need to be careful with Silas. He has hidden motives.”
Jeezel narrowed her eyes. “And why should I trust you?”
Garrett pulled out his crimson handkerchief from his pocket, revealing a symbol embroidered in gold. Her eyes widened as identical to the one on the key Malové had given her.
“How did you get that?” she asked.
“Malové entrusted me with this,” Garret explained, “to show her chosen allies. I was told to seek you out and offer you my assistance. This symbol matches the one on your key, doesn’t it?”
Jeezel felt the weight of the key in her purse. She hadn’t shown it to anyone, not even to her friends. She felt even more confused than before. It was possible that Silas would try to divert her attention from him if he was against the merger. And what better way to do than alert her to unknown enemies. The fact that Garrett knew about the key just added a layer of complexity to the situation, but also a layer of excitement. She wondered what game was being played here, and who were the true players.
“Alright, Garrett,” she said, her voice steadying as she added, “I’ll hear you out. But if you’re lying, you’ll regret it.”
He nodded. “Faire enough. Silas isn’t just interested in the failure of the merger; he’s got his own agenda. Something to do with ancient punic artifacts and power that could rival even the Crimson Opus. And he’s not the only one. There are some ancient Punic families that are looking for the same things.”
Jeezel’s heart skipped a beat. If Silas was after the same kind of power, it could jeopardize everything—the merger, her mission, and possibly the balance of power in their world. Jeezle felt she was in way over her head. She had to breathe and connect to her inner Queen’s innate knowledge in order to slide into her role of leader.
“Then, I accept your assistance,” she conceded with a slight node. “But this doesn’t mean I trust you, Garrett. You’ll have to prove your loyalty.”
Garrett folded the handkerchief back into his pocket. “I wouldn’t expect anything less. For now, let’s just say our interests align. And if we work together, we might just come out of this with everything we need—and more.”
“Then show me where this hidden door lead!”
In reply to: The Incense of the Quadrivium’s Mystiques
Once again, the Quadrivium headquarters buzzed with an undercurrent of tension and anticipation. Malové stood at the helm, her gaze as steely and unwavering as ever. The coven’s regular meetings had taken on a new urgency in the face of mounting market pressures and the ever-accelerating pace of competition.
The witches assembled in the grand hall, each carrying the weight of their individual concerns and collective anxieties. A large screen was projecting the agenda in flashy neon colours with a glamourous photo of their leader. The event was broadcast across many locations, not all witches able to join physically as the ongoing Worldwide Roman Games preparation and the 333th celebration of the Treaty of Limerick ending the Williamite War, had made the city impenetrable due to the convergence of world leaders.
Not only for those present, all of them seated in-person, or remotely connected had felt the tremors of change, the subtle yet insistent push towards transformation. Yet despite their best efforts, a cohesive vision for the coven’s future remained elusive.
As the last witch took her seat and the various technical glitches got sorted, Malové stepped forward, her presence commanding immediate silence. With a flick of her wrist, a spectral map materialized before them, shimmering with points of light that represented their past achievements and future challenges.
“Listen well,” Malové began, her voice echoing through the hall with the gravity of an ancient spell. “We stand at a crossroads, a juncture where our past accomplishments meet the demands of an unforgiving future. Our strength has always been in our unity and our mastery of the arcane, but now, we must also master the art of transformation.”
She paused, allowing her words to sink in. The witches leaned forward, their eyes locked onto their formidable leader.
“Transformation,” she continued, “is not merely a matter of adapting to external pressures. It requires a boldness of spirit and a willingness to steer the deepest currents of our inner selves. It demands that we break free from the confines of tradition without losing our core essence.”
Malové waved her hand, and the map shifted to reveal a complex network of interconnected pathways. “Our path forward will not be linear. It will be a labyrinth, requiring both cunning and courage. But fear not, for I have charted a course that will lead us through.”
She pointed to three glowing nodes on the map. “First, we shall innovate. Our magical incense blends have always been our hallmark, but we must go beyond. We will delve into new realms of magic, combining our ancient practices with cutting-edge techniques. Each of you will be tasked with researching and developing a new blend that can transform not just our coven, but the world.”
The witches exchanged glances, a mixture of excitement and apprehension flickering in their eyes.
“Second,” Malové continued, “we must strengthen our alliances. The world is vast, and we are not alone in our quest for magical mastery. We will forge new partnerships with other covens, magical beings, and even those who walk the line between the mundane and the mystical. Together, we will create a network of power and influence that none can rival.”
The map expanded, showing potential allies and strategic locations across the globe. The witches nodded, recognizing the necessity of this bold move.
“Lastly,” Malové said, her voice softening yet losing none of its intensity, “we must look within. Inner transformation is the crucible in which true power is forged. Each of you will undergo a rigorous process of self-examination and growth. You will face your fears, confront your weaknesses, and emerge stronger and more resilient. Only then can we hope to lead others through their own transformations.”
She paused, meeting the eyes of each witch in turn. “I will be with you every step of the way. My role is not just to lead, but to guide and support you. We will hold workshops, retreats, and one-on-one sessions to ensure that every member of the Quadrivium is prepared for the journey ahead.”
Truella, who had tuned in remotely, winced softly behind her screen – she quickly checked. Phew, she had been on mute the whole time.
Malové’s voice grew softer still, almost a whisper, but it carried the weight of an ancient prophecy. “We are the Quadrivium. We are woven together by threads of magic and destiny. Our future is not written in stone, but in the stars. Together, we will reach for those stars and make them our own.”
The hall was silent, the witches absorbing the magnitude of Malové’s words. Slowly, a sense of resolve began to build, a collective determination to embrace the path laid out before them.
As the meeting drew to a close, Malové turned back to the spectral map, her eyes reflecting the myriad possibilities that lay ahead. “Remember this day, for it marks the beginning of our grand transformation. We will not be merely a coven. We will be a force of nature, a symphony of magic that weaves through time and space.”
With a final wave of her hand, the map vanished, leaving only the echoes of her words and the indomitable spirit of the Quadrivium, and throngs of witches left more confused as they exited the halls in hushed tones.
In reply to: The Incense of the Quadrivium’s Mystiques
It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.
“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.
“Look what it says on the bit of paper that came with it:
Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.We need to backtrack a bit with Roger. Look what it says here:
What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.
See what I mean?”
Truella squinted at Frella. “What?”
Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”
The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”
“Exactly!”
In reply to: The Incense of the Quadrivium’s Mystiques
Amidst the meticulous cadence of Malové’s days as High Witch of the Quadrivium Coven, a ripple of anomaly danced through the fabric of reality, like a sprightly breeze amidst her sage incense testing. It started with subtlety—a peculiar haze veiling her potion books, an otherworldly scent mingling with her herb garden’s fragrances. But it was during her quiet contemplation among hellebore pistils that the ordinary took a whimsical turn.
The air hummed with a resonant frequency, beckoning from realms beyond. And there, in the midst of this enigmatic symphony, stood Georges, a figure oscillating between existence and non-existence, accompanied by the ethereal Malvina, a reflection of Malové’s spirit from a parallel dimension.
As Malové’s reality shimmered, the colors around her intensified, charged with the essence of a place where possibilities blurred into fantastical realities. Each breath was imbued with untapped potential, a draught of undiscovered paths.
In the midst of this mystical convergence, Malvina’s melodic voice intertwined with the air, weaving a tapestry of otherworldly allure. Energies pulsed within Malové, heralding a meeting that transcended time—a celebration set within the ever-shifting caverns of existence.
Engulfed by Malvina’s mystic melody, Malové felt the vibrations intensify, drawing her towards the allure of the unknown. With a glance at the maze of her mundane existence, she embraced the call, stepping through the veil into a world of a new sort of witchcraft, and other mystical creatures of the mind.
Amidst the unexpected spectacle, Malové found herself engaged in a dialogue with Malvina:
Malové: “Malvina, as a fellow witch of power, your reputation precedes you. Your tales of shifting caves and communion with dragons have piqued my interest. How do you maintain such fluidity within the arcane?”
Malvina: “Oh dear Malové, magic is a vast music score of constant motions, much like my cave and dragons. Adaptation and transformation are the keys to navigating its intricate weave.”
Malové: “I must admit, recent misadventures within my coven have left me seeking a fresh perspective. The fiasco with the smoke test was humbling.”
Malvina: “A fiasco, yes, but also a lesson. Magic must be respected, yet never tamed. Embrace the unexpected, and let it fuel your endeavors. What of the incense you craft?”
Malové: “It’s meant to elevate the spirit, to realign to higher purposes, and maybe inspire those enveloped in its essence. This is why we seek new blends, something transformative.”
Malvina: “Incense is not just a tool, but a companion on the journey. Let the scents guide you to uncharted territories. Look to the elements for inspiration—the earth, sky, fire, and water all have stories to tell.”
Malové: “Poetic words that is sure, and maybe wise… Perhaps a journey to your world and fabled caves could be arranged to further explore.”
Malvina: “You would be most welcome. The cave shifts but offers shelter and inspiration to all who seek it. And who knows, the dragons may impart wisdom of their own.”
Malové: “Well, to be honest, not so fond of dragons… Well, would you look at the time! The effects of that blend seems already to wear off, but thank you dearie, and we will see if some inspiration remains…”
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Orbs of Madjourneys
It seemed like their journey was ominously pregnant with untold possibilities. Well that’s what Xavier had said the team to break the lazy pattern that had started to bring their sense of adventure to a lull.
“Please, no snotty baby possibilities!” had moaned Zara, stretching from her morning session of yoga with Yasmin.It was the morning of the third day since he’d arrived, and as they were enjoying the breakfast, the external elements seemed to have put a brake on the planned activities.
On the previous evening, Mater, the dame of the Inn, had come in with a dramatic racing driver costume complete with burgundy red jacket and goggles to match. She’d seemed quite excited at the thought of racing at the Carts and Lager, but the younger child, Prune, had come in with weather forecast.
“It’s on the local channel news. We have to brace for a chance of dust storm. It’s recommended to stay indoors during the next two days.”
“WHAT?!” Zara couldn’t believe it. The thought of being cooped up in holidays! Then she lightened up a little when Yasmin mentioned the possibility of sand ghost pictures. She knew Zara well enough, that a good distraction was the remedy to most of her moods.
Youssef had shrugged and told them of the time they were with the BLOG team at a snowy pass in Ladakh, and had to wait for the weather to clear the only pass back to the valley. He’s enjoyed learning how to make chapatis with the family on the small gas stove of the local place, and visited the local yurts. Zara’s eyes were suddenly full of wonders at the mere mention of yurts.
Prune had then mentioned with a smirk. “If you guys want an adventure, I was planning to do some spring cleaning in the basement. There are tons of old books…. and some said maybe some secret entrance to the mines.”
Zara’s spider sense was tingling almost orgasmically.
Youssef said. “Well, I suppose that’s the best entertainment we’ll get for now…”
At the morning breakfast table, they did a quick check of the news.
“The situation isn’t getting any better. AL has confirmed it’s an unusual weather late in this season, but it’s also saying we should remain indoors.” Xavier was looking at his phone slouched on the table.
“And they will cancel the first days of the Carts and Lager…” Zara was downcast.
“Well, here’s a thought… the quest is still open in the game…”
In reply to: Train your subjective AI – text version
Please suggest a creative, a little ghostic but mostly uplifting plot outline for the continuation of the story of Twilight in her travels to join the freak circus and become famous for her craft on the west coast
— The Far-West saga — In 1850s, in a probable reality of South America, we get acquainted with Twilight (Twi) and her brothers Jo and Elroy. They have a precious blue bull in their possession, coveted by Ogrean, the kingpin of the town. Hopefully for them, Ogrean is arrested (temporarily) by Ted Marshall, the sheriff for his possible trafficking. Notably, Ogrean is possibly involved in some of the crystal skulls discoveries, during his travel to New Honduras. Twi who was dancing in the saloon of Madame Butterbutt, the town’s hallucinogenic toads-to-lick dispenser (insert some other romantic subplots involving the other dancer etc.) decides to go traveling in a freakus (freak show/circus). She is now close to the West Coast, where she hopes to succeed in her writing and other artistic skills.
As Twilight (Twi) travels with the freak circus, she faces many challenges and obstacles on her journey to the West Coast. Despite the difficulties, she remains determined to make a name for herself as a writer and artist.
As she travels through small towns and larger cities, she begins to realize that the world is much bigger than she ever imagined. She meets a diverse group of people, some of whom are kind and supportive, while others are cruel and dismissive of her dreams.
Despite the negative reactions she receives from some people, Twi persists and begins to gain a reputation as a talented writer and performer. As she gains more experience and confidence, she starts to incorporate her own unique style into her performances, which sets her apart from the other performers in the circus.
As she approaches the West Coast, she begins to feel a sense of excitement and anticipation. She has heard that the West Coast is a place of endless possibilities, where creative minds can thrive. She is determined to make her mark and become famous for her craft.
As she settles in the west, she finds herself surrounded by artists and writers like herself, who inspire her to push herself even further. She begins to gain a following and her writing is widely read. She discovers that her talent is not only limited to writing, but she also has a natural talent for other art forms as well.
Eventually, Twi’s reputation as a talented artist and writer precedes her and she becomes a sought-after performer in the West Coast, and her creative work is being showcased in galleries and theaters. As she continues to achieve success in her career, she begins to realize that the West Coast is not just a place of endless possibilities but also the place where she belongs, and the place where her dreams come true.
Throughout her journey, she also keeps in touch with her brothers, Jo and Elroy, who now run the farm and take care of the blue bull. They tell her that the bull, now named Blue-Dream, became a legend in the village and they get a good price for its breeding.
As the story continues, she finds herself also involved in some adventures and exciting subplots, like discovering a secret underground cave filled with precious crystals and some interesting characters, like the enigmatic sheriff Ted Marshall who always cross her path, and the mysterious Ogrean who seems to have a connection to her past and the bull.
The End.
In reply to: The Elusive Samuel Housley and Other Family Stories
Looking for Carringtons
The Carringtons of Smalley, at least some of them, were Baptist ~ otherwise known as “non conformist”. Baptists don’t baptise at birth, believing it’s up to the person to choose when they are of an age to do so, although that appears to be fairly random in practice with small children being baptised. This makes it hard to find the birth dates registered as not every village had a Baptist church, and the baptisms would take place in another town. However some of the children were baptised in the village Anglican church as well, so they don’t seem to have been consistent. Perhaps at times a quick baptism locally for a sickly child was considered prudent, and preferable to no baptism at all. It’s impossible to know for sure and perhaps they were not strictly commited to a particular denomination.
Our Carrington’s start with Ellen Carrington who married William Housley in 1814. William Housley was previously married to Ellen’s older sister Mary Carrington. Ellen (born 1895 and baptised 1897) and her sister Nanny were baptised at nearby Ilkeston Baptist church but I haven’t found baptisms for Mary or siblings Richard and Francis. We know they were also children of William Carrington as he mentions them in his 1834 will. Son William was baptised at the local Smalley church in 1784, as was Thomas in 1896.
The absence of baptisms in Smalley with regard to Baptist influence was noted in the Smalley registers:
Smalley (chapelry of Morley) registers began in 1624, Morley registers began in 1540 with no obvious gaps in either. The gap with the missing registered baptisms would be 1786-1793. The Ilkeston Baptist register began in 1791. Information from the Smalley registers indicates that about a third of the children were not being baptised due to the Baptist influence.
William Housley son in law, daughter Mary Housley deceased, and daughter Eleanor (Ellen) Housley are all mentioned in William Housley’s 1834 will. On the marriage allegations and bonds for William Housley and Mary Carrington in 1806, her birth date is registered at 1787, her father William Carrington.
A Page from the will of William Carrington 1834:
William Carrington was baptised in nearby Horsley Woodhouse on 27 August 1758. His parents were William and Margaret Carrington “near the Hilltop”. He married Mary Malkin, also of Smalley, on the 27th August 1783.
When I started looking for Margaret Wright who married William Carrington the elder, I chanced upon the Smalley parish register micro fiche images wrongly labeled by the ancestry site as Longford. I subsequently found that the Derby Records office published a list of all the wrongly labeled Derbyshire towns that the ancestry site knew about for ten years at least but has not corrected!
Margaret Wright was baptised in Smalley (mislabeled as Longford although the register images clearly say Smalley!) on the 2nd March 1728. Her parents were John and Margaret Wright.
But I couldn’t find a birth or baptism anywhere for William Carrington. I found four sources for William and Margaret’s marriage and none of them suggested that William wasn’t local. On other public trees on ancestry sites, William’s father was Joshua Carrington from Chinley. Indeed, when doing a search for William Carrington born circa 1720 to 1725, this was the only one in Derbyshire. But why would a teenager move to the other side of the county? It wasn’t uncommon to be apprenticed in neighbouring villages or towns, but Chinley didn’t seem right to me. It seemed to me that it had been selected on the other trees because it was the only easily found result for the search, and not because it was the right one.
I spent days reading every page of the microfiche images of the parish registers locally looking for Carringtons, any Carringtons at all in the area prior to 1720. Had there been none at all, then the possibility of William being the first Carrington in the area having moved there from elsewhere would have been more reasonable.
But there were many Carringtons in Heanor, a mile or so from Smalley, in the 1600s and early 1700s, although they were often spelled Carenton, sometimes Carrianton in the parish registers. The earliest Carrington I found in the area was Alice Carrington baptised in Ilkeston in 1602. It seemed obvious that William’s parents were local and not from Chinley.
The Heanor parish registers of the time were not very clearly written. The handwriting was bad and the spelling variable, depending I suppose on what the name sounded like to the person writing in the registers at the time as the majority of the people were probably illiterate. The registers are also in a generally poor condition.
I found a burial of a child called William on the 16th January 1721, whose father was William Carenton of “Losko” (Loscoe is a nearby village also part of Heanor at that time). This looked promising! If a child died, a later born child would be given the same name. This was very common: in a couple of cases I’ve found three deceased infants with the same first name until a fourth one named the same survived. It seemed very likely that a subsequent son would be named William and he would be the William Carrington born circa 1720 to 1725 that we were looking for.
Heanor parish registers: William son of William Carenton of Losko buried January 19th 1721:
The Heanor parish registers between 1720 and 1729 are in many places illegible, however there are a couple of possibilities that could be the baptism of William in 1724 and 1725. A William son of William Carenton of Loscoe was buried in Jan 1721. In 1722 a Willian son of William Carenton (transcribed Tarenton) of Loscoe was buried. A subsequent son called William is likely. On 15 Oct 1724 a William son of William and Eliz (last name indecipherable) of Loscoe was baptised. A Mary, daughter of William Carrianton of Loscoe, was baptised in 1727.
I propose that William Carringtons was born in Loscoe and baptised in Heanor in 1724: if not 1724 then I would assume his baptism is one of the illegible or indecipherable entires within those few years. This falls short of absolute documented proof of course, but it makes sense to me.
In any case, if a William Carrington child died in Heanor in 1721 which we do have documented proof of, it further dismisses the case for William having arrived for no discernable reason from Chinley.
In reply to: The Elusive Samuel Housley and Other Family Stories
Jane Eaton
The Nottingham Girl
Jane Eaton 1809-1879
Francis Purdy, the Beggarlea Bulldog and Methodist Minister, married Jane Eaton in 1837 in Nottingham. Jane was his second wife.
Jane Eaton, photo says “Grandma Purdy” on the back:
Jane is described as a “Nottingham girl” in a book excerpt sent to me by Jim Giles, a relation who shares the same 3x great grandparents, Francis and Jane Purdy.
Elizabeth, Francis Purdy’s first wife, died suddenly at chapel in 1836, leaving nine children.
On Christmas day the following year Francis married Jane Eaton at St Peters church in Nottingham. Jane married a Methodist Minister, and didn’t realize she married the bare knuckle fighter she’d seen when she was fourteen until he undressed and she saw his scars.
William Eaton 1767-1851
On the marriage certificate Jane’s father was William Eaton, occupation gardener. Francis’s father was William Purdy, engineer.
On the 1841 census living in Sollory’s Yard, Nottingham St Mary, William Eaton was a 70 year old gardener. It doesn’t say which county he was born in but indicates that it was not Nottinghamshire. Living with him were Mary Eaton, milliner, age 35, Mary Eaton, milliner, 15, and Elizabeth Rhodes age 35, a sempstress (another word for seamstress). The three women were born in Nottinghamshire.
But who was Elizabeth Rhodes?
Elizabeth Eaton was Jane’s older sister, born in 1797 in Nottingham. She married William Rhodes, a private in the 5th Dragoon Guards, in Leeds in October 1815.
I looked for Elizabeth Rhodes on the 1851 census, which stated that she was a widow. I was also trying to determine which William Eaton death was the right one, and found William Eaton was still living with Elizabeth in 1851 at Pilcher Gate in Nottingham, but his name had been entered backwards: Eaton William. I would not have found him on the 1851 census had I searched for Eaton as a last name.
Pilcher Gate gets its strange name from pilchers or fur dealers and was once a very narrow thoroughfare. At the lower end stood a pub called The Windmill – frequented by the notorious robber and murderer Charlie Peace.
This was a lucky find indeed, because William’s place of birth was listed as Grantham, Lincolnshire. There were a couple of other William Eaton’s born at the same time, both near to Nottingham. It was tricky to work out which was the right one, but as it turned out, neither of them were.
Now we had Nottinghamshire and Lincolnshire border straddlers, so the search moved to the Lincolnshire records.
But first, what of the two Mary Eatons living with William?William and his wife Mary had a daughter Mary in 1799 who died in 1801, and another daughter Mary Ann born in 1803. (It was common to name children after a previous infant who had died.) It seems that Mary Ann didn’t marry but had a daughter Mary Eaton born in 1822.
William and his wife Mary also had a son Richard Eaton born in 1801 in Nottingham.
Who was William Eaton’s wife Mary?
There are two possibilities: Mary Cresswell and a marriage in Nottingham in 1797, or Mary Dewey and a marriage at Grantham in 1795. If it’s Mary Cresswell, the first child Elizabeth would have been born just four or five months after the wedding. (This was far from unusual). However, no births in Grantham, or in Nottingham, were recorded for William and Mary in between 1795 and 1797.
We don’t know why William moved from Grantham to Nottingham or when he moved there. According to Dearden’s 1834 Nottingham directory, William Eaton was a “Gardener and Seedsman”.
There was another William Eaton selling turnip seeds in the same part of Nottingham. At first I thought it must be the same William, but apparently not, as that William Eaton is recorded as a victualler, born in Ruddington. The turnip seeds were advertised in 1847 as being obtainable from William Eaton at the Reindeer Inn, Wheeler Gate. Perhaps he was related.
William lived in the Lace Market part of Nottingham. I wondered where a gardener would be working in that part of the city. According to CreativeQuarter website, “in addition to the trades and housing (sometimes under the same roof), there were a number of splendid mansions being built with extensive gardens and orchards. Sadly, these no longer exist as they were gradually demolished to make way for commerce…..The area around St Mary’s continued to develop as an elegant residential district during the seventeenth and eighteenth centuries, with buildings … being built for nobility and rich merchants.”
William Eaton died in Nottingham in September 1851, thankfully after the census was taken recording his place of birth.
In reply to: The Whale’s Diaries Collection
I hope all this social media as they call it stands the test of time because little things like this are priceless and so few and far between, and someday someone wants to know a little thing like this to paint a picture in their mind. I don’t know if this is one of ours as they say but but he was there too and could even have been one of you or another one of me, the possibilities are endless and the charm of the random snippet is boundless.
“The gallery stairs were honeycombed on
each side by old Jonathan Beniston’s spiked
crutches, and although Jonathan could not
read, he considered himself a valuable
addition to the choir, contributing a sort of
drone bass accompaniment to the melodies. after the style of a bagpipe ” chanter.”Here’s another one I want to include in my book:
Mr. Joseph Moss, formerly a framework knitter of Woodhouse Lane, for several years kept a Diary of the principal events and incidents in the locality: a most commendable undertaking. It is much to be regretted that so few attempt anything of the kind, so useful, and always interest- ing. Besides the registration of marriages and funerals, we have notices of storms, removals, accidents, sales, robberies, police captures, festivities, re-openings of churches, and many other matters. His record begins in 1855, ^^d ends in 1881, Mr. Moss was a violinist of some ability, and was in great demand at all rural festivities. He was a good singer, and sang (inter alia) ” The Beggar’s Ramble ” with his own local variations^ in good style, and usually with much eclat. The following are a few extracts from his Diary : —
” — July. Restoration of Horsley Church. New weathercock placed on spire by Charles, son of Mr. Anthony Kerry, the builder, on the 31st. A few days later, the south arches of the nave fell down, bringing with it the roofs of nave and south aisle. The pillar next the tower had been under- mined by the making of a grave, and as soon as the gravestone over it was moved the column began to settle : a loud shout was made, and the workmen had only just time to scamper out of the building before the roof and top windows and all came down.”
In reply to: Twists and One Return From the Time Capsule
“I’ll be right back!” Nora told Will, who was stirring a big bubbling pot on the stove. “Need to wash my hands.”
She had a quick look around the bedroom she’d slept in for her missing phone. Nowhere to be found! Maybe she could find Will’s phone when he went out to feed the donkey, and call her phone to try and locate it. Damn, that wouldn’t work either. Will had said there was no network here. That would explain why her phone stopped working when she was alone in the dark woods.
“Smells delicious!” she said brightly, scraping a chair back across the brick floor and seating herself at the kitchen table.
The home made soup was chock full of vegetables and looked and smelled wonderful, but it had a peculiar acrid aftertaste. Nora tried to ignore it, taking gulps of wine in between each mouthful to eliminate the bitterness. She wished it wasn’t soup in a way, so that she’d be able to surreptitiously palm some of it off onto the dogs that were waiting hopefully under the table. If only Will would leave the room for a minute, but he seemed to be watching her every move.
“Very tasty, but I can’t manage another mouthful, it’s so filling,” she said, but Will looked so offended that she sighed and carried on eating. He topped up her wine glass.
By the time Nora had finished the soup, she felt quite nauseous and stood up quickly to head for the bathroom. The room started to spin and she held on to the edge of the table, but it was no good. The spinning didn’t stop and she crashed to the floor, unconscious.
Smiling with satisfaction, Will stood up and walked around the table to where she lay. Shame he’d had to put her to sleep, really she was quite a nice woman and cute, too, in a funny elfin way. He’d started to like her. Plenty of time to get to know her now, anyway. She wouldn’t be going anywhere for awhile.
He picked her up and carried her to the secret room behind his workshop on the other side of the patio. The walls and floor were thick stone, and there were no windows. He laid her on the bench, locked the door, and went back in the house to fetch blankets and bedding and a pile of books for her to read when she came round. Probably not for a good 24 hours he reckoned, somehow she’d managed to eat all the soup. He would put much less in the next batch, just enough to keep her docile and sleepy.
It would only be for a few days, just long enough for him to find that box and move it to a safer location. He’d been entrusted to make sure the contents of the box were preserved for the people in the future, and he was a man of his word.
If they had listened to him in the first place this would never have happened. Burying a box was a risk: all kinds of possibilities existed for a buried box to be accidentally unearthed. He had suggested encasing the contents inside a concrete statue, but they’d ignored him. Well, now was his chance. He was looking forward to making a new statue.
In reply to: The Precious Life and Rambles of Liz Tattler
“Finnley, stop pacing like that with that concerned look of yours, you make me dizzy. Is that too difficult a task to hire a secretary?”
Finnley rolled her eyes. “Not at all, Madam. I already found you a pearl.”
“You mean the perfect one for me?”
“No I mean, she’s called Pearl. She’ll start tomorrow. What concerns me is something else entirely. Something strange, if you ask me. But you never ask, so I’m telling you.”
“Well, this whole conversation started because I asked you.”
“You asked me because you thought it was related to your previous request.”
“Then tell me and stop brooding. It’s killing the mood.”
Finnley snorted. “If you want to know, someone is throwing things on the balcony. Children things. The other day I found that cheap toy to make soap bubbles. And then it was a small blue children’s plastic sand shovel. And today they dropped a red bucket.”
Liz tried to laugh, but it was more of a cackle. “Isn’t that Godfrey or Roberto playing with you?” she asked.
“I’ve asked Godfrey and I’m positive it’s not him because it’s driving him nut too. We asked Roberto because he’s been attempting to teach tricks to the dogs. A waste of time if you ask me, letting the garden going to the dogs,” she smirked.
“Then, was it Roberto and the dogs?”
“Not at all! We kept an eye on him while he was training the dogs. Nothing. But the objects keep coming. I’m telling you either we have a ghost or a portal to another dimension in this mansion.”
“That sounds like a nice idea,” said Liz, pouting at the possibilities.
“You wouldn’t say that if another you came into this thread.”
In reply to: Seven Twines and the Dragon Heartwoods
Deftly Glynis reached inside the flowing sleeve of her burka and pulled out a small vial of clear liquid she had strapped to her wrist. She pulled off the top and quickly threw the contents over Fox.
“There you go, little Fella,” she said. “Now no-one can see you.”
“Where’d he go, dammit! I saw him come over this way,” shouted a podgy red-faced man, puffing heavily with the unaccustomed exertion. “I’ll teach that little varmint to try and eat my hens! What did you do with him, Witch!?”
Glynis took one of the remaining jars from her table and held it out to the man.
“Give your wife three drops every evening as she sleeps,” she said, trying her best to sound crackly and old. “She will get well after 3 days — you don’t need to sell your hens to pay that doctor any longer. He wasn’t doing her any good.”
“Eh?” said the man in surprise, at the same time taking the jar. “True enough that is, but how did you know?”
“I know many things,” she answered mysteriously. “Now, take your hens home, and I wish you and your good wife all the best.”
“Well, this is remarkable. Thank you very much indeed,” said Fox when the podgy man had gone.
“If you are hungry I have a hard boiled egg and some fruit in my bag. Help yourself.”
“Ha ha!” laughed Fox. “People will think you are talking to the ground.” He was quite delighted with his new invisible status and considering the various possibilities it offered him.
“Now don’t you go taking advantage of any more hens just because you are invisible. It will wear off in about an hour, I think. I haven’t actually tried it on anyone other than myself before … I’ve never thought it ethical to sell the invisibility potion in case someone gets up to no good with it. But I like to keep some handy, just in case. “
Just then the Town Clock chimed.
“I’d best be going now. I have to go before the warden comes to check my permit … I don’t have one but as long as I get away early it is usually okay,” said Glynis. “Now, if you have any problems with the invisibility spell come and see me. I live in the old mansion in the enchanted forest. Do you know your way there?
“I think I can find it,” said Fox. “Thanks again for your assistance.”
Glynis had intended to head directly towards the forest after she left the market, but on impulse took the longer route through the pretty and tree lined Gingko Lane, part of the ‘Old City’. She walked slowly, in part to continue her ruse of being a person of advanced years, and in part because she felt a reluctance to leave the city and return to the solitude of her home.
She pondered the events of the morning as she walked.
The vision … the sandy haired woman on her sick bed, like stick and bone she was, with the doctor of dark intent leaning over her… and then the podgy faced man standing in the hen house and grieving over his hens.
It had been so vivid. And unexpected. So she had acted on it, her heart beating in trepidation though she had spoken with authority to the man.
And it had worked!
It was not the first time Glynis had such a vision. But never in such testing circumstances!
A young man was walking towards her. His face deep in concentrated contemplation, he did not look up.
Fae, thought Glynis, though she was not sure how she knew.
As he passed, Glynis reached out on impulse and touched his arm. He jumped, startled.
“I think this is for you,” she said, handing him her last vial of potion. “Use it when you need it most.”
The young man hesitated, unsure, but taking the vial.
Glynis shook her head, wanting to deflect his questions. She turned quickly away.
Relenting, she stopped and looked directly at him.
“Magic comes from the heart. You will know when to use it.”
