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AuthorSearch Results
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May 10, 2025 at 8:51 am #7923
In reply to: Cofficionados – What’s Brewing
Amy & Carob
☕ Amy Kawanhouse
Directly Stated Visual Traits:
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Hair: Long, light brown
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Eyes: Hazel, often sweaty or affected by heat/rain
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Clothing: Old grey sweatshirt with pushed-up sleeves
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Body: Short and thin, with shapely legs in denim
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Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality
Inferred From Behavior:
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Functional but stylish in a low-maintenance way.
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Comfortable with being dirty or goat-adjacent.
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Probably ties her hair back when annoyed.
☕ Carob Latte
Directly Stated Visual Traits:
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Height: Tall (Amy refers to her as “looming”)
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Hair: Frizzled—possibly curly or electrified, chaotic in texture
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General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)
Inferred From Behavior:
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Movements are languid or deliberately unhurried.
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Likely wears things with big pockets or flowing elements—goat-compatible.
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There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.
April 27, 2025 at 7:40 am #7908In reply to: Cofficionados Bandits (vs Lucid Dreamers)
“Look, don’t get upset, ok?” Amy felt she had to nip this in the bud. “There’s something glaringly wrong with the map. I mean, yes, it does make a nice picture. A very nice picture,” she added, and then stopped. Does it really matter? she asked herself. Am I always causing trouble?
Amy sighed. Would life be easier for everyone if she stopped pointing things out and just went along with things? Was there any stopping it anyway? It’s like a runaway train.
“You were saying?” Ricardo asked.
“Pray, continue,” added Carob with a mischeivous gleam in her eye. She knew where this was leading.
“Who is he?” Amy whispered to Carob. “Well never mind that now, you can tell me later.”
Amy cleared her throat and faced Ricardo (noting that he was dark complexioned and and of medium height and wiry build, dressed in a crumpled off white linen suit and a battered Panama hat, and likely to be of Latino heritage) noticing out of the corner of her eye a smirk on Thiram’s face who was leaning against a tree with his arms folded, looking as if he might start whistling Yankee Doodle any moment.
“According to your map, my good man, nice map that it is, in fact it’s so nice one could make a flag out of it, the colours are great and….” Amy realised she was waffling. She cleared her throat and braced her shoulders, glaring at Carob over her shoulder who had started to titter.
Speak your mind even if your voice shakes, and keep the waffling to a minimum.
“My dear Ricardo,” Amy began again, pushing her long light brown hair out of her sweaty hazel eyes, and pushing the sleeves of her old grey sweatshirt up over her elbows and glancing down at her short thin but shapely denim clad legs. “My dear man, as you can see I’m a slightly underweight middle aged woman eminently capable of trudging up and down coffee growing mountains, with a particular flair for maps, and this map of yours begs a few questions.”
“Coffee beans don’t grow in Florida,” Carob interjected, in an attempt to move the discourse along.
“Nor in Morocco,” added Amy quickly, shooting a grateful glance at Carob.
March 1, 2025 at 8:17 am #7841In reply to: The Last Cruise of Helix 25
Klyutch Base – an Unknown Signal
The flickering green light on the old console pulsed like a heartbeat.
Orrin Holt leaned forward, tapping the screen. A faint signal had appeared on their outdated long-range scanners—coming from the coastline near the Black Sea. He exchanged a glance with Commander Koval, the no-nonsense leader of Klyutch Base.
“That can’t be right,” muttered Janos Varga, Solara’s husband who was managing the coms’ beside him. “We haven’t picked up anything out of the coast in years.”
Koval grunted like an irate bear, then exhaled sharply. “It’s not our priority. We already lost track of the fools we were following at the border. Let them go. If they went south, they’ve got bigger problems.”
Outside, a distant roar sliced through the cold dusk—a deep, guttural sound that rattled the reinforced windows of the command room.
Orrin didn’t flinch. He’d heard it before.
It was the unmistakable cry of a pack of sanglions— лев-кабан lev-kaban as the locals called the monstrous mutated beasts, wild vicious boars as ferocious as rabid lions that roamed Hungary’s wilds— and they were hunting. If the escapees had made their way there, they were as good as dead.
“Can’t waste the fuel chasing ghosts,” Koval grunted.
But Orrin was still watching the blip on the screen. That signal had no right to be there, nothing was left in this region for years.
“Sir,” he said slowly, “I don’t think this is just another lost survivor. This frequency—it’s old. Military-grade. And repeating. Someone wants to be found.”
A beat of silence. Then Koval straightened.
“You better be right Holt. Everyone, gear up.”
Merdhyn – Lazurne Coastal Island — The Signal Tossed into Space
Merdhyn Winstrom wiped the sweat from his brow, his fingers still trembling from the final connection. He’d made a ramshackle workshop out of a crumbling fishing shack on the deserted islet near Lazurne. He wasn’t one to pay too much notice to the mess or anythings so pedestrian —even as the smell of rusted metal and stale rations had started to overpower the one of sea salt and fish guts.
The beacon’s old circuitry had been a nightmare, but the moment the final wire sparked to life, he had known that the old tech had awoken: it worked.
The moment it worked, for the first time in decades, the ancient transponder from the crashed Helix 57 lifeboat had sent a signal into the void.
If someone was still out there, something was bound to hear it… it was a matter of time, but he had the intuition that he may even get an answer back.
Tuppence, the chatty rat had returned on his shoulder to nestle in the folds of his makeshift keffieh, but squeaked in protest as the old man let out a half-crazed, victorious laugh.
“Oh, don’t give me that look, you miserable blighter. We just opened the bloody door.”
Beyond the broken window, the coastline stretched into the grey horizon. But now… he wasn’t alone.
A sharp, rhythmic thud-thud-thud in the distance.
Helicopters.
He stepped outside, the biting wind lashing at his face, and watched the dark shapes appear on the horizon—figures moving through the low mist.
Armed. Military-like.
The men from the nearby Klyutch Base had found him.
Merdhyn grinned, utterly unfazed by their weapons or the silent threat in their stance. He lifted his trembling, grease-stained hands and pointed back toward the wreckage of Helix 57 behind him.
“Well then,” he called, voice almost cheerful, “reckon you lot might have the spare parts I need.”
The soldiers hesitated. Their weapons didn’t lower.
Merdhyn, however, was already walking toward them, rambling as if they’d asked him the most natural of questions.
“See, it’s been a right nightmare. Power couplings were fried. Comms were dead. And don’t get me started on the damn heat regulators. But you lot? You might just be the final missing piece.”
Commander Koval stepped forward, assessing the grizzled old man with the gleam of a genuine mad genius in his eyes.
Orrin Holt, however, wasn’t looking at the wreck.
His eyes were on the beacon.
It was still pulsing, but its pulse had changed — something had been answering back.
February 14, 2025 at 10:02 am #7780In reply to: The Last Cruise of Helix 25
Orrin Holt gripped the wheel of the battered truck, his knuckles white as the vehicle rumbled over the dry, cracked road. The leather wrap was a patchwork of smooth and worn, stichted together from whatever scraps they had—much like the quilts his mother used to make before her hands gave out. The main road was a useless, unpredictable mess of asphalt gravels and sinkholes. Years of war with Russia, then the collapse, left it to rot before anyone could fix it. Orrin stuck to the dirt path beside it. That was the only safe way through. The engine coughed but held. A miracle, considering how many times it had been patched together.
The cargo in the back was too important for a breakdown now. Medical supplies—antibiotics, painkillers, and a few salvaged vials of something even rarer. They’d traded well for it, risking much. Now he had to get it back to Base Klyutch (Ukrainian word for Key) without incident. If he continued like that he could make it before noon.
Still, something bothered him. That group of people he’d seen.
They had been barely more than silhouettes on top of a hill. Strangers, a rarity in these times. His first instinct had been to stop and evaluate who they were. But his instructions let room for no delay. So, he’d pushed forward and ignored them. The world wasn’t kind to the wandering. But they hadn’t looked like raiders or scavengers. Lost, perhaps. Or searching.
The truck lurched forward as he pushed it harder. The fences of the base rose in the distance, grey and wiry against the blue sky. Base Klyutch was a former military complex, fortified over the years with scavenged materials, steel sheets, and watchtowers. It wasn’t perfect, but it kept them alive.
As he rolled up to the main gate, the sentries swung the barricade open. Before he could fully cut the engine, a woman wearing a pristine white lab coat stepped forward, her sharp eyes scanning the truck’s cargo bed. Dr. Yelena Markova, the camp’s chief doctor, a former nurse who had to step up when the older one died in a raid on their camp three years ago. Stern-faced and wiry, with a perpetual air of exhaustion, she moved with the efficiency of someone who had long stopped hoping for ease. She had been waiting for this delivery.
“Finally,” she murmured, motioning for her assistants to start unloading. “We were running low. This will keep us going for a while.”
Orrin barely had time to nod before Dmytro Koval, the de facto leader of the base, strode toward him with the gait of a tall bear. His face seemed to have been carved out by a dulled blade, hardened by years of survival. A scar barred his mouth, pulling slightly at the corner when he spoke, giving the impression of a permanent sneer.
“Did you get it?” Koval asked, voice low.
Orrin reached into his kaki jacket and pulled out a sealed letter, along with a small package.
Koval took both, his expression unreadable. “Anything on the road?”
Orrin exhaled and adjusted his stance. “Saw something on the way back. A group, about a dozen, on a hill ten kilometers out. They seemed lost.”
“Armed?” asked Koval with a frown.
“Can’t say for sure.”
Dr. Markova straightened. “Lost? Unarmed? Out in the open like that, they won’t last long with Sokolov’s gang roaming the land. We have to go take them in.”
Koval grimaced. “Or they’re Sokolov’s spies. Trying to infiltrate us and find a weakness in our defenses. You know how it works.”
Before Koval could argue, a new voice cut in. “Or they could just be people.”
Solara Ortega had stepped into the conversation, brushing dirt from her overalls. A woman of lean strength, with the tan of someone spending long hours outside. Her sharp amber eyes carried the weight of someone who had survived too much but refused to be hardened by it. Orrin shoved down a mix of joy and ache at her sight. Her voice was calm but firm. “We can’t always assume the worst. We need more hands and we don’t leave people to die if we can help it. And in case you forgot, Koval, you don’t make all the decisions around here. I say we send a team to assess them.”
Koval narrowed his eyes, but he held his tongue. There was tension between them, but the council wasn’t a dictatorship.
“Fine,” Koval said after a moment, his jaw tense. “A team of two. They scout first. No direct contact until we’re sure. Orrin, you one of them take whoever wants to accompany you, but not one of my men. We need to maintain tight security.”
Dr. Markova sighed with relief when the man left. “If he wasn’t good at what he does, I would gladly kick him out of our camp.”
Solara, her face framed by strands of dark hair, shot a glance at Orrin. “I’m coming with you.”
This time, Orrin couldn’t repress a longing for a time before everything fell apart, when she had been his wife. The collapse had torn them apart in an instant, and by the time he found her again, years later, she had built a new life within the base in Ukraine. She had a husband now, one of the scientists managing the radio equipment, and two children. Orrin kept his expression neutral, but the weight of time pressed heavy on him.
“Then let’s get on the move. They might not stay there long.”
December 19, 2024 at 7:59 pm #7700In reply to: Quintessence: Reversing the Fifth
Elara — December 2021
Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.
It’s because I can’t go out and buy any, she told herself, I hate tinsel.
It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.
The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.
The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.
England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops, populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens. Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.
When the lockdown happened, instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.
The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.
Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone. The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.
If only I had some tinsel though.
December 7, 2024 at 10:48 pm #7654In reply to: Quintessence: Reversing the Fifth
The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.
Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph. The white bull.
Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways. Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods. She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.
Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him. Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.
You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.
They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees. Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.
Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.
Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours.
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.
Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that. So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it? Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.
December 2, 2024 at 8:16 am #7632In reply to: Quintessence: Reversing the Fifth
It was a wonder that the letter had reached her at the guest house, the post being so slow and unreliable these days. It didn’t give Elara much time to plan the trip, but it was enough ~ just. If it hadn’t been so easy to get to Paris from Dover she’d probably have said she couldn’t make it. The study could wait while she took a few days off, progress had been made on the project, more than expected. The additional properties of the chalk at Samphire Hoe were exciting, but would need much more work.
I’m supposed to be retired, Elara reminded herself, wondering how she’d allowed herself to get roped in to another field trip. A few weeks back in England, all expense paid, had swayed her, but the weeks were turning into months.
Looking at the envelope again, Elara wondered what the stain was. It didn’t look like paint. Tempted to run it through some tests at the lab, she realised she didn’t have time. She had to book tickets and pack a few things, and send a message to Florian to thank him for forwarding the letter. I wonder why he didn’t just tell me about the letter in a message? she wondered. I’d have suggested he open it and tell me what it said. And how unusual to send an actual paper letter! It was partly this intriguing point that was making her determined to go and see what it was all about.
But you know what Lucien is like, she reminded herself, wondering if he was still the same. Five years wasn’t long, but it was relative. The past five years had flown by, but a lot had happened. But have I changed? A few more wrinkles, grey hairs more prolific, arthritic hips a little more troublesome…. and my interests have changed…
Elara wasn’t sure if she had changed more than she had stayed fundamentally the same. Mutatur autem idem, vel in diversum…..
December 1, 2024 at 8:26 pm #7628In reply to: Quintessence: Reversing the Fifth
The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.
She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.
Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey. She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.
At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.
Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.
Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.
Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.
The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.
By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.
December 1, 2024 at 5:44 pm #7623In reply to: Quintessence: Reversing the Fifth
At the Café
The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.
Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.
The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.
“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.
“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.
Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”
“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”
She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.
The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.
“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.
“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.
Lucien snorted. “Still paying for strangers’ stories, I see.”
“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.
The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.
“You’re late,” Darius said, but his voice carried no accusation.
“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”
Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”
“Not all of us live in Paris,” Elara said, with a glance at Lucien.
“Only some of us make better life choices,” Lucien replied dryly.
The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.
October 29, 2024 at 7:54 am #7575In reply to: The Incense of the Quadrivium’s Mystiques
“Why are you grunting like that Chantelle”, Maurice asked, “Are you in pain?”
Laughing, she replied that she was only grunting out of politeness because the woman in the future expected it. “I don’t think they’re very bright, to be honest. You should see the postcards she sends, everywhere looks weird. Hardly any trees or animals, but all cluttered with strange lumps of grey. And their writing has no sound, not like ours. I’m struggling to decipher the messages”
Maurice leaned his best spear up against the cave wall. “Here, I brought you some nice feathers for your hair.” He wasn’t sure what to make of Chantelle’s invisible friend, and rather wished she’d drop it and do some more painting on the walls.
“Ooh, how pretty! Glad you didn’t bring any more shellfish home, I’m absolutely stuffed on shellfish.”
June 18, 2024 at 8:51 am #7500In reply to: The Incense of the Quadrivium’s Mystiques
At the end of the undertakers’ speech, conversations surged, drowning out the 14th-century organ music. Mother Lorena, who seemed to have taken the expression lines to a deeper level, gave imperative angry looks at her nuns who swiftly moved to meet with the witches.
“Hold your beath,” said Eris to Jeezel. “That Mr ash blond hair is coming for you.”
“Sh*t! I don’t have time for that,” said Jeezel looking at the striking young man. Meticulously styled to perfection and a penchant for tailored suits, she knew that kind of dandy, they were more difficult to get rid of than an army of orange slugs after a storm. She stole a champagne flute from Bartolo’s silver tray and flitted with a graceful nonchalance towards the buffet.
“Hi Jeezel! I’m sister Maria. You’re so beautiful,” said a joyful voice. “You want some canapés? I made them myself.”
Jeezel turned and almost moved her hand to her mouth. A young woman wearing the austere yet elegant black habit of the Roman Catholic Church was handing her a plate full of potted meat and pickles toasts. She had chameleon eyes busy looking everywhere except to what was in front of her. The white wimple covering her red hair seemed totally out of place and her face made the strangest contortions as she obviously was trying not to smile.
“Hi, I’m… Jeezel. But you already know that,” she said. The young woman nodded too earnestly and Jeezel suddenly became aware the nuns certainly had files about her and the other witches like the ones Truella gave them. She looked at the greasy canapés and refused politely. She just had time to notice a crimson silk handkerchief in a breast pocket and a flash of ash blond hair closing in.
“Oh! I’m sorry. I just remember, I have to go speak to my friend over there,” Jeezel said noticing Truella with a nun in a Buddhist outfit.
She left the redhead nun with a laugh that twinkled like stardust.
Truella’s friend didn’t seem too happy to have Jeezel barging in on their conversation. She said she was called sister Ananda. Her stained glass painted face didn’t seem to fit her saffron bhikkunis. And the oddest thing was she dominated the conversation, mostly about the diversity of mushrooms she’d been cultivating in the shade of old cellars buried deep in the cloister’s underground tunnels. Truella was sipping her soda, and nodding occasionally. But from what Jeezel could observe, the witch was busy keeping an eye on that tall, dark mortician who certainly looked suspicious.
Young sister Maria hadn’t given up. She joined the conversation with a tray full of what looked like green and pink samosas. Jeezel started to feel like a doe hunted by a pack of relentless beagles.
“You need to try those! Sister Ananda made them for you,” said the young Nun. Her colourful lips showed she had just tasted a few of them.
“At last,” said Garrett with a voice too deep for such a young handsome face, “you’re as difficult to catch as moonlight on the water. Elusive, mesmerizing, and always just out of reach. One moment you’re dazzling us all with your brillance, the next…”
“As usual, you speak too much, Garrett,” said Silas, the oldest of the morticians who just joined the group. The old man’s voice was commanding and his poise projecting an air of unwavering confidence. He had neatly trimmed grey hair and piercing hazel eyes that seem to see right through to the heart of any matter. “May we talk for a moment, dear Jeezel? I think we have some things to discuss.”
“Do we?” she asked, a shiver going up her spine. Her voice sounded uncertain and her heart started beating faster. Did he know about the sacred relic she was looking for? Was he going to ask her on a date too?
“The ritual, dear. The ritual we have to perform together tonight.”
“Oh! Yes, the ritual,” she sighed with relief.
Silas took her hand and they left the group just as Truella was asking a Garrett: “Won’t Rufus join us?”
“I don’t think so,” he answered coldly. But his eyes were full of passion and his heart full of envy as he watched Jeezel walk away with his mentor in a secluded lounge.
June 16, 2024 at 10:30 pm #7486In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
The Morticians Guild:
Nemo Tenebris, and let me tell ya, he’s a character straight out of one of those dark romance novels. Tall, brooding, with tousled hair somewhere between charcoal and mahogany, he’s got that rugged charm that makes even the bravest witches’ hearts skip a beat. His hands are like an artist’s, always deliberate and precise, whether he’s handling ancient texts or, well, more corporeal tasks. His personality? Think intense and enigmatic, with occasional bursts of biting humor. He’s the type who’ll share a grim tale and then light the room with a grin that makes you question your reality. Don’t underestimate him – he’s a master of necromancy and has an uncanny sensitivity to life’s deepest mysteries.
Silas Gravewalker. An older gent, he looks as though he’s always expecting a foggy night – grey cloak, even greyer hair, and eyes the color of storm clouds. His demeanor is gentle but don’t mistake it for weakness. He’s the wise old guardian of the Guild, carrying centuries of rituals, chants, and incantations within him. Silas is a remarkable blend of grandfatherly wisdom and hidden strength, and he’s a calming presence in the midst of chaos. His sense of humor is dryer than the Outback in summer, subtle yet striking at just the right moments. When Silas speaks, you listen, because his words are often tinged with layers of arcane meaning.
Rufus Blackwood: Enter Rufus Blackwood, the stoic guardian of the guild. He’s tall and broad-shouldered, with a presence that commands both respect and a shiver down the spine. His hair is a dusty shade of midnight black, streaked with the occasional silver – probably from the weight of the secrets he carries. His eyes are a pale grey, like the fog rolling off a moor, always scanning, always measuring. He’s perpetually clad in a long, leather duster coat that sweeps the floor as he glides across the room.
Personality-wise, Rufus is the strong, silent type, but when he speaks, it feels like ancient tombs whispering forgotten wisdom. He’s got a dry humor that surfaces in the most unexpected moments, like a ray of moonlight in a pitch-black night. He’s fiercely protective of his coven and guildmates, and there’s a sense of old-world honor about him. Underneath that granite exterior is a surprisingly tender heart that only a select few have glimpsed.
Garrett Ashford: Now, Garrett Ashford, he’s a bit of a dandy, as far as morticians go. Picture a man of average height but with presence larger than life. His hair is a striking ash blonde, always perfectly coiffed, and his attire is meticulously sharp – tailored suits, often in dark, rich fabrics with just a hint of eccentricity, like a red silk handkerchief or a silver pocket watch. His eyes are a sharp, pale blue, twinkling with a touch of playful mischief.
Garrett’s got a personality as polished as his appearance. He’s charismatic, with a knack for easing tensions with a well-timed joke or a charming smile. Though he might come off as a bit of a showman, make no mistake – Garrett’s got depth and a sharp mind. He’s a skilled embalmer and incantation master, knowing just the right touch to handle even the most delicate of cases. His flair for the dramatic doesn’t overshadow his competence; it complements it. He’s the kind of bloke who can discuss the darkest of topics with a light-hearted grace, making him a bit of a paradox but undeniably captivating.
June 12, 2024 at 6:29 am #7468In reply to: The Incense of the Quadrivium’s Mystiques
At least the weather was nice in Brussels. The trip to the International Witch Bank of Grungebotts, in the quarters of Ravenstein was luckily a day trip this time, rather these week-long offsite workshops they’d been submitted to in the previous months.
It had not taken long to Austreberthe to send some of the Quadrivium witches to do her errands.
Eris was summoned in the wee hours of the day, in order to do a check-in with the bankers. The state of finances of the Quadrivium had been under scrutiny already at the time of Malové, but probably even more now during this power vacuum period.
Austreberthe had insisted Eris could be there to join with a few of the Witches of Compliance who would handle most of the discussion, while she would present the business side of their last ventures. Apparently Malové had only hinted at the secret missions she’d given some of the witches, without sharing any detail to her head of Finance.
Malové was apparently very used to these exchanges with the bankers, having struggled for a while to keep the Incense venture afloat. The presentation had been very expertly put together, and Eris for her part was mostly here to embody the seriousness and practicality of the business; in truth the bankers themselves, some greying end-of-career wizards, were obviously just here to do their job, and not eager to find fault that would require a more heavy-handed audit approach.
Within two hours of confident presentation, soft discussions on the state of international witches and wizard affairs, the political state in the union, and the incoming Worldwide Roman Games, with the help of a few madeleines dipped in black coffee, it was quickly done.
“How did it go?” Austreberthe anxious message was already flashing imperiously on her device as she boarded the return magical train. Eris distractly showed her ticket to the lady controller with the red lavallière and the strangest red octopus brooch, while struggling to answer.
She was too tired to overthink it. She tapped in quick taps the answer “All good for now. We should be in the clear until the next one.” and reclined back to get some needed rest.
June 4, 2024 at 9:31 pm #7448In reply to: The Incense of the Quadrivium’s Mystiques
I didn’t know whether to be irritated or relieved when Frella started writing her own holiday diary entries, after asking me to write them. I’d already got the next one planned, and was looking forward to the scenery in Madeira, and here we were in Ireland again. Grey day, too. I was hoping to give her the holiday of a lifetime in my next book, The Frolics of Frivolous Frella.
I think I’ll take one day at a time and see what she comes up with next.
January 16, 2024 at 9:30 pm #7294In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
February 22, 2023 at 8:47 pm #6625In reply to: The Chronicles of the Flying Fish Inn
I had an idea to take them breakfast in bed but I overslept. Especially the big muscley one with the dark glowering looks, I tell you, ooof! Haven’t seen men like that around here in I don’t know how long. The cheeky looking blond one looked a bit of alright too. Bit too young for me though. Well, no, not too young for me at all, just that I reckon I look way too old for them. Nice to see some new faces about the place. Nice gals, too. Seems to be a bit of life coming back to the old place, and there’ll be a bunch of people coming in for the cart and lager race. I think I might dye my roots, get rid of the grey. Hot pink maybe, do a few dreads to match, brighten myself up.
January 31, 2023 at 11:58 am #6478In reply to: Orbs of Madjourneys
“One of them’s arriving early!” Aunt Idle told Mater who had just come swanning into the kitchen with her long grey hair neatly plaited and tied with a red velvet bow. Ridiculous being so particular about her hair at her age, Idle thought, whose own hair was an untidy and non too clean looking tangle of long dreadlocks with faded multicolour dyes growing out from her grey scalp. “Bert’s going to pick her up at seven.”
“You better get a move on then, the verandah needs sweeping and the dining room needs dusting. Are the bedrooms ready yet?” Mater replied, patting her hair and pulling her cardigan down neatly.
“Plenty of time, no need to worry!” Idle said, looking worried. “What on earth was that?” Something bright caught her eye through the kitchen window.
“Never mind that, make a start on the cleaning!” Mater said with a loud tut and an eye roll. Always getting distracted, that one, never finishes a job before she’s off sidetracking. Mater gave her hair another satisfied pat, and put two slices of bread in the toaster.
But Aunt Idle had gone outside to investigate. A minute or two later she returned, saying “You’ll never guess what, there’s a tame red parrot sitting on the porch table. And it talks!”
“So you’re planning to spend the day talking to a parrot, and leave me to do all the dusting, is that it?” Mater said, spreading honey on her toast.
November 13, 2022 at 10:29 pm #6345In reply to: Family Stories From The Other Side ~ Book Two
Crime and Punishment in Tetbury
I noticed that there were quite a number of Brownings of Tetbury in the newspaper archives involved in criminal activities while doing a routine newspaper search to supplement the information in the usual ancestry records. I expanded the tree to include cousins, and offsping of cousins, in order to work out who was who and how, if at all, these individuals related to our Browning family.
I was expecting to find some of our Brownings involved in the Swing Riots in Tetbury in 1830, but did not. Most of our Brownings (including cousins) were stone masons. Most of the rioters in 1830 were agricultural labourers.
The Browning crimes are varied, and by todays standards, not for the most part terribly serious ~ you would be unlikely to receive a sentence of hard labour for being found in an outhouse with the intent to commit an unlawful act nowadays, or for being drunk.
The central character in this chapter is Isaac Browning (my 4x great grandfather), who did not appear in any criminal registers, but the following individuals can be identified in the family structure through their relationship to him.
RICHARD LOCK BROWNING born in 1853 was Isaac’s grandson, his son George’s son. Richard was a mason. In 1879 he and Henry Browning of the same age were sentenced to one month hard labour for stealing two pigeons in Tetbury. Henry Browning was Isaac’s nephews son.
In 1883 Richard Browning, mason of Tetbury, was charged with obtaining food and lodging under false pretences, but was found not guilty and acquitted.
In 1884 Richard Browning, mason of Tetbury, was sentenced to one month hard labour for game trespass.Richard had been fined a number of times in Tetbury:
Richard Lock Browning was five feet eight inches tall, dark hair, grey eyes, an oval face and a dark complexion. He had two cuts on the back of his head (in February 1879) and a scar on his right eyebrow.
HENRY BROWNING, who was stealing pigeons with Richard Lock Browning in 1879, (Isaac’s brother Williams grandson, son of George Browning and his wife Charity) was charged with being drunk in 1882 and ordered to pay a fine of one shilling and costs of fourteen shillings, or seven days hard labour.
Henry was found guilty of gaming in the highway at Tetbury in 1872 and was sentenced to seven days hard labour. In 1882 Henry (who was also a mason) was charged with assault but discharged.
Henry was five feet five inches tall, brown hair and brown eyes, a long visage and a fresh complexion.
Henry emigrated with his daughter to Canada in 1913, and died in Vancouver in 1919.THOMAS BUCKINGHAM 1808-1846 (Isaacs daughter Janes husband) was charged with stealing a black gelding in Tetbury in 1838. No true bill. (A “no true bill” means the jury did not find probable cause to continue a case.)
Thomas did however neglect to pay his taxes in 1832:
LEWIN BUCKINGHAM (grandson of Isaac, his daughter Jane’s son) was found guilty in 1846 stealing two fowls in Tetbury when he was sixteen years old.
In 1846 he was sentence to one month hard labour (or pay ten shillings fine and ten shillings costs) for loitering with the intent to trespass in search of conies.
A year later in 1847, he and three other young men were sentenced to four months hard labour for larceny.
Lewin was five feet three inches tall, with brown hair and brown eyes, long visage, sallow complexion, and had a scar on his left arm.JOHN BUCKINGHAM born circa 1832, a Tetbury labourer (Isaac’s grandson, Lewin’s brother) was sentenced to six weeks hard labour for larceny in 1855 for stealing a duck in Cirencester. The notes on the register mention that he had been employed by Mr LOCK, Angel Inn. (John’s grandmother was Mary Lock so this is likely a relative).
The previous year in 1854 John was sentenced to one month or a one pound fine for assaulting and beating W. Wood.
John was five feet eight and three quarter inches tall, light brown hair and grey eyes, an oval visage and a fresh complexion. He had a scar on his left arm and inside his right knee.JOSEPH PERRET was born circa 1831 and he was a Tetbury labourer. (He was Isaac’s granddaughter Charlotte Buckingham’s husband)
In 1855 he assaulted William Wood and was sentenced to one month or a two pound ten shilling fine. Was it the same W Wood that his wifes cousin John assaulted the year before?
In 1869 Joseph was sentenced to one month hard labour for feloniously receiving a cupboard known to be stolen.JAMES BUCKINGAM born circa 1822 in Tetbury was a shoemaker. (Isaac’s nephew, his sister Hannah’s son)
In 1854 the Tetbury shoemaker was sentenced to four months hard labour for stealing 30 lbs of lead off someones house.
In 1856 the Tetbury shoemaker received two months hard labour or pay £2 fine and 12 s costs for being found in pursuit of game.
In 1868 he was sentenced to two months hard labour for stealing a gander. A unspecified previous conviction is noted.
1871 the Tetbury shoemaker was found in an outhouse for an unlawful purpose and received ten days hard labour. The register notes that his sister is Mrs Cook, the Green, Tetbury. (James sister Prudence married Thomas Cook)
James sister Charlotte married a shoemaker and moved to UTAH.
James was five feet eight inches tall, dark hair and blue eyes, a long visage and a florid complexion. He had a scar on his forehead and a mole on the right side of his neck and abdomen, and a scar on the right knee.November 4, 2022 at 2:19 pm #6342In reply to: Family Stories From The Other Side ~ Book Two
Brownings of Tetbury
Isaac Browning (1784-1848) married Mary Lock (1787-1870) in Tetbury in 1806. Both of them were born in Tetbury, Gloucestershire. Isaac was a stone mason. Between 1807 and 1832 they baptised fourteen children in Tetbury, and on 8 Nov 1829 Isaac and Mary baptised five daughters all on the same day.
I considered that they may have been quintuplets, with only the last born surviving, which would have answered my question about the name of the house La Quinta in Broadway, the home of Eliza Browning and Thomas Stokes son Fred. However, the other four daughters were found in various records and they were not all born the same year. (So I still don’t know why the house in Broadway had such an unusual name).
Their son George was born and baptised in 1827, but Louisa born 1821, Susan born 1822, Hesther born 1823 and Mary born 1826, were not baptised until 1829 along with Charlotte born in 1828. (These birth dates are guesswork based on the age on later censuses.) Perhaps George was baptised promptly because he was sickly and not expected to survive. Isaac and Mary had a son George born in 1814 who died in 1823. Presumably the five girls were healthy and could wait to be done as a job lot on the same day later.
Eliza Browning (1814-1886), my great great great grandmother, had a baby six years before she married Thomas Stokes. Her name was Ellen Harding Browning, which suggests that her fathers name was Harding. On the 1841 census seven year old Ellen was living with her grandfather Isaac Browning in Tetbury. Ellen Harding Browning married William Dee in Tetbury in 1857, and they moved to Western Australia.
Ellen Harding Browning Dee: (photo found on ancestry website)
OBITUARY. MRS. ELLEN DEE.
A very old and respected resident of Dongarra, in the person of Mrs. Ellen Dee, passed peacefully away on Sept. 27, at the advanced age of 74 years.The deceased had been ailing for some time, but was about and actively employed until Wednesday, Sept. 20, whenn she was heard groaning by some neighbours, who immediately entered her place and found her lying beside the fireplace. Tho deceased had been to bed over night, and had evidently been in the act of lighting thc fire, when she had a seizure. For some hours she was conscious, but had lost the power of speech, and later on became unconscious, in which state she remained until her death.
The deceased was born in Gloucestershire, England, in 1833, was married to William Dee in Tetbury Church 23 years later. Within a month she left England with her husband for Western Australian in the ship City oí Bristol. She resided in Fremantle for six months, then in Greenough for a short time, and afterwards (for 42 years) in Dongarra. She was, therefore, a colonist of about 51 years. She had a family of four girls and three boys, and five of her children survive her, also 35 grandchildren, and eight great grandchildren. She was very highly respected, and her sudden collapse came as a great shock to many.
Eliza married Thomas Stokes (1816-1885) in September 1840 in Hempstead, Gloucestershire. On the 1841 census, Eliza and her mother Mary Browning (nee Lock) were staying with Thomas Lock and family in Cirencester. Strangely, Thomas Stokes has not been found thus far on the 1841 census, and Thomas and Eliza’s first child William James Stokes birth was registered in Witham, in Essex, on the 6th of September 1841.
I don’t know why William James was born in Witham, or where Thomas was at the time of the census in 1841. One possibility is that as Thomas Stokes did a considerable amount of work with circus waggons, circus shooting galleries and so on as a journeyman carpenter initially and then later wheelwright, perhaps he was working with a traveling circus at the time.
But back to the Brownings ~ more on William James Stokes to follow.
One of Isaac and Mary’s fourteen children died in infancy: Ann was baptised and died in 1811. Two of their children died at nine years old: the first George, and Mary who died in 1835. Matilda was 21 years old when she died in 1844.
Jane Browning (1808-) married Thomas Buckingham in 1830 in Tetbury. In August 1838 Thomas was charged with feloniously stealing a black gelding.
Susan Browning (1822-1879) married William Cleaver in November 1844 in Tetbury. Oddly thereafter they use the name Bowman on the census. On the 1851 census Mary Browning (Susan’s mother), widow, has grandson George Bowman born in 1844 living with her. The confusion with the Bowman and Cleaver names was clarified upon finding the criminal registers:
30 January 1834. Offender: William Cleaver alias Bowman, Richard Bunting alias Barnfield and Jeremiah Cox, labourers of Tetbury. Crime: Stealing part of a dead fence from a rick barton in Tetbury, the property of Robert Tanner, farmer.
And again in 1836:
29 March 1836 Bowman, William alias Cleaver, of Tetbury, labourer age 18; 5’2.5” tall, brown hair, grey eyes, round visage with fresh complexion; several moles on left cheek, mole on right breast. Charged on the oath of Ann Washbourn & others that on the morning of the 31 March at Tetbury feloniously stolen a lead spout affixed to the dwelling of the said Ann Washbourn, her property. Found guilty 31 March 1836; Sentenced to 6 months.
On the 1851 census Susan Bowman was a servant living in at a large drapery shop in Cheltenham. She was listed as 29 years old, married and born in Tetbury, so although it was unusual for a married woman not to be living with her husband, (or her son for that matter, who was living with his grandmother Mary Browning), perhaps her husband William Bowman alias Cleaver was in trouble again. By 1861 they are both living together in Tetbury: William was a plasterer, and they had three year old Isaac and Thomas, one year old. In 1871 William was still a plasterer in Tetbury, living with wife Susan, and sons Isaac and Thomas. Interestingly, a William Cleaver is living next door but one!
Susan was 56 when she died in Tetbury in 1879.
Three of the Browning daughters went to London.
Louisa Browning (1821-1873) married Robert Claxton, coachman, in 1848 in Bryanston Square, Westminster, London. Ester Browning was a witness.
Ester Browning (1823-1893)(or Hester) married Charles Hudson Sealey, cabinet maker, in Bethnal Green, London, in 1854. Charles was born in Tetbury. Charlotte Browning was a witness.
Charlotte Browning (1828-1867?) was admitted to St Marylebone workhouse in London for “parturition”, or childbirth, in 1860. She was 33 years old. A birth was registered for a Charlotte Browning, no mothers maiden name listed, in 1860 in Marylebone. A death was registered in Camden, buried in Marylebone, for a Charlotte Browning in 1867 but no age was recorded. As the age and parents were usually recorded for a childs death, I assume this was Charlotte the mother.
I found Charlotte on the 1851 census by chance while researching her mother Mary Lock’s siblings. Hesther Lock married Lewin Chandler, and they were living in Stepney, London. Charlotte is listed as a neice. Although Browning is mistranscribed as Broomey, the original page says Browning. Another mistranscription on this record is Hesthers birthplace which is transcribed as Yorkshire. The original image shows Gloucestershire.
Isaac and Mary’s first son was John Browning (1807-1860). John married Hannah Coates in 1834. John’s brother Charles Browning (1819-1853) married Eliza Coates in 1842. Perhaps they were sisters. On the 1861 census Hannah Browning, John’s wife, was a visitor in the Harding household in a village called Coates near Tetbury. Thomas Harding born in 1801 was the head of the household. Perhaps he was the father of Ellen Harding Browning.
George Browning (1828-1870) married Louisa Gainey in Tetbury, and died in Tetbury at the age of 42. Their son Richard Lock Browning, a 32 year old mason, was sentenced to one month hard labour for game tresspass in Tetbury in 1884.
Isaac Browning (1832-1857) was the youngest son of Isaac and Mary. He was just 25 years old when he died in Tetbury.
July 12, 2022 at 8:30 am #6319In reply to: The Sexy Wooden Leg
“Calm yourself, Egbert, and sit down. And be quiet! I can barely hear myself think with your frantic gibbering and flailing around,” Olga said, closing her eyes. “I need to think.”
Egbert clutched the eiderdown on either side of his bony trembling knees and clamped his remaining teeth together, drawing ragged whistling breaths in an attempt to calm himself. Olga was right, he needed to calm down. Besides the unfortunate effects of the letter on his habitual tremor, he felt sure his blood pressure had risen alarmingly. He dared not become so ill that he needed medical assistance, not with the state of the hospitals these days. He’d be lucky to survive the plague ridden wards.
What had become of him! He imagined his younger self looking on with horror, appalled at his feeble body and shattered mind. Imagine becoming so desperate that he wanted to fight to stay in this godforsaken dump, what had become of him! If only he knew of somewhere else to go, somewhere safe and pleasant, somewhere that smelled sweetly of meadows and honesuckle and freshly baked cherry pies, with the snorting of pigs in the yard…
But wait, that was Olga snoring. Useless old bag had fallen asleep! For the first time since Viktor had died he felt close to tears. What a sad sorry pathetic old man he’d become, desperately counting on a old woman to save him.
“Stop sniveling, Egbert, and go and pack a bag.” Olga had woken up from her momentary but illuminating lapse. “Don’t bring too much, we may have much walking to do. I hear the buses and trains are in a shambles and full of refugees. We don’t want to get herded up with them.”
Astonished, Egbert asked where they were going.
“To see Rosa. My cousins father in laws neice. Don’t look at me like that, immediate family are seldom the ones who help. The distant ones are another matter. And be honest Egbert,” Olga said with a piercing look, “Do we really want to stay here? You may think you do, but it’s the fear of change, that’s all. Change feels like too much bother, doesn’t it?”
Egbert nodded sadly, his eyes fixed on the stain on the grey carpet.
Olga leaned forward and took his hand gently. “Egbert, look at me.” He raised his head and looked into her eyes. He’d never seen a sparkle in her faded blue eyes before. “I still have another adventure in me. How about you?”
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