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Matteo — December 1st 2023: the Advent Visit

(near Avignon, France)

The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

“Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

“It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

Matteo’s chest tightened. “You’ve never told me much about him.”

“There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

“Why didn’t you give it to me before?” he asked, his voice quiet.

“I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

“Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

“Do you remember our house in Crest?” she asked.

Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

“It was a good idea,” Matteo said. “It just… didn’t happen.”

“No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

“Patron saint of travellers”, that felt like a sign, if not a blessing.

Matteo — Winter 2023: The Move

The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

The sound of the doorbell brought him back from his rêverie.

Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

“That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

“They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

“Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

“Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

“Special how?” her mother asked lightly.

“It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

“Why you want to keep those?” Amei asked, tilting her head.

Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

“It’s different, isn’t it?” she said suddenly, not looking at him.

“Moving?” Matteo asked, unsure if the question was for him.

“Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

“Do you know where I can find absinthe?” he asked, the question more instinct than intent.

Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

Darius: The Call Home

South of France: Early 2023

Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.

The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.

“Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.

The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.

“I’ve got some things in the works,” he’d say, avoiding their eyes.

But the truth was, he didn’t.

It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”

The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.

 

When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.

“Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”

Arrival in Guadeloupe

The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.

“You look thin,” she said, her tone clipped. “Let’s get you fed.”

The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.

“You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”

He nodded, too tired to argue.

The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.

“Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”

Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.

Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.

A Turning Point

One morning, as the sun rose over the fields, his aunt handed him a machete.

“Today, you clear,” she said.

He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.

With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.

By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.

As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.

“You’re starting to see it, aren’t you?” she said.

“See what?”

“That life isn’t just what you chase. It’s what you build.”

Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.

One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.

The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.

The Bell

It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.

Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.

He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.

Darius nodded, unable to speak.

“Good,” she said. “It means you know the way back.”

By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”

For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.

The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.

Work in Progress: Character Timelines and Events

Matteo

• November 2024 (Reunion):
  • Newly employed at the Sarah Bernhardt Café, started after its reopening.
  • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
  • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
  • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
• Summer 2024 (Olympics):
  • Working in a vineyard in southern France, nearing the end of the harvest season.
  • Receives a call for a renovation job in Paris, which pulls him toward the city.
  • Feels an intuitive connection to Paris, as if something is waiting for him there.
• Past Events (Implied):
  • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
  • Has likely crossed paths with the group in unremarkable but meaningful ways before.

 

Darius

• November 2024 (Reunion):
  • Arrives at the café, a wanderer who rarely stays in one place.
  • Reflects on his time in India during the autumn and the philosophical journey it sparked.
  • Brings with him an artifact that ties into his travels and personal story.
• Summer 2024 (Olympics):
  • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
  • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
  • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
• Past Events (Implied):
  • Has a history of introducing enigmatic figures to the group, often leading to tension.
  • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

 

Elara

• November 2024 (Reunion):
  • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
  • Still processing her mother’s passing and reflecting on their strained relationship.
  • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
• Summer 2024 (Olympics):
  • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
  • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
  • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
  • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
• Past Events (Implied):
  • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
  • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
  • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
  • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

 

Lucien

• November 2024 (Reunion):
  • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
  • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
  • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
  • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
• Summer 2024 (Olympics):
  • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
  • Reflects on his artistic block and the emotional weight of his distance from the group.
  • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
• Past Events (Implied):
  • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
  • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

Amei

 

• November 2024 (Reunion):
  • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
  • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
  • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
• Summer 2024 (Olympics):
  • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
  • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
  • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
• Past Events (Implied):
  • The last group meeting five years ago left her with lingering emotional scars.
  • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

 

Tabitha (Amei’s Daughter)

• November 2024:
  • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
  • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
• Summer 2024 (Olympics):
  • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
  • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
• Past Events (Implied):
  • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

Key Threads and Patterns

• The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
• Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
• Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.

The Bell’s Moment: Paris, Summer 2024 – Olympic Games

The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.

1st Ring of the Bell: Matteo

The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.

“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”

Matteo nodded. “And after that?”

The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”

Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.

When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.

Somewhere, miles away, the bell rang its first note.

2nd Ring of the Bell: Darius

In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.

A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.

“Sometimes,” Darius replied, his pen still moving.

“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”

Darius chuckled. “You recruiting me?”

“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”

The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.

3rd Ring of the Bell: Elara

The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.

The voicemail notification glared at her, and she tapped it reluctantly.

“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”

Her coffee cup trembled slightly as she set it down.

Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.

Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.

She would have to travel to Montrouge for the funeral arrangements.

In that moment, the bell in Les Reliques rang a third time.

4th Ring of the Bell: Lucien

The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.

Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.

He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.

He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.

The bell rang again in Paris, its resonance threading through the quiet hum of the train.

5th Ring of the Bell: …. Tabitha

In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.

“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”

“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”

Her friend raised an eyebrow. “Pretending?”

“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”

The bell rang faintly in Paris, though neither of them could hear it.

“Maybe you should tell her to come with you,” the friend suggested.

Tabitha grinned. “Now that would be a trip.”

Last Ring: The Pawn

It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.

Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.

“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.

“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”

The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”

“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”

“Not anymore,” the shopkeeper murmured, handing him a stack of bills.

The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.

And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.

Characters list

Character / Personality Traits / Connection clues to Matteo

• Lucien
  • The Artist
  • Introspective, dreamy, quietly sarcastic
  • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
  • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
• Elara
  • The Scientist
  • Analytical, sharp, skeptical
  • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
  • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
• Darius
  • The Explorer
  • Bold, restless, deeply curious
  • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
  • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
• Amei
  • The Storyteller
  • Observant, wise, enigmatic
  • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
  • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

• Matteo
  • The Enigmatic Server
  • Charismatic, cryptic, all-knowing
  • A waiter with an uncanny awareness of the four friends, both individually and collectively.
  • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

The Potters of Darley Bridge

Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

 

 

I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

 

 

Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

 

 

Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

 

 

Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

 

 

Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

 

Potters Cottage

 

Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

“Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

via Derbyshire Heritage website.

According to Wikipedia, the bridge dates back to the 15th century.

Youlgreave

The Frost Family and The Big Snow

 

The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

“The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

 

Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

 

John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

The Frosts of Youlgreave

Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

(Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

 

John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

 

William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

(Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

Baptisms:
1581 Eliz Frost, father Michael.
1582 Francis f Michael. (must have died in infancy)
1582 Margaret f William.
1585 Francis f Michael.
1586 John f Nicholas.
1588 Barbara f Michael.
1590 Francis f Nicholas.
1591 Joane f Michael.
1594 John f Michael.
1598 George f Michael.
1600 Fredericke (female!) f William.

Marriages in Youlgreave which could be William’s parents:
1579 Michael Frost Eliz Staley
1587 Edward Frost Katherine Hall
1600 Nicholas Frost Katherine Hardy.
1606 John Frost Eliz Hanson.

Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

(Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

Frideswide:

A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

(Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

 

King James

A parish register entry in 1603:
“1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

 

The Big Snow

“This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

From the Youlgreave parish registers.

Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.