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  • #7653

    Matteo — Winter 2023: The Move

    The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

    The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

    The sound of the doorbell brought him back from his rêverie.

    Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

    :fleuron2:

    Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

    “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

    “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

    The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

    Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

    Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

    :fleuron2:

    As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

    “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

    “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

    Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

    “Special how?” her mother asked lightly.

    “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

    Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

    “Why you want to keep those?” Amei asked, tilting her head.

    Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

    Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

    :fleuron2:

    The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

    As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

    “It’s different, isn’t it?” she said suddenly, not looking at him.

    “Moving?” Matteo asked, unsure if the question was for him.

    “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

    Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

    :fleuron2:

    The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

    By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

    “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

    Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

    #7652

    Darius: The Call Home

    South of France: Early 2023

    Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.

    The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.

    “Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.

    The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.

    “I’ve got some things in the works,” he’d say, avoiding their eyes.

    But the truth was, he didn’t.

    It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”

    The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.

     

    When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.

    “Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”

    Arrival in Guadeloupe

    The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.

    “You look thin,” she said, her tone clipped. “Let’s get you fed.”

    The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.

    “You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”

    He nodded, too tired to argue.

    :fleuron2:

    The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.

    “Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”

    Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.

    Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.

    A Turning Point

    One morning, as the sun rose over the fields, his aunt handed him a machete.

    “Today, you clear,” she said.

    He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.

    With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.

    By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.

    As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.

    “You’re starting to see it, aren’t you?” she said.

    “See what?”

    “That life isn’t just what you chase. It’s what you build.”

    :fleuron2:

    Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.

    One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.

    The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.

    The Bell

    It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.

    Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.

    He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.

    Darius nodded, unable to speak.

    “Good,” she said. “It means you know the way back.”

    :fleuron2:

    By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”

    For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.

    The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.

    #7649
    F LoveF Love
    Participant

      The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.

      The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”

      “Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.

      A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.

      “These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”

      Amei nodded politely. “They do,” she said.

      He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”

      “They’re just for light on this occasion,” she said, her tone sharper than she intended.

      “Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”

      Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”

      The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”

      Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”

      The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.

      #7645
      F LoveF Love
      Participant

        Amei sat cross-legged on the floor in what had once been the study, its emptiness amplified by the packed boxes stacked along the walls. The bookshelves were mostly bare now, save for a few piles of books she was donating to goodwill.

        The window was open, and a soft breeze stirred the curtains, carrying with it the faint chime of church bells in the distance. Ten o’clock. Tomorrow was moving day.

        Her notebooks were heaped beside her on the floor—a chaotic mix of battered leather covers, spiral-bound pads, and sleek journals bought in fleeting fits of optimism. She ran a hand over the stack, wondering if it was time to let them go. A fresh start meant travelling lighter, didn’t it?

        She hesitated, then picked up the top notebook. Flipping it open, she skimmed the pages—lists, sketches, fragments of thoughts and poems. As she turned another page, a postcard slipped out and fluttered to the floor.

        She picked it up. The faded image showed a winding mountain road, curling into mist. On the back, Darius had written:

        “Found this place by accident. You’d love it. Or maybe hate it. Either way, it made me think of you. D.”

        Amei stared at the card. She’d forgotten about these postcards, scattered through her notebooks like breadcrumbs to another time. Sliding it back into place, she set the notebook aside and reached for another, older one. Its edges were frayed, its cover softened by time.

        She flicked through the pages until an entry caught her eye, scrawled as though written in haste:

        Lucien found the map at a flea market. He thought it was just a novelty, but the seller was asking too much. L was ready to leave it when Elara saw the embossed bell in the corner. LIKE THE OTHER BELL. Darius was sure it wasn’t a coincidence, but of course wouldn’t say why. Typical. He insisted we buy it, and somehow the map ended up with me. “You’ll keep it safe,” he said. Safe from what? He wouldn’t say.

        The map! Where was the map now? How had she forgotten it entirely? It had just been another one of their games back then, following whatever random clues they stumbled across. Fun at the time, but nothing she’d taken seriously. Maybe Darius had, though—especially in light of what happened later. She flipped the page, but the next entry was mundane—a note about Elara’s birthday. She read through to the end of the notebook, but there was no follow-up.

        She glanced at the boxes. Could the map still be here, buried among her things? Stuffed into one of her notebooks? Or, most likely, had it been lost long ago?

        She closed the notebook and sighed. Throwing them out would have been easier if they hadn’t started whispering to her again, pulling at fragments of a past she thought she had left behind.

        #7642
        TracyTracy
        Participant

          It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

          When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

          Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

          Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

          It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

          When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

          Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

          “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

          “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

          “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

          Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

          “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

          “Once a lecturer, always a lecturer, eh?” Florian teased.

          “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

          #7639
          ÉricÉric
          Keymaster

            Work in Progress: Character Timelines and Events

            Matteo

            • November 2024 (Reunion):
              • Newly employed at the Sarah Bernhardt Café, started after its reopening.
              • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
              • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
              • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
            • Summer 2024 (Olympics):
              • Working in a vineyard in southern France, nearing the end of the harvest season.
              • Receives a call for a renovation job in Paris, which pulls him toward the city.
              • Feels an intuitive connection to Paris, as if something is waiting for him there.
            • Past Events (Implied):
              • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
              • Has likely crossed paths with the group in unremarkable but meaningful ways before.

             

            Darius

            • November 2024 (Reunion):
              • Arrives at the café, a wanderer who rarely stays in one place.
              • Reflects on his time in India during the autumn and the philosophical journey it sparked.
              • Brings with him an artifact that ties into his travels and personal story.
            • Summer 2024 (Olympics):
              • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
              • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
              • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
            • Past Events (Implied):
              • Has a history of introducing enigmatic figures to the group, often leading to tension.
              • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

             

            Elara

            • November 2024 (Reunion):
              • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
              • Still processing her mother’s passing and reflecting on their strained relationship.
              • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
            • Summer 2024 (Olympics):
              • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
              • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
              • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
              • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
            • Past Events (Implied):
              • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
              • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
              • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
              • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

             

            Lucien

            • November 2024 (Reunion):
              • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
              • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
              • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
              • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
            • Summer 2024 (Olympics):
              • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
              • Reflects on his artistic block and the emotional weight of his distance from the group.
              • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
            • Past Events (Implied):
              • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
              • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

            Amei

             

            • November 2024 (Reunion):
              • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
              • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
              • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
            • Summer 2024 (Olympics):
              • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
              • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
              • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
            • Past Events (Implied):
              • The last group meeting five years ago left her with lingering emotional scars.
              • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

             

            Tabitha (Amei’s Daughter)

            • November 2024:
              • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
              • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
            • Summer 2024 (Olympics):
              • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
              • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
            • Past Events (Implied):
              • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

            Key Threads and Patterns

            • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
            • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
            • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
            #7638

            The Bell’s Moment: Paris, Summer 2024 – Olympic Games

            The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.

            1st Ring of the Bell: Matteo

            The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.

            “You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”

            Matteo nodded. “And after that?”

            The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”

            Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.

            When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.

            Somewhere, miles away, the bell rang its first note.

            2nd Ring of the Bell: Darius

            In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.

            A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.

            “Sometimes,” Darius replied, his pen still moving.

            “Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”

            Darius chuckled. “You recruiting me?”

            “India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”

            The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.

            3rd Ring of the Bell: Elara

            The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.

            The voicemail notification glared at her, and she tapped it reluctantly.

            Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”

            Her coffee cup trembled slightly as she set it down.

            Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.

            Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.

            She would have to travel to Montrouge for the funeral arrangements.

            In that moment, the bell in Les Reliques rang a third time.

            4th Ring of the Bell: Lucien

            The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.

            Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.

            He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.

            He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.

            The bell rang again in Paris, its resonance threading through the quiet hum of the train.

            5th Ring of the Bell: …. Tabitha

            In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.

            “Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”

            “She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”

            Her friend raised an eyebrow. “Pretending?”

            “Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”

            The bell rang faintly in Paris, though neither of them could hear it.

            “Maybe you should tell her to come with you,” the friend suggested.

            Tabitha grinned. “Now that would be a trip.”

            Last Ring: The Pawn

            It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.

            Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.

            “Where’d you get this?” the shopkeeper asked as the American tourist placed it down.

            “It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”

            The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”

            “Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”

            “Not anymore,” the shopkeeper murmured, handing him a stack of bills.

            The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.

            And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.

            #7636
            TracyTracy
            Participant

              It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing.  It had been Florian’s idea to take the Mongolian hat with her.  Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right.  It had been a present from Amei, many years ago, but Elara had barely worn it.  It wasn’t often that she found herself in a place cold enough to warrant it.

              In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship.  It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order.  Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.

              Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side.  They had come into contact while researching the family, comparing notes and photographs and family anecdotes.  They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing.  He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.

              If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.

              Pulling the hat down over her ears, Elara ventured out into the early November chill.  Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!”  Mrs Lovejoy was bareheaded, wearing only a cardigan.

              “It was a gift,” Elara told her, “I haven’t worn it much.  A friend bought it for me years ago when we were in Mongolia.”

              “Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.

              “Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”

              “Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go.  Like my Bert…”

              “Must go or I’ll be late!” Elara had already heard all about Bert a number of times.

              #7633
              F LoveF Love
              Participant

                “Well, this is a surprise,” Amei said, smiling at the phone.

                “Hi, Mum,” came the cheerful reply, slightly muffled by background noise. “I thought I’d catch you before it got too late over there.”

                “You’ve caught me all right. I’d nearly forgotten I had a daughter. It’s been so long.”

                Tabitha laughed lightly. “Sorry about that … things have been… hectic.”

                “Hectic in Goa or hectic in your head?” Amei teased, though she knew the answer. Her daughter had always thrived in chaos, diving into life with a zeal Amei envied.

                “Both I guess. The school’s been keeping me busy, and, well, India has a way of throwing surprises at you.”

                “I’d expect nothing less.”

                “Speaking of surprises,” Tabitha continued, her voice shifting slightly, “I thought I saw one of your old buddies at the airport the other day. I was dropping a friend off … what’s his name? Daria?”

                Amei frowned and sat up a little straighter. “Darius? At the airport? I’ve not seen him for a few years now. Are you sure?”

                “Well, not completely sure. He was in some kind of weird get up, like a disguise … a big hat, sunglasses, scarf. ”

                “That’s very … odd,” said Amei. She felt a tightening in her belly but managed to keep her voice level.

                Her daughter’s laugh was soft.. “I guess it was just a feeling. He looked like he was trying not to be noticed. He saw me and sort of hurried away.” She paused. “I remembered something… wasn’t Darius the one that turned up with that strange couple? You know, the ones everyone was obsessed with for a while? Like gurus or something?”

                The memory was sharp and cold. “Yes,” she said eventually. “Darius often had waifs and strays tagging along.”

                “There was a falling out or something? You never did tell me.”

                “Nothing to tell really.”

                There was a silence. “Well, it was definitely weird,” Tabitha said at last. “Anyway, just thought I’d mention it. Maybe it wasn’t even him.”

                “Maybe,” Amei murmured but the unease lingered long after the call ended.

                #7628
                F LoveF Love
                Participant

                  The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.

                  She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.

                  Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey.  She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.

                  At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.

                  Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.

                  Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.

                  Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.

                  The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.

                  By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.

                  #7625
                  ÉricÉric
                  Keymaster

                    Characters list

                    Character / Personality TraitsConnection clues to Matteo

                    • Lucien
                      • The Artist
                      • Introspective, dreamy, quietly sarcastic
                      • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
                      • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
                    • Elara
                      • The Scientist
                      • Analytical, sharp, skeptical
                      • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
                      • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
                    • Darius
                      • The Explorer
                      • Bold, restless, deeply curious
                      • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
                      • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
                    • Amei
                      • The Storyteller
                      • Observant, wise, enigmatic
                      • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
                      • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

                    • Matteo
                      • The Enigmatic Server
                      • Charismatic, cryptic, all-knowing
                      • A waiter with an uncanny awareness of the four friends, both individually and collectively.
                      • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

                    #7618

                    Matteo Appears

                    Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

                    “Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

                    “Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

                    The group exchanged glances, each of them caught off-guard by the comment.

                    “You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

                    “Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

                    “What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

                    Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

                    “You’ve never all been here before,” he said, a simple statement that landed like a challenge.

                    “Wait,” Amei said, narrowing her eyes. “You know us?”

                    “Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

                    “Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

                    Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

                    He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

                    “You’re being cryptic,” Elara said, her voice edged with suspicion.

                    “It’s a talent,” Matteo replied smoothly.

                    “Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

                    “Nor I,” Amei added, her voice soft but steady.

                    Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

                    The words hung in the air, unsettling and oddly satisfying at once.

                    “You’re saying we’ve met you before?” Elara asked.

                    Matteo inclined his head. “In a manner of speaking.”

                    “That doesn’t make sense,” Lucien said, his voice quiet but firm.

                    “Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

                    A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

                    “It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

                    “For what?” Amei asked, her eyes narrowing.

                    “For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

                    “Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

                    One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

                    “Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

                    And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

                    They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

                    “What the hell was that?” Darius asked finally, breaking the spell.

                    “Does he seem… different to you?” Amei asked, her voice distant.

                    “He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

                    “He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

                    “I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

                    “And he didn’t explain anything,” Darius added, shaking his head.

                    “Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

                    They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

                    The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

                    And though none of them said it aloud, the thought was the same: What had happened before?

                    :fleuron2:

                    Quintessence: Reversing the Fifth

                    #7610

                    Thanks to Eris’s undeniable aptitude and professionalism for choosing the most efficacious spells and implementing them perfectly, and before Truella had got to grips with the first layer of the costumes undergarments, Cromwell was back at Austin Friars, and Malove stood before them, quivering with rage. Or was it panic?

                    “Fancy some of this cheese and some olives? The bread’s amazing, we’re having a picnic, and there’s some champers if Jeezel hasn’t guzzled it all,”  Truella thought a casual nothing is wrong approach was worth a shot, however futile.  It might delay the inevitable.

                    “Thanks,” replied Malove, sinking down on to the tartan picnic rug with a grateful if shuddering sigh.  “That was awful, don’t even ask! I will never complain about anything ever again!”

                    “Really?” Truella wasn’t convinced.  “What was it like?”

                    “No iboprufen. It was just awful. So damp, and no iboprufen.” Malove shivered. “My arthritis played me up something rotten.”

                    “Well, why on earth didn’t you just magic some up then?” Truella blurted out.

                    “Do you remember to just magic up a spell for your arthritis?” Truella quaked under the force of Malove’s terrifying glare.

                    “She doesn’t, but I do,” interjected Jeezel, scrolling through the images she’d just captured of the ongoing scenario and capturing a few more.

                    Does this mean I’m on holiday now too? Malove wondered. Jeezel caught the pensive but hopeful expression, Malove’s harsh profile softened with a fortuitous wisp of Truella’s cigarette smoke against a backdrop of bramble and vine covered ruins, an exotic foreign flower dangling lanquidly beside her ~ what a picture!

                    #7584

                    Frella considered the box of props, Truella’s request still echoing in her mind. Or perhaps “command” was more accurate? She had been tempted to tell Tru to put together her own prop box. Regardless, Frella, being uncommonly good-natured, decided to indulge her friend. After all, poor Truella deserved a bit of indulgence after her recent ordeal.

                    It was curious, even ironic, that a witch as formidable as Truella had found herself spirited away by Thomas Cromwell. The incident left Frella baffled, but Truella, true to form, had been vague about the whole affair, refusing to provide even a brief synopsis. And any hope of clarification had been swallowed by Truella’s recent hobby: deleting gifs on her phone—a pastime that Frella was convinced had reached the level of an obsession.

                    Shaking her head, Frella returned to her task. The box needed to be extraordinary, full of magic tailored to delight, surprise, and assist even the most accomplished witch. With a whispered spell, she conjured a feather-light coat woven from shimmering starlight, and folded it carefully into the box. Depending on the moon’s phase, the coat could cloak its wearer in illusions or make them vanish entirely.

                    Next came a pair of Ug Boots enchanted with swiftness, rendering the wearer light as air and nearly impossible to catch. Beside them, she placed a midnight-blue satchel with a mind of its own—returning lost items to their rightful owners, whether or not they wanted to be found.

                    Frella paused, her hands hovering above the box. What else? After some thought, she conjured a delicate chemise spun from moonlight, its diaphanous fabric especially created to ward off hexes. “Truella should get plenty of use out of this one,” Frella mused, remembering past escapades. “Not that I’m calling her a tart or anything.”

                    She followed it with iridescent sunglasses. The lenses could decode ancient texts or, failing that, soften a cutting glare. A golden phoenix brooch came next. Pinned to fabric, it could either blaze into a protective flame or summon a fiery companion to light the way.

                    With a snigger, Frella crafted a magical moustache—a silky, distinguished creation. It granted the wearer an air of nobility, perfect for moments when one needed gravitas, especially if Truella found herself back in the 16th century (or whenever it was).

                    A string of enchanted pearls nestled into the box, each bead holding a spell: one for charm, another to quell hunger, and a third to lower prices at the supermarket. Truella was always banging on about her budget.

                    Frella added three wigs: a flaming red one for irresistible allure, a sleek black bob for perfect recall, and a powdered peruke for communing with spirits of the past.

                    For good measure, she added a selection of headgear: a  knitted beanie for quick thinking and to keep warm, a velvet-trimmed bonnet to ward off insults, and a silk turban that blocked eavesdropping and mind-reading.

                    Finally, she included a pretty peacock-feathered fan. A mere flick of the wrist could shift the weather or create a gust strong enough to fend off any ill intentions.

                    The box now brimmed with marvels; would these treasures aid Truella and perhaps shield her from whatever tangled fate had ensnared her with Thomas Cromwell?

                    Frella could only hope so.

                    #7579

                    When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.

                    Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.

                    “Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.

                    Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.

                    “What?” Malové’s eyebrows arched.

                    “Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.

                    Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”

                    “They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”

                    Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.

                    When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.

                    Symbols, runes, sigils—even some impressively powerful ones—where scattered  thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.

                    As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.

                    #7546
                    TracyTracy
                    Participant

                      The Potters of Darley Bridge

                      Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

                      Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

                       

                      marriage Roger Knowles

                       

                      I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

                       

                      1720 will James Potter

                       

                      Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

                      Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

                       

                      James Potter will

                       

                      Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

                      I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

                      The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

                       

                      Three Stags Heads

                       

                      Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

                       

                      Charles Potter

                       

                      Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

                       

                      Potters Cottage

                      Potters Cottage

                       

                      Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

                      “Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

                      via Derbyshire Heritage website.

                      According to Wikipedia, the bridge dates back to the 15th century.

                      #7544
                      TracyTracy
                      Participant

                        Youlgreave

                        The Frost Family and The Big Snow

                         

                        The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

                        “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

                        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                        Youlgreave registers

                         

                        Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

                        churchwardens accounts

                        Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

                        Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
                        On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

                        John Keeling

                         

                        John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

                        Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

                        Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

                        The Frosts of Youlgreave

                        Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

                        (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

                        John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

                        Frost and keeling

                         

                        John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

                        David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

                        William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

                        Ellens will

                         

                        William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
                        William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

                        (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

                        Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

                        Baptisms:
                        1581 Eliz Frost, father Michael.
                        1582 Francis f Michael. (must have died in infancy)
                        1582 Margaret f William.
                        1585 Francis f Michael.
                        1586 John f Nicholas.
                        1588 Barbara f Michael.
                        1590 Francis f Nicholas.
                        1591 Joane f Michael.
                        1594 John f Michael.
                        1598 George f Michael.
                        1600 Fredericke (female!) f William.

                        Marriages in Youlgreave which could be William’s parents:
                        1579 Michael Frost Eliz Staley
                        1587 Edward Frost Katherine Hall
                        1600 Nicholas Frost Katherine Hardy.
                        1606 John Frost Eliz Hanson.

                        Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

                        (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

                        Frideswide:

                        A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

                        (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

                        An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

                        Frideswide

                        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                         

                        King James

                        A parish register entry in 1603:
                        “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

                        King James

                         

                        The Big Snow

                        “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

                        The Big Snow

                        From the Youlgreave parish registers.

                        Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

                        #7537

                        “Will you stop flirting with that poor boy, Tru! You can’t help yourself can you?” Frella’s  word were softened by the huge smile on her face. “Isn’t this place just grand?”

                        “Frella! Don’t be sneaking up on a person like that!” Truella gave her friend a hug. “Anyway, you won’t believe it but Malove is going to be here! I mean, talk about unexpected plot twists. And you know she’s not going to be thrilled when she finds out I’ve nabbed her corner pod!” She giggled, albeit a little nervously.

                        Frella grimaced. “Tru, you’d better be careful. Malove’s not one to take things lightly, especially when it comes to her personal space.”

                        “Oh don’t worry. It will be fine. Anyway, what about your fancy man? Will he be here doing his important MAMA spy work? I do hope so.  Dear Cedric always brings a certain je ne sais quoi to the scene.” Truella rolled her eyes and smirked.

                        “Oh you mean tart! And he’s NOT my fancy man but yeah, he is going to be here. You should be glad we’ve got someone on the inside. Those MAMA agents can be pesky devils and they’re bound to be sneaking around a gig like this.”

                        #7531
                        TracyTracy
                        Participant

                          Rose lens

                          The rose coloured spectacle lens.

                           

                          Aunt Idle:

                          “Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

                          1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

                          2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

                          3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

                          4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

                          5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

                          Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

                          Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

                          In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

                          ~~~

                          “A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
                          ~Journey of Reflections, Enrich P. Lwellman.

                          ~~~

                          The Snoot:

                          “Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

                          Lean close! Such a find whispers soft secrets:

                          Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
                          Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
                          Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

                          Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

                          ~~~

                          Liz:

                          Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

                          Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

                          One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

                          Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

                          Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

                          So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

                          ~~~

                          Mater:

                          Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

                          Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

                          A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

                          Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

                          Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

                          Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

                          Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

                          Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

                          ~~~

                          Finnley:

                          Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

                          Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

                          Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

                           

                          ~~~

                          Mandrake:

                          Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

                          ~~~

                          Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

                          Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

                          Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

                          Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

                          Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

                          Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

                          Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

                          Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

                          #7530

                          At last the weekend was over. What had been acheived was anyones guess, certainly Truella couldn’t have said if it had been a success from the organizers point of view or not.  One thing was abundantly clear: the witches were not cut from the same cloth as the nuns and the pious gravity of some of them had been anathema to the witches. But not all of them, it had to be said.

                          When Truella had wandered into the library, ostensibly to look for material on the frog sisters, but in reality just wanting a break from the constant presence of so many others, she was initially disheartened to find someone else had the same idea. Sassafras was curled up in an armchair poring over an old journal.  She started guiltily when Truella walked in and quickly closed the leather bound volume.

                          “Oh please, don’t mind me. Carry on reading,” Truella reassured her, “I just came in here for a break. Point me in the direction of the local history section and I’ll not bother you.”

                          “Are you interested in the local history?” Sassafras asked, genuinely curious.

                          “Obsessed, more like!” Truella laughed, and proceeded to tell the story of the dig in her garden.  She hadn’t intended to go into such detail and at such length, but Sassafras was interested and asked all the right questions.

                          “You seem very knowledgable about the history of the area,” Truella was prompted to invite Sassafras to come to her house to see what she’d uncovered.  “I assume they let you out of here sometimes.”

                          Sassafras laughed. “Not very often, but I escape. I tell them I’m collecting herbs in the woods.   Want to know a secret?” she leaned forward and lowered her voice.  “I’m not really a nun, I’m only here because of the place. This place,” she sighed and her eyes had a faraway look, “This place, the history, oh my dear you have no idea, it’s rich beyond imagining for ancient history.”

                          The conversation that ensued had been illuminating for both of them, and they had agreed to keep in contact.  Sassafras had given Truella a bundle of old journals to smuggle out of the Cloisters, written in the early 16th century.

                          Now all Truella had to do was get the journals home without being detected. It would require an effective cloaking spell, and she wished she had more confidence in her own magic.

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