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A link to another previous video I quite like.
Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.
La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.
[Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]
Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”
[Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]
Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”
[Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]
Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”
[Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”[End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]
Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”
[The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]
In reply to: Quintessence: Reversing the Fifth
Matteo — Winter 2023: The Move
The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.
The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.
The sound of the doorbell brought him back from his rêverie.
Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.
Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.
“That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”
“They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.
The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”
Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.
Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”
As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.
“Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.
“Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.
Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.
“Special how?” her mother asked lightly.
“It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”
Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.
“Why you want to keep those?” Amei asked, tilting her head.
Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”
Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.
The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.
As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.
“It’s different, isn’t it?” she said suddenly, not looking at him.
“Moving?” Matteo asked, unsure if the question was for him.
“Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”
Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.
The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.
By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.
“Do you know where I can find absinthe?” he asked, the question more instinct than intent.
Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.
In reply to: Quintessence: A Portrait in Reverse
Exploring further potential backstory for the characters – to be explored further…
This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.
Backstory: The Co-Housing Dream
Habitat Participatif: A Shared Vision
The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.
What Drew Them In:
- Amei: Longing for a sense of rootedness and community after years of drifting.
- Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
- Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
- Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.
The Land in Drôme
They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.
The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.
The Role of Monsieur Renard
When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.
Initial Promise:
- Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
- His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.
The Split: Fractured Trust
Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.
- Darius’s Drift:
- Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
- He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
- Elara’s Resistance:
- Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
- “This isn’t about community for him,” she had said. “It’s about control.”
- Lucien’s Hesitation:
- Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
- When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
- Amei’s Silence:
- Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.
Matteo’s Unseen Role
Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.
The Missed Connection:
- Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
- By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.
The Fallout: A Fractured Dream
The group dissolved after a final argument about Renard’s involvement:
- Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
- Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
- Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
- Amei, already pulling away, suggested they put the project on hold.
The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.
Amei’s Perspective: Post-Split Reflection
In the scene where Amei buys candles :
- The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
- Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.
Reunion at the Café: A New Beginning
When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.
Matteo’s Role:
- His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
In reply to: Quintessence: Reversing the Fifth
It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university. Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.
When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.
Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.
Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out. You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.
It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk. She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes. It was a project to savour, luxuriate in, amuse herself with.
When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.
Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.
“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”
“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”
“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.
Florian noticed her unexpected discomfiture, and tactfully changed the subject. We all have pasts we don’t want to talk about. “Is the sun sufficiently past the yard arm for a glass of wine?” he asked. “What is a yard arm, anyway?”
“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”
“Once a lecturer, always a lecturer, eh?” Florian teased.
“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 – before the meeting
The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.
The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.
Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.
How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.
He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.
His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.
The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.
With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 5:55am — Matteo’s morning
Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.
He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.
Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.
He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:
Lucien. Elara. Darius. Amei.
He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.
The strangest part wasn’t the names— it was the certainty that he’d see them that day.
Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.
Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.
The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.
“You’ve never come inside,” she said, her voice soft but certain.
“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.
“Today, you might,” the woman said, stepping forward. “Looking for something specific?”
“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.
“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”
“What’s uncommon about a bell?”
The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”
Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.
“How much?”
“For you?” The shopkeeper tilted his head. “A trade.”
Matteo raised an eyebrow. “A trade for what?”
“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”
It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.
Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.
Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.
The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.
Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.
By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.
He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.
In reply to: The Incense of the Quadrivium’s Mystiques
When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.
Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.
“Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.
Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.
“What?” Malové’s eyebrows arched.
“Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.
Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”
“They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”
Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.
When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.
Symbols, runes, sigils—even some impressively powerful ones—where scattered thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.
As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.
In reply to: The Incense of the Quadrivium’s Mystiques
At the end of the undertakers’ speech, conversations surged, drowning out the 14th-century organ music. Mother Lorena, who seemed to have taken the expression lines to a deeper level, gave imperative angry looks at her nuns who swiftly moved to meet with the witches.
“Hold your beath,” said Eris to Jeezel. “That Mr ash blond hair is coming for you.”
“Sh*t! I don’t have time for that,” said Jeezel looking at the striking young man. Meticulously styled to perfection and a penchant for tailored suits, she knew that kind of dandy, they were more difficult to get rid of than an army of orange slugs after a storm. She stole a champagne flute from Bartolo’s silver tray and flitted with a graceful nonchalance towards the buffet.
“Hi Jeezel! I’m sister Maria. You’re so beautiful,” said a joyful voice. “You want some canapés? I made them myself.”
Jeezel turned and almost moved her hand to her mouth. A young woman wearing the austere yet elegant black habit of the Roman Catholic Church was handing her a plate full of potted meat and pickles toasts. She had chameleon eyes busy looking everywhere except to what was in front of her. The white wimple covering her red hair seemed totally out of place and her face made the strangest contortions as she obviously was trying not to smile.
“Hi, I’m… Jeezel. But you already know that,” she said. The young woman nodded too earnestly and Jeezel suddenly became aware the nuns certainly had files about her and the other witches like the ones Truella gave them. She looked at the greasy canapés and refused politely. She just had time to notice a crimson silk handkerchief in a breast pocket and a flash of ash blond hair closing in.
“Oh! I’m sorry. I just remember, I have to go speak to my friend over there,” Jeezel said noticing Truella with a nun in a Buddhist outfit.
She left the redhead nun with a laugh that twinkled like stardust.
Truella’s friend didn’t seem too happy to have Jeezel barging in on their conversation. She said she was called sister Ananda. Her stained glass painted face didn’t seem to fit her saffron bhikkunis. And the oddest thing was she dominated the conversation, mostly about the diversity of mushrooms she’d been cultivating in the shade of old cellars buried deep in the cloister’s underground tunnels. Truella was sipping her soda, and nodding occasionally. But from what Jeezel could observe, the witch was busy keeping an eye on that tall, dark mortician who certainly looked suspicious.
Young sister Maria hadn’t given up. She joined the conversation with a tray full of what looked like green and pink samosas. Jeezel started to feel like a doe hunted by a pack of relentless beagles.
“You need to try those! Sister Ananda made them for you,” said the young Nun. Her colourful lips showed she had just tasted a few of them.
“At last,” said Garrett with a voice too deep for such a young handsome face, “you’re as difficult to catch as moonlight on the water. Elusive, mesmerizing, and always just out of reach. One moment you’re dazzling us all with your brillance, the next…”
“As usual, you speak too much, Garrett,” said Silas, the oldest of the morticians who just joined the group. The old man’s voice was commanding and his poise projecting an air of unwavering confidence. He had neatly trimmed grey hair and piercing hazel eyes that seem to see right through to the heart of any matter. “May we talk for a moment, dear Jeezel? I think we have some things to discuss.”
“Do we?” she asked, a shiver going up her spine. Her voice sounded uncertain and her heart started beating faster. Did he know about the sacred relic she was looking for? Was he going to ask her on a date too?
“The ritual, dear. The ritual we have to perform together tonight.”
“Oh! Yes, the ritual,” she sighed with relief.
Silas took her hand and they left the group just as Truella was asking a Garrett: “Won’t Rufus join us?”
“I don’t think so,” he answered coldly. But his eyes were full of passion and his heart full of envy as he watched Jeezel walk away with his mentor in a secluded lounge.
In reply to: The Incense of the Quadrivium’s Mystiques
A place where glamour meets enchantment, said the brochure when she found what would become her cottage ten years ago. But tonight, Jeezel didn’t see the whimsical, neither did she hear the trees whispering secrets. And the moon… don’t let me start with the moon. The vines had started to cover the main door. It was painted in the richest shade of midnight blue, which was stunning when daylight splashed all over it, but there were no outside lights and at night, she always had difficulties finding the keyhole.
Jeezel took her phone out to turn on the torch and the pop of a champagne cork told her she had received an e-mail. Such a technological marvel dipped in fabulousness. It was shimmering and radiant, she had adorned it with crystals that would catch the light with every moment, casting rainbows across. But the only light it cast was an anxious message from Roland whose workplace had gone berserk.
“Please, do something quick!” was the content of the message.
The witch had never been good under pressure. She touched her forehead lightly with the back of her hand. She didn’t want to mess with her carefully applied makeup. Then lip synched her moto : “Shine bright, darling, and let the world bask in your glow.”
“That’s it!” she said. She took her key in her left hand and with a graceful and intricate swipe of her right hand she said: “Glowry”. Then she waved toward the door and added: “Hole”, and the key and the hole started to glow and attract each other. The door creeked open. Something else she’d have to attend to, later.
“At last,” she said when the door finally shut.
“Well, I could have grown a whole new tail in the time it took you to grace us with your presence at the door. What were you doing, love? Perfecting your grand entrance, or did you just get lost in the reflection of your own fabulousness again?,” said a warm and teasing voice.
In reply to: The Whale’s Diaries Collection
what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find?
Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.
The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.
The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.
The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.
As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.
Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.
There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.
What about the lives of the people who lived here in the 1500s?
Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.
The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.
The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.
His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.
The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.
The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.
The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.
Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.
then I asked about the 1200s on this site
Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.
The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.
They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.
The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.
The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.
Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.
Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Precious Life and Rambles of Liz Tattler
Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.
Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.
Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.
After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.
He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.
So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.
Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.
It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.
What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.
He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.
Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.
“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.
“What was the occasion again?”
“I may have found a new husband.” she said blushing like a young damsel.
Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.
In reply to: Orbs of Madjourneys
“Imagine that! a Big Banana…”
After a brisk walk trying to catch up with his winged psittacine friend, Xavier had stumbled on a large concrete sculpture painted bright yellow in the middle of a field.
He’s read somewhere Australia was known for its fondness of “big things”, but he didn’t expect one here – it was quite fun.“I think you just made my day Pretty Girl” he said to the bird. “Not that I don’t like to venture more, but I get the feeling I have to come back.” He checked his phone, there were a few messages, including one from Youssef who’d found some surprisingly interesting stuff during his shopping visit.
“We wouldn’t want to be caught off-guard by a bunyip, you know…” he said more to himself than to anyone in particular.
“Suuuit yourself.” said the bright red parrot, “No need to fear bunyip. Just don’t follow Min min lights. And stay away from mines.” and it flew away in a different direction.
In reply to: Orbs of Madjourneys
Xavier had woken up in the middle of the night that felt surprisingly alive bursting with a quiet symphony of sounds from nocturnal creatures and nearby nature, painted on a canvas of eerie spacious silence.
It often took him a while to get accustomed to any new place, and it was not uncommon for him to have his mind racing in the middle of the night. Generally Brytta had a soothing presence and that often managed to nudge him back to sleep, otherwise, he would simply wake up until the train of thoughts had left the station.
It was beginning of the afternoon in Berlin; Brytta would be in a middle of a shift, so he recorded a little message for her to find when she would get back to her phone. It was funny to think they’d met thanks to Yasmin and Zara, at the time the three girls were members of the same photography club, which was called ‘Focusgroupfocus’ or something similar…
With that done, he’d turned around for something to do but there wasn’t much in the room to explore or to distract him sufficiently. Not even a book in the nightstand drawer. The decoration itself had a mesmerising nature, but after a while it didn’t help with the racing thoughts.He was tempted to check in the game — there was something satisfactory in finishing a quest that left his monkey brain satiated for a while, so he gave in and logged back in.
Completing the quest didn’t take him too long this time. The main difficulty initially was to find the portal from where his avatar had landed. It was a strange carousel of blue storks that span into different dimensions one could open with the proper incantation.
As usual, stating the quirk was the key to the location, and the carousel portal propelled him right away to Midnight town, which was clearly a ghost town in more ways than one. Interestingly, he was chatting on the side with Glimmer, who’d run into new adventures of her own while continuing to ask him what was up, and as soon as he’d reached Midnight town, all communication channels suddenly went dark. He’d laughed to himself thinking how frustrated Glimmer would have been about that. But maybe the game took care of sending her AI-generated messages simulating his presence. Despite the disturbing thought of having an AI generated clone of himself, he almost hoped for it (he’d probably signed the consent for this without realising), so that he wouldn’t have to do a tedious recap about all what she’d missed.
Once he arrived in the town, the adventure followed a predictable pattern. The clues were also rather simple to follow.
The townspeople are all frozen in time, stuck in their daily routines and unable to move on. Your mission is to find the missing piece of continuity, a small hourglass that will set time back in motion and allow the townspeople to move forward.
The clue to finding the hourglass lies within a discarded pocket watch that can be found in the mayor’s office. You must unscrew the back and retrieve a hidden key. The key will unlock a secret compartment in the town clock tower, where the hourglass is kept.
Be careful as you search for the hourglass, as the town is not as abandoned as it seems. Spectral figures roam the streets, and strange whispers can be heard in the wind. You may also encounter a mysterious old man who seems to know more about the town’s secrets than he lets on.
Evading the ghosts and spectres wasn’t too difficult once you got the hang of it. The old man however had been quite an elusive figure to find, but he was clearly the highlight of the whole adventure; he had been hiding in plain sight since the beginning of the adventure. One of the blue storks in the town that he’d thought had come with him through the portal was in actuality not a bird at all.
While he was focused on finishing the quest, the interaction with the hermit didn’t seem very helpful. Was he really from the game construct? When it was time to complete the quest and turn the hourglass to set the town back in motion, and resume continuity, some of his words came back to Xavier.
“The town isn’t what it seems. Recognise this precious moment where everything is still and you can realise it for the illusion that it is, a projection of your busy mind. When motion resumes, you will need to keep your mind quiet. The prize in the quest is not the completion of it, but the realisation you can stop the agitation at any moment, and return to what truly matters.”
The hermit had turned to him with clear dark eyes and asked “do you know what you are seeking in these adventures? do you know what truly matters to you?”
When he came out of the game, his quest completed, Xavier felt the words resonate ominously.
A buzz of the phone snapped him out of it.
It was a message from Zara. Apparently she’d found her way back to modernity.
[4:57] “Going to pick up Yasmin at the airport. You better sleep away the jetlag you lazy slugs, we have poultry damn plenty planned ahead – cackling bugger cooking lessons not looking forward to, but can be fun. Talk to you later. Z”
He had the impulse to go with her, but the lack of sleep was hitting back at him now, and he thought he’d better catch some so he could manage to realign with the timezone.
“The old man was right… that sounds like a lot of agitation coming our way…”
In reply to: Orbs of Madjourneys
The road was stretching endlessly and monotonously, a straight line disappearing into a nothingness of dry landscapes that reminded Youssef of the Gobi desert where he had been driving not too long ago. At regular speed, the car barely seemed to progress.
> O Time suspend thy flight!
Eternity. Something only nature could procure him. He loved the feeling, and compared to the more usual sand of Gobi, the red sands of Australia gave him the impression he had shifted into another reality. That and the fifteen hours flight listening to Gladys made it difficult to respond to Xavier’s loquacious self and funny jokes. After some time, his friend stopped talking and tried catching some signal to play the Game, brandishing his phone in different directions as if he was hunting ghosts with a strange device.
It reminded him he had to accept his next quest in a ghost town. That’s all he remembered. He could do that at the Inn, when they could rest in their rooms.
Youssef wondered if the welcome sign at the entrance of the town had seen better days. The wood the fish was made of seemed eaten by termites, but someone had painted it with silver and blue to give it a fresher look. Youssef snorted at the shocked expression on his friend’s face.
“It looked like it died of boredom. Let’s just hope the Innside doesn’t look like a gutted fish,” Xavier said.
An old lady showed them their rooms. She didn’t seem the talkative type, which made Youssef love her immediately with her sharp tongue and red cardigan. He rather admired her braided silver hair as it reminded him of his mother who would let him brush her hair when they lived in Norway. It was in another reality. He smiled. She saw him looking at her and her eyes narrowed like a pair of arrowslits. She seemed ready to fire. Instead she kept on ranting about an idle person not doing her only job properly. They each went to their rooms, Xavier took number 7 and Youssef picked number 5, his lucky number.
He was glad to be able to enjoy his own room after the trip of the last few weeks. It had been for work, so it was different. But usually he liked travelling the world on his own and meet people on his way and learn from their stories. Traveling with people always meant some compromise that would always frustrate him because he wanted to go faster, or explore more tricky paths.
The room was nicely decorated, and the scent of fresh paint made it clear it was recent. A strange black stone, which Youssef recognized as a black obsidian, has been put on a pile of paper full of doodles, beside two notebooks and pencils. The notebooks’ pages were blank, he thought of giving them to Xavier. He took the stone. It was cold to the touch and his reflection on the surface looked back at him, all wavy. The doodles on the paper looked like a map and hard to read annotations. One stood out, though which looked like a wifi password. That made him think of the Game. He entered it on his phone and that was it. Maybe it was time to go back in. But he wanted to take a shower first.
He put his backpack and his bag on the bed and unpacked it. Amongst a pile of dirty clothes, he managed to find a t-shirt that didn’t smell too bad and a pair of shorts. He would have to use the laundry service of the hotel.
He had missed hot showers. Once refreshed, he moved his bags on the floor and jumped on his bed and launched the Game.
Youssef finds himself in a small ghost town in what looks like the middle of the Australian outback. The town was once thriving but now only a few stragglers remain, living in old, decrepit buildings. He’s standing in the town square, surrounded by an old post office, a saloon, and a few other ramshackle buildings.A message appeared on the screen.
Quest: Your task is to find the source of the magnetic pull that attracts talkative people to you. You must find the reason behind it and break the spell, so you can continue your journey in peace.
Youssef started to move his avatar towards the saloon when someone knocked on the door.
In reply to: The Elusive Samuel Housley and Other Family Stories
Lincolnshire Families
Thanks to the 1851 census, we know that William Eaton was born in Grantham, Lincolnshire. He was baptised on 29 November 1768 at St Wulfram’s church; his father was William Eaton and his mother Elizabeth.
St Wulfram’s in Grantham painted by JMW Turner in 1797:
I found a marriage for a William Eaton and Elizabeth Rose in the city of Lincoln in 1761, but it seemed unlikely as they were both of that parish, and with no discernable links to either Grantham or Nottingham.
But there were two marriages registered for William Eaton and Elizabeth Rose: one in Lincoln in 1761 and one in Hawkesworth Nottinghamshire in 1767, the year before William junior was baptised in Grantham. Hawkesworth is between Grantham and Nottingham, and this seemed much more likely.
Elizabeth’s name is spelled Rose on her marriage records, but spelled Rouse on her baptism. It’s not unusual for spelling variations to occur, as the majority of people were illiterate and whoever was recording the event wrote what it sounded like.
Elizabeth Rouse was baptised on 26th December 1746 in Gunby St Nicholas (there is another Gunby in Lincolnshire), a short distance from Grantham. Her father was Richard Rouse; her mother Cave Pindar. Cave is a curious name and I wondered if it had been mistranscribed, but it appears to be correct and clearly says Cave on several records.
Richard Rouse married Cave Pindar 21 July 1744 in South Witham, not far from Grantham.
Richard was born in 1716 in North Witham. His father was William Rouse; his mothers name was Jane.
Cave Pindar was born in 1719 in Gunby St Nicholas, near Grantham. Her father was William Pindar, but sadly her mothers name is not recorded in the parish baptism register. However a marriage was registered between William Pindar and Elizabeth Holmes in Gunby St Nicholas in October 1712.
William Pindar buried a daughter Cave on 2 April 1719 and baptised a daughter Cave on 6 Oct 1719:
Elizabeth Holmes was baptised in Gunby St Nicholas on 6th December 1691. Her father was John Holmes; her mother Margaret Hod.
Margaret Hod would have been born circa 1650 to 1670 and I haven’t yet found a baptism record for her. According to several other public trees on an ancestry website, she was born in 1654 in Essenheim, Germany. This was surprising! According to these trees, her father was Johannes Hod (Blodt|Hoth) (1609–1677) and her mother was Maria Appolonia Witters (1620–1656).
I did not think it very likely that a young woman born in Germany would appear in Gunby St Nicholas in the late 1600’s, and did a search for Hod’s in and around Grantham. Indeed there were Hod’s living in the area as far back as the 1500’s, (a Robert Hod was baptised in Grantham in 1552), and no doubt before, but the parish records only go so far back. I think it’s much more likely that her parents were local, and that the page with her baptism recorded on the registers is missing.
Of the many reasons why parish registers or some of the pages would be destroyed or lost, this is another possibility. Lincolnshire is on the east coast of England:
“All of England suffered from a “monster” storm in November of 1703 that killed a reported 8,000 people. Seaside villages suffered greatly and their church and civil records may have been lost.”
A Margeret Hod, widow, died in Gunby St Nicholas in 1691, the same year that Elizabeth Holmes was born. Elizabeth’s mother was Margaret Hod. Perhaps the widow who died was Margaret Hod’s mother? I did wonder if Margaret Hod had died shortly after her daughter’s birth, and that her husband had died sometime between the conception and birth of his child. The Black Death or Plague swept through Lincolnshire in 1680 through 1690; such an eventually would be possible. But Margaret’s name would have been registered as Holmes, not Hod.
Cave Pindar’s father William was born in Swinstead, Lincolnshire, also near to Grantham, on the 28th December, 1690, and he died in Gunby St Nicholas in 1756. William’s father is recorded as Thomas Pinder; his mother Elizabeth.
GUNBY: The village name derives from a “farmstead or village of a man called Gunni”, from the Old Scandinavian person name, and ‘by’, a farmstead, village or settlement.
Gunby Grade II listed Anglican church is dedicated to St Nicholas. Of 15th-century origin, it was rebuilt by Richard Coad in 1869, although the Perpendicular tower remained.
In reply to: The Elusive Samuel Housley and Other Family Stories
Harriet Compton
Harriet Comptom is not directly related to us, but her portrait is in our family collection.
Alfred Julius Eugene Compton painted this portrait of his daughter, Harriet Compton, when she was six. Harriet Compton was Charles Tooby’s mothers mother, and Charles married my mothers aunt Dorothy Marshall. They lived on High Park Ave in Wollaston, and his parents lived on Park Road, Wollaston, opposite my grandparents, George and Nora Marshall. Harriet married Thomas Thornburgh, they had a daughter Florence who married Sydney Tooby. Florence and Sydney were Charles Tooby’s parents.
Charles and Dorothy Tooby didn’t have any children. Charles died before his wife, and this is how the picture ended up in my mothers possession.
I attempted to find a direct descendant of Harriet Compton, but have not been successful so far, although I did find a relative on a Stourbridge facebook group. Bryan Thornburgh replied: “Francis George was my grandfather.He had two sons George & my father Thomas and two daughters Cissie & Edith. I can remember visiting my fathers Uncle Charles and Aunt Dorothy in Wollaston.”
Francis George Thornburgh was Florence Tooby’s brother.
The watercolour portrait was framed by Hughes of Enville St, Stourbridge.
Alfred Julius Eugene Compton was born in 1826 Paris, France, and died on 6 February 1917 in Chelsea, London.
Harriet Compton his daughter was born in 1853 in Islington, London, and died in December 1926 in Stourbridge.Without going too far down an unrelated rabbit hole, a member of the facebook group Family Treasures Reinstated shared this:
“Will reported in numerous papers in Dec 1886.
Harriet’s father Alfred appears to be beneficiary but Harriet’s brother, Percy is specifically excluded .
“The will (dated March 6, 1876) of the Hon. Mrs. Fanny Stanhope, late of No. 24, Carlyle-square, Chelsea, who died on August 9 last, was proved on the 1st ult. by Alfred Julius Eugene Compton, the value of the personal estate amounting to over £8000.
The testatrix, after giving & few legacies, leaves one moiety of the residue of her personal estate, upon trust, for John Auguste Alexandre Compton, for life, and then, subject to an annuity to his wife, for the children (except Percy) of Alfred Julius Eugene Compton, and the other moiety, upon trust, for the said Alfred Julius Eugene Compton, for life, and at his death for his children, except Percy.”
-Illustrated London News.Harriet Compton:
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 8
With thanks to Mike Rushby.
Morogoro 20th January 1941
Dearest Family,
It is all arranged for us to go on three months leave to Cape Town next month so
get out your flags. How I shall love showing off Kate and John to you and this time
George will be with us and you’ll be able to get to know him properly. You can’t think
what a comfort it will be to leave all the worries of baggage and tipping to him. We will all
be travelling by ship to Durban and from there to Cape Town by train. I rather dread the
journey because there is a fifth little Rushby on the way and, as always, I am very
queasy.Kate has become such a little companion to me that I dread the thought of leaving
her behind with you to start schooling. I miss Ann and George so much now and must
face separation from Kate as well. There does not seem to be any alternative though.
There is a boarding school in Arusha and another has recently been started in Mbeya,
but both places are so far away and I know she would be very unhappy as a boarder at
this stage. Living happily with you and attending a day school might wean her of her
dependance upon me. As soon as this wretched war ends we mean to get Ann and
George back home and Kate too and they can then all go to boarding school together.
If I were a more methodical person I would try to teach Kate myself, but being a
muddler I will have my hands full with Johnny and the new baby. Life passes pleasantly
but quietly here. Much of my time is taken up with entertaining the children and sewing
for them and just waiting for George to come home.George works so hard on these safaris and this endless elephant hunting to
protect native crops entails so much foot safari, that he has lost a good deal of weight. it
is more than ten years since he had a holiday so he is greatly looking forward to this one.
Four whole months together!I should like to keep the ayah, Janet, for the new baby, but she says she wants
to return to her home in the Southern Highlands Province and take a job there. She is
unusually efficient and so clean, and the houseboy and cook are quite scared of her. She
bawls at them if the children’s meals are served a few minutes late but she is always
respectful towards me and practically creeps around on tiptoe when George is home.
She has a room next to the outside kitchen. One night thieves broke into the kitchen and
stole a few things, also a canvas chair and mat from the verandah. Ayah heard them, and
grabbing a bit of firewood, she gave chase. Her shouts so alarmed the thieves that they
ran off up the hill jettisoning their loot as they ran. She is a great character.Eleanor.
Morogoro 30th July 1941
Dearest Family,
Safely back in Morogoro after a rather grim voyage from Durban. Our ship was
completely blacked out at night and we had to sleep with warm clothing and life belts
handy and had so many tedious boat drills. It was a nuisance being held up for a whole
month in Durban, because I was so very pregnant when we did embark. In fact George
suggested that I had better hide in the ‘Ladies’ until the ship sailed for fear the Captain
might refuse to take me. It seems that the ship, on which we were originally booked to
travel, was torpedoed somewhere off the Cape.We have been given a very large house this tour with a mosquito netted
sleeping porch which will be fine for the new baby. The only disadvantage is that the
house is on the very edge of the residential part of Morogoro and Johnny will have to
go quite a distance to find playmates.I still miss Kate terribly. She is a loving little person. I had prepared for a scene
when we said good-bye but I never expected that she would be the comforter. It
nearly broke my heart when she put her arms around me and said, “I’m so sorry
Mummy, please don’t cry. I’ll be good. Please don’t cry.” I’m afraid it was all very
harrowing for you also. It is a great comfort to hear that she has settled down so happily.
I try not to think consciously of my absent children and remind myself that there are
thousands of mothers in the same boat, but they are always there at the back of my
mind.Mother writes that Ann and George are perfectly happy and well, and that though
German bombers do fly over fairly frequently, they are unlikely to drop their bombs on
a small place like Jacksdale.George has already left on safari to the Rufiji. There was no replacement for his
job while he was away so he is anxious to get things moving again. Johnny and I are
going to move in with friends until he returns, just in case all the travelling around brings
the new baby on earlier than expected.Eleanor.
Morogoro 26th August 1941
Dearest Family,
Our new son, James Caleb. was born at 3.30 pm yesterday afternoon, with a
minimum of fuss, in the hospital here. The Doctor was out so my friend, Sister Murray,
delivered the baby. The Sister is a Scots girl, very efficient and calm and encouraging,
and an ideal person to have around at such a time.Everything, this time, went without a hitch and I feel fine and proud of my
bouncing son. He weighs nine pounds and ten ounces and is a big boned fellow with
dark hair and unusually strongly marked eyebrows. His eyes are strong too and already
seem to focus. George is delighted with him and brought Hugh Nelson to see him this
morning. Hugh took one look, and, astonished I suppose by the baby’s apparent
awareness, said, “Gosh, this one has been here before.” The baby’s cot is beside my
bed so I can admire him as much as I please. He has large strong hands and George
reckons he’ll make a good boxer some day.Another of my early visitors was Mabemba, George’s orderly. He is a very big
African and looks impressive in his Game Scouts uniform. George met him years ago at
Mahenge when he was a young elephant hunter and Mabemba was an Askari in the
Police. Mabemba takes quite a proprietary interest in the family.Eleanor.
Morogoro 25th December 1941
Dearest Family,
Christmas Day today, but not a gay one. I have Johnny in bed with a poisoned
leg so he missed the children’s party at the Club. To make things a little festive I have
put up a little Christmas tree in the children’s room and have hung up streamers and
balloons above the beds. Johnny demands a lot of attention so it is fortunate that little
James is such a very good baby. He sleeps all night until 6 am when his feed is due.
One morning last week I got up as usual to feed him but I felt so dopey that I
thought I’d better have a cold wash first. I went into the bathroom and had a hurried
splash and then grabbed a towel to dry my face. Immediately I felt an agonising pain in
my nose. Reason? There was a scorpion in the towel! In no time at all my nose looked
like a pear and felt burning hot. The baby screamed with frustration whilst I feverishly
bathed my nose and applied this and that in an effort to cool it.For three days my nose was very red and tender,”A real boozer nose”, said
George. But now, thank goodness, it is back to normal.Some of the younger marrieds and a couple of bachelors came around,
complete with portable harmonium, to sing carols in the early hours. No sooner had we
settled down again to woo sleep when we were disturbed by shouts and screams from
our nearest neighbour’s house. “Just celebrating Christmas”, grunted George, but we
heard this morning that the neighbour had fallen down his verandah steps and broken his
leg.Eleanor.
Morogoro Hospital 30th September 1943
Dearest Family,
Well now we are eight! Our new son, Henry, was born on the night of the 28th.
He is a beautiful baby, weighing ten pounds three and a half ounces. This baby is very
well developed, handsome, and rather superior looking, and not at all amusing to look at
as the other boys were.George was born with a moustache, John had a large nose and
looked like a little old man, and Jim, bless his heart, looked rather like a baby
chimpanzee. Henry is different. One of my visitors said, “Heaven he’ll have to be a
Bishop!” I expect the lawn sleeves of his nightie really gave her that idea, but the baby
does look like ‘Someone’. He is very good and George, John, and Jim are delighted
with him, so is Mabemba.We have a dear little nurse looking after us. She is very petite and childish
looking. When the baby was born and she brought him for me to see, the nurse asked
his name. I said jokingly, “His name is Benjamin – the last of the family.” She is now very
peeved to discover that his real name is Henry William and persists in calling him
‘Benjie’.I am longing to get home and into my pleasant rut. I have been away for two
whole weeks and George is managing so well that I shall feel quite expendable if I don’t
get home soon. As our home is a couple of miles from the hospital, I arranged to move
in and stay with the nursing sister on the day the baby was due. There I remained for ten
whole days before the baby was born. Each afternoon George came and took me for a
ride in the bumpy Bedford lorry and the Doctor tried this and that but the baby refused
to be hurried.On the tenth day I had the offer of a lift and decided to go home for tea and
surprise George. It was a surprise too, because George was entertaining a young
Game Ranger for tea and my arrival, looking like a perambulating big top, must have
been rather embarrassing.Henry was born at the exact moment that celebrations started
in the Township for the end of the Muslim religious festival of Ramadan. As the Doctor
held him up by his ankles, there was the sound of hooters and firecrackers from the town.
The baby has a birthmark in the shape of a crescent moon above his left eyebrow.Eleanor.
Morogoro 26th January 1944
Dearest Family,
We have just heard that we are to be transferred to the Headquarters of the
Game Department at a place called Lyamungu in the Northern Province. George is not
at all pleased because he feels that the new job will entail a good deal of office work and
that his beloved but endless elephant hunting will be considerably curtailed. I am glad of
that and I am looking forward to seeing a new part of Tanganyika and particularly
Kilimanjaro which dominates Lyamungu.Thank goodness our menagerie is now much smaller. We found a home for the
guinea pigs last December and Susie, our mischievous guinea-fowl, has flown off to find
a mate.Last week I went down to Dar es Salaam for a check up by Doctor John, a
woman doctor, leaving George to cope with the three boys. I was away two nights and
a day and returned early in the morning just as George was giving Henry his six o’clock
bottle. It always amazes me that so very masculine a man can do my chores with no
effort and I have a horrible suspicion that he does them better than I do. I enjoyed the
short break at the coast very much. I stayed with friends and we bathed in the warm sea
and saw a good film.Now I suppose there will be a round of farewell parties. People in this country
are most kind and hospitable.Eleanor.
Lyamungu 20th March 1944
Dearest Family,
We left Morogoro after the round of farewell parties I had anticipated. The final
one was at the Club on Saturday night. George made a most amusing speech and the
party was a very pleasant occasion though I was rather tired after all the packing.
Several friends gathered to wave us off on Monday morning. We had two lorries
loaded with our goods. I rode in the cab of the first one with Henry on my knee. George
with John and Jim rode in the second one. As there was no room for them in the cab,
they sat on our couch which was placed across the width of the lorry behind the cab. This
seat was not as comfortable as it sounds, because the space behind the couch was
taken up with packing cases which were not lashed in place and these kept moving
forward as the lorry bumped its way over the bad road.Soon there was hardly any leg room and George had constantly to stand up and
push the second layer of packing cases back to prevent them from toppling over onto
the children and himself. As it is now the rainy season the road was very muddy and
treacherous and the lorries travelled so slowly it was dark by the time we reached
Karogwe from where we were booked to take the train next morning to Moshi.
Next morning we heard that there had been a washaway on the line and that the
train would be delayed for at least twelve hours. I was not feeling well and certainly did
not enjoy my day. Early in the afternoon Jimmy ran into a wall and blackened both his
eyes. What a child! As the day wore on I felt worse and worse and when at last the train
did arrive I simply crawled into my bunk whilst George coped nobly with the luggage
and the children.We arrived at Moshi at breakfast time and went straight to the Lion Cub Hotel
where I took to my bed with a high temperature. It was, of course, malaria. I always have
my attacks at the most inopportune times. Fortunately George ran into some friends
called Eccles and the wife Mollie came to my room and bathed Henry and prepared his
bottle and fed him. George looked after John and Jim. Next day I felt much better and
we drove out to Lyamungu the day after. There we had tea with the Game Warden and
his wife before moving into our new home nearby.The Game Warden is Captain Monty Moore VC. He came out to Africa
originally as an Officer in the King’s African Rifles and liked the country so much he left the
Army and joined the Game Department. He was stationed at Banagi in the Serengetti
Game Reserve and is well known for his work with the lions there. He particularly tamed
some of the lions by feeding them so that they would come out into the open and could
readily be photographed by tourists. His wife Audrey, has written a book about their
experiences at Banagi. It is called “Serengetti”Our cook, Hamisi, soon had a meal ready for us and we all went to bed early.
This is a very pleasant house and I know we will be happy here. I still feel a little shaky
but that is the result of all the quinine I have taken. I expect I shall feel fine in a day or two.Eleanor.
Lyamungu 15th May 1944
Dearest Family,
Well, here we are settled comfortably in our very nice house. The house is
modern and roomy, and there is a large enclosed verandah, which will be a Godsend in
the wet weather as a playroom for the children. The only drawback is that there are so
many windows to be curtained and cleaned. The grounds consist of a very large lawn
and a few beds of roses and shrubs. It is an ideal garden for children, unlike our steeply
terraced garden at Morogoro.Lyamungu is really the Government Coffee Research Station. It is about sixteen
miles from the town of Moshi which is the centre of the Tanganyika coffee growing
industry. Lyamungu, which means ‘place of God’ is in the foothills of Mt Kilimanjaro and
we have a beautiful view of Kilimanjaro. Kibo, the more spectacular of the two mountain
peaks, towers above us, looking from this angle, like a giant frosted plum pudding. Often the mountain is veiled by cloud and mist which sometimes comes down to
our level so that visibility is practically nil. George dislikes both mist and mountain but I
like both and so does John. He in fact saw Kibo before I did. On our first day here, the
peak was completely hidden by cloud. In the late afternoon when the children were
playing on the lawn outside I was indoors hanging curtains. I heard John call out, “Oh
Mummy, isn’t it beautiful!” I ran outside and there, above a scarf of cloud, I saw the
showy dome of Kibo with the setting sun shining on it tingeing the snow pink. It was an
unforgettable experience.As this is the rainy season, the surrounding country side is very lush and green.
Everywhere one sees the rich green of the coffee plantations and the lighter green of
the banana groves. Unfortunately our walks are rather circumscribed. Except for the main road to Moshi, there is nowhere to walk except through the Government coffee
plantation. Paddy, our dog, thinks life is pretty boring as there is no bush here and
nothing to hunt. There are only half a dozen European families here and half of those are
on very distant terms with the other half which makes the station a rather uncomfortable
one.The coffee expert who runs this station is annoyed because his European staff
has been cut down owing to the war, and three of the vacant houses and some office
buildings have been taken over temporarily by the Game Department. Another house
has been taken over by the head of the Labour Department. However I don’t suppose
the ill feeling will effect us much. We are so used to living in the bush that we are not
socially inclined any way.Our cook, Hamisi, came with us from Morogoro but I had to engage a new
houseboy and kitchenboy. I first engaged a houseboy who produced a wonderful ‘chit’
in which his previous employer describes him as his “friend and confidant”. I felt rather
dubious about engaging him and how right I was. On his second day with us I produced
some of Henry’s napkins, previously rinsed by me, and asked this boy to wash them.
He looked most offended and told me that it was beneath his dignity to do women’s
work. We parted immediately with mutual relief.Now I have a good natured fellow named Japhet who, though hard on crockery,
is prepared to do anything and loves playing with the children. He is a local boy, a
member of the Chagga tribe. These Chagga are most intelligent and, on the whole, well
to do as they all have their own small coffee shambas. Japhet tells me that his son is at
the Uganda University College studying medicine.The kitchen boy is a tall youth called
Tovelo, who helps both Hamisi, the cook, and the houseboy and also keeps an eye on
Henry when I am sewing. I still make all the children’s clothes and my own. Life is
pleasant but dull. George promises that he will take the whole family on safari when
Henry is a little older.Eleanor.
Lyamungu 18th July 1944
Dearest Family,
Life drifts quietly by at Lyamungu with each day much like the one before – or
they would be, except that the children provide the sort of excitement that prohibits
boredom. Of the three boys our Jim is the best at this. Last week Jim wandered into the
coffee plantation beside our house and chewed some newly spayed berries. Result?
A high temperature and nasty, bloody diarrhoea, so we had to rush him to the hospital at
Moshi for treatment. however he was well again next day and George went off on safari.
That night there was another crisis. As the nights are now very cold, at this high
altitude, we have a large fire lit in the living room and the boy leaves a pile of logs
beside the hearth so that I can replenish the fire when necessary. Well that night I took
Henry off to bed, leaving John and Jim playing in the living room. When their bedtime
came, I called them without leaving the bedroom. When I had tucked John and Jim into
bed, I sat reading a bedtime story as I always do. Suddenly I saw smoke drifting
through the door, and heard a frightening rumbling noise. Japhet rushed in to say that the
lounge chimney was on fire! Picture me, panic on the inside and sweet smile on the
outside, as I picked Henry up and said to the other two, “There’s nothing to be
frightened about chaps, but get up and come outside for a bit.” Stupid of me to be so
heroic because John and Jim were not at all scared but only too delighted at the chance
of rushing about outside in the dark. The fire to them was just a bit of extra fun.We hurried out to find one boy already on the roof and the other passing up a
brimming bucket of water. Other boys appeared from nowhere and soon cascades of
water were pouring down the chimney. The result was a mountain of smouldering soot
on the hearth and a pool of black water on the living room floor. However the fire was out
and no serious harm done because all the floors here are cement and another stain on
the old rug will hardly be noticed. As the children reluctantly returned to bed John
remarked smugly, “I told Jim not to put all the wood on the fire at once but he wouldn’t
listen.” I might have guessed!However it was not Jim but John who gave me the worst turn of all this week. As
a treat I decided to take the boys to the river for a picnic tea. The river is not far from our
house but we had never been there before so I took the kitchen boy, Tovelo, to show
us the way. The path is on the level until one is in sight of the river when the bank slopes
steeply down. I decided that it was too steep for the pram so I stopped to lift Henry out
and carry him. When I looked around I saw John running down the slope towards the
river. The stream is not wide but flows swiftly and I had no idea how deep it was. All I
knew was that it was a trout stream. I called for John, “Stop, wait for me!” but he ran on
and made for a rude pole bridge which spanned the river. He started to cross and then,
to my horror, I saw John slip. There was a splash and he disappeared under the water. I
just dumped the baby on the ground, screamed to the boy to mind him and ran madly
down the slope to the river. Suddenly I saw John’s tight fitting felt hat emerge, then his
eyes and nose. I dashed into the water and found, to my intense relief, that it only
reached up to my shoulders but, thank heaven no further. John’s steady eyes watched
me trustingly as I approached him and carried him safely to the bank. He had been
standing on a rock and had not panicked at all though he had to stand up very straight
and tall to keep his nose out of water. I was too proud of him to scold him for
disobedience and too wet anyway.I made John undress and put on two spare pullovers and wrapped Henry’s
baby blanket round his waist like a sarong. We made a small fire over which I crouched
with literally chattering teeth whilst Tovelo ran home to fetch a coat for me and dry clothes
for John.Eleanor.
Lyamungu 16th August 1944
Dearest Family,
We have a new bull terrier bitch pup whom we have named Fanny III . So once
more we have a menagerie , the two dogs, two cats Susie and Winnie, and
some pet hens who live in the garage and are a real nuisance.As John is nearly six I thought it time that he started lessons and wrote off to Dar
es Salaam for the correspondence course. We have had one week of lessons and I am
already in a state of physical and mental exhaustion. John is a most reluctant scholar.
“Why should I learn to read, when you can read to me?” he asks, and “Anyway why
should I read such stupid stuff, ‘Run Rover Run’, and ‘Mother play with baby’ . Who
wants to read about things like that? I don’t.”He rather likes sums, but the only subject about which he is enthusiastic is
prehistoric history. He laps up information about ‘The Tree Dwellers’, though he is very
sceptical about the existence of such people. “God couldn’t be so silly to make people
so stupid. Fancy living in trees when it is easy to make huts like the natives.” ‘The Tree
Dwellers is a highly imaginative story about a revolting female called Sharptooth and her
offspring called Bodo. I have a very clear mental image of Sharptooth, so it came as a
shock to me and highly amused George when John looked at me reflectively across the
tea table and said, “Mummy I expect Sharptooth looked like you. You have a sharp
tooth too!” I have, my eye teeth are rather sharp, but I hope the resemblance stops
there.John has an uncomfortably logical mind for a small boy. The other day he was
lying on the lawn staring up at the clouds when he suddenly muttered “I don’t believe it.”
“Believe what?” I asked. “That Jesus is coming on a cloud one day. How can he? The
thick ones always stay high up. What’s he going to do, jump down with a parachute?”
Tovelo, my kitchen boy, announced one evening that his grandmother was in the
kitchen and wished to see me. She was a handsome and sensible Chagga woman who
brought sad news. Her little granddaughter had stumbled backwards into a large cooking
pot of almost boiling maize meal porridge and was ‘ngongwa sana’ (very ill). I grabbed
a large bottle of Picric Acid and a packet of gauze which we keep for these emergencies
and went with her, through coffee shambas and banana groves to her daughter’s house.
Inside the very neat thatched hut the mother sat with the naked child lying face
downwards on her knee. The child’s buttocks and the back of her legs were covered in
huge burst blisters from which a watery pus dripped. It appeared that the accident had
happened on the previous day.I could see that it was absolutely necessary to clean up the damaged area, and I
suddenly remembered that there was a trained African hospital dresser on the station. I
sent the father to fetch him and whilst the dresser cleaned off the sloughed skin with
forceps and swabs saturated in Picric Acid, I cut the gauze into small squares which I
soaked in the lotion and laid on the cleaned area. I thought the small pieces would be
easier to change especially as the whole of the most tender parts, front and back, were
badly scalded. The child seemed dazed and neither the dresser nor I thought she would
live. I gave her half an aspirin and left three more half tablets to be given four hourly.
Next day she seemed much brighter. I poured more lotion on the gauze
disturbing as few pieces as possible and again the next day and the next. After a week
the skin was healing well and the child eating normally. I am sure she will be all right now.
The new skin is a brilliant red and very shiny but it is pale round the edges of the burnt
area and will I hope later turn brown. The mother never uttered a word of thanks, but the
granny is grateful and today brought the children a bunch of bananas.Eleanor.
c/o Game Dept. P.O.Moshi. 29th September 1944
Dearest Mummy,
I am so glad that you so enjoyed my last letter with the description of our very
interesting and enjoyable safari through Masailand. You said you would like an even
fuller description of it to pass around amongst the relations, so, to please you, I have
written it out in detail and enclose the result.We have spent a quiet week after our exertions and all are well here.
Very much love,
Eleanor.Safari in Masailand
George and I were at tea with our three little boys on the front lawn of our house
in Lyamungu, Northern Tanganyika. It was John’s sixth birthday and he and Jim, a
happy sturdy three year old, and Henry, aged eleven months, were munching the
squares of plain chocolate which rounded off the party, when George said casually
across the table to me, “Could you be ready by the day after tomorrow to go on
safari?” “Me too?” enquired John anxiously, before I had time to reply, and “Me too?”
echoed Jim. “yes, of course I can”, said I to George and “of course you’re coming too”,
to the children who rate a day spent in the bush higher than any other pleasure.
So in the early morning two days later, we started out happily for Masailand in a
three ton Ford lorry loaded to capacity with the five Rushbys, the safari paraphernalia,
drums of petrol and quite a retinue of servants and Game Scouts. George travelling
alone on his monthly safaris, takes only the cook and a couple of Game Scouts, but this was to be a safari de luxe.Henry and I shared the cab with George who was driving, whilst John and Jim
with the faithful orderly Mabemba beside them to point out the game animals, were
installed upon rolls of bedding in the body of the lorry. The lorry lumbered along, first
through coffee shambas, and then along the main road between Moshi and Arusha.
After half an hour or so, we turned South off the road into a track which crossed the
Sanya Plains and is the beginning of this part of Masailand. Though the dry season was
at its height, and the pasture dry and course, we were soon passing small groups of
game. This area is a Game Sanctuary and the antelope grazed quietly quite undisturbed
by the passing lorry. Here and there zebra stood bunched by the road, a few wild
ostriches stalked jerkily by, and in the distance some wildebeest cavorted around in their
crazy way.Soon the grasslands gave way to thorn bush, and we saw six fantastically tall
giraffe standing motionless with their heads turned enquiringly towards us. George
stopped the lorry so the children could have a good view of them. John was enchanted
but Jim, alas, was asleep.At mid day we reached the Kikoletwa River and turned aside to camp. Beside
the river, under huge leafy trees, there was a beautiful camping spot, but the river was
deep and reputed to be full of crocodiles so we passed it by and made our camp
some distance from the river under a tall thorn tree with a flat lacy canopy. All around the
camp lay uprooted trees of similar size that had been pushed over by elephants. As
soon as the lorry stopped a camp chair was set up for me and the Game Scouts quickly
slashed down grass and cleared the camp site of thorns. The same boys then pitched the tent whilst George himself set up the three camp beds and the folding cot for Henry,
and set up the safari table and the canvas wash bowl and bath.The cook in the meantime had cleared a cool spot for the kitchen , opened up the
chop boxes and started a fire. The cook’s boy and the dhobi (laundry boy) brought
water from the rather muddy river and tea was served followed shortly afterward by an
excellent lunch. In a very short time the camp had a suprisingly homely look. Nappies
fluttered from a clothes line, Henry slept peacefully in his cot, John and Jim sprawled on
one bed looking at comics, and I dozed comfortably on another.George, with the Game Scouts, drove off in the lorry about his work. As a Game
Ranger it is his business to be on a constant look out for poachers, both African and
European, and for disease in game which might infect the valuable herds of Masai cattle.
The lorry did not return until dusk by which time the children had bathed enthusiastically in
the canvas bath and were ready for supper and bed. George backed the lorry at right
angles to the tent, Henry’s cot and two camp beds were set up in the lorry, the tarpaulin
was lashed down and the children put to bed in their novel nursery.When darkness fell a large fire was lit in front of the camp, the exited children at
last fell asleep and George and I sat on by the fire enjoying the cool and quiet night.
When the fire subsided into a bed of glowing coals, it was time for our bed. During the
night I was awakened by the sound of breaking branches and strange indescribable
noises.” Just elephant”, said George comfortably and instantly fell asleep once more. I
didn’t! We rose with the birds next morning, but breakfast was ready and in a
remarkably short time the lorry had been reloaded and we were once more on our way.
For about half a mile we made our own track across the plain and then we turned
into the earth road once more. Soon we had reached the river and were looking with
dismay at the suspension bridge which we had to cross. At the far side, one steel
hawser was missing and there the bridge tilted dangerously. There was no handrail but
only heavy wooden posts which marked the extremities of the bridge. WhenGeorge
measured the distance between the posts he found that there could be barely two
inches to spare on either side of the cumbersome lorry.He decided to risk crossing, but the children and I and all the servants were told to
cross the bridge and go down the track out of sight. The Game Scouts remained on the
river bank on the far side of the bridge and stood ready for emergencies. As I walked
along anxiously listening, I was horrified to hear the lorry come to a stop on the bridge.
There was a loud creaking noise and I instantly visualised the lorry slowly toppling over
into the deep crocodile infested river. The engine restarted, the lorry crossed the bridge
and came slowly into sight around the bend. My heart slid back into its normal position.
George was as imperturbable as ever and simply remarked that it had been a near
thing and that we would return to Lyamungu by another route.Beyond the green river belt the very rutted track ran through very uninteresting
thorn bush country. Henry was bored and tiresome, jumping up and down on my knee
and yelling furiously. “Teeth”, said I apologetically to George, rashly handing a match
box to Henry to keep him quiet. No use at all! With a fat finger he poked out the tray
spilling the matches all over me and the floor. Within seconds Henry had torn the
matchbox to pieces with his teeth and flung the battered remains through the window.
An empty cigarette box met with the same fate as the match box and the yells
continued unabated until Henry slept from sheer exhaustion. George gave me a smile,
half sympathetic and half sardonic, “Enjoying the safari, my love?” he enquired. On these
trying occasions George has the inestimable advantage of being able to go into a Yogilike
trance, whereas I become irritated to screaming point.In an effort to prolong Henry’s slumber I braced my feet against the floor boards
and tried to turn myself into a human shock absorber as we lurched along the eroded
track. Several times my head made contact with the bolt of a rifle in the rack above, and
once I felt I had shattered my knee cap against the fire extinguisher in a bracket under the
dash board.Strange as it may seem, I really was enjoying the trip in spite of these
discomforts. At last after three years I was once more on safari with George. This type of
country was new to me and there was so much to see We passed a family of giraffe
standing in complete immobility only a few yards from the track. Little dick-dick. one of the smallest of the antelope, scuttled in pairs across the road and that afternoon I had my first view of Gerenuk, curious red brown antelope with extremely elongated legs and giraffe-like necks.Most interesting of all was my first sight of Masai at home. We could hear a tuneful
jangle of cattle bells and suddenly came across herds of humped cattle browsing upon
the thorn bushes. The herds were guarded by athletic,striking looking Masai youths and men.
Each had a calabash of water slung over his shoulder and a tall, highly polished spear in his
hand. These herdsmen were quite unselfconscious though they wore no clothing except for one carelessly draped blanket. Very few gave us any greeting but glanced indifferently at us from under fringes of clay-daubed plaited hair . The rest of their hair was drawn back behind the ears to display split earlobes stretched into slender loops by the weight of heavy brass or copper tribal ear rings.Most of the villages were set well back in the bush out of sight of the road but we did pass one
typical village which looked most primitive indeed. It consisted simply of a few mound like mud huts which were entirely covered with a plaster of mud and cattle dung and the whole clutch of huts were surrounded by a ‘boma’ of thorn to keep the cattle in at night and the lions out. There was a gathering of women and children on the road at this point. The children of both sexes were naked and unadorned, but the women looked very fine indeed. This is not surprising for they have little to do but adorn themselves, unlike their counterparts of other tribes who have to work hard cultivating the fields. The Masai women, and others I saw on safari, were far more amiable and cheerful looking than the men and were well proportioned.They wore skirts of dressed goat skin, knee length in front but ankle length behind. Their arms
from elbow to wrist, and legs from knee to ankle, were encased in tight coils of copper and
galvanised wire. All had their heads shaved and in some cases bound by a leather band
embroidered in red white and blue beads. Circular ear rings hung from slit earlobes and their
handsome throats were encircled by stiff wire necklaces strung with brightly coloured beads. These
necklaces were carefully graded in size and formed deep collars almost covering their breasts.
About a quarter of a mile further along the road we met eleven young braves in gala attire, obviously on their way to call on the girls. They formed a line across the road and danced up and down until the lorry was dangerously near when they parted and grinned cheerfully at us. These were the only cheerful
looking male Masai that I saw. Like the herdsmen these youths wore only a blanket, but their
blankets were ochre colour, and elegantly draped over their backs. Their naked bodies gleamed with oil. Several had painted white stripes on their faces, and two had whitewashed their faces entirely which I
thought a pity. All had their long hair elaborately dressed and some carried not only one,
but two gleaming spears.By mid day George decided that we had driven far enough for that day. He
stopped the lorry and consulted a rather unreliable map. “Somewhere near here is a
place called Lolbeni,” he said. “The name means Sweet Water, I hear that the
government have piped spring water down from the mountain into a small dam at which
the Masai water their cattle.” Lolbeni sounded pleasant to me. Henry was dusty and
cross, the rubber sheet had long slipped from my lap to the floor and I was conscious of
a very damp lap. ‘Sweet Waters’ I felt, would put all that right. A few hundred yards
away a small herd of cattle was grazing, so George lit his pipe and relaxed at last, whilst
a Game Scout went off to find the herdsman. The scout soon returned with an ancient
and emaciated Masai who was thrilled at the prospect of his first ride in a lorry and
offered to direct us to Lolbeni which was off the main track and about four miles away.Once Lolbeni had been a small administrative post and a good track had
led to it, but now the Post had been abandoned and the road is dotted with vigourous
thorn bushes and the branches of larger thorn trees encroach on the track The road had
deteriorated to a mere cattle track, deeply rutted and eroded by heavy rains over a
period of years. The great Ford truck, however, could take it. It lurched victoriously along,
mowing down the obstructions, tearing off branches from encroaching thorn trees with its
high railed sides, spanning gorges in the track, and climbing in and out of those too wide
to span. I felt an army tank could not have done better.I had expected Lolbeni to be a green oasis in a desert of grey thorns, but I was
quickly disillusioned. To be sure the thorn trees were larger and more widely spaced and
provided welcome shade, but the ground under the trees had been trampled by thousands of cattle into a dreary expanse of dirty grey sand liberally dotted with cattle droppings and made still more uninviting by the bleached bones of dead beasts.To the right of this waste rose a high green hill which gave the place its name and from which
the precious water was piped, but its slopes were too steep to provide a camping site.
Flies swarmed everywhere and I was most relieved when George said that we would
stay only long enough to fill our cans with water. Even the water was a disappointment!
The water in the small dam was low and covered by a revolting green scum, and though
the water in the feeding pipe was sweet, it trickled so feebly that it took simply ages to
fill a four gallon can.However all these disappointments were soon forgotten for we drove away
from the flies and dirt and trampled sand and soon, with their quiet efficiency, George
and his men set up a comfortable camp. John and Jim immediately started digging
operations in the sandy soil whilst Henry and I rested. After tea George took his shot
gun and went off to shoot guinea fowl and partridges for the pot. The children and I went
walking, keeping well in site of camp, and soon we saw a very large flock of Vulturine
Guineafowl, running aimlessly about and looking as tame as barnyard fowls, but melting
away as soon as we moved in their direction.We had our second quiet and lovely evening by the camp fire, followed by a
peaceful night.We left Lolbeni very early next morning, which was a good thing, for as we left
camp the herds of thirsty cattle moved in from all directions. They were accompanied by
Masai herdsmen, their naked bodies and blankets now covered by volcanic dust which
was being stirred in rising clouds of stifling ash by the milling cattle, and also by grey
donkeys laden with panniers filled with corked calabashes for water.Our next stop was Nabarera, a Masai cattle market and trading centre, where we
reluctantly stayed for two days in a pokey Goverment Resthouse because George had
a job to do in that area. The rest was good for Henry who promptly produced a tooth
and was consequently much better behaved for the rest of the trip. George was away in the bush most of the day but he returned for afternoon tea and later took the children out
walking. We had noticed curious white dumps about a quarter mile from the resthouse
and on the second afternoon we set out to investigate them. Behind the dumps we
found passages about six foot wide, cut through solid limestone. We explored two of
these and found that both passages led steeply down to circular wells about two and a
half feet in diameter.At the very foot of each passage, beside each well, rough drinking troughs had
been cut in the stone. The herdsmen haul the water out of the well in home made hide
buckets, the troughs are filled and the cattle driven down the ramps to drink at the trough.
It was obvious that the wells were ancient and the sloping passages new. George tells
me that no one knows what ancient race dug the original wells. It seems incredible that
these deep and narrow shafts could have been sunk without machinery. I craned my
neck and looked above one well and could see an immensely long shaft reaching up to
ground level. Small footholds were cut in the solid rock as far as I could see.
It seems that the Masai are as ignorant as ourselves about the origin of these
wells. They do say however that when their forebears first occupied what is now known
as Masailand, they not only found the Wanderobo tribe in the area but also a light
skinned people and they think it possible that these light skinned people dug the wells.
These people disappeared. They may have been absorbed or, more likely, they were
liquidated.The Masai had found the well impractical in their original form and had hired
labourers from neighbouring tribes to cut the passages to water level. Certainly the Masai are not responsible for the wells. They are a purely pastoral people and consider manual labour extremely degrading.They live chiefly on milk from their herd which they allow to go sour, and mix with blood that has been skilfully tapped from the necks of living cattle. They do not eat game meat, nor do they cultivate any
land. They hunt with spears, but hunt only lions, to protect their herds, and to test the skill
and bravery of their young warriors. What little grain they do eat is transported into
Masailand by traders. The next stage of our journey took us to Ngassamet where
George was to pick up some elephant tusks. I had looked forward particularly to this
stretch of road for I had heard that there was a shallow lake at which game congregates,
and at which I had great hopes of seeing elephants. We had come too late in the
season though, the lake was dry and there were only piles of elephant droppings to
prove that elephant had recently been there in numbers. Ngassamet, though no beauty
spot, was interesting. We saw more elaborate editions of the wells already described, and as this area
is rich in cattle we saw the aristocrats of the Masai. You cannot conceive of a more arrogant looking male than a young Masai brave striding by on sandalled feet, unselfconscious in all his glory. All the young men wore the casually draped traditional ochre blanket and carried one or more spears. But here belts and long knife sheaths of scarlet leather seem to be the fashion. Here fringes do not seem to be the thing. Most of these young Masai had their hair drawn smoothly back and twisted in a pointed queue, the whole plastered with a smooth coating of red clay. Some tied their horn shaped queues over their heads
so that the tip formed a deep Satanic peak on the brow. All these young men wore the traditional
copper earrings and I saw one or two with copper bracelets and one with a necklace of brightly coloured
beads.It so happened that, on the day of our visit to Ngassamet, there had been a
baraza (meeting) which was attended by all the local headmen and elders. These old
men came to pay their respects to George and a more shrewd and rascally looking
company I have never seen, George told me that some of these men own up to three
thousand head of cattle and more. The chief was as fat and Rabelasian as his second in
command was emaciated, bucktoothed and prim. The Chief shook hands with George
and greeted me and settled himself on the wall of the resthouse porch opposite
George. The lesser headmen, after politely greeting us, grouped themselves in a
semi circle below the steps with their ‘aides’ respectfully standing behind them. I
remained sitting in the only chair and watched the proceedings with interest and
amusement.These old Masai, I noticed, cared nothing for adornment. They had proved
themselves as warriors in the past and were known to be wealthy and influential so did
not need to make any display. Most of them had their heads comfortably shaved and
wore only a drab blanket or goatskin cloak. Their only ornaments were earrings whose
effect was somewhat marred by the serviceable and homely large safety pin that
dangled from the lobe of one ear. All carried staves instead of spears and all, except for
Buckteeth and one blind old skeleton of a man, appeared to have a keenly developed
sense of humour.“Mummy?” asked John in an urgent whisper, “Is that old blind man nearly dead?”
“Yes dear”, said I, “I expect he’ll soon die.” “What here?” breathed John in a tone of
keen anticipation and, until the meeting broke up and the old man left, he had John’s
undivided attention.After local news and the game situation had been discussed, the talk turned to the
war. “When will the war end?” moaned the fat Chief. “We have made great gifts of cattle
to the War Funds, we are taxed out of existence.” George replied with the Ki-Swahili
equivalent of ‘Sez you!’. This sally was received with laughter and the old fellows rose to
go. They made their farewells and dignified exits, pausing on their way to stare at our
pink and white Henry, who sat undismayed in his push chair giving them stare for stare
from his striking grey eyes.Towards evening some Masai, prompted no doubt by our native servants,
brought a sheep for sale. It was the last night of the fast of Ramadan and our
Mohammedan boys hoped to feast next day at our expense. Their faces fell when
George refused to buy the animal. “Why should I pay fifteen shillings for a sheep?” he
asked, “Am I not the Bwana Nyama and is not the bush full of my sheep?” (Bwana
Nyama is the native name for a Game Ranger, but means literally, ‘Master of the meat’)
George meant that he would shoot a buck for the men next day, but this incident was to
have a strange sequel. Ngassamet resthouse consists of one room so small we could
not put up all our camp beds and George and I slept on the cement floor which was
unkind to my curves. The night was bitterly cold and all night long hyaenas screeched
hideously outside. So we rose at dawn without reluctance and were on our way before it
was properly light.George had decided that it would be foolhardy to return home by our outward
route as he did not care to risk another crossing of the suspension bridge. So we
returned to Nabarera and there turned onto a little used track which would eventually take
us to the Great North Road a few miles South of Arusha. There was not much game
about but I saw Oryx which I had not previously seen. Soon it grew intolerably hot and I
think all of us but George were dozing when he suddenly stopped the lorry and pointed
to the right. “Mpishi”, he called to the cook, “There’s your sheep!” True enough, on that
dreary thorn covered plain,with not another living thing in sight, stood a fat black sheep.There was an incredulous babbling from the back of the lorry. Every native
jumped to the ground and in no time at all the wretched sheep was caught and
slaughtered. I felt sick. “Oh George”, I wailed, “The poor lost sheep! I shan’t eat a scrap
of it.” George said nothing but went and had a look at the sheep and called out to me,
“Come and look at it. It was kindness to kill the poor thing, the vultures have been at it
already and the hyaenas would have got it tonight.” I went reluctantly and saw one eye
horribly torn out, and small deep wounds on the sheep’s back where the beaks of the
vultures had cut through the heavy fleece. Poor thing! I went back to the lorry more
determined than ever not to eat mutton on that trip. The Scouts and servants had no
such scruples. The fine fat sheep had been sent by Allah for their feast day and that was
the end of it.“ ‘Mpishi’ is more convinced than ever that I am a wizard”, said George in
amusement as he started the lorry. I knew what he meant. Several times before George
had foretold something which had later happened. Pure coincidence, but strange enough
to give rise to a legend that George had the power to arrange things. “What happened
of course”, explained George, “Is that a flock of Masai sheep was driven to market along
this track yesterday or the day before. This one strayed and was not missed.”The day grew hotter and hotter and for long miles we looked out for a camping
spot but could find little shade and no trace of water anywhere. At last, in the early
afternoon we reached another pokey little rest house and asked for water. “There is no
water here,” said the native caretaker. “Early in the morning there is water in a well nearby
but we are allowed only one kerosene tin full and by ten o’clock the well is dry.” I looked
at George in dismay for we were all so tired and dusty. “Where do the Masai from the
village water their cattle then?” asked George. “About two miles away through the bush.
If you take me with you I shall show you”, replied the native.So we turned off into the bush and followed a cattle track even more tortuous than
the one to Lolbeni. Two Scouts walked ahead to warn us of hazards and I stretched my
arm across the open window to fend off thorns. Henry screamed with fright and hunger.
But George’s efforts to reach water went unrewarded as we were brought to a stop by
a deep donga. The native from the resthouse was apologetic. He had mistaken the
path, perhaps if we turned back we might find it. George was beyond speech. We
lurched back the way we had come and made our camp under the first large tree we
could find. Then off went our camp boys on foot to return just before dark with the water.
However they were cheerful for there was an unlimited quantity of dry wood for their fires
and meat in plenty for their feast. Long after George and I left our campfire and had gone
to bed, we could see the cheerful fires of the boys and hear their chatter and laughter.
I woke in the small hours to hear the insane cackling of hyaenas gloating over a
find. Later I heard scuffling around the camp table, I peered over the tailboard of the lorry
and saw George come out of his tent. What are you doing?” I whispered. “Looking for
something to throw at those bloody hyaenas,” answered George for all the world as
though those big brutes were tomcats on the prowl. Though the hyaenas kept up their
concert all night the children never stirred, nor did any of them wake at night throughout
the safari.Early next morning I walked across to the camp kitchen to enquire into the loud
lamentations coming from that quarter. “Oh Memsahib”, moaned the cook, “We could
not sleep last night for the bad hyaenas round our tents. They have taken every scrap of
meat we had left over from the feast., even the meat we had left to smoke over the fire.”
Jim, who of our three young sons is the cook’s favourite commiserated with him. He said
in Ki-Swahili, which he speaks with great fluency, “Truly those hyaenas are very bad
creatures. They also robbed us. They have taken my hat from the table and eaten the
new soap from the washbowl.Our last day in the bush was a pleasantly lazy one. We drove through country
that grew more open and less dry as we approached Arusha. We pitched our camp
near a large dam, and the water was a blessed sight after a week of scorched country.
On the plains to the right of our camp was a vast herd of native cattle enjoying a brief
rest after their long day trek through Masailand. They were destined to walk many more
weary miles before reaching their destination, a meat canning factory in Kenya.
The ground to the left of the camp rose gently to form a long low hill and on the
grassy slopes we could see wild ostriches and herds of wildebeest, zebra and
antelope grazing amicably side by side. In the late afternoon I watched the groups of
zebra and wildebeest merge into one. Then with a wildebeest leading, they walked
down the slope in single file to drink at the vlei . When they were satisfied, a wildebeest
once more led the herd up the trail. The others followed in a long and orderly file, and
vanished over the hill to their evening pasture.When they had gone, George took up his shotgun and invited John to
accompany him to the dam to shoot duck. This was the first time John had acted as
retriever but he did very well and proudly helped to carry a mixed bag of sand grouse
and duck back to camp.Next morning we turned into the Great North Road and passed first through
carefully tended coffee shambas and then through the township of Arusha, nestling at
the foot of towering Mount Meru. Beyond Arusha we drove through the Usa River
settlement where again coffee shambas and European homesteads line the road, and
saw before us the magnificent spectacle of Kilimanjaro unveiled, its white snow cap
gleaming in the sunlight. Before mid day we were home. “Well was it worth it?” enquired
George at lunch. “Lovely,” I replied. ”Let’s go again soon.” Then thinking regretfully of
our absent children I sighed, “If only Ann, George, and Kate could have gone with us
too.”Lyamungu 10th November. 1944
Dearest Family.
Mummy wants to know how I fill in my time with George away on safari for weeks
on end. I do believe that you all picture me idling away my days, waited on hand and
foot by efficient servants! On the contrary, life is one rush and the days never long
enough.To begin with, our servants are anything but efficient, apart from our cook, Hamisi
Issa, who really is competent. He suffers from frustration because our budget will not run
to elaborate dishes so there is little scope for his culinary art. There is one masterpiece
which is much appreciated by John and Jim. Hamisi makes a most realistic crocodile out
of pastry and stuffs its innards with minced meat. This revolting reptile is served on a
bed of parsley on my largest meat dish. The cook is a strict Mohammedan and
observes all the fasts and daily prayers and, like all Mohammedans he is very clean in
his person and, thank goodness, in the kitchen.His wife is his pride and joy but not his helpmate. She does absolutely nothing
but sit in a chair in the sun all day, sipping tea and smoking cigarettes – a more
expensive brand than mine! It is Hamisi who sweeps out their quarters, cooks
delectable curries for her, and spends more than he can afford on clothing and trinkets for
his wife. She just sits there with her ‘Mona Lisa’ smile and her painted finger and toe
nails, doing absolutely nothing.The thing is that natives despise women who do work and this applies especially
to their white employers. House servants much prefer a Memsahib who leaves
everything to them and is careless about locking up her pantry. When we first came to
Lyamungu I had great difficulty in employing a houseboy. A couple of rather efficient
ones did approach me but when they heard the wages I was prepared to pay and that
there was no number 2 boy, they simply were not interested. Eventually I took on a
local boy called Japhet who suits me very well except that his sight is not good and he
is extremely hard on the crockery. He tells me that he has lost face by working here
because his friends say that he works for a family that is too mean to employ a second
boy. I explained that with our large family we simply cannot afford to pay more, but this
didn’t register at all. Japhet says “But Wazungu (Europeans) all have money. They just
have to get it from the Bank.”The third member of our staff is a strapping youth named Tovelo who helps both
cook and boy, and consequently works harder than either. What do I do? I chivvy the
servants, look after the children, supervise John’s lessons, and make all my clothing and
the children’s on that blessed old hand sewing machine.The folk on this station entertain a good deal but we usually decline invitations
because we simply cannot afford to reciprocate. However, last Saturday night I invited
two couples to drinks and dinner. This was such an unusual event that the servants and I
were thrown into a flurry. In the end the dinner went off well though it ended in disaster. In
spite of my entreaties and exhortations to Japhet not to pile everything onto the tray at
once when clearing the table, he did just that. We were starting our desert and I was
congratulating myself that all had gone well when there was a frightful crash of breaking
china on the back verandah. I excused myself and got up to investigate. A large meat
dish, six dinner plates and four vegetable dishes lay shattered on the cement floor! I
controlled my tongue but what my eyes said to Japhet is another matter. What he said
was, “It is not my fault Memsahib. The handle of the tray came off.”It is a curious thing about native servants that they never accept responsibility for
a mishap. If they cannot pin their misdeeds onto one of their fellow servants then the responsibility rests with God. ‘Shauri ya Mungu’, (an act of God) is a familiar cry. Fatalists
can be very exasperating employees.The loss of my dinner service is a real tragedy because, being war time, one can
buy only china of the poorest quality made for the native trade. Nor was that the final
disaster of the evening. When we moved to the lounge for coffee I noticed that the
coffee had been served in the battered old safari coffee pot instead of the charming little
antique coffee pot which my Mother-in-law had sent for our tenth wedding anniversary.
As there had already been a disturbance I made no comment but resolved to give the
cook a piece of my mind in the morning. My instructions to the cook had been to warm
the coffee pot with hot water immediately before serving. On no account was he to put
the pewter pot on the hot iron stove. He did and the result was a small hole in the base
of the pot – or so he says. When I saw the pot next morning there was a two inch hole in
it.Hamisi explained placidly how this had come about. He said he knew I would be
mad when I saw the little hole so he thought he would have it mended and I might not
notice it. Early in the morning he had taken the pewter pot to the mechanic who looks
after the Game Department vehicles and had asked him to repair it. The bright individual
got busy with the soldering iron with the most devastating result. “It’s his fault,” said
Hamisi, “He is a mechanic, he should have known what would happen.”
One thing is certain, there will be no more dinner parties in this house until the war
is ended.The children are well and so am I, and so was George when he left on his safari
last Monday.Much love,
Eleanor.In reply to: The Elusive Samuel Housley and Other Family Stories
My Grandparents
George Samuel Marshall 1903-1995
Florence Noreen Warren (Nora) 1906-1988
I always called my grandfather Mop, apparently because I couldn’t say the name Grandpa, but whatever the reason, the name stuck. My younger brother also called him Mop, but our two cousins did not.
My earliest memories of my grandparents are the picnics. Grandma and Mop loved going out in the car for a picnic. Favourite spots were the Clee Hills in Shropshire, North Wales, especially Llanbedr, Malvern, and Derbyshire, and closer to home, the caves and silver birch woods at Kinver Edge, Arley by the river Severn, or Bridgnorth, where Grandma’s sister Hildreds family lived. Stourbridge was on the western edge of the Black Country in the Midlands, so one was quickly in the countryside heading west. They went north to Derbyshire less, simply because the first part of the trip entailed driving through Wolverhampton and other built up and not particularly pleasant urban areas. I’m sure they’d have gone there more often, as they were both born in Derbyshire, if not for that initial stage of the journey.
There was predominantly grey tartan car rug in the car for picnics, and a couple of folding chairs. There were always a couple of cushions on the back seat, and I fell asleep in the back more times than I can remember, despite intending to look at the scenery. On the way home Grandma would always sing, “Show me the way to go home, I’m tired and I want to go to bed, I had a little drink about an hour ago, And it’s gone right to my head.” I’ve looked online for that song, and have not found it anywhere!
Grandma didn’t just make sandwiches for picnics, there were extra containers of lettuce, tomatoes, pickles and so on. I used to love to wash up the picnic plates in the little brook on the Clee Hills, near Cleeton St Mary. The close cropped grass was ideal for picnics, and Mop and the sheep would Baaa at each other.
Mop would base the days outting on the weather forcast, but Grandma often used to say he always chose the opposite of what was suggested. She said if you want to go to Derbyshire, tell him you want to go to Wales. I recall him often saying, on a gloomy day, Look, there’s a bit of clear sky over there. Mop always did the driving as Grandma never learned to drive. Often she’d dust the dashboard with a tissue as we drove along.
My brother and I often spent the weekend at our grandparents house, so that our parents could go out on a Saturday night. They gave us 5 shillings pocket money, which I used to spend on two Ladybird books at 2 shillings and sixpence each. We had far too many sweets while watching telly in the evening ~ in the dark, as they always turned the lights off to watch television. The lemonade and pop was Corona, and came in returnable glass bottles. We had Woodpecker cider too, even though it had a bit of an alcohol content.
Mop smoked Kensitas and Grandma smoked Sovereign cigarettes, or No6, and the packets came with coupons. They often let me choose something for myself out of the catalogue when there were enough coupons saved up.
When I had my first garden, in a rented house a short walk from theirs, they took me to garden nurseries and taught me all about gardening. In their garden they had berberis across the front of the house under the window, and cotoneaster all along the side of the garage wall. The silver birth tree on the lawn had been purloined as a sapling from Kinver edge, when they first moved into the house. (they lived in that house on Park Road for more than 60 years). There were perennials and flowering shrubs along the sides of the back garden, and behind the silver birch, and behind that was the vegeatable garden. Right at the back was an Anderson shelter turned into a shed, the rhubarb, and the washing line, and the canes for the runner beans in front of those. There was a little rose covered arch on the path on the left, and privet hedges all around the perimeter.
My grandfather was a dental technician. He worked for various dentists on their premises over the years, but he always had a little workshop of his own at the back of his garage. His garage was full to the brim of anything that might potentially useful, but it was not chaotic. He knew exactly where to find anything, from the tiniest screw for spectacles to a useful bit of wire. He was “mechanicaly minded” and could always fix things like sewing machines and cars and so on.
Mop used to let me sit with him in his workshop, and make things out of the pink wax he used for gums to embed the false teeth into prior to making the plaster casts. The porcelain teeth came on cards, and were strung in place by means of little holes on the back end of the teeth. I still have a necklace I made by threading teeth onto a string. There was a foot pedal operated drill in there as well, possibly it was a dentists drill previously, that he used with miniature grinding or polishing attachments. Sometimes I made things out of the pink acrylic used for the final denture, which had a strong smell and used to harden quickly, so you had to work fast. Initially, the workshop was to do the work for Uncle Ralph, Grandmas’s sisters husband, who was a dentist. In later years after Ralph retired, I recall a nice man called Claude used to come in the evening to collect the dentures for another dental laboratory. Mop always called his place of work the laboratory.
Grandma loved books and was always reading, in her armchair next to the gas fire. I don’t recall seeing Mop reading a book, but he was amazingly well informed about countless topics.
At family gatherings, Mops favourite topic of conversation after dinner was the atrocities committed over the centuries by organized religion.My grandfather played snooker in his younger years at the Conservative club. I recall my father assuming he voted Conservative, and Mop told him in no uncertain terms that he’s always voted Labour. When asked why he played snooker at the Conservative club and not the Labour club, he said with a grin that “it was a better class of people”, but that he’d never vote Conservative because it was of no benefit to the likes of us working people.
Grandma and her sister in law Marie had a little grocers shop on Brettel Lane in Amblecote for a few years but I have no personal recollection of that as it was during the years we lived in USA. I don’t recall her working other than that. She had a pastry making day once a week, and made Bakewell tart, apple pie, a meat pie, and her own style of pizza. She had an old black hand operated sewing machine, and made curtains and loose covers for the chairs and sofa, but I don’t think she made her own clothes, at least not in later years. I have her sewing machine here in Spain.
At regular intervals she’d move all the furniture around and change the front room into the living room and the back into the dining room and vice versa. In later years Mop always had the back bedroom (although when I lived with them aged 14, I had the back bedroom, and painted the entire room including the ceiling purple). He had a very lumpy mattress but he said it fit his bad hip perfectly.Grandma used to alternate between the tiny bedroom and the big bedroom at the front. (this is in later years, obviously) The wardrobes and chests of drawers never changed, they were oak and substantial, but rather dated in appearance. They had a grandfather clock with a brass face and a grandmother clock. Over the fireplace in the living room was a Utrillo print. The bathroom and lavatory were separate rooms, and the old claw foot bath had wood panels around it to make it look more modern. There was a big hot water geyser above it. Grandma was fond of using stick on Fablon tile effects to try to improve and update the appearance of the bathroom and kitchen. Mop was a generous man, but would not replace household items that continued to function perfectly well. There were electric heaters in all the rooms, of varying designs, and gas fires in living room and dining room. The coal house on the outside wall was later turned into a downstairs shower room, when Mop moved his bedroom downstairs into the front dining room, after Grandma had died and he was getting on.
Mop was 91 when he told me he wouldn’t be growing any vegetables that year. He said the sad thing was that he knew he’d never grow vegetables again. He worked part time until he was in his early 80s.
In reply to: The Elusive Samuel Housley and Other Family Stories
My Grandparents Kitchen
My grandmother used to have golden syrup in her larder, hanging on the white plastic coated storage rack that was screwed to the inside of the larder door. Mostly the larder door was left propped open with an old flat iron, so you could see the Heinz ketchup and home made picallilli (she made a particularly good picallili), the Worcester sauce and the jar of pickled onions, as you sat at the kitchen table.
If you were sitting to the right of the kitchen table you could see an assortment of mismatched crockery, cups and bowls, shoe cleaning brushes, and at the back, tiny tins of baked beans and big ones of plum tomatoes, and normal sized tins of vegetable and mushroom soup. Underneath the little shelves that housed the tins was a blue plastic washing up bowl with a few onions, some in, some out of the yellow string bag they came home from the expensive little village supermarket in.
There was much more to the left in the awkward triangular shape under the stairs, but you couldn’t see under there from your seat at the kitchen table. You could see the shelf above the larder door which held an ugly china teapot of graceless modern lines, gazed with metallic silver which was wearing off in places. Beside the teapot sat a serving bowl, squat and shapely with little handles, like a flattened Greek urn, in white and reddish brown with flecks of faded gilt. A plain white teapot completed the trio, a large cylindrical one with neat vertical ridges and grooves.
There were two fridges under the high shallow wooden wall cupboard. A waist high bulbous old green one with a big handle that pulled out with a clunk, and a chest high sleek white one with a small freezer at the top with a door of its own. On the top of the fridges were biscuit and cracker tins, big black keys, pencils and brittle yellow notepads, rubber bands and aspirin value packs and a bottle of Brufen. There was a battered old maroon spectacle case and a whicker letter rack, letters crammed in and fanning over the top. There was always a pile of glossy advertising pamphlets and flyers on top of the fridges, of the sort that were best put straight into the tiny pedal bin.
My grandmother never lined the pedal bin with a used plastic bag, nor with a specially designed plastic bin liner. The bin was so small that the flip top lid was often gaping, resting on a mound of cauliflower greens and soup tins. Behind the pedal bin, but on the outer aspect of the kitchen wall, was the big black dustbin with the rubbery lid. More often than not, the lid was thrust upwards. If Thursday when the dustbin men came was several days away, you’d wish you hadn’t put those newspapers in, or those old shoes! You stood in the softly drizzling rain in your slippers, the rubbery sheild of a lid in your left hand and the overflowing pedal bin in the other. The contents of the pedal bin are not going to fit into the dustbin. You sigh, put the pedal bin and the dustbin lid down, and roll up your sleeves ~ carefully, because you’ve poked your fingers into a porridge covered teabag. You grab the sides of the protruding black sack and heave. All being well, the contents should settle and you should have several inches more of plastic bag above the rim of the dustbin. Unless of course it’s a poor quality plastic bag in which case your fingernail will go through and a horizontal slash will appear just below rubbish level. Eventually you upend the pedal bin and scrape the cigarette ash covered potato peelings into the dustbin with your fingers. By now the fibres of your Shetland wool jumper are heavy with damp, just like the fuzzy split ends that curl round your pale frowning brow. You may push back your hair with your forearm causing the moisture to bead and trickle down your face, as you turn the brass doorknob with your palm and wrist, tea leaves and cigarette ash clinging unpleasantly to your fingers.
The pedal bin needs rinsing in the kitchen sink, but the sink is full of mismatched saucepans, some new in shades of harvest gold, some battered and mishapen in stainless steel and aluminium, bits of mashed potato stuck to them like concrete pebbledash. There is a pale pink octagonally ovoid shallow serving dish and a little grey soup bowl with a handle like a miniature pottery saucepan decorated with kitcheny motifs.
The water for the coffee bubbles in a suacepan on the cream enamelled gas cooker. My grandmother never used a kettle, although I do remember a heavy flame orange one. The little pan for boiling water had a lip for easy pouring and a black plastic handle.
The steam has caused the condensation on the window over the sink to race in rivulets down to the fablon coated windowsill. The yellow gingham curtains hang limply, the left one tucked behind the back of the cooker.
You put the pedal bin back it it’s place below the tea towel holder, and rinse your mucky fingers under the tap. The gas water heater on the wall above you roars into life just as you turn the tap off, and disappointed, subsides.
As you lean over to turn the cooker knob, the heat from the oven warms your arm. The gas oven was almost always on, the oven door open with clean tea towels and sometimes large white pants folded over it to air.
The oven wasn’t the only heat in my grandparents kitchen. There was an electric bar fire near the red formica table which used to burn your legs. The kitchen table was extended by means of a flap at each side. When I was small I wasn’t allowed to snap the hinge underneath shut as my grandmother had pinched the skin of her palm once.
The electric fire was plugged into the same socket as the radio. The radio took a minute or two to warm up when you switched it on, a bulky thing with sharp seventies edges and a reddish wood effect veneer and big knobs. The light for my grandfathers workshop behind the garage (where he made dentures) was plugged into the same socket, which had a big heavy white three way adaptor in. The plug for the washing machine was hooked by means of a bit of string onto a nail or hook so that it didn’t fall down behing the washing machine when it wasn’t plugged in. Everything was unplugged when it wasn’t in use. Sometimes there was a shrivelled Christmas cactus on top of the radio, but it couldn’t hide the adaptor and all those plugs.
Above the washing machine was a rhomboid wooden wall cupboard with sliding frsoted glass doors. It was painted creamy gold, the colour of a nicotine stained pub ceiling, and held packets of Paxo stuffing and little jars of Bovril and Marmite, packets of Bisto and a jar of improbably red Maraschino cherries.
The nicotine coloured cupboard on the opposite wall had half a dozen large hooks screwed under the bottom shelf. A variety of mugs and cups hung there when they weren’t in the bowl waiting to be washed up. Those cupboard doors seemed flimsy for their size, and the thin beading on the edge of one door had come unstuck at the bottom and snapped back if you caught it with your sleeve. The doors fastened with a little click in the centre, and the bottom of the door reverberated slightly as you yanked it open. There were always crumbs in the cupboard from the numerous packets of bisucits and crackers and there was always an Allbran packet with the top folded over to squeeze it onto the shelf. The sugar bowl was in there, sticky grains like sandpaper among the biscuit crumbs.
Half of one of the shelves was devoted to medicines: grave looking bottles of codeine linctus with no nonsense labels, brown glass bottles with pills for rheumatism and angina. Often you would find a large bottle, nearly full, of Brewers yeast or vitamin supplements with a dollar price tag, souvenirs of the familys last visit. Above the medicines you’d find a faded packet of Napolitana pasta bows or a dusty packet of muesli. My grandparents never used them but she left them in the cupboard. Perhaps the dollar price tags and foreign foods reminded her of her children.
If there had been a recent visit you would see monstrous jars of Sanka and Maxwell House coffee in there too, but they always used the coffee. They liked evaporated milk in their coffee, and used tins and tins of “evap” as they called it. They would pour it over tinned fruit, or rhubard crumble or stewed apples.
When there was just the two of them, or when I was there as well, they’d eat at the kitchen table. The table would be covered in a white embroidered cloth and the food served in mismatched serving dishes. The cutlery was large and bent, the knife handles in varying shades of bone. My grandfathers favourite fork had the tip of each prong bent in a different direction. He reckoned it was more efficient that way to spear his meat. He often used to chew his meat and then spit it out onto the side of his plate. Not in company, of course. I can understand why he did that, not having eaten meat myself for so long. You could chew a piece of meat for several hours and still have a stringy lump between your cheek and your teeth.
My grandfather would always have a bowl of Allbran with some Froment wheat germ for his breakfast, while reading the Daily Mail at the kitchen table. He never worse slippers, always shoes indoors, and always wore a tie. He had lots of ties but always wore a plain maroon one. His shirts were always cream and buttoned at throat and cuff, and eventually started wearing shirts without detachable collars. He wore greeny grey trousers and a cardigan of the same shade most of the time, the same colour as a damp English garden.
The same colour as the slimy green wooden clothes pegs that I threw away and replaced with mauve and fuschia pink plastic ones. “They’re a bit bright for up the garden, aren’t they,” he said. He was right. I should have ignored the green peg stains on the laundry. An English garden should be shades of moss and grassy green, rich umber soil and brick red walls weighed down with an atmosphere of dense and heavy greyish white.
After Grandma died and Mop had retired (I always called him Mop, nobody knows why) at 10:00am precisely Mop would have a cup of instant coffee with evap. At lunch, a bowl of tinned vegetable soup in his special soup bowl, and a couple of Krackawheat crackers and a lump of mature Cheddar. It was a job these days to find a tasty cheddar, he’d say.
When he was working, and he worked until well into his seventies, he took sandwiches. Every day he had the same sandwich filling: a combination of cheese, peanut butter and marmite. It was an unusal choice for an otherwise conventional man. He loved my grandmothers cooking, which wasn’t brilliant but was never awful. She was always generous with the cheese in cheese sauces and the meat in meat pies. She overcooked the cauliflower, but everyone did then. She made her gravy in the roasting pan, and made onion sauce, bread sauce, parsley sauce and chestnut stuffing. She had her own version of cosmopolitan favourites, and called her quiche a quiche when everyone was still calling it egg and bacon pie. She used to like Auntie Daphne’s ratatouille, rather exotic back then, and pronounced it Ratta Twa. She made pizza unlike any other, with shortcrust pastry smeared with tomato puree from a tube, sprinkled with oregano and great slabs of cheddar.
The roast was always overdone. “We like our meat well done” she’d say. She’d walk up the garden to get fresh mint for the mint sauce and would announce with pride “these runner beans are out of the garding”. They always grew vegetables at the top of the garden, behind the lawn and the silver birch tree. There was always a pudding: a slice of almond tart (always with home made pastry), a crumble or stewed fruit. Topped with evap, of course.
