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RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

How many ways to stab a pea with a syringe? Jonbert woke up from his nap with the most peculiar question on his mind.
At 153, he’d started to get those annoying narcoleptic fits. He would go down in a blink of an eye into a deep dreamless sleep, and wake up to the most embarrassing of situations.
He felt like kicking someone, and mumbled under his breath “Just bloody once, before it gets puréed”.

He could have sworn he heard one of the butler robots titter silly. Those darn robots were getting smarter every day, he would have to get them a good canning.
But more pressing matter were on his mind, and he blisslessly ignored the wondrous display of flying manta rays around the eight-flippered submarine.

Time-landing around Big Island was always tricky, he was glad the darned bots got this one right, tittering notwithstanding.
Why so tricky, he could hear minds wonder. Why can’t those minds just read the bloody Time Traveling Manual! he exploded. The Island is expanding, creating new land every day. One miscalculation, and your expensive submarine would be enclosed in molten lava! How many times he had to repeat it.
True enough, his temper had not improved with age, but that kept him alive well, thank you very much.

That’s were they were supposed to collect the travelers, to entertain and train them a bit before leading them to the whale’s hotspot.
He would have to remain discreet for now on, and the prospect of having to refrain swearing loudly at ghosts seen by anyone but himself got him nervous all of a sudden.

They’d felt the Time Sewer get cleaned up, although it took a time to reach them. The frogs were paddling like crazy, and then the bubble reached them, propelling the jelly-bean shaped carriage like a rocket to their destination.

“Brace yourseeeeeeelves!” Sanso sung in the key of F, ending the frogs’ symphony with a perfect 5th.

“The mind has a tendency to forget unpleasant things…” Sadie was saying to the queens in a way to soothe their increasingly worried faces “It will be over in a minute”.
The last part didn’t get them any less worried.

After almost 33 years on the road doing their their show, Geoffroy and the Théâtre du Soleil had had their share of success.

Of course, with an average age of the troupe being close to 66 years old on the eve of July 1789, they were not all young and restless, nor as high on hallucinogenic mushrooms like every other day.
Admittedly, their fate took a turn for the better after that show cancellation at Versailles the day of the attempt on the King’s life. They were stolen a balloon and a tub of lard, but what they gained in exchange was beyond wondrous. Sparks of inspiration had brought the team closer, and even the occasional quarrel between Lison and Francette was a blessing. Now, there was already a new King in Versailles, not better by far, and the wig fashion had improved only so lightly, but it gave good fodder for sarcasm and witty plays.

It wasn’t so much that their play-writing abilities had improved dramatically, to the contrary, but their common hallucination in the Royal Chapelle that day had unleashed their creative power. Their new plays had become famous overnight all over the Europe, liked by peasants who were enjoying its simplicity and nonsensical timing and plots, or even snotty critics all alike, who were somehow discerning artful and intricate royal satire that maybe they’d just invented to sound clever.

Tonight they would play a revival of their universally acclaimed chef d’œuvre, “The whales and the frogs”. With buffoonish wigs and corsets, and their share of heavy compulsory make-up. For some, the frogs were a symbol of the poor people carrying the heavy queens and kings of old, with crazy old Time as a driver, flanked with Janus the two-headed Janitor. Well, that sounded quite erudite and a tad pompous, and frankly for them, they didn’t care what symbol it was, so long as it brought the final money they needed for their retirement plan in sunny Mediterranean where they would take a boat and sail to the new world.

2222 had been hailed the pinnacle of human development (that is, until 3333 was at reach), which prompted a whole Time Tourism business during this year.
It required a lot of finicky logistics, as to ensure a stable sustaining of this particular year and avoid predatory behaviour which could potentially lead to the collapse of the future as it was known —a matter which in most cases wouldn’t be given two figs about, but which here, could have dramatic repercussions on the ITBC (International Time Bank Conundrum) itself.
As a matter of fact, it wasn’t before 2255 that Elbert Twostains elaborated the first working version of his Unified Theory of Time Puddles, hence ushering humanity into a bright future, and past, and present, where and when nothing would ever be the same again.
As such, there quickly was an embargo declared by the ITBC on any close relationship and ancestor, and connected people which could lead to a disruption of their juicy business.
Apart from these minor restrictions which were for the good people’s own good, a lot was actually possible and allowed. Some maverick travellers used to vocally resent and disapprove of those restriction, but mostly because they thought the theory would have been discovered anyway, Elbert or not, and secretly because they enjoyed beating the drums of the restrictions (which restrictions tended to get quite restricted themselves past 2222).

Jonbert Dirk had made a fortune as a Time Tourism moghul, or so the official story went. Truth be told, much of his fortune was amassed thanks to time smuggling and past treasures plundering and reselling on the black market of antiques. Let’s not be hasty to judge the old man though, It was a tricky business back then, to find the proper time to retrieve a given antique so that your precious item didn’t look like the cheap porcelain fresh out a sweatshop in Sina.

By 2233, he was a multi bullionaire (billionaire in gold bars, as gold was needed to time-travel, it was an even more precious commodity than before), and had outlets with his brand all over the places and times.
Like the rich men of the past who had themselves built splendid yachts big as cities, he was of more modest and practical tastes, but not insensitive to the display of power this offered. So he had himself built a spacious submarine richly decorated and equipped with the last generation of TTEs (Time Travelling Engine). Over time, he’d found the use of a submarine much easier to conceal during his time travels, and like a Captain Nemo of the future, enjoyed the luxury of whale watching and underwater symphonies while sipping his caipirinha in the pool of his submarine.

Few people knew how to contact him, so it was with some surprise that he’d received the request for genetically enhanced pacific frogs. Belligerent frogs were all the fad in last century, but this century had a soft spot for the smaller, and more resilient pacific singing frogs.
A man of his immense resources was definitely the way to go if you needed such rare and exotic species delivered to you in short notice.
He was in a good mood today, so he signaled the order to the central computer.
As the batch was dispatched, he smiled wryly, thinking he had waited for the inquirer to be indebted to him for quite some time. Shrinking old was a mean business, and he had not amassed enough gold to jump past 3333, where life everlasting was discovered. He was certain this curious and elusive fellow would be in position to help.

“Can’t you use one of these neat rockets of designer? We’re in 2222 for fuck’s sake!”, asked a lean green-faced lady, with her cheeks decorated with cucumber slices, who was lying next to Sanso in the pneumatic rotating bed of the R&R B&B.
“Can’t discuss business with you honey, sorry” he snapped, while looking for his pants and gilded codpiece in the mess of the room.

“And I thought of us as partners in crime…” she shrugged. Nonplussed, and quite naked apart from the cucumber covered parts, she lit a swigarette and switched the holographic display on.

“…when launching a rocket to orbit, a “dogleg” is a guided, powered turn during ascent phase that causes a rocket’s flight path to deviate from a “straight” path. A dogleg is necessary if the desired launch azimuth, to reach a desired orbital inclination, would take the ground track over land (or over a populated area, e.g. Russia usually does launch over land, but over unpopulated areas), or if the rocket is trying to reach an orbital plane that does not reach the latitude of the launch site. Doglegs are undesirable due to extra onboard fuel required, causing heavier load, and a reduction of vehicle performance.”

Sanso turned his head towards the display and raised an eyebrow. “Hell if I understood what it means, but that certainly explains a few things”.

Out-of-body invisible to-anyone-but-spirits Geoffrey was looking amazed at the scene in front of him. He was back in the Chapelle near his body when he witnessed the fit, which translated to him in French like “merde, merde, merdasse, merdum, merdarum” and latin-like declination of the word.

Some unspoken words of wisdom seemed to superimpose on the scene from many voices which roughly translated as “don’t say poop if you mean to say shit”.

As an actor, this was easy, he just had to follow the script, but as himself, he often bit his tongue when he wanted to say to Lison that she was hamming up the play just for fear to hurt her feelings being the star of the play (or to avoid creating even bigger bickering amongst the troupe).
When he’d wake up, he felt like encouraging Francette to be more daring on the stage and let her light shine bright. That should even the odds.

“Sorry love, I was a tad busy with the whole time travel department reorganization. Had to call HR to fire some of these incompetent nincompooptarts. Can you imagine they not only manage to send you in the wrong period but also… I’m ranting now, sorry about that sweetie pie.

“Look, there’s no nice way to put it, so I’ll cut to the chase. The show’s been canceled by the cable network big potatoes. Too darn expensive not enough audience. You know all that jazz. I tried to argue, but all they wanted was excitement, glamour and bitching and yeah, all they got was a black tunnel and some green vomit. Got to admit, there’s no amount of special effects and sewing mojo you can raise to make your bitches look great in those dresses. Face it darling, they deserve gorgeous, but they’re still as ugly as sin.
Hell, I guess those shareholders twats just couldn’t stand the marvelooks of us…, now I’m ranting again.

“Long story short, forget about the ferret, keys and whatnots and get your pretty asses all right back as fast as you can or they’ll pull the plug out of the time sewers. And you know very well what that means for ye all.”

An ominous sound effect played from the ezapper. Darn Linda Paul always had to amp up the drama.

“A feeling of despair or depression Madame is a sign that you are holding a false belief. To perpetuate an untruth about yourself, another, or God is to block your own happiness.”
“Good lord, when did you become so smart, Nicole” she wondered while her maid was prepping her new wig and leather boots for her morning walk around the grounds. It sounded like the Count had some good influence on the people.
She greatly anticipated to hear his new composition played in the Opera tonight.

The e-zapper’s signal was dropping until it was gone, while there were eerie hoots and echoes in the tunnels.
Sadie’s report to Linda Paul would wait till a few hours. The broadcast wouldn’t start until the afternoon anyway, so they had time to relax. The carriage wasn’t so comfortable, but the blue lights provided a smooth reassurance, and the zebras were now trotting at a regular pace.

Sadie looked with fondness at the boys in drags. A fondness which even surprised her. They were starting to reveal more of their true self as they were lulled to sleep in the carriage. How funny she thought, how a few drags and accessories can both hide and reveal parts of your personality.
Cedric, was a white guy from uptown actually quite challenged to grow a real beard, and he was playing that sassy bearded lady queen Consuela.
Amar the second-generation North African guy was raised in the suburbs before he chose to become the shiny Terry Bubble, while Reginald from the same neighbourhood was playing Maurana the big burly black queen,…

The more Sadie spent time with them, the more which labels they chose to be called with started to become inconsequential.
She was actually more and more confident they would do a great job at blending by simply hiding in broad daylight. Their eccentricities would be a rousing success at the royal fête, they just had to hone their alibis a bit, and align on their story. As soon as they would be in Versailles, with the Russians from the competing cable network in toe, they had to be at the top of their games.

I just restored the possibility to edit one’s own comments during at least a month. If you need to edit an earlier comment, let me know, I can extend it again.

I also fixed the preview, which now must work as it should.

As a bonus, some styles you can adapt to your comments for prettier quotes (the part in yellow is what to input in your comment, the result is displayed below) :

bq(Quote). Some text in nice quote style

Some text in nice quote style

p{color:blue}. Some text in nice color (most color names should work)

Some text in nice color (most color names should work)

The parcel had been delivered to her house, and not to her new friend and neighbours house just down the road, for various reasons mostly to do with efficiency, post offices and lack of specific house addresses. The parcel containing the music had been sitting in her kitchen for almost a week, which oddly enough was probably as long as the parcel had taken to travel from North Carolina.
Trove (for that was her name) and Dude (for that was her partners name) played a tile game of rummy, and it was an unusual game that night. Dude noticed missing tiles on the table on at least five occasions, and not altogether unsurpringly assumed that Trove should have been wearing her glasses, instead of placing incorrect sequences with missing tiles. Trove on the other hand, bearing in mind that she was not in the habit of doing this normally, insisted that the tiles had simply disappeared, or changed somehow.

“Stop fucking barking!”, she said, and not by any means for the first time. “I’m trying to read!”
And then she read:
“Animals not only enjoy the sounds that they make, they are to some extent enchanted by them. The animals’ interior world is silent. The sound of an animal’s hoof upon the ground fills it with a sense of power and affirmation. The cat’s meow is as enchanting to the cat as to its owner—meaningful sounds that communicate feeling. These are enjoyed by all such species.”
“Oh dear” she said to herself, momentarily nonplussed. “I seem to have turned an enchantment inside out. I could have been enjoying it all along.”

“And who is “she”, the cat’s mother? The cats whiskers?” he asked. “The cat who got the cream?”

“We’re going to play cat and mouse for now” she replied, licking her lips. “The fact is, she doesn’t know ~ yet. Time will tell, or a teller will time it. Do you know what I found in the sewing box the other day? A 1914 coin from Guernsey, and then would you believe it, the #1914 transcript arrived in my mailbox. So I read it. I’d like to say the timing was perfect, but in this instance it seemed to be a few weeks late. There was something in it about whales, and visualizing a special place, and do you know what I thought of? That warm lagoon, do you remember? It was in the beginning of the story.”

Recovering herself majestically, Tina put on her headphones and played her isotronic creativity tone in order to contribute (and the term “contribute” is used loosely) to the discussion (also used loosely) at hand.

Tina sat and waited for inspiration. It soon became clear that inspiration had taken a vacation. “Without even sending any casebook notes for perusal. Selfish Inspiration!” thought Tina petulantly.

Inspiration, telepathically picking up on the Tina’s thoughts, smiled knowingly to herself. Winter, to all intents and purposes, had already arrived, and yet the day was still and rather warm. Picking a particularly vibrant yellow daisy she noticed growing wild among the stones on the side of the path she skipped her way back to the hotel for breakfast.