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The chair in the center of the bare white room was shaped like an egg. Kale wasn’t a big fan of the current trend in zen minimilism; he stood up and wandered around restlessly.

He hadn’t been going to take the job, no matter how much data about unemployment and job probabilities Flynn ranted on about.

But then he had seen her again. The dark haired woman. Just call me Agent T, she had said mysteriously when he asked her name.

He had been putting out the garbage—Flynn’s job but he was still sulking about the job situation—when she, Agent T, popped out from behind the purple Amelia bush.

“Please take the job,” she had said pleadingly. “It’s my first job and if I stuff it up they won’t give me another one. And it really is important. And all you have to do is play along and do what they say and wait for instructions from us.”

She had refused to give any further details about who “us” were, but Kale’s curiosity was well and truly piqued.

He was thinking about this when the wall slid open and a gorgeous creature appeared before him.

“You must be Kale.” she said in a silky voice. “I am Fin Min Hoot. How good of you to come.”

It was already warm and Kale was glad for the shade the large oak trees offered as he walked along the sidewalk. He was heading for the Tangy Pickle cafe; his favourite breakfast spot just a few blocks from where he lived.

A song had been running through his head all morning: a big hit from a robot band which were popular in the late 2030’s: “Sour Tart and The Denouements.” He hadn’t even like the band at the time— just the name was depressing —but for some reason the tune and a few of the words were looping through his head like annoying little ear worms.

… bugger current information planet robot key bugger current information planet robot key bugger current information planet robot key…

So Kale was busy pondering the implications, if any, of endlessly looping ear worms when Flynn messaged him:

“Interview scheduled for 9.30am tomorrow.”

“Blimey, that soon? Okay, well what else can you tell me?”

“The ad has been taken off the network and all associated information shut down.”

Weirdo.

“But your interview is scheduled with a Mr Eb Ruide. And I’ve got your outfit ready.”

“Hang on, Flynn. This all sounds a bit odd don’t you think?”

“Oddness factor 57%. Probability of success 22%. If I may quote the famous robot philosopher Monenole: The point is the exploration. So gird your loins and stick your chin out. You can do this! What fun! See you later!” messaged Flynn

Gird my loins? That robot really needs rewiring.

He was nearly at his destination. There weren’t many people around this early in the morning, just a few stalwart joggers and the occasional dog walker. Most people, the lucky ones who had employment, worked from home. So Kale was most surprised to see an attractive dark haired female—oddly attired for the hot weather in fishnet tights and knee high boots—standing outside the cafe.

One thing did pop into her mind though: that he hadn’t said that on the Mars thread.

It had happened “once”, and it may “certainly” happen again, although “god” knows she wasn’t expecting it. One has to look “outside” periodically, especially if one endeavours to “grow”. There were times when there were comments “galore”, and characters like “bert” indulged in threadjumping ~ oh yes! indeed, there were times when it was a veritable “sea” of comments, rich with “symbol” and humour. Unexpected characters popped in , like “linda” (who the fuck is Linda, was the unspoken question on everyone’s minds), and rich with “half” assed, half hearted half measures to stay on track, much to “godfrey“s disgust. Far be it from me to “form” an opinion, Elizabeth said, foolishly: she “herself” hadn’t given a “fuck” for “months”, berating “self” for “breathing” life into the “character“s in the first place. Ah well, she did “enjoy” it at the time.

“Where the dickens is everyone?” muttered Mater, popping out of her room to get herself a cup of tea. “And what’s that stink? Has Dodo burnt something again?”

“Haki, did you find that baby a good home?”

“I left it at the shrine, madam…”

“Please, call me Liz!”

“I left the baby at the Shrine of Our Lady of the Yellow Burden, Liz. It’s a busy shrine, I’m sure someone will pick it up and look after it.”

“Well, perhaps you could pop back and check tomorrow, just in case it’s still there, Haki.”

“I think the thing with shrines, Liz,” Godfrey butted in, “Is not to keep revisiting them.”

“Don’t be daft, Godfrey, people flock to shrines all the time.”

“Precisely,” he replied.

Corrie:

I woke up this morning with an idea in my head, and I don’t know if I was dreaming about it or if it just popped in, in the brief moments between sleep and waking. I made a connection with the topic I was doing an anthropology report on, and something I’d forgotten. No, not forgotten, it wouldn’t be true to say I’d forgotten it as it was always there at the back of my mind niggling at me that there was more to it somehow, but I hadn’t made the connection so obviously with the current project.

My research was about disconnection, and the separation agenda of the American channeling dream. At first I felt driven to explore particular areas and then piece by piece the puzzle that had nagged at me for years ~ I say years, it felt like years, but maybe it wasn’t so long ~ started to fall into place.

At first when I woke up the idea of censorship was in my head and the idea to start a petition and public awareness campaign about certain channeled texts that were withheld from public viewing, despite repeated requests for them to be public along with all the other texts. But then it occurred to me that censorship and omission wasn’t always deliberate. I mean, not a conscious choice to keep information secret, but something else. Almost like a case of some information not being seen clearly through the filters, yet for some reason dismissed as not fitting, and pushed away, almost unconsciously, and suppressed.

The text was about disconnect mainly, and there was some stuff about Nazi’s although the part about animals was the part that had stuck in my head, probably because I felt more connected to animals than Nazi’s. There were more animals growing up here than Nazi’s after all, Nazi’s was only something I’d heard about. But then it occurred to me that I’d been hearing more and more about Neo Nazi’s, in Europe mainly, forming groups and having protests. So that got me wondering about that too.

Anyway, the disconnect part: it was the reaction on the American channeling forums to the Ferguson riots that started me on this project, and Aunt Idle was full of encouragement when I started to explain to her what I was noticing. She said she had noticed similar things in her remote viewing circle online. Everyone seems to think Aunt Idle is losing her marbles, but don’t you believe it. She seems vacant and scattered but that’s only because her mind is occupied elsewhere.

The gist of this suppressed text was extreme separation, but it was the part about using words to seem enlightened to hide extreme disconnect that seemed to fit my project.

I did have to chuckle though, I wondered if I was being a racist by calling Americans disconnected as if it was a racial characteristic. More of a cultural thing, I suppose, can one be called a culturalist as if it’s a bad thing? I don’t see how you can study anthropology without a certain degree of separating into cultural groups though, even if it is shift anthropology. I’ll think about that a bit more later.

Corrie:

I wasn’t snooping, I swear, and I wasn’t looking for anything either, it just popped up on my side bar on Spacenook and caught my eye. I mean, the title was so peculiar it kind of stood out ~ “Martian Pig Pruning” ~ so I clicked on the link, thinking it might be a diverting Pythonesque parody of all the aliens and other dimensional vibrations bollocks that seemed to be the latest #trendingtrash to swamp the newsfeeds, because sometimes you just have to laugh and find the funny side.

Aunt Idle:

Those maps got me remembering all kinds of things, not that I was fretting about the note because I wasn’t, but once I’d quit flapping about the note, all kinds of things started popping into my mind.

Odd little cameo memories, more often than not a mundane scene that somehow stuck in my head. Like that cafe with the mad hatter mural, mediocre little place, and I cant even remember where it was, but that number on the mural was just wrong, somehow. It’s as clear as a bell in my memory now, but not a thing before or after it, or when it was, other than somewhere in New Zealand.

I kept getting a whistling in my left ear as I was recalling things, like when I remembered that beach on the Costa del Sol, with a timebridgers sticker in the beach bar. I can still see that Italian man walking out of the sea with an octopus.

I can still see the breeze flapping the pages of a magazine lying on a bench in Balzac’s garden in Paris, something about a red suitcase, but I can’t recall what exactly.

A motel in a truckstop village in California…the sherry was making me drowsy. I almost felt like I was there again for a moment.

Conjure up a bowler hat, he said, while you’re out today. I forgot all about it (how often I thank my lucky stars for having a bad memory, I much prefer a surprise) and saw a delightful hurdy gurdy man wearing a bowler hat (In June! I do recall it was June). My Bonnie Lies Over the Ocean, he was playing. I’m sure to have forgotten that, but I made a video recording.

All these locations were holes in the maps, those ripped up maps the girls brought home from the Brundy place, just after I got that note. I was beginning to see a pattern to the connecting links between the letters ripped out of the map locations, and the wording in the note (which was made of ripped out letters from place names on a map, and glued onto the paper, as anyone who is reading this will no doubt recall). The pattern in the discovery of connecting links was that the pattern is constantly changing, rendering moot the need to decipher a plot in advance of the actual discovery of spontaneous development of the shifting patterns of discovery, and deliverance of the decipherable delegation of the delighted, promptly at noon.

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.

“You know what, Godfrey? I could just happily populate imaginary towns and then leave them all to get on with it, you know what I mean? I could call myself The Populator. My George, I think I’ve found my forte.”
“Well, you are known for an unbridled passion for introducing new characters that nobody understands, Liz.”
“Exactly!” she replied happily.

To look at the grizzled weathered face of Bert Buxton, sex might be the furthest thing from your mind. You would be unlikely to imagine him as a participant in outrageous kinky goings on in the back rooms and bedrooms of the local hostelries, or wild midnight romps under the stars, but things had been different in Bonemarsh when the mines were busy, when he was a virile young man.

The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.

After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Bonemarsh, strange though it may seem, had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.

The Flying Fish Inn was passsed down to Abcynthia (the childrens mother) from her father, who had a boarding house during the gold rush. He died just after the mine closed and Abcynthia closed the place up and moved to the city where she went to university and met her husband Fred (name to be arranged later).

Fred was a journalist who aspired to write a science fiction novel. He convinced his wife to give up her career as a corporate lawyer, and raise a family at the old inn in the outback, while he write his novel and earned a rudimentary income from writing articles online, enough to live on. Just after their 4th child was born, Abcynthia had had enough, and left the family to pursue her career in the city.

Fred’s sister Aunt idle was at a loose end at the time, needing to keep a low profile and “disappear” for reasons to be discovered, and agreed to come and help Fred with the children. Fred’s cranky mother had already been living with them for a few years but was not up to the responsibility of the four children while Fred was busy writing.

A few months after Abcynthia’s disappearance, some unexplained incidents occurred in the area around the ghost town and the defunct mines ~ possibly connected to the sci fi novel Fred was writing in some way ~ which Fred wrote articles about, which went viral in the popular imagination and thirst for weird tales, and visitors started coming to the town.

Aunt Ilde started to informally put them up in rooms, and enjoyed the unexpected company of these strangers which relieved her increasing boredom, then as the visitors increased (not so very many, but two or three a week perhaps) decided to officially reopen the boarding house and a B and B.

Fred, though, must have had some kind of a meltdown because he left a cryptic note saying he’d be back, and to carry on without him for the foreseeable future. Nobody really knew why, or where he had gone.