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Thiram Izu

Thiram Izu – The Bookish Tinkerer with Tired Eyes

Explicit Description

• Age: Mid-30s

• Heritage: Half-Japanese, half-Colombian

• Face: Calm but slightly worn—reflecting quiet resilience and perceptiveness.

• Hair: Short, tousled dark hair

• Eyes: Observant, introspective; wears round black-framed glasses

• Clothing (standard look):

  • Olive-green utilitarian overshirt or field jacket

  • Neutral-toned T-shirt beneath

  • Crossbody strap (for a toolkit or device bag)

  • Simple belt, jeans—functional, not stylish

• Technology: Regularly uses a homemade device, possibly a patchwork blend of analog and AI circuitry.

• Name Association: Jokes about being named after a fungicide (Thiram), referencing “brothers” Malathion and Glyphosate.

Inferred Personality & Manner

• Temperament: Steady but simmering—he tries to be the voice of reason, but often ends up exasperated or ignored.

• Mindset: Driven by a need for internal logic and external systems—he’s a fixer, not a dreamer (yet paradoxically surrounded by dreamers).

• Social Role: The least performative of the group. He’s neither aloof nor flamboyant, but remains essential—a grounded presence.

• Habits:

  • Zones out under stress or when overstimulated by dream-logic.

  • Blinks repeatedly to test for lucid dream states.

  • Carries small parts or tools in pockets—likely fidgets with springs or wires during conversations.

• Dialogue Style: Deadpan, dry, occasionally mutters tech references or sarcastic analogies.

• Emotional Core: Possibly a romantic or idealist in denial—hidden under his annoyance and muttered diagnostics.

Function in the Group

• Navigator of Reality – He’s the one most likely to point out when the laws of physics are breaking… and then sigh and fix it.

• Connector of Worlds – Bridges raw tech with dream-invasion mechanisms, perhaps more than he realizes.

• Moral Compass (reluctantly) – Might object to sabotage-for-sabotage’s-sake; he values intent.

Chico Ray

Chico Ray

Directly Stated Visual and Behavioral Details:

• Introduces himself casually: “Name’s Chico,” with no clear past, suggesting a self-aware or recently-written character.

• Chews betel leaves, staining his teeth red, which gives him a slightly unsettling or feral appearance.

• Spits on the floor, even in a freshly cleaned café—suggesting poor manners, or possibly defiance.

• Appears from behind a trumpet tree, implying he lurks or emerges unpredictably.

• Fabricates plausible-sounding geo-political nonsense (e.g., the coffee restrictions in Rwanda), then second-guesses whether it was fiction or memory.

Inferred Traits:

• A sharp smile made more vivid by betel staining.

• Likely wears earth-toned clothes, possibly tropical—evoking Southeast Asian or Central American flavors.

• Comes off as a blend of rogue mystic and unreliable narrator, leaning toward surreal trickster.

• Psychological ambiguity—he doubts his own origins, possibly a hallucination, dream being, or quantum hitchhiker.

What Remains Unclear:

• Precise age or background.

• His affiliations or loyalties—he doesn’t seem clearly aligned with the Bandits or Lucid Dreamers, but hovers provocatively at the edges.

Amy & Carob

☕ Amy Kawanhouse

Directly Stated Visual Traits:

• Hair: Long, light brown

• Eyes: Hazel, often sweaty or affected by heat/rain

• Clothing: Old grey sweatshirt with pushed-up sleeves

• Body: Short and thin, with shapely legs in denim

• Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality

Inferred From Behavior:

• Functional but stylish in a low-maintenance way.

• Comfortable with being dirty or goat-adjacent.

• Probably ties her hair back when annoyed.

☕ Carob Latte

Directly Stated Visual Traits:

• Height: Tall (Amy refers to her as “looming”)

• Hair: Frizzled—possibly curly or electrified, chaotic in texture

• General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)

Inferred From Behavior:

• Movements are languid or deliberately unhurried.

• Likely wears things with big pockets or flowing elements—goat-compatible.

• There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.

Key Themes and Narrative Elements

Metafiction & Self-Reference: Characters frequently comment on their own construction, roles, and how being written (or observed) defines their reality. Amy especially embodies this.

Lucid Dreaming & Dream Logic: The boundary between reality and dream is porous. Lucid Dreamers are parachuting onto plantations, and Carob dreams in reverse. Lucid Dreamers are adverse to Coffee Plantations as they keep the World awake.

Coffee as Sacred Commodity: The coffee plantation is central to the story’s stakes. It’s under threat from climate (rain), AI malfunctions, and rogue dreamers. This plays comically on global commodity anxiety.

Technology Satire & AI Sentience: Emotional AI, “Silly Intelligence” devices, and exasperation with modern tech hint at mild technophobia or skepticism. All fueled by hot caffeinated piece of news.

Fictionality vs. Reality: Juan and Dolores embody this—grappling with what it means to be real. Dolores vanishes when no one looks—existence contingent on observation.

Rain & Weather as Mood Symbol: The rain is persistent—setting a tone of gentle absurdity and tension, while also providing plot catalyst.

Carob didn’t know what to say — which gave her a tendency to ramble.

Was everyone avoiding Amy?

Was it because she was dressed as a stout little lady?

Carob cleared her throat. “Well, Amy, you look… most interesting today.”

“I have to agree,” replied Amy, unperturbed. “Now — what is this about you and Ricardo?”

“I’m sorry, but I can’t tell you,” Carob said, shaking her head. “Partly because it’s top secret, and partly because…”
She tapped her temple and nodded to herself — definitely a few times more than necessary. “I’m still working it out.”

“But you know him?” Amy persisted. “How do you know him?”

Carob knew Amy could be relentless.

“Look over there!” she shouted, pointing vaguely.

Amy didn’t even turn her head. She gazed up at Carob with a long-suffering stare. “Carob?”

Carob scrunched up her face. “Okay,” she said eventually. “I think the others are avoiding you. Me. Us. Both of us.”

She took a deep breath. “Thiram doesn’t know where we are or what we’re doing here — and he’s not good with that, bless. We don’t know where on earth Chico is — but we do know he spits, which, quite frankly, is uncouth.”

She brightened suddenly. “But one thing I do know — here, amid the coffee beans and the lucid dreamers, there is a story to be told.”

Amy rolled her eyes. “I’ve noticed you still haven’t told me how you know Ricardo.”

It was rather odd — but neither of them noticed the bush inching closer.

Trailing suspect but nothing to report yet, messaged Ricardo.

He knew Miss Bossy Pants wouldn’t be happy.

Amy supposed everyone was blaming her, for what she couldn’t say, but they had clearly been avoiding her. There was plenty of coffee here anyway, even if the rest of the world was suffering. Don’t even think it, she told herself sternly. We don’t want people flocking here in droves once they realise.

So, do I want people or not? she asked herself. One minute I’m wondering where everyone is, and then next minute I’m wanting everyone to stay away.

“You on the spectrum too, are you?” asked Carob, reading her mind.  “It’s ok,” she added, seeing the look of alarm cross Amy’s face, “Your secret’s safe with me. I mean about being on the spectrum. But be careful, they’re rounding people like us up and sending them to a correctional facility.  We’re quite lucky to be here, out of the way.”

“Have you been avoiding me?” Amy asked, which was more immediately concerning than the concentration camps.  “Because I’ve been here all alone for ages, nothing to do but read my book,  draw in my sketch pad, and work on my needlepoint cushion covers. And where are the others? And don’t read my mind, it’s so rude.”

“Needlepoint cushion covers? Are you serious?” Carob was avoiding the questions, but was genuinely curious about the cushion covers.

Amy blushed.  “No, I made that up. In fact, I don’t know what made me say that. I haven’t started any sketching either, but I have thought about starting sketching. And I’ve been reading. It’s an old Liz Tattler; the old ones were the best. Real old school Lizzie Tattie, if you know what I mean. Risque romps with potting sheds and stuff.  None of that ghastly sci fi she started writing recently.”

“Which one?” Carob asked, and laughed when Amy held it up.  “I read that years ago, T’Eggy Gets a Good Rogering, can I borrow it after you? God knows we could all do with a laugh.”

“How do you know the others need a good laugh?” Amy asked, peering at Carob with an attentive squint in order to catch any clues. “You’ve seen then, then?”

Carob smiled sadly and replied, “Only by remote viewing them.”

Amy asked where they had been and what they were doing when they were viewed remotely. Has she been remote viewing me? What if they ask her if she’s been remote viewing me, and she tells them?  “Oh never mind,” Amy said quickly, “No need to answer that.”

Carob snorted, and what a strangely welcome sound it was. “I didn’t really remote view them, I made  that up.  It never works if I try to spy on people. Fat lot of good it is really, it never works when I really really need to see  something. Or maybe it works, but I never believe it properly until later when I find out it was right.”

“Yeah,” Amy said, “It’s fun though, I haven’t done it in ages.”

“You should, it would give you something to do when everyone’s avoiding you.”

Amy wondered afterwards if she should have said “Why is it always my fault” and hoped nobody would think el gran apagón was her fault too.  Another one of the issues with typecasting too soon.

The rumours and hoaxes were rife even before the electricity came back on.  The crisis of the lack of coffee beans was coming to a head: morning riots were breaking out in the places most affected by the shortage. As soon as the blackouts started, improvised statistics and numbers were cobbled together into snappy psychological colour combination images and plastered everywhere suggesting that the lack of electricity was saving an incomprehensible number of cups of coffee per day, but without causing any coffee related social disorder events.

Amy had heard that el gran apagón was foretold to occur when the pope died, that it was extraterrestrials, that it was el naranjo and his sidekick effin muck, and all manner of things, but the concerns with the coffee shortage happening at the same time as the blackouts were manifold.

The population was looking for scapegoats. Oh dear god, what did I say that for.

“Well, I’ll give you a point for that, Thiram,” Amy said, wondering, not for the first time, about his unusual name. Was it a play on the word theorem? I must ask him about it.  “But if Florida doesn’t exist anymore, which I am willing to admit it does not, then what is it doing on that map?”

“What was the population of Florida before it was submerged? Twenty four million or so?” asked Chico, appearing from behind a trumpet tree. “That’s 24 million less people drinking coffee, anyway, 144 million cups saved per day (assuming they drank 6 cups per day), which is a whopping 54.5 billion cups a year.”

“Chico! How long have you been hiding behind that trumpet tree?” asked Amy, but Chico ignored her.  Nettled, Amy continued, “That would be true if all the people in Florida were submerged along with the land, but most of them were resettled in Alabama.  There was plenty of room in Alabama, because the population of Alabama was relocated.”

“Yes but the people of Alabama were relocated to a holding camp in Rwanda, and they’re not allowed any coffee,” replied Chico crossly, making it up on the spot.

“Yeah I heard about that,” said Carob, which made Chico wonder if he had actually made it up on the spot, or perhaps he’d heard it somewhere too.

“I’m going back behind the trumpet tree,” announced Chico, flouncing off in high dudgeon.

“Now look what you’ve done!” exclaimed Carob.

“Why is it always my fault?” Amy was exasperated.

“Maybe because it usually is,” Carob replied, “But not to worry, at least we know where to find Chico now.”

“Look, don’t get upset, ok?” Amy felt she had to nip this in the bud.  “There’s something glaringly wrong with the map.  I mean, yes, it does make a nice picture. A very nice picture,” she added, and then stopped.  Does it really matter? she asked herself. Am I always causing trouble?

Amy sighed. Would life be easier for everyone if she stopped pointing things out and just went along with things?  Was there any stopping it anyway? It’s like a runaway train.

“You were saying?” Ricardo asked.

“Pray, continue,” added Carob with a mischeivous gleam in her eye.  She knew where this was leading.

“Who is he?” Amy whispered to Carob. “Well never mind that now, you can tell me later.”

Amy cleared her throat and faced Ricardo (noting that he was dark complexioned and and of medium height and wiry build, dressed  in a crumpled off white linen suit and a battered Panama hat, and likely to be of Latino heritage)  noticing out of the corner of her eye a smirk on Thiram’s face who was leaning against a tree with his arms folded, looking as if he might start whistling Yankee Doodle any moment.

“According to your map, my good man, nice map that it is, in fact it’s so nice one could make a flag out of it, the colours are great and….”   Amy realised she was waffling.  She cleared her throat and braced her shoulders, glaring at Carob over her shoulder who had started to titter.

Speak your mind even if your voice shakes, and keep the waffling to a minimum.

“My dear Ricardo,” Amy began again, pushing her long light brown hair out of her sweaty hazel eyes, and pushing the sleeves of her old grey sweatshirt up over her elbows and glancing down at her short thin but shapely denim clad legs. “My dear man, as you can see I’m a slightly underweight middle aged woman eminently capable of trudging up and down coffee growing mountains, with a particular flair for maps, and this map of yours begs a few questions.”

“Coffee beans don’t grow in Florida,” Carob interjected, in an attempt to move the discourse along.

“Nor in Morocco,” added Amy quickly, shooting a grateful glance at Carob.

“Sorry I’m late,” said Carob as she crouched down to fuss over Fanella. “I have excuses, but they’re not interesting. I’m feeling a little underdeveloped as a character, so I’m not sure what to say yet.”

“That’s okay,” said Amy. “Just remember … if you don’t tell us who you are early on…” She squinted and glanced around suspiciously. “Others will create you.”

“I’d rather just slowly percolate.” Carob screwed up her face. “Get it? Percolate?”

She stood up and slapped a hand to her head as Amy rolled her eyes. “Sorry … ” She patted her head curiously. “Oh wait—do I have curls?”

“I’d say more like frizzes than curls,” answered Amy.

Thiram nodded. “Totally frizzled.”

“Cool … must be the damp weather,” said Carob. She brushed a twig from her coat. The coat was blue-green and only reached her thighs. Many things were too small when you were six foot two.

“Oh—and I’ve been lucid dreaming in reverse,” she added. “Last night I watched myself un-make and un-drink a cup of coffee.” She gave a quick snort-laugh. “Weirdo”.

“Was it raining in the dream?” asked Thiram.

Carob frowned. “Probably… You know how in scary movies they always leave the curtains open, like they want the bad guys to see in? It felt like that.” She shuddered and then smiled brightly. “Anyway, just a dream. Also, I bumped into your father, Amy. He said to tell you: Remember what happened last time.”

She regarded Amy intently. “What did happen last time?”

“He worries too much,” said Amy, waving a hand dismissively. “Also, I didn’t even write that in, so how should I know?” She looked out toward the trees. “Where’s Chico?”

“Juan, was it wise to speak to that man?” Dolores asked her husband.  “The cat’s out of the bag now, when Chico tells his friends…”

“Trust me, Dolores,” Juan Valdez implored, “What else can we do? We need their help.”

“But you’ve been fictional for so long, Juan. Nobody knew you were real. Until now.”

“You worry too much! It’s hardly going to make headlines on Focks News, is it, and even if it did, nobody believes anything anymore.  We can just spread a rumour that it was made up by one of those artifical story things.”

“But he took a photo of you!”

“Dolores,” Juan said with exaggerated patience, “Nobody believes photos any more either. I’m telling you, they make fakes these days and nobody can tell.  Trust me,” he repeated, giving her shoulder a reassuring squeeze.

“So we’ll still be fictional, Juan?” Dolores asked in an uncertain tone. “Because I’m not ready to be a real character yet, it seems so….so time consuming, to be real every day, all day… doing all those things every day that real people do…”

“No, no, not at all!  You only have to play the part when someone’s looking!”

“I hope you’re right. Too many things changing all at once, if you ask me.” And with that Dolores vanished, as nobody was looking at her.

“Nice arse,” said Idle non too quietly, admiring Roberto as he stacked firewood beside the hearth. The gardener glanced round and gave her a cheeky wink.  He’d noticed her leaning out of an upstairs window watching him weeding the herbacious border.

“Now, now, Idle, no molesting the staff. I’ll write some men into the story for you later,” Liz said, “But first let’s talk about my new book.  I’m wondering what to name the six spinsters. Some kind of a theme. Cerise, Fuschia, Scarlett, Coral, Rose and Magenta?”

“What about Cobalt, Lapis, Cerulean, Indigo, Sapphire and Capri?” offered Idle, topping up their wine glasses. “Chartreuse, Emerald, Jade, Fern, Pistachio and Malachite?  Marigold, Saffron, Citron, Amber, Maize and Apricot?”

“How about Bratwurst, Chorizo, Salami, Knackwurst, Bologna and Frankfurter?” suggested Godfrey who was still miffed about all the spare parts being disposed of.  “Lasagne, Macaroni, Canneloni, Farfali, Linguini and Ravioli?”

Roberto lit the fire and stood up. “I have an idea, you can call them Trowel, Rake, Hoe, Wheelbarrow, Spade and Secateur.”

“Marvelous Roberto, I love it!” gushed Aunt Idle.

“You’re all mad as a box of frogs, madder than Almad,”  Finnley said. “How about Duster, Mop, Bleach, Broom, Dustpan and Cloth?”

“I think this incessant rain is driving us all mad,” Liz said, glancing out of the French windows with a sigh.

Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.

Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”

“Oh is that what you’ve been doing, I wondered where you were.  Well, let’s thank our lucky stars THAT’S all over!”

“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place.  Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”

“Good old Roberto, at least he doesn’t keep complaining.  You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”

Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper.  “Is it some sort of historical re enactment?  Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”

“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”

“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.

“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”

“Sounds gripping,” muttered Finnley.

“And a blind uncle who never married and lived to 102.  He was so good at being blind that he knew all his sheep individually.”

“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.

“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”

“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”