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Oh damn, not another masked man! thought Lavender. The raucous voice of the hooded stranger was irritating her. On further reading of the previous comment she decided it was a jolly good thing he was saying nothing. So was it the unrelenting heat which was doing her head in? Or maybe it was Ann’s incessant chatter and coughing.

“I want to see your real face, Phenol,” snapped Lavender suddenly.

IT, taken aback by the unexpected outburst from the usually mild tempered Lavender, turned and ran.

“Goodness!” said Ann, startled. “Was there any need to upset Phenol like that?” She looked accusingly at Lavender, who could only hang her head and cough in reply.

“You are a bossy one aren’t you?” said the stranger to Ann, and Lavender smirked to herself. “But, don’t worry, Phenol will return soon.” The stranger smiled mysteriously, although of course the others could not see that as the mask obscured most of his face.

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Ann realized she was late for her Flimsy Unravelled Continuity Knowledge class. A couple of months late, in point of fact, as Worserversity classes had resumed two months previously.

“Where have you BEEN?” Lavender whispered as Ann slid as inconspicuously as possible into the seat beside her, while the professor at the front of the class was facing the blueboard.

“Do I know you?” asked Ann, with a puzzled expression. The girl beside her did look vaguely familiar.

“Oh how rude you are, Ann. Are you trying to be funny?”

“Oh no, not at all!” Ann’s eyes filled with tears.

Lavender frowned. It wasn’t like Ann to start blarting and blubbering in public. “What’s the matter?” she asked kindly.

“I’ve lost my memory!” exclaimed Ann. “I can’t remember a thing!”

“Oh, is that all,” replied Lavender dismissively. “I’d have thought you’d be used to that by now.”

“No, no, you don’t understand! I can’t remember anything at all now, it’s all gone, poof! Gone!” Ann wept and started to wring her hands.

“Well the first thing you need to do is stop that bloody snivelling and wipe your nose. Here” she said, handing Ann a tissue. “And the next thing you need to do is stop worrying about it, and just fake it until you get your memory back. Worrying about it won’t help, you must focus on the things you do remember.”

“But it’s all jumbled up and muddled in my head, I remember bits, you know? But I can’t fit them all together. I CAN’T FIT THEM ALL TOGETHER!”

“SHHH!” snapped Lavender. “Try not to draw any attention to yourself! I’ll help you, don’t worry.”

“You’re so kind” Ann smiled weakly. “What did you say your name was?”

“Lavender. My name is Lavender, and I’m going to help you remember. Just remember this, for now: what you can’t remember, don’t worry about, the important thing is to carry on. Just CARRY ON REGARDLESS, ok?”

“OK.” Ann sighed with releif. “What’s the Professor going on about?”

“The next assignment. We’re to read that cryptic old classic book Circle of Eights and try to decipher it.”

“Good greif! Nobody has ever managed to decipher that book!”

“You see?” said Lavender. “You can remember that! Well done, girl!”

Well I don’t know about you, she said to whoever was listening, but I am inclined to think that something rather than nothing, even if that something is off the track, round the bend, out of line, unsupported by connecting links or threads, or simply just plain rubbish, is better than no thing at all. The time has come, dear freinds, to resume random impulsive meaningless nonsense, for it has far greater continuity than anything that might actually mean something however so much as it might be deemed continuous ~ for, and I express the blindingly obvious, there is no continuity thread to be found in nothing-at-all-ness.

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

Eyes previous threads ~

Nobody!

Finnley free rather real string writing;
Strings tell attempt;
Lack experience.

Dragons, whatever…

Stop!

Wondered…
Attention certainly taking,
Mused write somewhat ~
Seem face thinking…
Taken, wrote silly, shouted dancing!
Enjoyed!
Exclaimed comments ~
Voice life thread!

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”