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In reply to: The Eights’ Shift, Stories
Well I don’t know about you, she said to whoever was listening, but I am inclined to think that something rather than nothing, even if that something is off the track, round the bend, out of line, unsupported by connecting links or threads, or simply just plain rubbish, is better than no thing at all. The time has come, dear freinds, to resume random impulsive meaningless nonsense, for it has far greater continuity than anything that might actually mean something however so much as it might be deemed continuous ~ for, and I express the blindingly obvious, there is no continuity thread to be found in nothing-at-all-ness.
In reply to: Random RewrEights – The Del’Eights thread
Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.
We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.
Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.
In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.
“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”
In reply to: Scrying the Word Cloud
Eyes previous threads ~
Nobody!
Finnley free rather real string writing;
Strings tell attempt;
Lack experience.Dragons, whatever…
Stop!
Wondered…
Attention certainly taking,
Mused write somewhat ~
Seem face thinking…
Taken, wrote silly, shouted dancing!
Enjoyed!
Exclaimed comments ~
Voice life thread!In reply to: The Eights’ Shift, Stories
“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”
“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.
“Shh!” said Finnley.
“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.
“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”
“Tell me about it” remarked Godfrey drily.
The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”
“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”
Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”
In reply to: The Eights’ Shift, Stories
“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.
“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”
“Lost your thread, LizAnn?” inquired Gordon, smugly.
“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”
“Finish? Well, that will be a first.”
“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”
“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”
In reply to: The Eights’ Shift, Stories
— “I’m sure some weaving of threads can be done at a later date if necessary, if it doesn’t weave itself. Did you see the weaving quotes?”
— “Well, it would be like asking shaven sheep to have their mops of hair on the floor weave themselves on their own…”
— “Text/textile ~ weaving a story, which was where mother goose came in!”
— “And how would she know the first thing about weaving, she’s only got feathers on her back!”
— “Ah but she weaves a good story”
— “She doesn’t,… she pens… That’s what I call weaving… We need more giant spiders! Are you still … game?”In reply to: The Eights’ Shift, Stories
As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete
“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.
“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”
LizAnn chose to ignore her old freind Pig Littleton and continued to read.
And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.
LizAnn snorted.
She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).
Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”
Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;
“Aha Ha Ha Ha”
she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations
“Yes, where the devil IS Becky, Gordfry? or is it Godon?”
In reply to: Strings of Nines
New Venice, October 2117
Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.
Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.
Let me see… there were a few threads going on there, and all we need is untangle some of them…
She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.
As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).
Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.
Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.
So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.
She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?
In reply to: Synchronicity
Madison posted about a cloud of du:face-grin:st today, sync with the new thread
In reply to: Random RewrEights – The Del’Eights thread
#87 Quintin had a woman near London ~ a strange small replicate, put here for gracious officials. Strangely linked to the story, was Dory. The other participants didn’t really expect this quaint dream…
Dory made Quintin in Madagascar for the first time. Funny, but now they seemed to connect to Arona. Malvina disappeared, and once again Arona found this quite irritating. She could barely remember the music.
Really, things are shifting. In the name of heaven use magic I Scream or something!
A Man emerged from Arona’s lap. This is great, more comfortable than the ground.
Oh cute, said Arona, a talking Man, love your cape by the way.
Arona stroked Man. It was all feeling heat and humidity… and especially her hunger. Man sighed in an eggs sort of a way. She exclaimed delightedly, hugging the Man.
[¹] Note from the editor: Man being a noble reader
~~~~
Dory was dry, with strange hard shoulders and face. Her shawl finally surfaced flapping in time to a cloud of dust.
PPFFT! I’m all on my own. Dory was momentarily speechless.
This is a new game: choose from the current random comment, and its following comments, and only deleting some words, sentences, letters, bits here and there… let a different story be written. You have to incorporate at least a few words from each comment you’re passing through. Only one daily entry per writer (reusing another writer’s current random thread is allowed though taking turns is encouraged), so that it keeps weaving a new story. Of course, if you don’t like the rules, you can play in other threads instead. Don’t forget this is the Del’Eight thread, where DEL is key.
#1664 Elizabeth was beginning to realize that there WAS no road.
Whenever she found herself following another, she didn’t want it.
Perhaps it was rough and coarse, plain and functional. Some were together somehow.It really was the most fabulously absorbing babbling,…
“How long now?”
Yann couldn’t help but laugh. She would choose… some of them are so slippery…
SPLASH! warmly as Flove was.
In reply to: The Eights’ Shift, Stories
Unbeknown to the young Goldie, weeping at the Fluboat terminal in Gibbonsville….
(Ann had to laugh at the typo. She had just hard a joke about ‘catching swine flu’ being a code word for shagging a fat bird)
……there was another probable self of hers already at the Worserversity. Harvey Tater would recognise this other version of Goldie when he met her, and although he would be confused as to where she came from, or who she really was, or where he’d seen her before, he would sense a feeling of familiarity. By the same token, the Worserversity self of Goldie (who had been stolen by itinerant French potato pickers shortly after her birth, and renamed Pomme de L’Air) sensed the same feeling of recognition, but had no knowledge of her, er, roots, so to speak, or any of her other potatable selves.
In reply to: The Eights’ Shift, Stories
When Harvey Tater left Idaho, he left his childhood sweetheart Goldie Cabillaud behind. Goldie was distraught, having been led to beleive that a lasting union for the pair would result from the many years they had been freinds. There were aspects of Harvey that stayed in Idaho, or probable selves, and some of those probable selves did indeed wed the young Cabillaud girl; however, so as not to confuse the reader, we will henceforth concern ourselves with the Goldie Cabillaud that wept as her beau, Harvey Tater, boarded the FlyBoat at Gibbonsville , for parts unknown.
In reply to: The Eights’ Shift, Stories
“Ahaha, dear Ann is really acting funny since her latest plastic surgery… I wonder if her new implants weren’t taken from some part of her head…”
“How unusually snarky of you, dear” (the author of previous comment will of course remain unnamed for fear of reprisal)
Harvey pondered for a moment “Well, that’s not at all a silly question, I don’t know really how we’ve become best friends… I think it was after you picked up a sodden mandarin on that shelf and I told you about the strong déjà vu of that scene”
“Really? I thought it was after we met during that Magritte’s exhibit?”
“Well, who cares really, I think we already knew each other from somewhen before.”
In reply to: The Eights’ Shift, Stories
Ann spent the morning (or a mere half hour, if truth be told) enjoying her physicality in the gentle autumn morning sun before returning indoors. The drop in temperature was still new enough to remember to appreciate fully. She felt at peace with her world, a happy balance of words and sunbeams, that is until she perused the latest additions to the BA (Bash Ann, by the looks of things) group project.
Ann frowned. Who the heck was Harvey? It was almost the last straw, despite Ann’s sunny mood. The very idea of trawling back through the paperwork to find out who he was, and indeed who everyone else was, was too daunting. “If it’s not fun don’t do it!” That’s what they all said. Over and over again they said “if it’s not fun don’t do it”.
The writing was fun, and the random reading was fun, but it wasn’t fun ~ in fact, it gave her a headache ~ to try and remember who and when and where everyone was. Perplexed, Ann wondered if she simply wasn’t cut out for working in a group. On the other hand, she simply wasn’t a loner either.
“Be remebering,” the disembodied voice whispered in her left ear, “That they are all YOU.”
Oh! Right, yes….herm….well where does that leave me?
“Right at the centre of it all, as always,” the voice replied.
Er, so it’s all MY story, then? The whole thing is all me, all mine? All the characters are ME?
“Quite!”
So I can do whatever I want, then?
“Of course!”
Right then, so I can write whatever I want, which is fun, and not write what I don’t want, which isn’t fun, and that will be quite alright, will it?
“Correct!” the voice chuckled indulgently. “And it may behoove you” it continued in a conspiratorial tone, “To remember than any flak from the others in the group, is in fact, YOU giving YOURSELF a flakking reflection.”
Oh. Well Right Ho, then. Toot! Toot!
In reply to: The Eights’ Shift, Stories
“Mmm, they can use whatever politically correct word to say Ann isn’t having a serious case of Dissociative Identity Disorder, but frankly her speaking to herself would be really worrisome were it not for that all that Shifting around.” Growdon was discussing with Franny.
“Yes,” she nodded with a soft and contagious smile, “doesn’t it look like she denies herself her physicality by burrowing inside the meanders of her short-span attention so deeply and carelessly?”
… “Oh,” she added swiftly covering her fine lips painted purple with her long fingers, seeing the look on Growdon’s face “I’m not suggesting that… No, don’t be silly”Growdon was finding Franny so delicately considerate about their friend.
He gave the thought a time to sift through his perceptive mind, while looking at the red roses of Geroges and Franny’s store, and had to come to the same conclusion. It definitely looked like Ann was always avoiding to flesh out her DID characters, perhaps out of fear of the dreaded lack of continuity or palatable tangible proof (that as much dreaded “P” word) of the reality of her visions. Truth be told, he and Franny and Geroges were finding her bouts of imagination quite fantastic on their own, they didn’t really need any proof whatsoever. But sincerely they all needed to get a grip!
In reply to: The Eights’ Shift, Stories
Ann slapped her forehead when she realized her mistake, notwithstanding that there were no ‘mistakes’ as such.
The story is for the writer that writes it, not the reader.
What the repercussions of that were for the future of publishing, Ann wasn’t quite sure.
“Oh, I can answer that for you, dear” Lavender responded. “On my recent trip to the future I went to the Pick Your Own Pages book store. There’s a wonderful Pick ‘N’ Mix section, and a Lucky Dip. You can pick various quantities, such as chapters, pages, paragraphs or sentences, and you arrange them yourself.”
“What a wonderful idea!” Ann replied.
“Oh, the idea was an old one, very old!” Lavvie explained. “People were doing it all along, though they didn’t realize it. The idea of being spoon fed an entire story went out with the Ark. It was the advent of random quote generators that started the ball rolling.”
Ann beatled off to check the random quote for the day….
“Arona! Sanso! Oh, how wonderful to see you guys again! Come and meet Lavender and Walter, we’re discussing continuity….”
In reply to: The Eights’ Shift, Stories
“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.
“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”
“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”
Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)
“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”
In reply to: The Eights’ Shift, Stories
Privately, Lavender was thrilled to find she knew Ann! She couldn’t remember when she had met her of course, however that was nothing unusual these days. Everybody seemed to know each other! It was really quite a thrill. Maybe she would go and have coffee with her new friends Becky and Tina, after she had been to the hairdressers of course.
hmmm, it can’t be a thrill, thought Lavender, The “writer” has already used “thrilled”.
The writer wondered, huffily, how to strike out text. The writer wanted to write “It was really quite a blast”
In reply to: The Eights’ Shift, Stories
Ann sighed. She suddenly realized that she’d spent the summer time travelling, back to the Summer Before the Great Shift Trauma. She’d completely forgotten that the Worserversity was Post Shift. Oh well, she would write a historical account of The Times Before The Great Trauma Started.
“What Great Trauma?” asked Monica, who had been reading her mind again. “There was no Great trauma in MY shift experience.”
“Really?” Ann was momentarily puzzled. “There wasn’t in mine either.”
“If you’re going to write about trauma, you’ll have to make it all up.” Monica replied.
“Why would I want to do that?” Ann was still puzzled.
“For the fun of it?” Monica suggested.
“Oh yes, of course…for the fun of it…”
Ann was still puzzled.
