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As Sean pushed open the door of the Dunloughpadraisobahairiedunkennyloughaire Arms, the swirling dampness of the Dublin street was transformed into a scene of noisy smoky conviviality. He pushed his way slowly through the crowd towards the bar, glancing up at Oscar the pub parrot, who was singing the refrain from The Irish Rover.

The usual, Padraig, Sean said to the barman, and a packet of cheese and onion crisps.

He found a stool to sit on next to a sticky ringed round table surrounded by plump gossiping matrons and wiry cloth capped men with bulbous red veined noses. Sean exchanged a few pleasantries with them about the weather, mainly about how unpleasant the weather always was, and then lapsed into reverie.

The Big Apple…..that’s what they used to call the famous city, before they renamed it New Venice. Sean was curious to see the changes, not least the bright yellow gondolas that had replaced the taxi-cabs in the watery streets.

On impulse, Sean fished his mobile telephone out of his pocket and dialed Tina’s number, but the line was engaged. He finished his pint of Guinness and called to Padraig to pull him another one. He tried Tina’s number again; this time a recorded message informed him that Tina had switched her telephone off.

An hour and a half and seven pints later, Sean gave up trying to phone Tina and lurched home to bed.

http://www.north-of-africa.com/article.php3?id_article=418

This might be a better link for the comment about the connection between Egypt and Tuaregs

as well as the Egypt connection :

At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)

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AND: The Tassili n’Ajjer

…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

(this reminds me of Oversoul Seven! # book by Jane Roberts)

Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

more:

http://www.philipcoppens.com/tassili.html

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ENORMOUS CATS??????