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Aunt Idle:

Flora arrived, hot and dusty from the travelling, in the late afternoon. A shower and a well iced gin and tonic soon revived her, and I got the girls to see to supper and the oddball in room 8, and asked Bert to keep an eye on them while Flora and I sat on the porch. It did me a power of good to sit chatting and joking with a friend, a woman of my own age and inclinations, after the endless months of nothing but the company of kids and old coots.

She looked pretty much the same as I’d gathered from the videos and photos online, although her bum was a lot bigger than I expected considering her slender frame, but she was an attractive woman with a merry gurgle of a laugh and warm relaxing energy.

I asked her about the video she was planning to make, but it all sounded a bit vague to me. “Frame” it was to be called, and there were various period costumes involved and a considerable amount of improvisation, from what I could gather, around the theme of “frame of reference”. What that meant exactly I really couldn’t say, but she said we were all welcome to play a role in it if we liked.

We’d been sitting out there until well past sundown, enjoying the cool evening air and a bit of Bert’s homegrown pot, posting selfies together on Spacenook and giggling at the comments, when we heard an ear splitting scream coming from an upstairs window. Flora looked at me with a raised eyebrow, and I just cracked right up for some reason, don’t ask me why. I laughed until the tears were rolling down my cheeks, and my ribs ached. I tried to stand up and fell back in the chair, which made me laugh all the more. I was wiping my eyes with a paper hanky when Clove appeared, saying Prune had had a nightmare.

“Oh thank goodness for that!” I exclaimed, which set me off again, and this time Flora joined in. I did wonder later when I was getting ready for bed what she must have thought about it all, me having hysterics at the sound of a screaming child. But it did me a world of good, all that laughing, and I was still tittering to myself when I lurched into bed.

Mater:

I am concerned about Dido. The silly trollop has taken up drinking again—in front of the kids too. Mark my words, she will end up back in rehab if it goes on. Like last time. And then where will we all be? Those poor little mites without a father or mother and their Aunt fast turning into a crazy slush. There’s no telling her though. God knows I have tried in the past.

I can only hope she will settle down when that kiwi friend arrives—Flora someone. Though I don’t hold out much hope really. I have not met a kiwi with a half a brain in their head yet. And that awful accent! I don’t need this aggravation at my age.

Calm down, remember what Jiemba told you.

I have not told you yet about my visit to Jiemba, have I? There has been so much going on here, what with the fish going missing and that odd guest staying in Room 8 and Dido’s antics, it nearly slipped my mind.

It was Prune who hid the fish, of course. Sensitive wee thing — she has always had a particularly strong dislike of the awful old relic and I can’t say I blame her. Dido went ape when Prune eventually confessed, but secretly I found it rather amusing.

I digress, yet again.

In the end it was Bert who helped me more than Jiemba. The dear man waited out in the truck for me while I kept my appointment with Jiemba. And he held my secret safe from the others. I am grateful to him for that. It felt nice to have someone who would do that for me. On the trip back home he opened up and told me stories about the town. Apparently in its heyday it even had an ice-cream factory; I hadn’t heard that before. Nor some of the other stories he told me. There are not many left around here with the knowledge Bert has. I feel I may even pluck up courage to tell him what I have seen at the Inn. Perhaps he may have some thoughts on it.

But not just yet.

Jiemba gave me some salve made from native bush bark for my aches and pains. It seems he is more modern than his father—things change I guess. I wanted to ask him about the ghost, but what with the dogs and kids running around outside and the heat and the baby screaming in the house somewhere, I could not bring myself to do it. But one thing he said to me has stuck.

“Live from your heart”.

It was the way he said it. Very intense. He went quiet and stared at the floor for a long time while I tried not to fidget. As though he was communing with some spirit world I could not see. Though I would dearly love to. I have thought about those words since then, trying to figure out what they mean.

I’m not sure I can even find my heart, let alone live from it.

Bert crept past room 8 again, listening. There it was again, the voice of a woman. How the heck did the dusty old geezer manage to smuggle a woman into his room? It didn’t make sense, there were so few people in the town that a strange woman would have been noticed, someone would have mentioned it. And the woman had a strange accent, Bert couldn’t place it, but it wasn’t an accent he was familiar with. Sounded almost old fashioned, although he couldn’t be sure. His hearing wasn’t so good these days. A foreign woman in town, and not a mention anywhere? No, it didn’t make sense.

Bert had a few jobs to do, but wanted to keep an eye on the door of room 8. Whoever was in there would need to come out to use the bathroom sooner or later. He decided to ask Prune to keep watch while he fed the chickens, Prune would enjoy keeping a secret, and he wanted to keep quiet about his suspicions until he knew a bit more. Nobody would find it odd to see Prune lurking around in a dark corridor.

“Do you not see that satchel o’er yon upon that fine stout table? Do but hand it this way, noble sir.”

Prune pressed her ear to the door and frowned. It was a woman’s voice, but what was she on about?

“Your Grace, I would sit with thee and spake…”.

Her name must be Grace, deduced Prune, wondering why the old dusty bugger was speaking funny as well.

“…..whence I have received from thee the artefact. Get to it, you lay about excuse for a man, I do ha’e me most urgent and important things to apply my considerable value upon.”

What a rude tart, thought Prune, and she hadn’t even paid for a room. She heard no more from inside the room because at that moment Aunt Idle came roaring and crashing down the corridor with the hoover. Prune scuttled off past her and went to find Bert.

Prune had just started to explain to Bert about Grace when Mater came beetling across the yard to join them.

“Bert, where’s the fish gone?”

Bert and Prune looked at each other. “What fish?”

“The flying fish that’s been hanging on the wall all these years, it’s gone,” she said, pointing towards the house with her walking stick.

Open mouthed in astonishment, Prune raced back to the house to check for herself.

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.

Mater:

The stranger arrived as I was setting off, but I didn’t have time to stop. By the looks of him he had been on the road for a while. I called out to him that if he was after a room he had better go and bang on the front door, but he might have to knock loudly because they were all asleep.

I shrugged off a vague feeling of guilt.

Not my problem; let someone else deal with it. Early to be calling though.

It wasn’t long before I was wondering dismally whether my mission would need to be aborted. It was only 7:00am, but already the heat was stifling. I was considering my various options, none of which seemed that attractive, when Bert pulled up next to me in his van.

“Where are you off to, Mater? You want a lift somewhere. Hop in.”

I hopped in. I liked Bert, although he wasn’t one for conversation. He was about my age, maybe a few years younger. Hard to tell with the men around here, they all looked like aged leather. He raised an eyebrow when I told him where I was going, but otherwise didn’t comment. We drove in comfortable silence.

“Not far now, Mater. You want to stop for a coffee? It’s still early.”

“Are you asking me on a date, Bert?”

There was an awkward moment while he worked out I was teasing him, then his face cracked into an amused smile.

“Can you cook?”

“Burnt toast is my speciality. If you are lucky I would open a can of spaghetti.”

“You’ll do then I guess, even if you are a crazy old coot out walking in this heat.”

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Bert remembered running away when he was a kid. He had run away often. But he never got very far. They always caught him and took him back. The foster homes might look a bit different on the outside, but to him they were all the same. So he just kept running. These memories flitted through his mind as he watched Mater carefully shutting the front door so as not to make a noise. He watched as she she set down her backpack on the porch chair to check the contents and, obviously satisfied, she closed the bag and swung it on her back.

Mater:

I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.

It isn’t much to say about a life, but I suspect it is way more than you wanted to know.

This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.

At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.

I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.

However, I suspect this is of less interest to you than the ghost I mentioned earlier.

The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.

So what changed? Well, I saw him.

Mater:

I feel myself moving slowly today. The thought of death and my poor little guinea pig is still nagging. It occurs to me that perhaps I am walking slowly because I don’t want to move too fast into the inevitable.

Or perhaps it is just that I did not sleep so well last night. It is so damned hot and night time offers little respite from the heat.

At least the kids have stopped fighting. I worry about them. Always shut away in their rooms on that internet thing.

I am so tired. More tired than I should be. It is not the usual aches and pains. Something feels wrong. I have made up my mind to go and visit Jiemba, the local aboriginal healer. It is a wee bit of a walk, so I will need to start early, before the heat gets up. I don’t want to ask Dido to take me. “Just go and see the doctor in town!” she will say to me. For all her alternative ways, Dido can still be pretty closed minded about some things—and she thinks I am a crazy old fool anyway.

But I think Jiemba has the gift—special healing powers—and he comes from a family of aboriginal healers. His father was a healer and his grandfather too. I went to see him once, his father, years ago. My back was bad and the doctor in town said I would need an operation. He did some chanting, calling up spirits I think, put his hand on my back and pulled out a stone. He said the stone was the sickness causing my back pain, or some such thing. I was sceptical at the time, but my back never did give me any more bother. I’ve read up on it since then and I think there is something in it all. The older I get the more I realise I don’t know it all.

Besides, there is something else I want to ask him about and I don’t know who else I can talk to. That’s the problem with getting old—one of the problems anyway—people tend to assume you are losing your marbles if you say anything out of the ordinary.

But I think the Inn is haunted.

Another bang on my bedroom door, my hands suspended over the keyboard. “Go away Prune!” I shouted, exasperated. “If you bang on my door again, I’ll come out and give you such a wallop, now bugger off, will you!”

“It’s me, Corrie” came Clove’s voice. Walked over to the door and unlocked it. A chat with my sister might help me with this project. Unlike Prune, who would be guaranteed to disrupt my train of thought.

Locking the door again I tell Clove what I’m writing about. We don’t go to school, me and Clove, we’re what they call “homeschooled” but what that actually means in our case is that we’re left to our own devices most of the time. Aunt Idle asks us (when she remembers) what we’ve been working on, and as long as we’ve been writing something or researching something, she’s happy.

So when I saw the group project about alternative timelines to avoid the disaster timeline, I had some ideas. Well, to be honest, I didn’t have any definite ideas until I saw the other suggestions. All Americans, and all of them talking about changing the timelines by changing the results of presidential elections!

“Not much chance of a different timeline there then!” remarked Clove astutely.

“Exactly!” I knew Clove would get it, she knows were I’m coming from, but then, everyone knows twins are like that.

“So this is what the plan is, right: “The goal of this exercise is to discuss amongst the group and choose significant past moments, and then As a Group, focus on creating alternate histories, thus sparking alternate timelines. We should vividly imagine moving forward from those probability forks and creating a more viable and desirable future.” Oh, and this bit here: “ our current timeline is convoluted to the point where many probabilities are leaning towards a disaster scenario simply to shake out of the current focus.” And then all these suggestions about different presidents, and then this: “My suggestion would be also to consider how we would like our current time frame to appear,” so I’m thinking…”

“I’m thinking” interrupted Clove, continuing my train of thought, “Of all those states and communities that got with the programme ten years ago, and took their kids out of school and built those Earthships so they didn’t need money for water and electricity..”

“And started cooperative worker owned businesses like they do in South America….”

“And they all started a guaranteed basic income years ago, so everyone was doing what they did best, especially the kids, cos they had such great ideas and weren’t stuck in boring schoolrooms…..”

“and there was no poverty, and nobody without a home…”

“Yeah, and they all stopped paying taxes so there was no money for the military, and then loads more people stopped paying taxes too…”

“Good one, Clove!”

“So nobody gave a fuck what president was elected anyway, because they were all sorting themselves out, and those states and communities were doing so well…”

“Because they’d already been doing it for years” I added.

“…that other states and communities started doing it too.”

“So that it snowballed, like dominoes, and there were more and more of these places..”

“And they had exchange students and stuff like that to learn from each other, and shared stuff online..”

“So when the disasters struck, it wasn’t half so bad because there were already a bunch of people managing perfectly well without dollars or oil, and they could help the people in the disaster. Makes more sense that electing another blimmin president, huh?”

“Bloody obvious if you ask me” replied Clove. “Pity we don’t have basic income, did you see Mater’s face when she was talking to that debt collector?”

That made me laugh, remembering her waving the stick around. “Her face was as purple as her cardigan.”

In unison, we both starting singing Start Wearing Purple and dancing around, acting the fool. I had a purple wig hanging on the back of my chair, so I put that on, and Clove grabbed a purple feather boa off the coat stand. No shortage of wigs in this town, though god only knows why. Just about every damn trunk in every empty house is full of wigs.

The first time one of the guinea pigs died I went up to my bedroom, closed the door and cried. Not just cried. I sobbed my eyes out. Great gasping sounds such as I had not uttered in many a long year. An old lady shouldn’t be crying like that over a damned rat-like critter so I made sure no one else heard me. It’s peculiar that it took me so hard, because I always disapproved of the children having pets. It was that Prune. Begged and pleaded with her Aunt Dido when they went into town one day. And Dido is so damned soft with the kids. I’m always telling her that. Not that she listens. Spoils them rotten to make up for them not having parents around when what they really need is a good slap across the backside. Of course the lazy child cared for the poor wee things for about 5 minutes before she got bored. So I took over their care. Now another one is poorly and I can feel the familiar fear clutching at my heart.

Death. He’s got his ugly scent all around this damned town.

Like that debt collector that came by this morning. I could smell death on him soon as I saw him at the door. I got rid of him quick smart. Told him I couldn’t hear a word he was saying and shook my walking stick at him. It’s not my walking stick—I can still walk just fine. I can even get a bit of a gentle jog going if the situation warrants it. No, I found it at the back of one of the cupboards when we were cleaning out the guest rooms. It sure comes in handy sometimes. Nothing like a bit of walking stick brandishing to show who’s the boss around here.

He’ll be back of course. With some big fancy official letter and maybe a bit of back up next time. Now he knows who he is dealing with.

To look at the grizzled weathered face of Bert Buxton, sex might be the furthest thing from your mind. You would be unlikely to imagine him as a participant in outrageous kinky goings on in the back rooms and bedrooms of the local hostelries, or wild midnight romps under the stars, but things had been different in Bonemarsh when the mines were busy, when he was a virile young man.

The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.

After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Bonemarsh, strange though it may seem, had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.

It was the first of September and everyone in the village breathed a sigh of relief. Miraculously, it already seemed cooler, although it probably wasn’t, but the promise was in the air. Jack and Lisa stood on the roof terrace watching the migrating vultures glide past on their way to a new story for the winter, exerting little effort as they sailed on the thermals.
“They never flap, do they?” remarked Lisa. “No frantic flapping or struggling to beat back the air, they just float, and steer.”
“I wonder why they always circle our village before continuing south?”
“They’re saying cheerio to us, Jack, although I’m sure you’d prefer a more logical explanation. It’s a reflection that we stopped flapping around with all that teleporting lark, and that we’re all back home now.” Lisa sighed with relief and hugged Jack. “I’m glad you banned teleporting for a year.”
“I didn’t ban it!” Jack said, not wanting to me misunderstood. “You make me sound so dictatorial and bossy. I merely suggested it. Strongly suggested it,” he added. “We all need a bit of no nonsense plain old grounding and balance. It was getting ridiculous, all the drama and comings and goings.”
“Mirabelle says she wants to write a book about it” remarked Lisa. “Which is marvelous really, considering the trouble she had at first with the language. And Fanella’s studying archeology and plans to travel ~ she’s fascinated with sphinxes, not surprisingly, after leaving an energy fleck in that one on the island; not sure how much she remembers about that now though. Adeline has an exhibition coming up in Paris ~ she’s looking forward to that.”
“I think they’re all planning on going to that, even the Russian lads. A trip down memory lane I suppose, but I expect they’ll notice some changes. But that’s another story.”

“How very strange” said Igor, when they eventually reached the waterfall.
“What?” asked Mirabelle, who was paying more attention to the parrot perched on her shoulder. She tickled him under the chin. “Who’s a pretty boy then? muah muah muah pretty parrot, where have you been?”
Igor rolled his eyes at the kissing noises. “Look!” he said, pointing at the waterfall.
“It’s a fucking waterfall, yes, I see it!” snapped Mirabelle. Finding Huhu had distracted her from the discomfort of hunger, thirst and an aching body, but Igor’s questions brought her back to the reality of their situation.
Then it dawned on her. The waterfall plummeted downwards, in a seemingly infinite series of cascades and pools. It was impossible to see the bottom with the spray and mist, especially in the fading daylight.
“But we are still at sea level, Igor! The waterfall should be going up, not down. I mean to say, we should be looking up at the waterfall flowing down. This isn’t making any sense. But look” she said, pointing to the first pool on the right. “There is a little hut there and some people. Fat people.” she added. “I bet they will have some food, let’s go and ask.”
Igor stepped cautiously to the edge and and peered over, looking for a way down. He looked down, then looked back at the little stream they had followed from the sea, and then back down again.
“This water is breaking all the rules!” he cried. “It’s flowing in both directions!”
“Don’t be silly Igor, are you delirious? Everyone knows that water flows downhill towards the sea.”
“See for yourself then, look!” he put a stick in the stream and they watched it flow gently back the way they had come, towards the bay. “Now watch,” he said, as he tossed another stick over the edge of the waterfall. It quickly disappeared from view as it rushed downwards, in the opposite direction.
“Where is the source? Where is the water coming from?”
“Those fat people might know. Have you found a way down yet?”
It appeared that the only way down to the pool of the fat people was via the waterfall itself. There were sheer cliffs of malachite and rose quartz on either side of the waterfall as far as the eye could see.
“I think we will have to go down the waterfall itself, Mirabelle.”
She gasped and took an involuntary step back.
“We will have to steer ourselves towards where we want to go, that’s all.”
“Oh no, not me, if you think I’m going to just throw myself over a waterfall…Oh! Huhu come back!”
The parrot flew down to the pool of the fat people, and settled on a banana tree, watching Mirabelle above looking down at him.
“Fucking parrot,” muttered Mirabelle. “I’ll clip your wings when I catch hold of you, I swear I will. For your own fucking good! Well?” she said, turning to Igor. “Are you coming or what?” and she launched herself over the edge and into the waterfall, with one thought in her mind ~ the bloody parrot.
With a great splash, she landed in the rose coloured pool, bobbing to the surface like a cork. Disgruntled silvery fish leaped out of the water, one of them landing on the barbecue. Mirabelle waded out of the pool, oblivious to the fish, and the looks of amazement on the faces of the fat people, and walked over to the banana tree.
Huhu ripped a banana off a ripe yellow bunch and dropped it, squalking in delight as Mirabelle caught it in her hands. When Huhu saw that she was focused on peeling it and eating it, he fluttered down and perched on her shoulder. She gave the parrot the last bit of banana, and then turned her attention to the fat people and the barbecued fish.