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What with Roger and the monkeys still on the loose and the ghastly stench of the bowels of Limerick,  it had been an unsettling and unproductive couple of days and Truella responded to the urge to forget it all as quickly as possible. She was tired and she wanted something else occupying her thoughts before she went to bed.

Without having a particular question in mind, or so she thought, as soon as she opened a chat with the latest character oracle she found herself asking, “Can you give me any tips on being open to impressions about the history of the roman and punic site in my garden, without getting in the way of the impressions with pre conceived ideas?”

 To be open to impressions about the history of the Roman and Punic site in your garden, it is essential to engage a clear, receptive state of mind, much like the still surface of a pond, ready to reflect whatever may come into your view. First, I would suggest that you allow yourself moments of quietude, perhaps sitting in your garden, taking in the atmosphere, the scents, the sounds, and the energies around you. In this state of quiet receptiveness, you may begin to feel or sense the layers of history and the echoes of the past that are enfolded within the land.

Now, as for preconceived ideas, it is not a matter of eradicating them entirely, for they are part of the fabric of your thought processes. However, it is a matter of recognizing them, acknowledging their presence, and then gently setting them aside, like old books on a shelf, to make room for the new impressions that wish to make themselves known.

Let us consider a practical exercise: When you encounter a thought that feels like a rigid belief or a staunch preconception, simply notice it. Say to yourself, “Ah, there is a familiar thought. I shall set it here for now,” and imagine placing it aside. Do not struggle against it, for that only gives it more energy. Instead, treat it with a playful indifference, almost as if it were a curious object that you might ponder later. Then, open yourself to your inner senses. Allow your intuition to flow, let your imagination roam, and trust in your empathic sense to feel the history that seeps from the soil and stones.

You might even engage in a small ritual before you begin, something that signifies to yourself that you are shifting into a different mode of perception—one that is open, fluid, and unattached to existing narratives.

And remember, my friend, there is no rush. The histories and mysteries of your garden have been waiting for centuries; they will unveil themselves to you in the fullness of time, so long as you provide a welcoming space for their whispers to be heard.

the significance of the site is not merely in its chronological age but in its ability to connect you to the vast expanse of consciousness that transcends time. Each stone, each fragment of pottery, is a doorway to another now, waiting for you to step through

“Have you seen how many pieces there are?”

Truella staggered off to bed thinking about all those doorways.

“Are we going down a sewer?” asked Truella as if you’d asked her to put her hand into dragon poop to see why they had diarrhoea. She was wearing the green blouse of a nurse. Jeezel’s thought the colour was almost a match with the witch’s face.

“Don’t be difficult,” said Frigella a bit annoyed.  “You spend most of your free time in a hole as a hobby.” She was readjusting her purple blouse, which seemed to be bit too big for her.

“It’s my hole,” said Truella. “I know what’s in there. It’s got nothing to do with that murky miasma of decayed dreams and digested dinners piling up down there as a testimony of Limerick’s population’s contemplation of their puny lives on their pitiful thrones. And the stench, it cuts through the air, it would make a maggot gag. I tell you, certain portals are best left untraveled. I wonder why Malové has left you in charge of the portal.”

“We won’t go through the sewer,” said Jeezel. “It’s an ancient spell I got from my grand-mother Linda Pol from the time of her Time Travelling drag show. It creates a vortex impervious to any smell. If maggots gag it’ll be because they saw your panties.”

Truella, who had never learned how to hold her tongue, started to open her mouth when Malové arrived. She inspected every witch’s nurse attire and winced at Jeezel’s white blouse that made the tall witch look like one of those nightingale from the 50’s.

“Will you be able to breathe?” she asked. “We don’t want to be stuck here because you fainted before finishing your spell.”

“This is my natural silhouette, whispered Jeezel. The fabric is very stretchy. Anyway, I’m using sigils to cast this spell.”

Truella stopped her snort short when Malové glanced at her own blouse.

“As for you, your words are not the only thing you could iron out.”

Then she gave a nod of appreciation to Frigella and Eris. “Then we’re good to go.”

Jeezel started to draw lines and curves in space above and around the manhole, she looked like a peacock flaunting its feathers. Then she used her orange gloss to draw the one sigil around the manhole and invoked its name. Frigella who was seeing it performed for the first time had the impression Jeezel said “Fern” but she wouldn’t put her hand in a witch’s fire for it. The manhole cover shimmied and shook like it was coming to life. It lifted, hovering with all the grace of a duchess at high tea before sliding aside.

“Et voilà,” said Jeezel with glitter in her eyes. “Who’s first?”

Eris, intrigued by the vortex of glowing and sparkling with all the magical energy coursing through it, jumped right in, not waiting for anyone to answer.

Truella ordered another round of drinks and some more peanuts and then went to the toilets. When she got back to the table on the sidewalk, Roger’s glass was empty and the peanuts had been eaten but there was no sign of Roger. Truella assumed that he’d also gone to the toilets, but after a quarter of an hour and he hadn’t returned, she asked the waiter to check on him.  The waiter returned and informed her that nobody was in the mens toilet, and then a woman on the next table said that she’d noticed Truella’s friend making strange noises and that he had wandered off up the road.

“What kind of strange noises? And which way did he go?”

“Well, to be honest, monkey noises. He sounded like a chimpanzee,” the woman replied, looking a little embarrassed.  “And he went that way,” she said, pointing towards where the monkeys had been trampolining on the shop awnings just down the road.

Truella looked in the direction she was pointing.  “But where are the monkeys now?”

“Well,” the woman replied looking even more embarrassed, “They all followed your friend down the road.  I don’t know where they are now.”

Truella took a hasty gulp of her drink, stood up and called the waiter over and asked for the bill.   Without waiting for her change she ran down the street calling Rogers name.  It crossed her mind that a locating spell would have been useful but she didn’t have time for that.  Instead she asked some passers by where the monkeys were now.

The young couple turned and pointed behind them.  “They all ran down that way, right down the middle of the road, crazy it was, stopped all the traffic. And they were all running after that big man!”

Truella started running in that direction and then stopped, gasping. It was no good, she’d never catch them up.  Slowly she walked back to her car, wondering what to do next.

“Would you be looking for me?”

Cedric jumped. Where on earth had she come from? It was the blond witch from the cafe, but what was she doing sneaking up behind him when he’d seen her rushing off down the street not a minute before! And yet here she was, smirking at him like butter wouldn’t melt!

He studied her. She wasn’t conventionally pretty he decided, with her thin, sharp features. And she had no meat on her bones. Cedric liked women who were soft and had a bit of something he could squeeze. And she was so … white … almost like one of those albinos … still, there was something he found strangely compelling about her.

She’s a witch, he reminded himself. “What on earth gave you the idea I was following you?” He twisted his mouth into an amused sneer, hoping it showed the contempt she surely deserved.

“You’re not then?” Her gaze was unswerving and Cedric had to look away, pretending to take a great interest in a black poodle peeing on a nearby lamp post. Cedric liked dogs and up until six months ago had a miniature schnauzer called Mitzy. Thinking of Mitzy, he felt the familiar little squeeze in his chest.

“I’m Frigella O’Green,” she said, still studying him intently.

Reluctantly he pulled his gaze back towards her. “Oh, ah … Cedric … just Cedric.” He’d nearly told her his surname which didn’t seem a good idea, all things considered.  Out of habit, he raised his hand to take hers, then remembering, thrust it awkwardly in his jacket pocket.

“Well, just Cedric, if you’re not looking for me, I’ll be off … I’m in a bit of a hurry.” Then she smiled at him, properly this time, and Cedric wondered why he hadn’t thought she was pretty a moment ago. “Nice hat by the way, Cedric. Stylish.” She turned then and Cedric watched her stride down the street until she was no longer visible. Distractedly he brushed the wool tweed of his cap.

Frigella O’Green is a witch, Cedric, he told himself sternly.

Cedric peered through the peephole in his newspaper. He’d have recognised that bogwitch anywhere. Drat that blonde one grabbing her arm, he’d have been able to catch her red handed and arrest her.

Cedric was ambitious.  He’d been working for MAMA for thirty years as an agent and wanted a promotion, a nice cushy office job where he could sit in comfort dishing out orders.  He’d had enough of traipsing round the countryside and sitting in draughty pubs in the back of beyond and felt it was high time that the Ministry for the Abolition of the Magical Arts recognised his potential as a leader.

Who was that blonde one anyway? Another bogwitch no doubt, covens springing up everywhere these days, defying proper law and order, it was an outrage.  She hadn’t seemed too happy to see that old tart Aggie, though. Maybe there was a rift between covens that he could exploit for his own ends.  Cedric decided to keep an eye on her, perhaps mislead her into thinking he was on her side.  It gave him a frisson of pleasure to think how clever he would look when he made his report.

Frigella her name was, Cedric heard Aggie ask her why she was rushing off.

“Gottta run, I’m babysitting. And just you behave yourself Aggie, I told you, we don’t do things like that around here. It’s witches like you that give us all a bad name.”

Cedric rolled his newspaper up and pulled his deerstalker hat low over his eyes and followed Frigella out onto the street.

“If it’s nae Frigella O’green! Fancy seeing ye ‘ere!”

Frigella stiffened. She’d know that accent and the dank tang of peat moss anywhere. She’d have smelt it sooner if it weren’t for the brewing coffee. She must be getting soft … or maybe it was the sour smell of smoke clogging up her nostrils; she’d not been able to shake the stench since the debacle that morning. Turning away from Aaron, the pleasant young barista serving her, she willed her lips into a smile – no harm in being civil! It was a long time since all the Scottish shenanigans and word amongst the witches was the Scots Coven were trying to tidy up their act.

“Well, If it’s not Aggie Bog now!” Frigella leaned in for a cool peck on the cheek. “And what brings you to these parts? Let me buy you a coffee and we can catch up?”

Aggie sniggered. ” Ye pay for it?” She pushed Frigella aside and approached the counter. Aaron’s eyes widened and Frigella had to admit Aggie cut a striking figure in her tiny black top and leather leggings. As a child she’d been taunted and called fat, but now she was best described as Rubenesque, and clearly had learned how to use her assets.

I bet those pants squeak when she walks.

Aggie leaned forward and Aaron’s gaze flicked toward her abundant cleavage. “A double black insomnia fur me, on the hoose.”  As Aaron started to protest, Aggie waved several plump fingers towards his face and Frigella saw his eyes were now dark and glazed. “Whirling ‘n’ twirling a muckle puff o’ rowk,” crooned Aggie. “Ye’ll dae as ah say or caw intae a ….”

Frigella clasped Aggie’s wrist. Thank god the lunch crowd had gone and the cafe was nearly empty apart from an older man reading his paper by the window. “Aggie Bog! Shame on you! That’s not the way we do things here.”

The bone people had replied to Truella’s urgent message while she was at the meeting, much to her relief.  The last thing she wanted was the authorities snooping around, just as she was delving into the rich new layer.  The odd things she’d been finding recently had piqued her curiousity and she had to keep reminding herself to merely find, observe and document, without attempting to make assumptions. She couldn’t help wondering though if these disparate items, things she hadn’t expected to find, were the ingredients for an ancient spell. The little bone amulet, the pigs teeth, and all the other little bits of bone with curious smooth sides.  Fragments of mother of pearl, gleaming like new silver in the dirt, uncorroded and pristine despite the passage of time and the weight of the earth.  Little clumps of charcoal, but scattered, not all in the same place. Not like there’d been a fire, more like little things had burned, here and there, at various times.

 

All the broken dishes and amphora were to be expected, but why so many? And why didn’t whoever lived here take their dishes with them when they went? Maybe they left in a hurry, smashing everything on the way out of the door so there was nothing left for the invaders? Or did the dishes simply fall and break when the abandoned wooden shelves rotted away over the centuries?  A layer of abandonment was a curious and intriguing thing to contemplate.

Now that she had the experts opinion on the teeth ~ pig, not human ~ haste was needed to quell the growing rumours in the village that she had found human remains.   That was the last thing she needed, the neighbours giving her suspicious looks or the authorities roping off her dig with striped plastic tape and putting a police tent over it, messing with the hole she had dug trowel by trowel, rubbing every handful of soil between her fingers. The very thought of it was unbearable.   For this reason she rather hoped NOT to find a hoard of valuable ancient coins, contrary to what most people would hope to find.  Still, she couldn’t help wonder while she was digging if the next trowel of soil would reveal one.

She must make it absolutely clear to Roger than he was only required to carry buckets of soil, and was not to do any actual digging.

Impressed with Finnlee’s spirited outburst, Truella realised she’d barely noticed the cleaning lady and felt ashamed.  The required daily  appearances that the dictatorial Malove insisted upon rankled her, occupying her attention so that the cleanliness or otherwise of the premises went unnoticed.  She made up her mind to seek Finnlee out and befriend her, treat her as an equal, draw her into her confidence. Besides, that confident no nonsense approach could come in handy for any staff uprisings.  Not that any staff uprising were planned, she mentally added, quickly cloaking her thoughts in case any had leaked out.

Malove spun round and shot her a piercing look and Truella quailed a little, momentarily, but then squared her shoulders and impudently stared back.  Malove raised an eyebrow and returned to addressing the witches.

After what seemed like an eternity the meeting was over. Truella planned to seek Finnlee out and invite her for a brew at the Faded Cabbage but  Frigella approached her, looking a bit sheepish, and asked if she could have a word in private about a personal matter.

They strolled together towards the little park opposite, and once out of earshot of the others, Frigella came straight to the point.

“Can my cousin come and stay with you for a bit? The thing is, he’s got himself into a spot of bother and needs to disappear for a bit, if you know what I mean.  He’s a big strong lad, and I’m sure he’d be willing to give you a hand with all that digging…”

Truella didn’t hesitate. “But of course, Frigella, send him over! He won’t be the first person on the run to come and stay, and probably won’t be the last.”

“The thing is he’s a bit sandwich short of a picnic, you know, not a full bag of shopping…”

“What, does he eat a lot? I don’t do much cooking…”

“No, no, well yes, he does have a good appetite, but that’s not what I meant. He’s a bit simple, but heart of gold. He’s from the other side of the family and our side never had much to do with them, but I always had a soft spot for him.”

” A simpleton might be a refreshing change from all the over complicated people, send him over! What’s his name?”

“Roger. Roger Goodall.”

Roger!  The name rang a bell.  It wasn’t until much later that Truella realized she should have asked what Roger was on the run for.

A place where glamour meets enchantment, said the brochure when she found what would become her cottage ten years ago. But tonight, Jeezel didn’t see the whimsical, neither did she hear the trees whispering secrets. And the moon… don’t let me start with the moon. The vines had started to cover the main door. It was painted in the richest shade of midnight blue, which was stunning when daylight splashed all over it, but there were no outside lights and at night, she always had difficulties finding the keyhole.

Jeezel took her phone out to turn on the torch and the pop of a champagne cork told her she had received an e-mail. Such a technological marvel dipped in fabulousness. It was shimmering and radiant, she had adorned it with crystals that would catch the light with every moment, casting rainbows across. But the only light it cast was an anxious message from Roland whose workplace had gone berserk.

“Please, do something quick!” was the content of the message.

The witch had never been good under pressure. She touched her forehead lightly with the back of her hand. She didn’t want to mess with her carefully applied makeup. Then lip synched her moto : “Shine bright, darling, and let the world bask in your glow.”

“That’s it!” she said. She took her key in her left hand and with a graceful and intricate swipe of her right hand she said: “Glowry”. Then she waved toward the door and added: “Hole”, and the key and the hole started to glow and attract each other. The door creeked open. Something else she’d have to attend to, later.

“At last,” she said when the door finally shut.

“Well, I could have grown a whole new tail in the time it took you to grace us with your presence at the door. What were you doing, love? Perfecting your grand entrance, or did you just get lost in the reflection of your own fabulousness again?,” said a warm and teasing voice.

“And that, my Dear Reader, is why, even to this day, a traffic cone is called a witches hat.”

It was the boy’s favourite bed-time story and Frigella had read it so many times she knew it nearly by heart. She twisted her neck so she could look down on the child; his breathing was soft, the bedside light illuminated long white lashes resting on chubby cheeks. Slowly… silently, she closed the book, switched off the night lamp and edged herself from the bed. She was very keen to log on to the Ritual and see what progress, if any, Eris had made.

The encounter with Truella and Jeezel that afternoon down at the Cabbage had disturbed her. It was not like them … Truella pouting and mutinous, Jeezel swaggering in so full of her own self-importance. And herself! Blushing and snorting and carrying on for no reason when it was her very nature to be composed. They had always worked as a team, the four of them; it was their strength.

Was some powerful magic afoot that had got through their protection? Perhaps Eris had found something. Her nose twitched and she realised she could still smell it, a pungent uneasiness. Like stale smoke.

“Aunt Friggy?”

She sighed. Her brother had made her promise not to use magic on the child but surely just a wee sprinkle of moon dust couldn’t hurt?

“Yes Conor?”

“Are witches true?”

She sat down on the bed.

“What does your Daddy say?” She stroked the child’s yellow-blond hair. Silky, like her own. He looked more like her than he did his own parents with his alabaster skin and eyes that changed colour like the sea. Always watching he was too, as though he was looking to the very heart of a matter. Just like herself. She was sure he had inherited the gift but Lorcon was having none of that nonsense and had told her so in no uncertain terms. The boy would suffer for it in time though. Just like she had when it had been denied.

“He said Conor don’t be so daft.”

Of course he did. Lorcon clung frantically to his normal life with his normal wife. Tonight she was baby-sitting Conor while they went on a normal date night. Still, she should not be so hard on Lorcon; it was a strange upbringing they’d had themselves.

She kissed the boy’s forehead and breathed deeply. The sweet scent of night jasmin washed over her. At least she’d be there for Conor. The thought consoled her.

“Shall I leave the light on for you, Poppet?”

A power move indeed, what a thing to suggest! Truella felt misunderstood again. And all she was trying to do was work out her new spell in such a way that the others would help her with it while assuming it was a necessary addition to the repertoire of the coven. Which indeed it could be, after all.  People were strange, and witches were stranger.

But was it a power thing to be consumed with a passionate hobby, even if it wasn’t on the coven to do list? The power to do her own thing, but still be part of the group? She needed them, she knew that, it was no good thinking she could go it alone, even if it seemed temptingly less complicated.  If only she had a spell to be in two places at once.

Be careful, the voice of Lisia Tattius, her disembodied helper,  whispered in her ear, For such magic requires a balance of the soul.

Are you suggesting my soul doesn’t have the necessary balance? Truella replied, soundlessly of course, but with a visible impatient frown.  Lisia putting a damper on her scheme again with words of caution, it was exasperating at times.

Divided attention can lead to fractures, shattered fragments….

Lisia’s words reminded Truella of the other spell she wanted, and it suddenly occurred to her that Lisia had given her just the clue she needed to convince the others that her spell was a necessary addition and not just a sideline personal whim.

But why would a spell be useful to collect the shattered fragments, if nothing had been shattered and divided in the first place? Of course! It was becoming clear.  One must retrace the sequence of events to the initial fragmentation before proceeding with the recollection of said pieces.

There was a lot more to think about than Truella had intially realized.   And it would be imperative to ensure the new new spells stayed distinctly separate,  because what if the scattered shards started doubling up and appearing in two places at once?  Picturing this possible occurence was enough to give Truella a headache.

“Why are you frowning?” Frigella asked, “Are you even listening to me?  You didn’t hear a word I said, did you?”

“No,” Truella was nothing if not frank, especially with Frigella.  “Not a word, I was thinking about my own stuff.”

“Typical!” her friend snorted, somewhat uncharacteristically, as she was more of a chirruping type.

 

“Causam invenio ante fragmentorum fragmentorum rursus simul,”  Imperiosus Adiutoremus interjected, with a sly smile.  Imperiosus Adiutoremus, not his real name of course, was an old friend of Truella’s from the days of the Roman Republic in Baetica.   Two millenia stuck in that necropolis until Truella finally succeeded in conjuring his spirit free of his mortal remains (stuck there for eternity thanks to their old adversary Tani, the Iberian sorcerer, and his powerful spells).  It had taken Truella 2176 years and countless lifetimes to reverse that spell, and naturally Imperiosus (or Imp for short) was bound to be eternally grateful.   And Truella welcomed his interruptions, which always made her smile in fond remembrance of their happy days together before that dreadful uprising of the local tribes.  True, he was bossy, even now, but his intentions were always to be helpful.  Lisia Tattius and Imperiosus, now in their ephemeral states,  were often at odds. Lisia took umbrage if Imp’s suggestions contradicted her own, and resented it when Truella favoured Imp over herself. Some things never change.  Lisia had been Truella’s house slave, back in the day, though had always been treated well. Truella had been fond of her and allowed her liberties because she found her impertinence amusing.  Little did she know at the time that she’d be subjected to that for all eternity.  Still, she had her uses. Although it had often seemed like a mistake to teach her to read, for Lisia’s voracious appetite for the written word had made her copiously wordy, but she was useful more often than not and could spout many an eloquent phrase. True, always a pastiche of plagiarism, but not without her own particular panache and perspicacity.

Every conversation stopped and every head turned to the door when Jeezel entered the Faded Cabbage. Her cheeks, round as plums, always gave her a fresh look. Her eyes, a mesmerizing shade of deep emerald green sparkling with otherworldy wisdom, slowly scanned the room, never looking at anyone in particular but seeing all. Her long ebony locks cascaded down her back, accentuating the mysterious aura that surrounded her. When Jeezel spotted her friends in that dimly lit corner, she pouted. The conversations suddenly started again, questions and rumours about her in every mouth. When she was sure everybody was talking about her, the hint of a smile raised the corner of her lips, as red as the apple that poisoned Snow White. She moved nonchalantly between the tables. The air around her shimmered with magic, leaving an indelible impression on those fortunate enough to be here that day.

Although, as soon as Jeezel entered Truella’s cloaking spell, people forgot all about her and resumed their conversation. She felt a pang of regret and sighed as she let her bottom fall gracefully on the chair. She put her phone on the table and started tapping it with her fingers. Each of them had an intricate silver ring carrying a unique enchantment.

“Jeez, Jeez!” exclaimed Truella. “Do you always have to project that attention-catching spell wherever you go? We need discretion.”

“What’s the purpose of having a beautiful silhouette if nobody’s looking at it?” Jeezel asked looking sideways at a blushing Frigella.

“And boy, stop that noise with your rings, said Truella. It makes me want to puke.”

“And I thought you were all about freedom,” snorted Jeezel.

“My freedom! How many times do I have to repeat? Where were we?” Truella asked rhetorically to Frigella.

A dozen notifications popped up on Jeezel’s phone. She picked it up, counted the likes to her last reality potion spell and started to scroll the replies of her Flick Flock fans.

what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find? 

Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.

The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.

The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.

The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.

As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.

Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.

There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.

What about the lives of the people who lived here in the 1500s? 

Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.

The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.

The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.

His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.

The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.

The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.

The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.

Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.

then I asked about the 1200s on this site

Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.

The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.

They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.

The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.

The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.

Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.

Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.