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February 9, 2025 at 7:22 am #7777
In reply to: The Last Cruise of Helix 25
The Survivors:
“Well, I’ll be damned,” Gregor said, his face cracking into another toothless grin. “Beginning to think we might be the last ones.”
“So did we.” Molly glanced nervously around at the odd assortment of people staring at her and Tundra. “I’m Molly. This is Tundra.”
“Tundra? Like the frozen wasteland?” Yulia asked.
Tundra nodded. “It’s because I’m strong and tough.”
“Would you like to join us?” Tala motioned toward the fire.
“Yes, yes, of course, ” Anya said. “Are you hungry?”
Molly hesitated, glancing toward the edge of the clearing, where their horses stood tethered to a low branch. “We have food,” she said. “We foraged.”
“I’d have foraged if someone didn’t keep going on about food poisoning,” Yulia muttered.
Finja sniffed. “Forgive me for trying to keep you alive.”
Molly watched the exchange with interest. It had been years since she’d seen people bicker over something so trivial. It was oddly comforting.
She lowered herself slowly onto the log next to Vera. “Alright, tell me—who exactly are you lot?”
Petro chuckled. “We’ve escaped from the asylum.”
Molly’s face remained impassive. “Asylum?”
“It’s okay,” Tala said quickly. “We’re mostly sane.”
“Not completely crazy, anyway,” Yulia added cheerfully.
“We were left behind years ago,” Anya said simply. “So we built our own kind of life.”
A pause. Molly gave a slow nod, considering this. Vera leaned towards her eagerly.
“Where are you from? Any noble blood?”
Molly frowned. “Does it matter?”
“Oh, not really,” Vera said dejectedly. “I just like knowing.”
Tundra, warming her hands by the fire, looked at Vera. “We came from Spain.”
Vera perked up. “Spain? Fascinating! And tell me, dear girl, have you ever traced your lineage?”
“Just back to Molly. She’s ninety-three,” Tundra said proudly.
Mikhail, who had been watching quietly, finally spoke. “You travelled all the way from Spain?”
Molly nodded. “A long time ago. There were more of us then… ” Her voice wavered. “We were looking for other survivors.”
“And?”Mikhail asked.
Molly sighed, glancing at Tundra. “We never found any.”
________________________________________
That night, they took turns keeping watch, though Molly tried to reassure them there was no need.
“At first, we did too,” she had said, shaking her head. “But there was no one…”
By dawn, the fire had burned to embers, and the camp stirred reluctantly to life.
They finished off the last of their cooked vegetables from the night before, while Molly and Tundra laid out a handful of foraged berries and mushrooms. It wasn’t much, but it was enough to start the day.
“Right,” Anya said, stretching. “I suppose we should get moving.” She looked at Molly and Tundra. “You’re coming with us, then? To the city?”
Molly nodded. “If you’ll have us.”
“We kept going and going, hoping to find people. Now we have,” Tundra said.
“Then it’s settled,” Anya said. “We head to the city.”
“And what exactly are we looking for?” Molly asked.
Mikhail shrugged. “Anything that keeps us alive.”
________________________________________________
It was late morning when they saw it.
A vehicle—an old, battered truck, crawling slowly toward them.
The sight was so absurd, so impossible, that for a moment, no one spoke.
“That can’t be,” Molly murmured.
The truck bounced over the uneven ground, its engine a dull, sluggish rattle. It wasn’t in good shape, but it was moving.
February 8, 2025 at 7:22 pm #7776In reply to: Quintessence: Reversing the Fifth
Epilogue & Prologue
Paris, November 2029 – The Fifth Note Resounds
Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.
It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.
The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.
And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.
The bell above the door rang—the fifth note, as her mother had called it once.
She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.
Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.
“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”
And that was what had happened.
The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.
True Stories of How It Was.
It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.
As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.
Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.
Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.
Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.
Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.
And Matteo—Matteo had grounded it.
The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.
For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.
Tabitha turned the page.
“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”
They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.
A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.
At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.
There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.
Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.
And yet, here in the café, none of that felt urgent.
Tabitha looked up as the server approached. Not Matteo, but someone new.
“Another espresso?”
She hesitated, then nodded. “Yes. And a glass of water, please.”
She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.
A bell rang softly as the door swung open again.
Tabitha smiled to herself. The fifth note always sounded, in the end.
She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.
February 8, 2025 at 5:18 pm #7772In reply to: The Last Cruise of Helix 25
Upper Decks – The Pilot’s Seat (Sort Of)
Kai Nova reclined in his chair, boots propped against the console, arms folded behind his head. The cockpit hummed with the musical blipping of automation. Every sleek interface, polished to perfection by the cleaning robots under Finkley’s command, gleamed in a lulling self-sustaining loop—self-repairing, self-correcting, self-determining.
And that meant there wasn’t much left for him to do.
Once, piloting meant piloting. Gripping the yoke, feeling the weight of the ship respond, aligning a course by instinct and skill. Now? It was all handled before he even thought to lift a finger. Every slight course adjustment, to the smallest stabilizing thrust were effortlessly preempted by Synthia’s vast, all-knowing “intelligence”. She anticipated drift before it even started, corrected trajectory before a human could perceive the error.
Kai was a pilot in name only.
A soft chime. Then, the clipped, clinical voice of Cadet Taygeta:
“You’re slacking off again.”
Kai cracked one eye open, groaning. “Good morning, buzzkill.”
She stood rigid at the entryway, arms crossed, datapad in hand. Young, brilliant, and utterly incapable of normal human warmth. Her uniform was pristine—always pristine—with a regulation-perfect collar that probably had never been out of place in their entire life.
“Synthia calculates you’ve spent 76% of your shifts in a reclining position,” the Cadet noted. “Which, statistically, makes you more of a chair than a pilot.”
Kai smirked. “And yet, here I am, still getting credits.”
The Cadet face had changed subtly ; she exhaled sharply. “I don’t understand why they keep you here. It’s inefficient.”
Kai swung his legs down and stretched. “They keep me around for when things go wrong. Machines are great at running the show—until something unexpected happens. Then they come crawling back to good ol’ human instinct.”
“Unexpected like what? Absinthe Pirates?” The Cadet smirked, but Kai said nothing.
She narrowed their eyes, her voice firm but wavering. “Things aren’t supposed to go wrong.”
Kai chuckled. “You must be new to space, Taygeta.”
He gestured toward the vast, star-speckled abyss beyond the viewport. Helix 25 cruised effortlessly through the void, a floating city locked in perfect motion. But perfection was a lie. He could feel it.
There were some things off. At the top of his head, one took precedence.
Fuel — it wasn’t infinite, and despite Synthia’s unwavering quantum computing, he knew it was a problem no one liked talking about. The ship wasn’t meant for this—for an endless voyage into the unknown. It was meant to return.
But that wasn’t happening.
He leaned forward, flipping a display open. “Let’s play a game, Cadet. Humor me.” He tapped a few keys, pulling up Helix 25’s projected trajectory. “What happens if we shift course by, say… two degrees?”
The Cadet scoffed. “That would be reckless. At our current velocity, even a fractional deviation—”
“Just humor me.”
After a pause, she exhaled sharply and ran the numbers. A simulation appeared: a slight two-degree shift, a ripple effect across the ship’s calculated path.
And then—
Everything went to hell.
The screen flickered red.
Projected drift. Fuel expenditure spike. The trajectory extending outward into nowhere.
The Cadet’s posture stiffened. “That can’t be right.”
“Oh, but it is,” Kai said, leaning back with a knowing grin. “One little adjustment, and we slingshot into deep space with no way back.”
The Cadet’s eyes flicked to the screen, then back to Kai. “Why would you test that?”
Kai drummed his fingers on the console. “Because I don’t trust a system that’s been in control for decades without oversight.”
A soft chime.
Synthia’s voice slid into the cockpit, smooth and impassive.
“Pilot Nova. Unnecessary simulations disrupt workflow efficiency.”
Kai’s jaw tensed. “Yeah? And what happens if a real course correction is needed?”
“All adjustments are accounted for.”
Kai and the Cadet exchanged a look.
Synthia always had an answer. Always knew more than she said.
He tapped the screen again, running a deeper scan. The ship’s fuel usage log. Projected refueling points.
All were blank.
Kai’s gut twisted. “You know, for a ship that’s supposed to be self-sustaining, we sure don’t have a lot of refueling options.”
The Cadet stiffened. “We… don’t refuel?”
Kai’s eyes didn’t leave the screen. “Not unless Synthia finds us a way.”
Silence.
Then, the Cadet swallowed. For the first time, a flicker of something almost human in her expression.
Uncertainty.
Kai sighed, pushing back from the console. “Welcome to the real job, kid.”
Because the truth was simple.
They weren’t driving this ship.
The ship was driving them.
And it all started when all hell broke lose on Earth, decades back, and when the ships of refugees caught up with the Helix 25 on its way back to Earth. One of those ships, his dad had told him, took over management, made it turn around for a new mission, “upgraded” it with Synthia, and with the new order…
The ship was driving them, and there was no sign of a ghost beyond the machine.
February 8, 2025 at 11:32 am #7763In reply to: The Last Cruise of Helix 25
The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.
It was all Riven had ever known.
His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.
Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.
For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.
He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.
A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.
People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.
Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.
Because on Helix 25, death wasn’t supposed to happen. Not anymore.
Someone broke away from the crowd and tried to push past him.
“You’re wasting time. Young man.”
Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.
Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.
“No one is going in.” Riven said slowly, “until we finish securing the area.”
Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.
“Evie, tell him.”
Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”
Riven hesitated.
Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.
They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.
“Ah,” Anuí murmured, smiling slightly, “I see.”
Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.
“See what, exactly?”
Anuí turned their sharp, angular gaze on him. “That this is about control.”
Riven locked his jaw. “This is about security.”
“Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”
The words cut sharp in Riven’s pride. Rendering him speechless for a moment.
“Oh! Well said,” Zoya added.
Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.
His grip tightened on his belt, but he forced himself to stay calm.
Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”
TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”
Zoya lifted a hand. “Yes, yes. And I am a boar.”
TP’s mustache twitched. “Highly unlikely.”
But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?
Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.
So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”
Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.
Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”
She was right. Damn it, she was right. Riven exhaled slowly.
“Fine. But only you.”
Anuí’s lips curved but just slightly. “How predictable.”
Zoya snorted.
Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.
February 3, 2025 at 10:10 pm #7733In reply to: The Last Cruise of Helix 25
Leaving the Asylum
They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.
“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.
“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”
Vera sniffed. “I prefer genealogist, thank you very much.”
“Petro,” Anya continued, “probably about to grumble.”
Petro scowled. “I was thinking.”
“Jian, our mystery man.”
Jian raised an eyebrow in acknowledgment.
Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”
The twins—Luka and Lev—nodded and grinned at exactly the same time.
“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”
“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”
Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.
“We can’t,” Mikhail said firmly. “And he can look after himself.”
She huffed. “Well, I expect we could if we tried.”
“And finally, old Gregor, who I gather would rather be taking a nap.”
Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”
Anya frowned, scanning the group again. “Wait. We’re missing Finja.”
A small scraping sound came from behind them.
Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”
Anya sighed. “Finja, leave the gate alone.”
Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”
Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”
They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.
The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.
The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.
“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”
“That’s enough of the old business,” puffed Vera, pulling her shoulders back.
Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.
The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.
After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”
Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.
“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”
“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”
Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”
Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”
Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.
Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”
“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”
“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”
“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.
Jian shrugged. “The world doesn’t erase itself overnight.”
Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”
They sat in silence, watching the fire burn low. The evening stretched long and uneasy.
February 2, 2025 at 10:56 pm #7729In reply to: The Last Cruise of Helix 25
It was Evie who found the body.
Word spread fast, even on a ship this size. Evie, though properly shocked wasted no time telling Sue—because everyone knew if something serious happened, Sue was the one to go to. Not that anything like this had ever happened before.
Sue knew exactly what to do.
“Let’s not panick, folks” Sue’s voice crackled on her radio channel over the ship’s comms, after the chirpy jingle had faded into static “We’ve had a… situation. A dead person’s been found. In the drying machine.”
Naturally, everyone panicked.
For one, it had been long since anybody’d died. They had ways to preserve people these days —if someone got too close to the edge, easy: put them in cryo, sleep it out for a bit, pump them full of rejuv’ drugs, the lots. They would come up a bit disoriented, but mostly alive.
But this one, when Evie found him, he was all shrivelled and dried up, tangled in the bags full of tiger nuts meant for kids snacks. Mr Herbert she thought ; hard to tell. She thought she’d recognized him despite he’d looked barely human, a husk.
It could have been an accident, but then the AI would have stopped the machine. One had forgotten such things could happen.
It wasn’t long before everyone started to whisper about this long forgotten word.
Murder.
As sure as they’d been stuck in that nebula for the past three weeks, and now… someone had just turned up dead.
February 2, 2025 at 8:39 pm #7727In reply to: Helix Mysteries – Inside the Case
THE SURVIVORS ON EARTH
2050. Civilization has collapsed.
Global warming, famine, plague, and the Tit-for-Tax war have devastated the planet.
The ultra-wealthy, led by entrepreneur Effin Muck, left Earth for luxury space colonies.
As civilization fell apart, other groups started ejecting ships into space. please see above comments for more details.
No one knows what happened to Effin.Ukraine. An isolated psychiatric facility.
Holds supposed political prisoners and a few who are genuinely insane. But it’s a good community and they look out for each other.
Self-sufficient, growing their own food.
Unaware of the full extent of the world’s collapse.
one day in around 2030 A group sstaff and patients leave on a supply run.
They never return.
The remaining residents wait for months and then years, relying on their harvest, speculating about the outside world. Many die. The remainder decide to leave the facility – Driven by necessity and curiosity.
Enter a world they don’t recognize—barren, fractured, sparsely populated.
Encounter scattered survivors.They Find an abandoned space station.
It was one of many.
Manage to establish communication with one of the ships. The Helix 25. It turns out there is a connection but that is to be expanded on. it is of a murder and genealogical form.December 23, 2024 at 11:20 am #7708In reply to: Quintessence: Reversing the Fifth
Elara — Nov 2021: The End of Genealogix
The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.
She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.
Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.
Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.
When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”
The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.
And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.
She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”
Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.
Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.
As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.
Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.
By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.
Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”
It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.
Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.
The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.
December 23, 2024 at 10:36 am #7707In reply to: Quintessence: Reversing the Fifth
Matteo — Easter Break 2023
The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.
Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.
Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.
“Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.
She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.
The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”
Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.
“This guy’s great,” Matteo said. “What happened to him?”
“Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”
Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”
The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.
As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.
“The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”
“Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”
Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”
“Reinventing where they came from, like us, always reinventing where we go…”
Juliette chuckled but didn’t reply.
Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.
As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.
Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”
“Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”
Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”
Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”
As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.
December 22, 2024 at 10:49 pm #7704In reply to: Quintessence: Reversing the Fifth
Darius: Christmas 2022
Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.
It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained. The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.
The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.
His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.
By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.
Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.
“You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.
Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.
“Sorry,” Darius muttered, setting down his bag. “Flight delay.”
Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.
The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”
Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”
Darius hesitated. “I haven’t seen him in months,” he said carefully.
Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”
“I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.
Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”
Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.
“Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”
The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.
For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.
“I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”
Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”
“Yes, I can.” Darius said simply, grabbing his bag.
“You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.
Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.
The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.
His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.
“Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”
Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”
As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.
December 19, 2024 at 9:52 am #7698In reply to: Quintessence: Reversing the Fifth
December 2023
Lights and Christmas decorations were starting to pop up everywhere, like frost and icicles after a frozen winter night. Lucien—no, Julien, as he had started calling himself a few years ago—enjoyed walking in the streets at the end of the day, when the balance between light and night shifted into the darkness. That was the time when decorations would start to come to life like a swarm of fireflies, flickering in time with the city’s heartbeat.
It was Julien’s first time in Paris after Lucien’s three years of exile, far from all his concerns and the glacial grasp of the dark couple. Julien had enjoyed his time traveling the world, discovering Asia, South America and even certain parts of Africa he would never have imagined he would dare enter. Julien made friends along the way, always curious about their ways of living and the way they looked at the world. But always the voice of Lucien made him wary of staying too long. He had the impression it would increase the possibility of chance encounters with Darius. And he longed to reconnect with his friend and his former life, it would lead to awkward moments, and he would have to give some explanations. But he feared it would make him want to go back, with the risk of attracting unwanted attention. So Julien had to leave in order to be free. That was the price he was willing to pay.
But in the end, it was the longing of French winter time that made him come back home.
“Lucien! Is that you?”
December 14, 2024 at 8:00 pm #7683In reply to: The Precious Life and Rambles of Liz Tattler
“What do you think Godfrey?” Liz’ snapped at her publisher, sightly annoyed by his debonair smile. “And honestly, I sometimes wonder if I shouldn’t ask Finnley, she seems to have more wits about her than you, dear friend. And where is she by the way?”
“Liz’, will you calm down, this interview business is driving you back to your old manic madness; don’t worry about Finnley, she’s had some errands to run, something about coaching the younger generation, and tiktok oven challenge —don’t ask.”
“Exactly! What? what coaching nonsense? Tsk, stop digressing. Yes, that interview is getting bees in my bonnet, if you see what I mean.”
“Driving you nuts, you mean?”
“Obvie. But look, how about that as an intro? ‘Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.’ ”
“It’s quite brilliant I must say; how much of it is from the artificial box?”
“That’s what I mean Godfrey! None! But you not seeing a difference is worrying to say the least. This thing is every author’s nightmare; it spews nonsense faster, and even with greater details I can manage in one draft. Look at that. It still comes to me as naturally as when I did my first book. Very heavy door curtain, and the wooden pole sags so I’m on tip toe yanking it, and middle of back unsupported, very stupid really. Stuff like that, I can immediately conjure, painting a world of innuendos and mysteries behind a few carefully crafted words. My words’ a stage. And I even managed to write my last book, with impossibly challenging characters, being a scientist without knowing the first thing about science —apart maybe from science of marriage, although one may argue it’s more an art form. The thing is, Godfrey, and pardon that unusual monologue, yes, and please don’t choke on your peanuts. I’m starting to feel like a faulty robot who can’t stick to the robot plan.”
“I can see you do, Liz, but honestly, we can all make out the tree for the forest. Yours is truly an art that cannot be mimicked by machinery. Have a tonic, and let’s get you ready for that interview —the manicurist is downstairs ready for you with the best shades of pink you can ever dream of.
December 14, 2024 at 6:42 pm #7682In reply to: Quintessence: Reversing the Fifth
Matteo — Autumn 2023
The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.
His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.
“They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”
His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.
Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.
A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.
Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”
“Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.
The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.
He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.
Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”
He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”
Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.
Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.
Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:
“Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”
December 11, 2024 at 4:41 am #7662In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
December 10, 2024 at 9:42 pm #7661In reply to: Quintessence: Reversing the Fifth
Early May 2022
“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.
It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions. It’s so nice to have a conversation in English, she couldn’t help thinking.
Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”
Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”
“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”
“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.
December 9, 2024 at 4:15 pm #7659In reply to: Quintessence: Reversing the Fifth
March 2024
The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.
He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.
“Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”
As always, no hello, no question about his health or anything personal.
“I didn’t want it”, Lucien said, his voice calm only on the surface.
“It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”
“I already told you, it’s not what I want. I’ve made my decision.”
Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”
Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”
“Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”
Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”
A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”
“We’re never finished”, Lucien muttered as the line went dead.
Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.
“You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”
The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”
The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”
The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”
Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”
He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.
When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.
The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.
“What have we here?” He asked, his voice bordering on disdain.
Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.
Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”
The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.
Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”
“It’s personal”, he said, his voice low.
Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”
Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”
Lucien nodded towards the covered stack of canvases near the wall. “Done.”
“Good. They’ll come tomorrow and take the lot.”
Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.
Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.
He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.
Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.December 8, 2024 at 9:51 pm #7657In reply to: Quintessence: A Portrait in Reverse
A list of events for reference (WIP)
Date Matteo Lucien Darius Amei Elara Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady. Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
She reminisces about chalkapocalypse.Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E: Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E: Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E: early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E: Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E: early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement. end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E: 2020 M: L: D: A: E: beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E: Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion 2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research. 2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank December 8, 2024 at 6:06 am #7655In reply to: Quintessence: Reversing the Fifth
Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.
“In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”
Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.
Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”
She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.
She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.
The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.
She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.
Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.
“Magnificent, isn’t it?”
The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.
“It’s quite interesting,” Amei said. “But I’m not sure I get it.”
“It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”
“You sound like you know what you’re talking about.”
“I do,” she said. “Do you?”
Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”
The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”
“Amei,” she replied, returning the smile.
Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”
“Oh, I made it, actually,” Amei felt proud.
Elara raised her eyebrows. “You made it? I’m impressed.”
And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.
December 7, 2024 at 10:48 pm #7654In reply to: Quintessence: Reversing the Fifth
The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.
Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph. The white bull.
Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways. Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods. She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.
Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him. Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.
You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.
They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees. Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.
Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.
Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours.
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.
Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that. So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it? Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.
December 7, 2024 at 11:52 am #7653In reply to: Quintessence: Reversing the Fifth
Matteo — Winter 2023: The Move
The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.
The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.
The sound of the doorbell brought him back from his rêverie.
Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.
Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.
“That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”
“They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.
The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”
Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.
Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”
As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.
“Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.
“Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.
Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.
“Special how?” her mother asked lightly.
“It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”
Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.
“Why you want to keep those?” Amei asked, tilting her head.
Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”
Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.
The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.
As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.
“It’s different, isn’t it?” she said suddenly, not looking at him.
“Moving?” Matteo asked, unsure if the question was for him.
“Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”
Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.
The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.
By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.
“Do you know where I can find absinthe?” he asked, the question more instinct than intent.
Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.
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