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In reply to: Circle of Eights, Stories
The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.
This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.
But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.
The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.
Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.
The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.In reply to: Circle of Eights, Stories
Yann was wandering about in a pet shop, looking for nothing in particular.
Quintin had said something about inserting the shift now… well, that sucked… Yann was in a very bad mood, feeling like everyone was against him, nothing was going as he wanted to, and most of all he had lost inspiration. No desire to draw, or to write anything. His life was not fitting. Or so it seemed.
Looking closer to the bird cages, and the birds inside, he was amazed at their similarities and their differences. Their shapes and sizes, their colors was the obvious parts. Their shouting also, it was quite messy, and stridulent. But what he noticed most was their behavior, some were just living their own life, proud of themselves and quite fearful when Yann was getting closer to the cage, and others were just flocking together like they couldn’t live apart. Some were singing, some crying, some just quiet and moving nervously or randomly…
He went to the parrots room, it was written babies on the cages… they were like full sized parrots to him, very big birds!!! very colorful and impressive. But looking closer, they were not so healthy, their feathers were sort of dull, and even bad shaped and like the parrot had been attacked savagely :yahoo_thinking:. Not very impressive eventually.
A few days ago things had become quite erratic at his work… he had felt a strong desire to change, change everything. First he couldn’t understand that desire and he resisted strongly, but soon he created some uncomfortable manifestations. Breathing difficulties, headaches, itching, and even boredom. He just felt the desire to tell bugger off to everyone.
The birds were getting boring actually, he left the shop.
Walking in the street among the crowd was kinda soothing his uneasiness… though at times he was like feeling what they were strongly projecting. There was that Muslim woman with her chador, and as she went right past him he had that twinge of anger against her, coming from nowhere, and as soon as he noticed that, he just moved his attention to his energy and it was over, no more anger or polarization. Was it his own feelings or was it from that young woman?
Whatever, he just enter another shop, home shop, with little thingies and furniture… all these statues, the ones looking like 1920’s ladies were the most appealing… and there were these fairies also, wasn’t it Fiona who had told him about a dream where she was the fairy princess?
Oh! that pic… the man had a blue skin… with dolphins on his face creating shadows… the pic was a blend of sort, very funny, and the man was cute
as was the shop assistant…Time to leave… he went off the shop and continued walking. Bright sun, fresh air, all was clearing. His mood also. He thought again about what he and Quintin had been planning. It seemed something crazy, but it also seemed related to what was happening in his life. Since Vienna, their relation had become closer and closer, and for the most part it was very endearing, very fun and also very intense. All these energies, all this creativity, it had to be part of a bigger picture.
Thinking about that, his friend Dory had told him about a bigger picture once, and he was teasing her about that… but now it was making sense. His abilities to remember his dreams had increased in a way, though most of the time he did not remember his dream in the morning. He’d noticed he could if he was just relaxing a bit and let his attention go back to that dream self of his… At times he had also some weird experiences about parallel realities and shift of perception, like the room is translucent and he can move through it in another dimension, very freaky that one
In reply to: Circle of Eights, Stories
Chiara got quite a fright and spun round quickly. She stood gazing at the funny creature, a woman who had a sort of cattish feel, who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.
Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large woman who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a tiny figure emerged from behind a rather large pebble.
Hello, said a little pink fairy. I am the Fairy Princess of the Land of the Long White Cloud. Did you fly here? Look I can do magic and she waved her magic wand, said abracadabra and produced some small white feathery fairy wings for the delighted Chiara.
Frowdup she called excitedly. A round green blobby creature who blended seamlessly into the environment like some sort of exotic plant hopped over.
Yes Dear Fairy Princess?
Please could you play the music for us?
Oh delighted to oblige answered Frowdup, producing a flute like instrument.
At first the sweet notes of the instrument floated tentatively on the warm air. They rang like pure crystal, cool and pure, then slowly gained in confidence and multiplied, as though possessed of supernatural powers. It seemed the simple melody Frowdup played was accompanied by a whole orchestra of instruments.
The little fairy laughed in delight and grabbed the giggling Chiara. They began to dance instinctively with the energy of the earth, swaying at first like a tree in the wind, then whirling like the wind itself, soaring high into the air, imitating the flight of a parrot, then swooping joyfully back to the ground. They were connected to the magic of the music.
Whanga, one of the 13 Witches of Loathing was feeling rather bad tempered as she gazed into her glass ball. hmmmm bugger, she said crossly that little Fairy Princess from the Land of Long White Cloud is having way too much fun. She seems impervious nowadays to my magic spells of loathing
Whanga had to confess to being a little puzzled. For a while she felt she nearly had the Fairy Princess in her clutches, but one day something seemed to have changed, and the Fairy Princess did not seem to be so affected by her whispered spells any longer. What sort of magic had she found to protect herself Whanga wondered. .
It had begun to rain gently whilst Finn was in the enchanted fairy ring. She didn’t mind, she loved the rain and the trees protected her from the getting too wet. It felt cosy and magical. She had such a strong sense of the presence of her younger self. The younger Finn was three years old. Finn remembered the day,it was etched in her memory as a turning point, and yet it was also as though she were there again. She talked with her younger self, wanting so much to give the younger Finn a gift to help her make a different choice that day. Finn knew she had to trust with her heart, not reason it with her head, because there were just too many questions she could not make sense of, and magic did not seem to be so much about sense anyway. Anyway,whatever, if nothing else she felt lighter within herself .
In reply to: Circle of Eights, Stories
Írtak was playing with the dragon twins in the carved woodstones field. It was mostly faced shaped petrified wood that had been carved surely when it was still wood. The faces were quite hypnotic and made him feel often sleepy, but with the dragons he was feeling all his senses enhanced and sharpened.
The dragons were growing fast, hatched only a few days ago, they were already bigger than his father… He knew from Malvina that they could take whatever form they wanted, but he’d always thought that their power were developing from nothing to … something… but apparently they were already fully aware. Their leather skin was glowing emerald green, blended with some purple pink shades, or was it the contrary. It was changing so quickly. He was wondering what they were eating, because he wasn’t the one who was giving them any food. And still they were so big.
Did they have a “real” form? Whatever that meant.One of the dragon gave him a mischievous glance and before he could anticipate what would happen, he was facing a growling troll :yahoo_time_out:. The troll was running right to him, seemingly crushing with his heavy body all the fragile woodstoned faces.
All his attention was on the troll and he didn’t hear the man coming.
And now the troll was freezed running and jumping forever… Írtak’s head was like a big storm of boulders falling from the sky. Growling, drumbling apart…— You have strange games with your dragons.
— …He was gaping at the man… his skin was bluish with pink also and sometimes a bit of yellow.
— Who are you?
— Don’t you recognize me?
Írtak tried to remember something. had he ever met that man before?
— Oh right, it’s our first meeting… from your point of view. I’d forgotten that. But you see, for me our first meeting is in your future.
— …Írtak was still gaping at the man, this strange skin of him, it was so ambrulin, that color he’d already see somewhere… was it in a dream?
The man looked at him, and he felt for a moment a warm fuzzy feeling in his body… not particularly located in any part of it… and he would have… no, it was even in the woodstoned faces around him… how could he feel that?— Your dragons are wanting to take part in the fun, the man smiled. I’m going to let them go, as I’m not staying either.
— Who are you? managed Írtak. — I’m your father…
—
— HAHAHAHAHAH! No actually that’s a private joke… I’m Andrimiñ (AndruhMiiñ?) we’ll meet again in a few years of your time. Your dragons are really interesting then, and so are you.Saying that, the time began to flow again in the right direction, the troll was still running toward him, but he suddenly slowed down and stopped, shape shifting into a bluish boy, with a face so similar to Andrimiñ.
— Where’s the funny man? he said.
In reply to: Circle of Eights, Stories
Well I think I can answer that for you, said a small round green blobby creature, in response to Roselyn’s question. The creature had actually been sitting there all the time, however everyone had assumed it was some sort of exotic plant.
Let me introduce myself, I am Frowdup, yes an unusual name I know. I am a long time and faithful friend to the dear little Fairy Princess, who is rather friendless at the moment owing to her extraordinarily antisocial behaviour , such as that which you see so sadly exhibited before you.
Frowdup cleared his throat in an important and significant sort of way. I will try and relate this sad tale as succinctly and precisely as possible, he said.
Our dear little Fairy Princess was the head Fairy Princess of the Hot Pink and Sky Blue bands of the North East Fairies from the Land of the Long White Cloud. Each Fairy Princess in her initiate years has a witch assigned to her, to help her develop her magical abilities. Our dear little Fairy Princess was designated one of the 13 Witches of Loathing, Whanga, from the far North of the North Island of the Land of the Long White Cloud.
Dear Fairy Princess had her own cave which she took admirable pains to make sure was always fully stocked with sand. You know about the sand of course? I can see you are a woman of great stature, no offense intended, I mean I can see you are tremendously well versed in the ways of magic yourself, so you will know that some of the more basic ways of magic involve a symbolic representation of magical symbols, so to speak, such as sand and wands and whatnot sort of thingies. Really completely unnecessary, of course, as you will know, however for her, each grain of sand was the exact and precise equivalent of one wish, activated by a determined wave of her magic wand and the words abracadabra. Yes, I know, very primitive, but she is a very young initiate, although I will say she showed great potential had Whanga the Witch of Loathing not managed to convince her of her own lack of worth.
Whanga was constantly and every single moment whispering in the ear of the Fairy Princess magic spells of self loathing. My young friend lacked the expertise to counteract these powerful spells and began to believe them. One day she was so sad at her own horridness that she could bear it no longer and put a spell on herself. This enabled her to curl up into a deep sleep of forgetfulness for a rather long time, enabling Whanga to easily procure said wand. In addition to this Whanga managed to obtain the source of the music which the Fairy Princess felt she required in order to help her to fly. When the dear little Fairy Princess awakened from her sleep, she was devastated by the loss of her wand and music, and still convinced of her own worthlessness you see this poor creature before you today.
The poor creature had stopped sobbing and was glaring at Frowdup.
In reply to: Circle of Eights, Stories
Illi was quite pleased with the sand dragons.
HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!
Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.
Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!
Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.
When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.
Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.
In reply to: Circle of Eights, Stories
Malvina tried to concentrate on the opalescent glubolín, to locate her Sisters.
But that was perhaps too early, because she could feel them close enough, but not focused yet.
Instead of communicating directly with their focused attention, she was getting images in the glubolín, that seemed related to them, but not necessarily directly. Something like an overlapping of different aspects.Oörlaith was very close, and she could make out her surrounding. Malvina could briefly see her discussing with a man and a black dog. She had known that man… But then the image dissipated…
A sparkling shore, a black and white bird and pirates talking with a boy… the little boy had a buntifluën in his possession; how strange, Malvina thought, how could he?
Then the shore changed, she could see herself in a unfamiliar environment of sands, she was wearing a blue shawl and teaching a young impetuous woman, on how to change her features as easily as molding a sand castle. The young woman had just grown cat whiskers for a split second, and was giggling at her first success. How strange again thought Malvina, this simple act had sounded like a feat of importance in that bizarre environment, while it is rather easy to accomplish…
Images flying again, she tried to concentrate on Roselÿn.But Roselÿn was perplexing. Malvina did not manage to connect directly to her environment, but could catch glimpses of a flying plump woman in a black and white attire, and she knew at once it was Roselÿn — though not the Roselÿn she knew. Roselÿn the Sorceress was a tall elegant dark-haired woman, but both women emanated the same joyful and loving energy. Flying Plump Roselÿn was with a little giggling girl, and giggling girl was adventurous… How interesting…
Something drew her out of her rêverie. Guests had arrived it seemed, she could hear Leörmn calling for her. She was excited at the perspective of visitors, especially at the perspective of meeting the young one who had found the sabulmantium, as she was feeling that her presence now was purposeful for them all.
In reply to: Circle of Eights, Stories
— Well, I’m sorry to have to tell you Becky Pooh, but your script is getting awfully confusing… Al was saying swaying his head in dismay.
— What?! Becky nearly spluttered her cappuccino on Tina who was munching marshmallows at the cafeteria of the rehearsal room.
— Yes, you see… Al was once again lost in his thoughts… This Illi is driving me crazy, once she’s here, then she’s elsewhere. At one moment you said she was dead, and I went to great extents to try to clarify…
— Muddle, interrupted Becky Pooh, Muddle…
— … the whole thing, Al continued imperturbably, and made clear, or so I thought, that the Illi cat was alive, and the Illi human was indeed dead, but now Tina makes the Illi in the dream of little Chiara the cat again… Could you both explain what happens. I’m completely lost.
— AHAHAH, LOST! cried Becky so insanely, so that all of the others looked at her with eyes wide as saucers.
— Well, there could be lots of explanations of course, interjected Sam, whose energy was always soothing to incorporate in the midst of heated discussions on the reality play they were all writing.
— Yes, of course there are! It all makes perfect sense, said Becky.
— Oh sure, said Tina, except that you don’t really make Illi do anything…
— Do I?
— Well, they were near the cave, but you won’t face the scaly stinky dragons anyway, said Al a bit disappointed.
— Why can’t you imagine them all fluffy and pink if it’s easier for you? said Sam. Like Chinese dragons, why not? A bit dog-headed, wouldn’t that be easier for you?
— Mmmm. Becky was pondering.— And what were your suggestions to explain that insane dream? asked Al to Sam.
— Mmm, let me see… Perhaps it’s from another timeline. No one has said when that dream has occurred, so it may be before, or after the events happening right now.
— And for the cat seen by Chiara, said Tina gently, that could just be her seeing the essence of Illi, and seeing other of her personalities…
— Well, seems to make sense… acknowledged Al and Sam, all turning to Becky to see if she agreed.In reply to: Circle of Eights, Stories
The arrival of the noisy pink fairy was the last straw for Illi. She imagined her deserted island again and made sure she paid attention to imagining it completely deserted this time. No more fat nuns appearing from the heavens or squalking fairies!
Illi made the new island a paradise….she magicked up staff when she wanted food or a massage, a gaggle of party people for when she felt like dancing, and blithely disappeared them when she was done. Mostly Illi slept. Her favourite spot was near the lagoon on the sand under the coconut trees. She lay and dozed and drifted and dreamed and imagined and dozed some more, trailing her fingers through the sand, pushing little heaps of sand here and there, pulling them back, making channels and watching the sand sift back in and disappear them. She dreamed of sand sculptures, an astonishing variety and all made from…sand! Tiny grains of sand, made into anything at all…..every tiny grain of conscious energy…made into anything at all…..and in comes the tide and washes and ripples a clean new beach….to make anything at all……
In reply to: Yuki’s Livrary
October 12 th
Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
And so it is.October 16 th
My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…
“I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]
In reply to: Circle of Eights, Stories
Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.
Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.In reply to: Circle of Eights, Stories
India Louise and Eugenia momentarily forgot about the gold locket and walked over to the exceptionally long trunk. India dropped the locket into her pocket as she investigated the exterior of the trunk, which didn’t appear to have an opening. It seemed to have been made around whatever it housed, and permanently.
‘How strange’, mused India, ‘it must not be intended to open, ever!’
‘That makes me want to open it’, said Eugenia. ‘Let’s! Let’s open it!’
Eugenia was rummaging in the desk drawers for a suitable tool.
‘Wow, look at this, Indy’. She held a heavy black letter opener up to show India, with an elaborate carved dragon on the handle. The dragon had glittering amethyst eyes, and a serpentine line of coloured stones along its back.
India shivered involuntarily at the sight of the dragon. Horrid nasty creatures, dragons, she muttered, resisting an urge to cross herself. ‘Peace be with you, now bugger off’ she whispered the spell under her breath so Eugenia wouldn’t hear her and think she was a silly goose. Horrid scaley slimy stinky reptiles.
‘You go first, Genie, try and prise the trunk open.’ India didn’t want to touch the letter opener, but she was rather curious about the contents of the trunk.
Eugenia was a strong and capable lass, with a practical methodical mind ~ unlike India Louise ~ and before long the first piece of wood came splintering off.
‘Nice one, Genie, well done.’ India said as Eugenia wrenched off another few planks.
‘Oh MY GOD!’ ‘Jumping Jehosophat!’ ‘What the……’ ‘Holy Moly, Genie, what the….’. After a few initial exclamations, the girls were silent, the hair standing up on their arms.
They were looking down at the shrivelled features of a dried up body, covered in bits of disintegrating faded fabric.
‘A mummy! It’s a friggen mummy!’
This is a thread for referencing terms, creatures and other funny words that may be useful to find easily…
Don’t hesitate to post your suggestions below, that I will integrate later.Races
- Dragons
- Gripshawks [ ˈgrip-ˌshȯk ]: feline-like race.
- Humans
- Uglings
Creatures
- capricorn [ ˈka-pri-ˌkȯrn ]: goat-like fish-tailed aquatic creature
- fincheon [ ˈfin-chən ]: grey ugly birds, with the particularity of being extremely discreet (almost invisible) with a great sense of orientation, and loyalty to their owner. They are mostly used as message deliverers
- glukenitch [ ˈglu̇-ˌken-nitch ] (Gripshawk dialect: [ ˈglu̇k-ˌnitch ]) : Slimy wet creatures fearing light, sharing one mind, found in Malvina’s cave. Useful recyclers of garbage, their droppings emit a glowing bluish halo, until they dry up completely and coalesce into a glassy substance.
- golfindel [ ˈgōl-ˌfin-dəl ] : golden coloured cetacean, found in Golfindely.
- grake [ ˈgrāk ]: big birds of Golfindely, with colours like mandarin ducks and shaped as geese.
- indogo [ ˈin-dō-ˌgō ]: blue type of flamingo living in the Eastern Lagunas of Lan’ork.
- langoat [ ˈlan-ˌgōt ]: daft three-eyed goat-like creature living in the Dragon Head Peninsula, the wool of which has many magical uses (enchanted cloaks, tapestries etc.). Their milk is known to have remarkable healing powers too.
- marmoth [ ˈmär-məth ]: big toothed hibernating woolliphants
- saurhse [ ˈsȯr-əs ] : bidepal saurian used as a mount in Asgurdy.
- schpurniatz [ ˈshpər-ˌniats ] : bat-like creatures, found in dark caves.
- sparfly [ ˈspär-ˌflī ] : birds usually seen in couples, loving to nest in silgreen trees, and their songs is one of the Treasure of the Worlds.
- weaszchilla [ ˈwēz-ˌchi-lə ]: little mouse-like ferret
Magical Artefacts
- buntifluën [ ˈbənti-ˌflün ] (or [ ˈbau̇nti-ˌflün ]): A magical artefact having in most of its variations the form of a knot-like object, which allows the wearer or bearer to communicate directly with the energy of sentient beings.
- glubolín [ ˈglü-bȯ-ˌlin ]: A device made from unhatched dragon eggs of the same brood, that allows people to communicate through it.
- sabulmantium [ ˈsā-bəl-ˌman(t)-shəm ] (or [ ˈsā-bu̇l-ˌman(t)-shəm ]): A device made from rare unhatched dragon egg with crystalline transparent shells, which is filled with sands. May be used as a divination device or as a compass, in any case as an intent focusing device.
Plants
- buckberry [ ˈbək-ˌbe-rē ]: fruit of wild buckberries shrubs, in the form of big electric blue-vermilion reddish berries, known to have thwarted all attempts to be grown in gardens.
- grogonut [ ˈgrō-ˌgə-nət ] tree: a tree indigenous of the warm coasts of Golfindely, known to provide grogonuts, which have a wide range of uses (food, drinks, cups etc.) depending on the maturation level of the nut.
- silgreen [ ˈsil-ˈgrēn ] tree: a big decorative shrub, blooming sparkling flowers of emerald and silver once every moon. Leafs can have medicinal use too.
More here later…
In reply to: Circle of Eights, Stories
Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.
Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.
Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.
You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.
Hmmmm and which one would that be?
Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.
Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.
Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.
Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
Topic: Pictures Pool
Here you will find the picture pool for the story
Don’t hesitate to join in, and add your submissions…NB please don’t use copyrighted material, unless you hold the rights or the permission to reproduce
Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
Malvina had been busy opening doors for herself, and thus, for the All.
Creating the sabulmantium with Leörmn had revealed new potentials to her. And just before putting the final touch to the device, she had felt engulfed in a huge wave and before she knew it, she was talking with someone. A great creative power, which was stemming from herself, and also from which she stemmed too.
It had named itself Naasir.
It had revealed to her, in the form of a dark abyss, myriads of unknown potentials waiting for her to leap in faith into them. It had gently requested that she release her hold on the caves openings, so that she could explore more, and also bring more to herself.
Then Naasir took the form of a great dragon in that abyss, from which roots were growing and pushing their way, slowly and surely, into the rich soil towards the light of their fullness.
She had then seen the dragon’s arched back and tail shift into a chain of spiked rocks, separating the worlds seas in two. Three of the scales on the right of the dragon’s skin were glimmering, and she could see they were looking for a passage.
Would she allow that to happen? Yes, she wanted to. Open the doorways, and reunite what was separate, but gently, one at a time.
Slowly, the kite-shaped rocky plates on the back of the dragon moved apart, to open a slight, safe passage for the glimmering scales. They were caught in the eddies that surged from the opening, but Malvina’s focus helped them to float and cross safely, as they wanted to.
She then came back to herself, seated in front of the glass-shell dragon egg filled with coloured sand, awed with that power she had just felt through her. She knew it was her own power, and that the device had only allowed it to be expressed, but she had felt wary of how the sabulmantium could be used by others.
At the same time, Leörmn who was once again the tiny weaszchilla trotting on the wooden table in front of her had laughed squeakingly. And looking at the toy in front of her, she had understood how it could only be used by those who would see beyond the thinly veiled surface. For the uncaring eye, this would only be a toy, mundane and without interest, but for the pure of heart, its help could be harnessed.
That’s how she’d knew she did not need it any longer, and could release it.
So, the doors had been opened, and people were feeling the new jewels sparkling behind the dark passages. And gifts from friends could now come across the veils.
Malvina saw that during the last transmugrification, Leörmn had created an entrance near her laboratory, and it was as if it beckoned her now.
When she entered, she saw a guéridon table in the middle of a moistly pungent room. On the table, a polished egg was here. She recognized it at once. It had an azure blue glow to it, and fond memories came back to her.
Back then, she was a young Sorceress in training on the Island of Mörk, in the middle of the Icy Lands, the birth and dying place of the dragons.
This egg was one from a set of three. It was the first glubolín she’d ever made, along with her two companions. They had kept it to communicate with each other when they parted.
Malvina, the youngest of the three, had kept the azure blue, and chose to go to the Dragon Head Peninsula.
Oörlaith had kept the mauve, and went near the town of Kapalÿka, on the Snimeÿa River delta bordering the Marshes of Doom.
As for Roselÿn, the eldest of the three, she had taken the amber one, and had went as far as anyone would have dared go, flying on her spiked dragon Rëgkvist, past the Great Rift.
They had kept in touch, but contacts had been more and more sporadic as each were discovering their own new environments, and had ceased altogether, almost at the same time.
As far as she knew, Roselÿn had been starting her own rookery in the sandy ice deserts of Åsgurdy, mostly hiding there from the superstitious people of that land. And Oörlaith, whom she was closest to, had been devising another funny way to keep people away from her rookery. Her own dragon, the playful Andarión, was shape-shifting as a huge shrimp to pretend that the surroundings were haunted.
Recalling all these moment, Malvina laughed at how silly they all were, and felt a long to be connecting again with her friends. Would anyone of them be around their own glubolíns?
In reply to: Circle of Eights, Stories
It’s been a long time since Írtak last paid a visit to his family. But this time would not come now as the twins were just hatching.
The hatchtone, a humming inaudible sound that would help the little dragon break the hard shell, had been resonating for almost an hour now, and Írtak had to constantly refocus and pay attention to himself not to be distracted by the unheard sound. The tone was quite intense and as they were both hatching at the same time the hatchtones were enhancing each other.
Írtak could see the shell resonating with the gluid tones. It was shifting shape slightly, and his eyes were also perceiving a bluid glow around it.
In the hatchtones were the names of the dragons… Írtak was a bit astonished because those names were quite odd, but he was feeling a strange inner giggle of sort coming from some part of himself.
He was translating the hatchtones as Heckle and Jeckle.
“Defunitely!”
The inner laugh of Malvina was still resonating in his ear when the shell began to crack.
In reply to: Circle of Eights, Stories
In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…
It said:
I’ve been wandering through the valleys of death
Where time knows no ending and all is gray
And shadows seek nothing but oblivion itself
In mazes of mist, minds’ errands led astray…Perhaps it was time to let go of useless things, Bill thought to himself.
He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.
Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.
She had giggled at his surprise, telling him that yes, she was catching up with him…
The City, year 2255
Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.
It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.
Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.
When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.
Then she opened her eyes.
She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.
— Good morning!
— Good morning Cyprus, you wanted to say something to me?
— In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
— Yes, I thought so. Is it about what I am choosing to do as an activity?
— Correct.
— You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
— Yes, I am aware. And you wanted me to highlight some misconceptions about that.
— Oh, misconceptions?
— Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
— It feels like a tremendous responsibility.
— It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
— OK, I will do that…
— Ahaha, there is another thing, my dear.
— Oooh…
— You also wanted me to make sure you understood what I meant.
— Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
— Nothing is hidden from you, as always.So Janice took a look at the sheet of paper on top of her own school desk.
— I’ll be around if you need me, reassured Cyprus.
— Thank you, said JaniceThe paper was like a spot test, with a few questions on it.
Study on a Few Contradictory Beliefs
1. GUILT
a. An old lord has lost contact with his son, because of harsh things said in the past.
Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.
b. Detail the main beliefs you can see associated with this action of guilt.
2. FEAR
a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.
Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.
b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.
DUPLICITY
In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.
Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.
Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.
