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November 9 ^th

For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.

Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

9/11/2007

Finn’s raft has mysteriously disappeared. This can’t be good for floating.

Oh no, it is just slow to load .. so Finn thought her raft had disappeared, but in actual fact it hadn’t at all. All is well.

Inspired by the courageous example of Finn, Quintin was thinking of changing his name too.

There were too many Quintins out there, and he needed to find something more suitable. Michaela had mistaken him again for another Quintin, and of course, Quintin had heard Elias laugh in the background.
Yann’s battery of his new phone was charged at 33%, so that was probably a confirmation too.

Why not something like Yurick…
Looking for a confirmation, Quintin found this.

YORICK: Altered form of JORCK. This name was used by Shakespeare for a court jester in his play ‘Hamlet’.
JORCK: Danish form of GEORGE

So that was it… Having recently read some poems from George Gordon Byron, Quintin thought that it was in perfect sync.
Yurick was henceforth adopted.

_{Interestingly, Yurick noticed that it was the 303 ^rd comment posted. So it was obviously another confirmation. Perhaps that with his new name, now Yurick wouldn’t need 3 confirmations in a row…}

How splendidly fascinating that we are each so different, I would never have found something like this! What a cool team!

:expand:a:paperclip:ll over:rec:news:ycle: :cluebox:the plac: :photo:calenda:games:r:e, th:sumari:at’s :penthingy:where!:vide:help:otape:

— The legend of Mævel — (Part VII)

Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

— I think I know where we can find some Forgotten One in need.
— Where? asked Mævel

The fox paused, then answered her question:
— Near your human parents’ home.

Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

— Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
— Free us? I thought you were the one Cursed?…
— Yes I am, and…
— How do you know my parent’s home? How much do you know about me?
— I know you since you are a baby actually. And even before…
— Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
— You’re right, there are links, links that are important, and that I cannot reveal.
— Why can’t you reveal them?
— Let’s go to your human parent’s home…
— Why do you always say my human parents?

The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

— Is that the Forgotten One we will help?
— Yes.
— Why do you need me? You could help her, couldn’t you?
— She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
— Hang on a minute… Why do you think she will see me?

Mævel looked into the eyes of the fox, and she knew.

— We are linked.

It was more an affirmation than a question.
Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
Mævel’s voice was broken:
— My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
— No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
Mævel felt the pain of the Forgotten One as she approached her.

— Who are you? she suddenly asked Mævel, raising her head at her approach.
— I am Mævel.
— Mævel… It means marvel of Maÿ… I was born in Maÿ…
— What are you doing here?
— This is my parents’ home.
— How is that possible?
— Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
— Blohmrik?!
— Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
— How do you know all that?

— I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
— That’s the reason of your curse, is it?
— Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
— So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
— Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

— Who are you talking to? the shadowy figure asked, bemused.
— Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
— Yes there is, answered the blue fox, and you can undo what has been done with it.

Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

— You can manifest it again Mæ, said the fox. It is with you. You are its lock.

And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

« Araoni »

That was her. She was remembering, and everything started to change.

The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

Even Lejüs had been invited, even though he would have preferred to be Forgotten…

And so my story ends… said Captain Bone to Tomkin.

— And was the shadow remembered by her true parents? had asked Tomkin.
— Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
— You didn’t tell me the name of the true daughter, did you?
— No, I didn’t, said Captain Bone with a wink.

New Venice, November 2101

Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
She had given him the old parchment.

Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
So unlike Bill’s disengagement, which was peaceful and full of love.

So yes, people were not far from the truth when they saw them as brother and sister.
According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

Egypt, 2657 B.C.

Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

He needed sleep before hiding the text with the mummy.

Paris, 2007

That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

Let’s insert it again then, he smiled to himself.

When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother Becky… Bart wasn’t too sure…

Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

“There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

“And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

“And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

“And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

“And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins