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“The possibilities of liverworts are unimaginable. Not many people know this, Pearl” Skye said, “But liverworts have the capability to communicate with any other liverwort anywhere on the planet. Nothing out of the ordinary, you might say, and you’d be right! But what is not ordinarily known is that the liverworts have this sort of fat cell, scientists still don’t understand the function, but what this fat cell does is communicate ripples. Ripples of communications. Sort of a wifi intent distribution system, for want of a better technical name, although some call it wifindilivi for short. Another unusual advantage of liverworts is their colour ~ green. And everyone loves green these days ~ cover something with greenery, nobody complains. Anything covered in green foliage automatically conjures up wholesome natural goodness, mother nature, all that kind of stuff. Nobody objects to it like they do with security cameras and mobile phone masts.”

“I heard about a pyramid they found in the jungle that was covered in liverworts” replied Pearl. “A friend of mine, Blithe, found it ~ well, it just popped in her head I think, and then she saw it in the news.”

“Exactly. No accident that pyramid was covered in liverworts! And the “popped in her head” commincation wasn’t random, either. But nobody suspected a thing, finding a pyramid covered in liverworts in the jungle!”

Sir Ed Steam admired his reflection in the mirror for a few minutes. It was such a pity to have to cut off his beautiful waxed moustache, especially as it was such a hit with the ladies, however, if his plan was to succeed, he needed to be able to pass unrecognised. Still, it really was a dreadful shame . . .

“The key to a good moustache wax is being firm yet yielding, stiff yet malleable with staying power,” he mused out loud. Sir Ed made his own moustache wax out of beeswax and petroleum jelly. His was a connoisseur’s moustache requiring maximum grooming and a whole lot of wax.

Petronella had attended many “Occupy Movement” gatherings- she was one of the first to shuffle eagerly to Wall Street when the Yankee Americans were finally awakened from their stupendous slumber, and when the Spanish were shouting “Viva la Revolucion!” she was silently there, capturing every movement with her Canon IX-25 14.0 Megapixel camcorder and reporting to the rest of the world the rumblings of the impending revolution. This occupation was different, felt different, and conducted in a different manner.

She dusted the dirt off the book, looked around to see if nobody spotted her picking the book up, and retreated back into her tent. She brew a fresh pot of coffee, bundled herself in her tiny, yet thick and warm blanket and set the book before her. It was an odd-looking book, none like the books she’d encountered- and she encountered many books! Its cover was plain, covered in a velvet cloth with the title written plainly and boldly on the cover: CANARIA. The name rang a distant bell, but she shook the afterthought and proceeded to open the book. As she opened the first page, another beam of bright energetic light- this time it was blue- swept past her like a hurried flock of bees. This was the fourth beam of light she’d witnessed in the past twelve hours, and she was beginning to think she was going crazy. What made the whole matter even more crazier was that these beams of light seemed to be WHISPERING AND GIGGLING, almost as though they were forlorn inhabitants of the vatican. She ignored the beam of light- yet again- and resumed with her book. Just then, a blip sounded from her tiny Lenovo notebook: Kerry had sent her an instant message on Facebook chat. Slightly chagrined, she leered over and grabbed her notebook, settling the book next to her. Kerry was offline, but she had left a link to a website. Petronella clicked onto the link, and an article popped up on the screen. She skimmed by, having little interest in Kerry’s New Age nonsense. She was just about to close the webpage when a sentence caught her attention: “When you practise remote viewing, you will be accorded a beam of light with its owwn colour that’ll identify with you.”
The mentioned beams of light the sentence mentioned were the same she’d been witnessing, so she silently read on.

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

Ann spent the morning (or a mere half hour, if truth be told) enjoying her physicality in the gentle autumn morning sun before returning indoors. The drop in temperature was still new enough to remember to appreciate fully. She felt at peace with her world, a happy balance of words and sunbeams, that is until she perused the latest additions to the BA (Bash Ann, by the looks of things) group project.

Ann frowned. Who the heck was Harvey? It was almost the last straw, despite Ann’s sunny mood. The very idea of trawling back through the paperwork to find out who he was, and indeed who everyone else was, was too daunting. “If it’s not fun don’t do it!” That’s what they all said. Over and over again they said “if it’s not fun don’t do it”.

The writing was fun, and the random reading was fun, but it wasn’t fun ~ in fact, it gave her a headache ~ to try and remember who and when and where everyone was. Perplexed, Ann wondered if she simply wasn’t cut out for working in a group. On the other hand, she simply wasn’t a loner either.

“Be remebering,” the disembodied voice whispered in her left ear, “That they are all YOU.”

Oh! Right, yes….herm….well where does that leave me?

“Right at the centre of it all, as always,” the voice replied.

Er, so it’s all MY story, then? The whole thing is all me, all mine? All the characters are ME?

“Quite!”

So I can do whatever I want, then?

“Of course!”

Right then, so I can write whatever I want, which is fun, and not write what I don’t want, which isn’t fun, and that will be quite alright, will it?

“Correct!” the voice chuckled indulgently. “And it may behoove you” it continued in a conspiratorial tone, “To remember than any flak from the others in the group, is in fact, YOU giving YOURSELF a flakking reflection.”

Oh. Well Right Ho, then. Toot! Toot!

“That perhaps is your task” Virginia was whispering in Ann’s ear”…to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist’s way…”

“Did you catch that, Walter? ‘Not spun out in the traditional lengthy continous way’ she’s saying.”

“…but condensed and synthesized in the poet’s way—that is what we look to you to do now.”

“I didn’t know you channeled Virginia Woolf, Ann,” replied Walter. “Doesn’t mean she is necesarily right, though, notwithstanding.”

“I didn’t say she was ‘absolutely right’, Walter. I’m just pointing out what’s right for me.”

Walter popped another anchovy stuffed olive into his mouth.

lavender stop story ~
exclaimed, “whole string needed!”
taking jorid present questions
sense lovely funny close create
creating patterns
possible game