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“Let’s play a new game, shall we”, Grandpa Wrick said to his hectic and untamable grandchildren.
“We will start a snowflake. Only rule of the game, is that you have to go into the story. You can only insert things inside, and go inwards, and develop what’s already put into place by what’s been in the thread. That’s the only way you can expand the story. By expanding its details.”“How so?” asked India Louise who never paid attention.
“Just like that”, Wrick said, “if what I just told you was the beginning of a snowflake, you could develop things about the place we’re in. Think about it as a spatial story, frozen in time. And use the objects of events put in places by others as triggers and as portals to a more refined and in-depth view of the story.”
“Shall you start with your story Indy?”
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“The beginning of the snowflake age” India began, “Started pretty much at the end of the ‘dandelion puff in reverse’ age. In the Dandelion puff in reverse age, random seeds blowing around in the wind all sort of got sucked into the same place, but in no particular order.” Idai (otherwise known as India) paused to stick her tongue out at Flynn, who was making rude gestures. “In the beginning of the snowflake age, the connecting threads from the centre were known before the seeds were broadcast, simultaneously timely notwithstandingly.”
Grandpa Wrick interrupted “did I mention that your first story needs a beginning and an end, of course? The snowflake must be complete so that others can expand on it.”
Take an example: Alice in Wonderland. You could start with : “A young girl follows a rabbit, falls down the rabbit hole, meets all sorts of strange people and in the end she wakes up to find out it was probably only a dream”. Then built up from that. Ideally to create something like a book-length worth of clues and details and all… For instance, you could detail the rabbit’s habits, or the strange people, putting it in perspective of the initial blurb or following developments. It would be like re-re-rewatching a beloved movie, only to pay attention to the finer details in the background…
“Grandpa’s transitioning strongly again, Cuthbert” India whispered. “Grandpa” she said loudly, “The beginning was the snowflake, and the end was the reverse dandelion puff.”
India frowned, perplexed. “Do I have to have a beginning and an end in every comment?”
Wrick rolled his eyes, which made the TV set zap to a cartoon channel which immediately caught the children’s entire attention.
“So much for trying to get them to focus on depth.” he said looking at the daft-looking goat’s head with its tongue sticking out hanged on top of the altar.“Let’s wheel out of this room and leave it at that.” he mumbled in his breath.
“And hope the cook will cut on the shallowts, it gives me such a bad breath, actually”.After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.
“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.
“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”
“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.
In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.
Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.
I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”
Sean was going to the forest. He had noticed a big old tree that was swarming with bees the last time he came back from the hunt, and thought he could probably make some nice gift to his pregnant wife with some delicious honey.
The lime-blossom was making the air a sweet and fragrant balm in the spring, and he knew how she loved it too. She had not been able to walk into the forest since the last months of her pregnancy, and she was getting restless in the house.
Sure some lime-blossom honey would appease her.
The wind was blowing strongly between the leaves, making ruffling sounds that were almost intelligible.
The leaves were talking, like a chatter in a room full of people. He could hear them talking, saying various things.
The smell of smoke of a nearby field, and the muffled sound made him long for a fresh beer at the local tavern.
He could hear the voices becoming stronger, and as he walked under the becoming shade of the evergreens, he was hearing words and even sentences.
That one was talking about her grandchild, this one about the rain and the poor weather this summer, another one about bohaha, whatever that was. Another flute-like voice was softer yet stronger than the others, as though it was directed at him. It said “… and all you have to do, truly, is to feel yourself into the dream, then you’ll know intimately what the next door is, and where it is leading you…”
For him, it was to the pub.“Do leaves really talk?” she wondered as the smoke of the herb tea dissipated off the kitchen’s mirror credence. “Let’s see about that,” she continued, carrying the tray with the cup of tea and the scones to the computer room, from where a few oink sounds were beckoning her.
Probably her friends asking for a chat, some random rubbish or the last juicy news about the president’s wife who happened to be visiting in the area. In truth, she wouldn’t have even known, had it not be for her foreign friends. The local neighbours really couldn’t give a fig. That was figuratively speaking of course. The fig trees were already full of green fruits, that if odds were good wouldn’t turn up as half-sodden half-rotten food for snails on the cobblestone pathway this year.She added a zest of fresh lemon to the tea. She liked it bitter. The leaves were starting to settle at the bottom of the cup while she lit up a cigarette, throwing a cursory glance at the tens of messages waiting for her to peruse. Which was more interesting? She could figure out wavy things as feeble and changing as her cigarette’s smoke in between the leaves patterns, as well as in between the lines of haphazard messages from all the contacts. But those she loved the most were the pages she leafed through her books.
Yesterday, she started to do something purely daft, as she liked — a sort of challenge, if you will; or perhaps, a strong repressed desire. Sometimes it takes you years to do things you were thinking about when you were but a child. The moment you allow yourself the pleasure to indulge and overcome the resilient beliefs that it’s something forbidden or insidiously wrong is all the sweeter.
And she was tasting it like a sour sweet, with a touch of forbidden and the zest of excitement. Or more like horseradish. Ooh, does she live the green stuff too. Prickly at first, going up to your nose, and living you crying but begging for more. She makes a note to buy some next week (note that she’ll probably forget).
So what did she do? She took some of her precious books and started to tear up and cut through the pages. A blasphemy almost, for someone like her who revered books. Of course, at first she only took the bad ones, the romantic rubbish and the dog-eared now useless kitchen books, but then realized, what would be the point of gathering new information by assembling random pages cut off from a variety of books, if it wasn’t made from quality ingredients. Well, it surely stands to reason, even though her culinary reason had been on voyage the last twenty years as far as she knew. Anyway. Those leafs were starting to talk better than any bloody tea leaves could.
[link: talking leaves]
The leaves were dry. They’d started to change to a brownish hue at the tip, then rapidly withered. They’d hoped it wouldn’t affect the whole crop, and when the first tea bush went down, they quickly uprooted it, for fear it would spread to the whole hill.
But despite their best efforts, the tea bushes went down, one by one, as though engulfed by a deadly plague. He and she were worried for their next year income, as their tea field was their main source of revenue. The highlands had always been favourable to them, and it seemed such an unlikely and truly unfair event given that the beginning of the year had brought an unexpected bounty of huge tea leaves.
What had happened? He was quite the pragmatic about it: disease, pests, too much sun, over-watering, over-pruning… nothing extending outside the visible, the measurable. She was the mystical: core beliefs, did she worry too much about that sudden wealth and made it disappear, the evil eye, greed and covetousness, celestial punishment.
It never occurred to her she could reverse it as easily once she understood what it was all about.
Well, she almost started to get an inkling of that thinking about warts. How efficiently she got those growths when she was so troubled about them, and how they all disappeared when she forgot about them. How not to think about something that’s already in your head? In that case, distraction never worked; it was a rubber band that would be stretched then snapped back at the initial core issue.
Snap back at yourself.
>STOP< – She stopped. Time to read that telegram delivered to oneself.
Everything still, for a moment. Dashed.
She started to look around.
The air was still, hot and full of expectation.
Almost twinkling in potentials.
Like a providential blank page, in the middle of a heap of administrative papers full of uninteresting chatty figures.
The pages are put aside, only the blank page is here.
She can start to populate it with colours, sounds and life, anytime. Lavender maybe. Soon.
But not yet now.
She wants to breathe in the calmness, the comfort of the silence. Even the crickets seem to be far away.
She was alone, and impoverished…
She is alone, and empowered, … in power.[link:leaves]
Everything was white, from the sky to the ground and the limit between them was not even discernible. Despite the lack of visibility, he felt confident that the house was near. His small feet were making crunchy sounds, and at times, between two gushes of wind, he could almost see the fur at the top of his boots.
At a distance, some woolly beast, a yak maybe, was making a muffled sound that resounded in the landscape, and like the beast, he was feeling strong against the elements. On his left were some black shriveled trunks of some small deciduous trees, and it looked like the only life around.
This was far from the truth; even if most of it was frozen in a deep slumber, there still was a lot of life underground.
He had been chasing a few rabbits, and though he had to compete with the lynxes at that game, he had managed to get one. That was why he was feeling so strong and proud. He could feel the still warm little soft creature against his belt, dangling at each of his steps. Soon he will be home…[link:white]
Yann had been in a box for quite some time, and the feeling was really not one of comfort. He wondered about the reasons for a moment but it seemed his mind was more on his new acquisitions, the bee hive and the sunflowers, they were quite busy and buzzy of course, but it was giving him a sense of warmth and of comfort he’s been lacking for so long.
He’s seen his sister the other day and she’d told him that she’d been on a revolution lately, she’d been throwing books away, something hardly possible to think of before, as books represented knowledge and were mostly revered in her family. That had made him think of his own rampages when he was young and the high respect and almost awe that he’d had about them before. But well it suddenly ended one day when he’d bought a book about biogeology… reading that book was one of the most wonderful experiences he’d had, very empowering actually. The content of the book was quite inept in itself, if you’d ask him, and he was so upset and angry that he’d bought that book that it gave him the guts to tear it apart and express those feeling of rage he’d been holding. He’d felt forced to adore books and show some respect for too long. Well that was old memories and now Yann was more in tune with what he wanted to read or not and also was more accepting of the myriad of opinions and ways of expressing them too.
He was looking for more creativity in his life and the hive was reminding him of that, a constant activity and buzzing, no question, but action… and that strong feeling of warmth and honey.
Quintin has planted some lavender too and a bush which name was like the word choice in French… very symbolic maybe, and also connected to his past. The very fact that he could allow his friend to plant that bush in their garden was a good reflection that he’s been more accepting of all the connections and that they existed and didn’t need to bear a strong influence on his actions now.
[link:buzz,bees,leaves,book]
“Or maybe we can use pictures simply, to hop from one to another.” still a bit obsessed by links and connections.
Speaking of plants he had something in mind looking at the garden and the flowers swarming with life.
[link:sunflower, buzz]
Phlora was gathering sunflowers as she always did when they were at their yellowest in the midst of summer. Just before they started to wither and become a feast for the birds.
Her brothers Floywn and Hywrik were busy hunting with the family winged horse, and would be gone for the day. Maybe she’d bake a cake for when they’d return… She wondered were Phinny her sister had gone for so long. It had been almost a season she was off the green.
[link:sunflower]
It was hot, although not as hot as usual for the month of August on the southern slopes of the Serrania de Ronda. It had rained, the black clouds and thunder a welcome respite from the searing dry heat of an Andalucian summer, plumping up the blackberries and washing the dust from the leaves of the fig trees. Blithe Gambol hadn’t seen her old friend Granny Mosca for months, although she wasn’t quite sure what had kept her from visiting for so long. Blithe loved Granny Mosca’s cottage tucked away in the saddle behind the fat hill and there had been times when she’d visited often, just to drink in the magical air and feast her eyes on the beauty of the surroundings. Dry golden weeds scratched her legs as she made her way along the dirt path, and she was mindful of the fat black snake she’d once seen basking on the stone walls as she reached into the brambles to pluck blackberries and take photographs.
Rounding a corner in the path she gasped at the incongrous and alarming sight of a bright yellow bulldozer just meters from Granny Mosca’s cottage. The bulldozer was flattening a large area of prickly pear cactuses. Unfortunately for the cactuses, it was fruiting time, and Blithe wondered if Granny Mosca had first picked the fruits and suspected that she had, those that she could reach. Nothing that could be eaten was left unpicked ~ Blithe remembered the many sacks of almonds that Granny had given her over the years, very few of which she had bothered to shell and eat.
The bulldozer was making an entranceway to the tiny derelict cottage that was situated next to Granny Mosca’s house. Granny had asked Blithe if she wanted to buy it, and she had wanted to buy it eventually, but the purchase of a derelict building hadn’t been a priority at the time. Now it looked as if she was too late, that someone else had bought it, perhaps to use as a holiday home. Horrified, Blithe called out for Granny, who was often in the goat shed or away across the hidden saddle valley cutting weeds to feed the poultry, but there was no sign of her. Two alien looking turkeys gobbled in response, and the black and white chained dog barked menacingly.
As Blithe retraced her steps along the dirt path it occured to her that whoever was planning to use the derelict cottage might be a very interesting person, someone she might be very pleased to make the acquaintance of in due course. After all, she had noticed that the holiday guests staying at the casitas on the other side of the fat hill were all sympathetic to the magical nature of the location, many of them arriving from a previous visit to a particularly interesting location in the Alpujarras ~ a convergence of ley lines. When questioned as to why they chose the fat hill casitas, they simply said they liked the countryside. Either they weren’t telling, or they were simply unaware objectively of the connection of the locations. Blithe could sense the connections though, both the locations, and that the people choosing to vacation at the fat hill were connected to it.
For one hundred and forty seven thousand years, Blithe had had an energy presence at the fat hill, although it was half a century of her current focus before she remembered it. She had felt protective of it, when she finally remembered it, as if she had a kind of responsibility to it. This place can look after itself quite well on its own, she reminded herself. The fat hill had watched while Franco’s Capitan looted the Roman relics, and watched as Blithe stumbled upon the remains of Roman and Iberian cities, and the fat hill had laughed when Blithe first tried to find the entrance to the interior and got stuck in thorn bushes. Later, the fat hill had smiled benignly when Granny Mosca led her to the entrance ~ without a thorn bush in sight. The cave entrance had been blocked with boulders then. Blithe had given some thought to an excavation, wondering how to achieve it without attracting the attention of the locals, but now she wondered if one day, when the time was right, she would find the entrance clear, as if by magic. Magic, after all, was by no means impossible.
{link: feast for the birds}
The entrances to Faerie (and indeed to other alternate realities and dimensions) had been shrouded in disbelief for several centuries, but times were changing and the fog of scepticism was dissipating, evaporating like river mist on a hot summer morning. Looking for the entrances deliberately, Blithe found, wasn’t the most efficacious method. Sat Nav alone would be unlikely to reveal them, unless the locating device was used in conjunction with impulse and intuition. Any device and method could be used effectively when combined with random impulse, even Google Earth or Google Moon. Blithe’s friend and colleage Dealea Flare was making good use of this device on her travels, using it as a personal non physical airline and space shuttle service. Dealea could get from A to B and back again in no time at all, or even from A to well beyond Z and back again in no time at all using this device in conjunction with impulse and large dose of intention and focus. Blithe had the impulse down pat but still had difficulty with the focus, which was largely a case of having too many intentions at once, most of them somewhat vague.
The more random and impulsive Blithe was, the better her investigations went, often leading her into a new and exciting exploration which may or may not be linked to the current intention. Such was the case when she went on a mundane shopping trip to the Rock of Gibber. As she sat sipping coffee at the Counterpart Cabana sidewalk cafe listening to the locals conversing in Gibberish, she noticed the extraordinary tangle of pipework on the building opposite. It reminded her of the steampunk world she had been investigating in her spare time. The text book steampunk world was intriguing to say the least, but rather grim, and tediously full of victims and fear. The inhabitants always seemed to be running away from someone. The steampunk world she was beginning to sense in Gibber was quite different in that it was a sunny cheerful alternate reality held together with a vast labyrinthine network of water pipes, scaffold, and connecting cables.
Blithe paid for her coffee and strolled off, noticing more and more scaffolding and tangles of pipes as she climbed the warren of narrow winding streets. The air was different the higher she climbed up the winding uneven steps, the sunlight was sharper and the shadows denser, and there was a crackling kind of hush as if the air was shimmering. Cables festooned the crumbling shuttered buildings like cobwebs, and centuries of layers of crackled sun faded pastel paint coated the closed doors. Open doors revealed dark passageways and alleys with bright rectangles of light glowing in the distance, and golden dry weeds sprouted from vents and windowsills casting dancing shadows on the uneven walls.
The usual signs of life were strangely absent and present at the same time; an occasional voice was heard from inside one of the houses, and there were pots of flowers growing here and there, indicating that a human hand had watered them with water from the pipe network. There was no music to be heard though, or any indication that the cable network was in use, and there were virtually no people on the streets. A lady in a brilliant blue dress who was climbing the steps from Gibber Town below paused to chat, agreeing with Blithe who remarked on the peaceful beauty of the place. The lady in blue said “Si, it’s very nice, but there are many steps, so many steps. If you are coming from below there are SO many steps!”
There was a boy watching a white dog watching an empty space on the pavement, so Blithe stopped to watch the boy watching the dog watching nothing. Eventually Blithe inquired “What is he looking at?” and the boy shrugged and continued to watch the dog watching nothing. Blithe watched for a little while, and then wandered off. A small child was giggling from inside a doorway, and a mothers voice asked what he was laughing at. The child was looking out of the door at nothing as far as Blithe could see.
As the sun climbed higher, Blithe began to descend into Gibber town, winding and weaving through the alleys, wondering how she had failed to notice this place half way up the Rock until now. She came to a crumbling wall with a doorway in it that looked out over the bay beyond the town below. This must be one of the entrances, she deduced, to this alternate world in Gibber. “Entrance”! Blithe had a revelation. “I never noticed that the word ENtrance and enTRANCE are spelled the same.” Later, back at the office, Frolic Caper-Belle said she thought it was probably a very significant clue. “I’ll file that in the Clue Box, Blithe”, she said.
{link: entrance}
Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.
As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)
The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.
The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.
{link: misty morning; entrance}
While Yuhara and Sylvestrus were exploring Second Life worlds (Frolic Caper~Belle was still on an extended leave of absence), Blithe Gambol, although she didn’t entirely realize it at the time, was exploring First Life worlds on the Coast of Light.
Blithe and her partner Winn set off for the drum festival in the late afternoon heat, with the intention of reaching the Light Coast before sundown. The strong low sun flickered on and off as it hid behind trees and hills, and the hot dry wind whipped Blithes hair into her eyes, leaving the heavy heat of the Coast of the Sun behind and tranforming it into a light bone dry atmosphere that seemed to suck the air out of Blithe’s lungs. She filled the vacuum with smoke, listening to the words of the music playing ~ must be a reason why I’m king of my castle….king of my castle…it reminded her of Dealea’s story about King Author.
When they reached Vejer de la Frontera they made a wrong turning, although they were well aware that no turning is a wrong one. The new direction took them in a circle behind the Vejer promontory, through the umbrella pines along the coast. The sky was golden yellow behind the black sillouttes on one side, with a periwinkle sea on the other, rocky pale grey outcrops blushed with pink paddling in the gently lapping waves.
As they entered the village of Canos de Meca, they slowed to crawl behind the inching cars, as tanned people in brightly coloured clothes wove in and out of the traffic, and in and out of the exotic looking bars and restaurants. Blithe remembered the Second Life worlds she had been exploring earlier that day, and wondered if Second Life came with the smells of sardines barbequeing on the beach, or a warm breeze wafting past laden with snatches of laughter and conversation. Visually, certainly, Second Life would be hard presssed to beat the visual appeal of Canos de Meca at sunset on an August evening. There were plenty of opportunities to observe the people and the hostelries, as the traffic got progressively worse until it eventually came to a standstill. The narrow lanes were lined with parked cars, and throngs of people carrying coolers made their way to the sand dunes near the lighthouse.
Eventually, after several slow drives past looking for a miraculous parking space that didn’t appear, Blithe and Winn found a restaurant in between the coastal villages that was strangely empty of people. Even Winn, who was much less inclined towards fanciful imaginings than Blithe, remarked on how surreal the place was. It could have been anywhere in Spain, so strangely ordinary was its appearance in comparison to the Moorish beach hippy style of the villages. They ordered food, and relaxed in easy silence in the oasis of calm ordinariness. Blithe wondered if the place actually existed or if she had created it out of thin air, just for a respite and a parking place, and a clean unoccupied loo. Another First Life world, perhaps, constructed in the moment to meet the current requirements of ease.
At 11:11, after another two drives through the crawling cars and crowds, Winn turned the car around and headed for home. At 12:12 they reached the Coast of the Sun, shrouded in sea mist, and at 1:00am precisely, they arrived home. Later, as Blithe lay on the bed listening to the drums playing on the music machine, she closed her eyes and saw the sunset over the Atlantic, and felt the ocean breeze of the fan. She projected her attention to the dunes of Trafalgar ~ which, incidentally, didn’t take two hours, it was instant. In another instant, she was back in her bedroom, sipping agua con gas on the rocks and chatting to Winn. Seconds later, she was in a vibrant nightclub overlooking the beach, dancing in spirit between the jostling holidaymakers being served at the bar. She imagined that one or two of them noticed her energy.
Clearly, teleporting from one place to another had its benefits. The question of parking, for example, wouldn’t arise. But Blithe wouldn’t have wanted to miss the late afternoon drive to the Coast of Light, and the golden slanting lightbeams flickering between the cork oaks making their cork shorn trunks glow red, or the ocean appearing over the crest of a hill. And if she had arrived in an instant at the location she was intending to visit, then she would never have encountered the sunset from the particular angle of the approach via the wrong turn. Variety ~ and impulse, and the opportunities of the unexpected turns ~ was the weft of weaving First Life worlds ~ or was it the warp?
link: weaving worlds
There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.
Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.
There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.
A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.
Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.
{link ~ weaving}
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