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  • #359

    New Venice, year 2101

    In the waiting hall, Bart was pacing the floor recklessly. They were having their first baby, but the doctors had hushed him out, because there were some complications…
    All he could do was wait.
    They were one of the first couple to have tested the new program that allowed same-sex couples to procreate without requiring the assistance of a third-party so to speak. In fact, it had been hypothesized to be possible a long time ago already. Well, theoretically… because the most challenging part had been to bring acceptance to the people, as the old beliefs were still alive in a few moribund activist groups. But what,… nature was doing even more exotic things in the realm of creatures…

    Now he was thinking of Oscar, who had chosen to be the bearer of the child —a girl that would be… will be, mentally corrected Bart to himself. Funny thing about genetics was that male-male couples could have either girls or boys, but female-female couples could only have girls. Only because the male “Y” chromosome was carried by men.
    It had been a painstakingly long subject of discussion among scientists and philosophers as to the unbalance it would create, but well, for the time being, it was the chosen design for our human natures.
    As long as new ways of bypassing this restriction had not been invented, better enjoy it than stretching one’s mind around it.

    Looking at the window which showed the stilted structures above the waters, Bart was thinking how it was all an incredible story… What were the probabilities for that to happen?
    Bart couldn’t help but feel grateful for all of his blessings.

    At the same moment, the big breasted nurse appeared at the door crying with a large smile “it’s a healthy girl!”
    Bart burst into the room.

    :fleuron:

    They had already decided how she would be called. Midora, they had agreed.

    When he entered, Oscar Wrick’s young face was tired and sprinkled with beads of perspiration, but he had the happiest look on his face. He was still feeling a bit self-conscious about the changes the pregnancy had generated in his body, but for now he was all absorbed by the little breathing thing resting in his arms.

    After a warm embrace, Bartholomew Jobsworth thought that he should spread the good news to the family, at least to his mother, dear sparkling Indy and Bart’s parents, Eugenia and Cuthbert. He also had felt the presence of his Dad, Bill, during his wait and was deeply thankful for all of their support.

    #327

    The rain was pouring cabbages :weather-showers: for several days now, almost the whole week… Baul was fed up with that filthy weather of Cromash Tur. The capital of this 4th kingdom was quite nice and pleasurable, but it lacked sun and warmth… Baul had come to Nâabooli, the capital of Cromash, in order to settle an arrangement. Something quite particular that he couldn’t find in his own land of Erpet Mesh. He’d been travelling for weeks with his guards and servants when he arrived in the city and all that for some foo’kin rain! But something more important than brooding and pouting was on his mind.

    Tonight he was alone, no servant, no guard… he was wearing a black coat made of goat skin on his usual blue and yellow silk robe, he couldn’t wear anything else, his skin was too smooth and delicate. He was spending great amount of money to take care of his body, it was his own pride, and he considered himself as a very handsome and appealing male.

    The man he was about to meet wasn’t hiding, but oddly was acting in full sight. Nonetheless, Baul didn’t want to be seen with him, Baul was an ambassador of sort from Erpet and he couldn’t be seen entering in an Assassin’s house. In Cromash, the Assassins were quite a respectable and wealthy, but in Erpet they were outlaw… one of the numerous differences between the two kingdoms, one they would never agree upon. Baul found it quite useful though; many times he’d met Ar’Am Khra, one of the best of this profession.

    For this meeting, as always, Baul had chosen a tavern, the Landgurdy, called after one of the former 12 kingdoms. The 4 remaining ones were at war most of the times, they couldn’t maintain peace more than a few years at best, and Baul had found many ways of benefiting of this situation. Merchant, Ambassador, and much more. He was thriving with plotting :face-angel: :face-devil-grin: and it was quite useful to be one of the ambassadors of Erpet Mesh, offering him safety wherever he was going. It was one of the few respected rules that were common between the Warring Kingdoms.

    The Landgurdy was quite a crowded tavern, and the owner was a friend of his, though not really officially. There was that private room on the rear of the building, know only of a few chosen “friends”, so they could enter unnoticed by the usual customers and by would be spies. The rear door was seemingly leading into another building, and some arrangements had been made over the years.

    Baul knocked the code at the door, and a vasistas was open quickly and closed even more quickly. The door opened then and he entered in the darkness of the house. If anyone opened the door, he or she wasn’t there anymore, but Baul knew the place quite well as it wasn’t his first meeting with the Assassin.

    :fleuron:

    The Assassin was waiting in the small room, square shaped with only a wood table and one chair. No window. One dim lamp.
    He was sitting on the lone carved chair. His clients needn’t sit.
    They were mere beggers.
    The one that was coming now, was quite amusing.
    The first time he met him, Baul was quite young and inexperienced in his own skills. Though he was quite ambitious, Ar’Am Khra had to admit it.
    The usual reaction when seeing the Assassin’s pale complexion was shivers and disgust. He was used to it and it was a game that he had enhanced with a little bluish glowing dagger tattooed on his forehead.
    The dagger was the mark of his profession, though not so obviously exhibited by the others. Cowards.
    At that first meeting, Baul didn’t react the way his other clients did. And it was not influenced by his utmost concerns at that time. Beside his inexperience he was quite engrossed in what he had called his “mission”.
    Ar’Am Khra did not know of any mission, there were merely contracts.
    And he was doing what his clients were paying for.
    Accomplishing his contract even after the death of his clients.

    He was remembering of an amusing event.
    A client had hired him to end the life of another man, and the second man went a few days after to his office to beg him to kill the first man.
    The Assassin accepted the contract.
    A few days later he killed the second man.
    He executed the first one not long after that, thus respecting the second contract. :yahoo_skull:

    He never questioned the motives of his clients.
    It was not for him to judge or to understand. Though most of the time he did understand quite well.
    His main motivation was the payment and his own pride in expressing his skill with subtleties and newness.

    The door opened smoothly. Baul entered the room.

    :yahoo_alien:

    :fleuron:

    Yann and Quintin had an interesting chat during the afternoon. Yann had some new impressions about the map of Lord Wrick annotated by Quintin. Something about the Warring Kingdoms, triggered by a dream of an Assassin in one of them. It was frustrating not to be in the same room so Yann could show Quintin directly on the map, but with Internet there were some other options.

    The names of these lands were Ata’Meliu, Dam Adbor, Erpet Mesh and Cromash Tur. These 4 Kingdoms were rather scattered on the Lan’Ork part of the continent, pieces and bits everywhere, though Ata’Meliu was more in the center and the South of the Lan’Ork, Dam Adbor in the East and in the North, and Cromash Tur in the West and South West parts, Erpet was divided in 2 main areas, one located on the Northern land just before the Isthmus of Ghört’s Hammer, and a smaller one lost in the middle of Ata’Meliu.

    Yann only had the impression of 2 of the capitals, Naat Medin was the one of Erpet Mesh and Nâabooli of Cromash Tur.

    Quintin just sent him the map so he could draw some more comments and sketch the boundaries of the Warring Kingdoms. He didn’t know why, but he felt some movements were about to begin, some reconfigurations of the borders :world:

    #321

    — Daddy, daddy! I want to come with you!

    Young Peregrine had been running after his father at the moment when he had put the letter in his pocket ready to go off the streets.

    — Oh, really? Sean Doran Wrick was weighing the possibilities.

    Peregrine was still in fluffy rabbit slippers and pajamas, but he had a very determined look on his young face.

    — Then perhaps we should ask Guinevere to come with us too?
    — OK, I go ask her!

    And off was Peregrine, running down the hall of the large Dublin apartment to his sister’s room.

    Sean was thoughtful… Well, Edmund had said that the private jet would be ready in an hour, so that was leaving him some time to have a nice beer at the pub before departing to New York to see the Traveling Reality Amusement Park, or T.R.A.P. for short, as the imaginative publicists of his father’s company had decided to brand the new revolutionary concept.

    Sean had been supervising the very first prototype before he had met Margaret, and then had got more interested in his “real” family life than in amusement travels in fairy lands… But nonetheless his father had trusted his flair, and had kept him informed of the developments of the project.
    Now, for the premiere of the T.R.A.P., he’d got some VIP invitations, but grieved with Margaret’s death, he had not wanted to go there at all. That is, until Becky had spoken about it…

    Peregrine came back with a pout on his face.
    — She’s not sure if she wants to come, he said…
    — Oh well. Then, let me have my beer, and I come back in a few minutes to see if you and your sister are ready. I’ll pick up whomever is ready and packed up.
    — Yipeeee! Peregrine’s eyes were gleaming with joy.

    #298

    The City, year 2257

    Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

    Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
    They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
    Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

    Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

    Janice could hear Al or Quintin complain about how things were getting confusing.
    She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

    ~~~

    Somewhere Al was saying to Becky
    — The more you try to fix it, the more confused I am
    — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
    — Ahahah, yes!

    Al started again to moan:
    — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

    (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

    Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
    — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
    Becky nodded
    — I got lost myself when two Illis appeared, and a grip-thing as well
    — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

    ~~~

    While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
    A funny thought had come to Janice, that she shared with Rodney.
    — Oh, the funny thing you know, about Becky having written to Sean
    Rodney nodded. Janice continued:
    — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

    — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
    — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
    — Who is he? Where is he? was asking Rodney now.
    Rodney was having a hard time remembering what had been inserted yet in the story about him.

    So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

    — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
    — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
    Janice laughed “So that you can surprise yourself again!”

    Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

    Janice stopped the growth of the family tree for a moment and started to comment it.
    — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
    — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
    Becky’s time for the reality play is around 2033…
    Then Janice had the tree grow again, and sprout more branches from Sean’s children:
    — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
    TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

    Rodney was beginning to remember it all.
    — I just remember the part about Sean, so he is still a bit of a mystery
    — Yes, absolutely
    — We don’t really know do we why Hilarion didn’t mention him
    — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
    — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

    Rodney was squinting his dream eyes
    — So, Sean was into humanitarian effort after 2001…
    — His father actually I think, said Janice. He was a bit too young.
    — Oh OK, I misread, that’s hard to read!

    Then, all of a second, Rodney erupted in an uproarious laugh
    AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
    Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
    Then she added:

    Sean is born around 2000, a bit before.
    — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
    — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
    — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
    Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

    Now, Janice was hooked:
    — Was it where Illi learned about shapeshifting tricks from the old tribe?
    Rodney noticed Janice’s funny remark and laughed before continuing:
    — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

    Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
    — Around which year? she asked
    — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
    — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
    — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
    — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
    — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
    — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
    — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
    — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
    — Wow, said Rodney, this is even more interesting…

    “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
    — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice

    — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
    — Yes, she was young with her parents. They were traveling…

    They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

    She then remembered something else:
    — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
    … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory
    Date fits again, she said in awe.
    — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
    — Hmmm
    — Hmmm
    — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
    — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

    Janice bust out laughing imagining Rodney in bandages. Yes, of course!
    Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
    Now, that was Rodney’s turn to burst out laughing.
    — “I am not sure about that!”
    — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
    — If you call me that, I may have to make you out to have a speech impediment
    — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn
    — Does it? Oh that sounds nice…
    — Well, in some Egyptian dialect, yes. She was a Princess…
    — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
    — Bit bossy Princess
    — Which dynasty?
    III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
    — What year?
    Janice projected the timeline below then said
    — I’d say around 2657 B.C., in Ancients way of telling time.

    They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

    Rodney was seeing something else
    — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
    Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
    — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
    — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
    — Exactly
    — And they communicated because they are helping each other
    — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
    — And they have some difficulties at times with translations of other dimensional stuff
    — Yes! resulting in confusion!

    And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

    #297

    ……In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

    Love,

    Becky.

    PS, Becky added as an afterthought in her letter to dear old Wrick, Al’s so looking forward to meeting you in the ‘Amusement Park’ in Central Park, I hope you will disillusion him gently as to the nature of projecting and out-of body excursions……I will leave it to you, Wrick old boy, to decide how best to handle it. Ah, you wise old buffoon, I can hear you saying it now: Al’s choices are perfect, as are yours. Becky smiled fondly and added to the postscript: Wrick, you’re a brick, old stick.

    #296

    Al had always hated amusement parks.
    Funny, he noticed as he was always the one telling “be playful”…

    Anyway, Becky had insisted to bring them all in that new big traveling amusement park that had settled in Central Park, NY this year.
    Hopefully, Heavens know how, resourceful Becky Pooh had obtained VIP tickets for the opening, and it would be a very private visit, without too many people.

    Now, that could perhaps be interesting… After all, the whole entertainment park had been sponsored by Becky’s friends, the Wrick family, and Al and the others were dying of curiosity to meet the top of the crop, so to speak…

    #278
    TracyTracy
    Participant

      India Louise shivered in the draughty corridor and glanced furtively over her shoulder. Bill! she hissed into the keyhole. She tapped softly on the door again, afraid of waking Manon in the next room. It would be difficult enough to explain to Bill, let alone trying to explain to the nosy and rather batty cook.

      She wrapped her dressing gown tightly round her, and felt the weighty key clunk against her thigh. Eugenia and India Louise had been playing ‘let’s pretend’ with the key that Grandad Wrick had thrown on the bonfire (that India found in the ashes the next day and thought would make a super present for Eugenia….. they both loved odd little gifts).

      For days they’d been wandering around the many corridors and wings of the Wrick castle, and Eugenia’s ancient rambling Sandlebright Hall. On fine days they’d explored the grounds, the aviaries and stables and hay barns, the meadows and follies, the lodges and farm cottages, through the spinney to the river and the boathouse, and back through the rose arbours… imagining themselves in different times and places, as different people, making up stories and weaving the key into each little story…… the murder at the boathouse and the key to the mystery… the key to the kitchen and the affairs of the cook… the parrots and the key to the bird cage…… the key to the captains trunk in the attic…

      Until they found the place where the key didn’t fit into the story…that is to say, the one place that should have needed a key, The Locked Room that only great grandad Wrick ever went in, was unlocked.

      India Louise couldn’t wait to tell Bill all about it.

      #1308

      In reply to: Yuki’s Livrary

      ÉricÉric
      Keymaster

        September 24 th

        Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

        Relevant extracts:

        At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
        […] HE KNEW HIS WAY INSIDE !
        When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
        focus opening/doors ; time/space…
        The central cavernous part is some kind of key center, where anyone can meet…

        This has inspired Quintin to write some notes too.
        He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

        September 26 th

        The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

        Here would be what we will say to him, if he wants to listen:

        « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
        Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
        These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
        And you begin to really experience it, and really pay attention.

        « As was expressed many times, “essence” is no thing. It is an action.
        The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
        In that, your purpose, you see, is only to experience, nothing more, nothing less.
        And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
        Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
        Just as your dreams at night overlap and blend into each other.
        Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

        « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

        « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
        In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

        « Let us explain this in other terms.
        When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
        In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
        You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
        Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

        « We will let you ponder this, and we will continue our own story, writing about you… »

        September 28 th

        This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
        Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

        Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
        It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
        And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
        It is almost limitless in your understanding.
        As is your magic.

        This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
        The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
        The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

        As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
        In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

        With that said, let us see how much more will appear from that sandbox…

        September 30 th

        The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

        The Secret Life of Margaret Wrick , a newspaper cut from 2033.

        October 7 th

        The dragon Naasir’s dream
        A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

        And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

        #79
        ÉricÉric
        Keymaster

          These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

          Note: for the reader not familiar with all the names here is a quick reminder:

          • Araili > Yann, Írtak, Sam, Jacob …
          • Armelle > Fiona, Arona, Tina, Qixi …
          • Rafaela > Dory, Illi, Becky, Rodney …
          • Yuki > Quintin, Al, Janice …

          September 12 th, 2007

          Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
          Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

          Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

          I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

          September 13 th

          Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
          This first comment seems very promising.

          Right now, it feels easy and fun.

          Quintin seems to think that everything is very straightforward.
          The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
          The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

          But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
          That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
          But the thing is, that he missed the point in thinking one World is more “real” than the other.
          We’ll be having some fun soon…

          First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
          We will appeal to his imagination.
          It seems he has heard the suggestion.

          September 14 th

          For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

          But as I expected, some challenges seem to appear already.
          Is it raining or not in that world?
          The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

          He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
          At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
          How will it unfold?
          Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

          September 15 th

          Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

          Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

          Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

          September 16 th

          Halcyons days…
          My dear friend Archie is answering some of Quintin and Yann’s questions.
          Something starts to dawn on Quintin. But his mind is on other matters.

          He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

          September 18 th

          Quintin has been drawing some of the characters of the story. It’s interesting.
          He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

          Characters drawn:

          • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
          • Malika, Quintin, Yann, Fiona and Dory

          Interestingly, Fiona resolves her issues in her cave.
          Dory too, but she did not need the cave to do this.

          September 21 st

          For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
          And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
          Quintin will soon realize that he himself is doing this constantly, though he does not register it.

          But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

          Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
          There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

          Of course, some things still matter, and one of the point of the story is also to discover these.

          September 22 nd

          Quintin has been drawing new characters.

          Characters drawn:

          • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
          • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
          • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

          A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
          She had at first thought they were whiskers, which was not Quintin’s intent…

          September 23 rd

          Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

          Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

          Up to now, here are the names he could find:

          • North: the Icy Lands, and Dragon Cemeteries
          • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
          • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
            Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
          • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

          When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

          #258
          F LoveF Love
          Participant

            India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

            Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

            India Louise looked up from her drawing.

            What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

            It is beautiful India Louise.

            What did the letter say Grandpa. Why is it making you so sad?

            It is just an old letter, India Louise.

            Yes it looks very old. Was it bad news?

            Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

            The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

            He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

            Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

            Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

            He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

            The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

            As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

            Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

            #254
            TracyTracy
            Participant

              Bill, the itinerant artist commissioned to paint portraits of the Wrick family, was uneasy. While he’d been staying in the castle with the eccentric family, he’d lost all track of linear time. It had been altogether too confusing, and his head was spinning. Manon the cook had sent a tray up to his room, with a pot of Earl grey tea, and a plate of Yorkshire parkin for his supper, when he’d claimed to be developing a mysterious ailment and begged leave to retire to his room.

              Bill splashed some malt whiskey into his cup of tea. A good long sleep was what he needed, and with a sigh he drained his cup and climbed into bed, pulling the heavy eiderdown up over his chin. He lay there for awhile staring into space, not really aware of his thoughts. An owl hooted from the oak tree outside his window. Twit whoohooo twit whoo hooooooo…

              Bill blinked and then frowned. On the top of the Queen Anne highboy facing the end of his bed was a large carved stone face. How odd, he thought, I don’t recall seeing that there before.

              #248

              New York, October, 4 th 2033

              Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

              (click for article)

              :fleuron:

              Dublin, October 5 th 2033

              Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

              That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

              He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

              He was pleased to read from her, and wanted to enjoy it fully.

              So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

              Dear Sean, Becky was writing

              I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

              I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

              I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

              In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

              Love,

              Becky.

              :fleuron:

              Orkney Islands, October 4 th, 2057

              This year again, Sean Doran had not answered his father’s calls.

              This September 23 th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

              Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

              Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

              #243
              ÉricÉric
              Keymaster

                William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

                The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

                The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

                But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

                It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

                « Suffering is not good for the soul, unless it teaches you to stop suffering. »

                He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

                The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

                Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

                But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

                Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

                Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

                Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

                Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

                Oh… said Bill who did not expect them to come back so quickly.

                Appendix: The Wrick family tree

                #224

                Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

                Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

                Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

                — And how can I be of assistance, dear little one?

                — Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
                — Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
                — Well, let me think.

                India Louise took a moment, and asked again

                — For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
                — Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

                Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

                — Areas of consciousness?

                — Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

                — And Illi? Who is she?
                — This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
                — Mmmm, this is quite intricate…
                — Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
                — Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
                — These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

                Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

                — Thank you Grandad, it’s becoming a bit less confusing.
                — Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

                #210
                ÉricÉric
                Keymaster

                  Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.

                  Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.

                  They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.

                  When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.

                  But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.

                  And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.

                  Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.

                  When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.

                  Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.

                  At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…

                  #204

                  “His name is Archibald

                  Sanso and the parrot jumped. Who said that?

                  “I did” said India Louise.

                  Both Sanso and the parrot blinked. A little girl in a woolly jumper was standing right in front of them.

                  “Where did you come from?” asked Sanso, as the parrot inquired “How did you know my name?”

                  “I just walked into the page” India Louise told Sanso, and to the parrot she said “And Great Grandaddy Wrick told me your name last night.”

                  #200
                  TracyTracy
                  Participant

                    Lord Wrick was reading a bedtime story to his great grandson, Cuthbert. A huge open fire roared beneath the stone mantelpiece, and cast tall flickering shadows in the dark corners of the room. Cuthbert snuggled in to his great grandad, who pulled the red tartan shawl up under his chin. The Orkney Islands were cold in September, and a chill draught was ever present in the ancient castle. Cuthbert’s twin sister India Louise had already been taken to bed by Nanny Gibbon, who would read her a story in the nursery.

                    “Back from the depths of his sleep, the dragon Naasir exhaled in a puff of smoke” read Great grandfather Wrick. “He’d just woven a wonderful dream…”

                    A parcel had arrived at the castle yesterday, delivered by a travelling artist, who had been invited to paint portraits of the Wrick family. There was no message with the parcel, and the artist, Bill Jobsworth, explained that an old woman in black had given it to him at the crossroads, asking him to deliver it to Cuthbert and India Louise Wrick.

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