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With a spring in her step that she had all but forgotten she possessed, Eleri set off on her trip to speak to her old friend Jolly about her husband Leroway’s latest plan that was causing some considerable controversy among the locals. Eleri planned to make the visit a short one, and to hasten back to Margoritt’s cottage in time for the departure of the expedition ~ because she surely wanted to be a part of that. But first, she had to see Jolly, and not just about Leroway. There was a sense of a stirring, or a quickening ~ it was hard to name precisely but there was a feeling of impending movement, that was wider than the expedition plans. Was Jolly feeling it, would she be considering it too? And if not, Eleri would bid her farewell, and make arrangements with her to send a caretaker down to her cottage. And what, she wondered, would happen about care taking the cottage if Jolly’s villagers were on the move again? Eleri frowned. How much did it matter? Perhaps a stranger would find it and choose to stay there, and make of it what they wished. But what about all her statues and ingredients? Eleri felt her steps falter on the old rocky road as her mind became crowded with all manner of things relating to the cottage, and her work.

You don’t have to plan every little thing! she reminded herself sternly. None of that has to be decided now anyway! It’s wonderful day to be out walking, hark: the rustling in the undergrowth, and the distant moo and clang of a cow bell.

The dreadful flu she’d had after the drenching had left her weakly despondent and not her usual self at all. But she’d heard the others talking while she’d been moping about and it was as if a little light had come on inside her.

She still had trouble remembering all their names: ever since the flu, she had a sort of memory weakness and a peculiar inability to recall timelines correctly. Mr Minn (ah, she noted that she had not forgotten his name!) said not to worry, it was a well known side effect of that particular virus, and that as all time was simultaneous anyway, and all beings were essentially one, it hardly mattered. But Mr Minn, Eleri had replied, It makes it a devil of a job to write a story, to which he enigmatically replied, Not necessarily!

Someone had asked, Who do we want to come on the expedition, or perhaps they said Who wants to come on the expedition, but Eleri had heard it as Who wants to be a person who wants to go on an expedition, or perhaps, what kind of person do the others want as an expedition companion. But whatever it was, it made Eleri stop and realize that she wasn’t even enjoying the morose despondent helpless feeling glump that she has turned into of late, and that it was only a feeling after all and if she couldn’t change that herself, then who the devil else was going to do it for her, and so she did, bit by bit. It might feel a bit fake at first, someone had said. And it did, somewhat, but it really wasn’t long before it felt quite natural, as it used to be. It was astonishing how quickly it worked, once she had put her mind to it. Less than a week of a determined intention to appreciate the simple things of the day. Such a simple recipe. One can only wonder in amazement at such a simple thing being forgotten so easily. But perhaps that was a side effect of some virus, caught long ago.

Enjoying the feeling of warm sun on her face, interspersed with moments of cool thanks to passing clouds, Eleri noticed the wildflowers along the way, abundant thanks to all the rain and all flowering at once it seemed, instead of the more usual sequence and succession. Briefly she wondered is this was a side effect of the virus, and another manifestation of the continuity and timeline issues. Even the wildflowers had all come at once this year. She had not noticed all those yellow ones flowering at the same time as all those pink ones in previous years, but a splendid riot they were and a feast for the eyes.

The puffy clouds drifting past across the sun were joining invisible hands together and forming a crowd, and it began to look like rain again. Eleri felt a little frown start to form and quickly changed it to a beaming smile, remembering the handy weightless impermeability shield that someone (who? Glynnis?) had given her for the trip. She would not catch another dose of the drenching memory flu again, not with the handy shield.

The raindrops started spattering the path in front of her, spotting the dusty ground, and Eleri activated the device, and became quite entranced with the effects of the droplets hitting the shield and dispersing.

Liz had an idea, and was glad that the others were all out on a day trip to the museum so that she could think about it without interruptions. It had occurred to her that there was probably a theme right under their noses regarding the multitudes of non endings in the stories. Where exactly had they all ended without actually ending?

Sure enough, the first one she looked at seemed promising with the mention of sheets:

“Yurick woke up from another spell of dreams. The patterns of the bedsheets where as though his newly inserted tile was creating a strong combination with other tiles.
In his puzzlement, he forgot to take a physical dream snapshot…”

Liz had had a personal breakthrough with bedsheets recently, and was pleased with this encouraging start.

When Liz looked at the next non ending of a story, she wondered if this would prove to be a theme: the characters themselves had gone missing.

“I haven’t heard a word from Lavender for the longest time, Lilac was wondering, When was the last time? Lavender, where ARE you?”

Liz had a slight jolt when she saw the non ending of the story after that, worried that she would find a trend of herself being the last writer to comment. What would that mean, she wondered?

“Minky was looking smug. “Enjoying the ride?”

Ending with a question? Well, that was something to think about. Liz was relived to find she wasn’t the last writer to write in the next story:

“For once, Arona was completely unconcerned about continuity.
“I wonder if we could harness the power of the wind to create a flash mob to amuse and entertain me?” she suggested.
Vincentius pondered for a moment “I did once employ a hamster to power a night light, so I don’t see why not.”

Smiling at the continuity remark, Liz pondered the nature of the message in this one. Anything can be created to amuse… can it be that easy?

Another nasty jolt as Liz read the last entry in the following story, considering the irritating few days she had just had with the online payment company:

“She clicked with her dysfunctionning mouse and invalidated the transaction again.”

Well, Liz said to herself, I certainly hope that little chuckle will have helped change the online transaction situation going on here presently!

What the Huntingford’s hadn’t realized was that the doline on their land wasn’t the only entrance to the labyrinth, which extended considerably further than anyone would have imagined, even the Stripling Bryson’s.

Aubrey Stripling Bryson, whose estate was a days ride up country from the Huntingford’s, was on an expedition in the tunnels when Emerald’s dog had fallen in the doline. His family had known about the underground galleries and passages for generations; indeed, the family had made use of the ones closest to the house for centuries. Nobody knew how long, although there were stories of ancient bones being found by the more adventurous, nobody knew what happened to them, and for comforts sake and the all too familiar fear of the unknown, many of the passages had been blocked off over the years.

Aubrey had been an adventurous lad, and had ventured further along the tunnels during his childhood than anyone, other than his sister Evelyn, would have believed. When he inherited the estate at the early age of thirty three, he prepared a proper expedition including representatives of relevant scientific authorities, intending to map the subterranean network, and write a book about his findings. Evelyn wrote most of the book for him, in fact, but he was credited with it as was the custom at the time. Aubrey had done the physical explorations and obtained various reports from experts, but Evelyn assembled it all together.

The book was in the final stages prior to going to print, when Evelyn had disappeared. And everything relating to the book had disappeared with her. Aubrey was distraught, and never recovered, and Evelyn was never found. He ordered the final tunnel to be blocked off, leaving an usual cave house cellar, nothing more than a curiosity.

The story of Aubrey’s book that disappeared was told to generations of Stripling Bryson children, whispered along with other family ghost stories. And there were many. Even now, there are unusual goings on at the Stripling Bryson estate, adding to the repertoire of local stranger than fiction stories.

“What we all need now”, Liz was thinking out loud, “Is a more relaxed approach. We should stop trying to be proper clever writers and just blather.”

“If it’s supposed to be relaxed blather, why did you just fix three typo’s?” asked Finnley, the annoying maid, who had once again been peering over Elizabeth’s shoulder, looking for something to find fault with.

“Oh come on, that’s a bit much, Liz!” Finnley retorted, accidentally on purpose slopping Liz’s tea into her ashtray, knowing a pet hate of hers was a wet ashtray.

“Do be careful, Finnely! snapped Liz.

“Just taking a relaxed approach to being a maid, Ma’am,” she replied rudely with a flamboyant gesture with her feather duster, which whacked Liz smartly across the back of the head as she swanned out of the room with her nose in the air.

“I’ve half a mind to write that lot out of the story,” muttered Liz, reading back.

That night Glynnis had a strange dream. She knew that it was no ordinary dream and in the morning diligently recorded it in her dream journal.

I was walking on a windy path through the forest. A young woman with bizarre hair and a cackling laugh appeared before me, blocking my path.
“Tell me your name!” I commanded.
“My name is Eleri, and I have a parrot to accompany you on your journey.”
“A parrot! What would I do with a parrot?”
“This is no ordinary parrot. This parrot can tell jokes,” responded the woman.
“A funny parrot! Well why didn’t you tell me that in the first place. Give me the parrot and I will be on my way.”
“Hold your horses. It’s not such an easy thing as that,” said the woman. “It never is you know. First you must tell me what is going on.”
I sighed and handed her a manuscript. “Read this a dozen times and all will be made clear.”
A look of petulant fury distorted the young woman’s face.
“ Tell me what is going on, you rude tart!“ she said crossly.
Here is what I told her:

Glynnis is a young woman living in the enchanted forest in an abandoned mansion. She practices magic and has a great affinity for nature. She also has the face of dragon after she annoyed a powerful sorcerer. She is being troubled by dreams which seem to be calling her on a mission—the purpose of which she is unsure. Glynnis sells her potions at a stall in the city. One day she finds a map hidden behind a painting and knows that she needs to follow the path shown on the map.
Rushkan is fae. He works as the city ‘chief overseer’ looking after the clock tower. He isn’t that keen on his job. Rushkan has a half-formed vision to assemble a team but for what purpose he is not sure. He has also discovered something worrying, dark even, about the clock tower.
One day, Rushkan uses his magic to call for an Oliphant. He packs a small bag of belongs and departs on a journey. Before departing, he leaves a gift for Olliver, the office errand boy.
Rushkan is a little irritated to find that the forest has been fenced off and a toll-booth erected—who wouldn’t be annoyed by this needless bureaucracy? Anyway, after farewelling the helpful Oliphant he continues his journey on foot.
He hears a cry for help and comes across a dying Gibbon. The Gibbon entrusts her infant to his care. He takes the baby—named Tak—to an old woman who lives in a lodge close to the Dragon Heartwood: Margoritt Loursenoir, a writer. It seems Tak is a shape-shifter and can also take the form of a child. Perhaps that is his true form. Rushkan stays with Margoritt for a while to recoup but it isn’t very long before he feels compelled to continue his journey to find the hermit, Kumihimo,in the forest. Kumihimo seems to be weaving seven braids.
To get to the hermit Rushkan has to cross Fae land. He isn’t overjoyed about this because he has left the ‘old ways’ of his people. Rushkan has to declare his presence to the Fae people—it’s a rule. The Queen is a bit annoyed because her empire is not as powerful as it once was and she has had to use precious resources to protect Rushkan on his journey. Anyway, she doesn’t stay uppity for long and ends up in bed with him.
Gorash is a dwarf statue who abides in the grounds of the deserted mansion in the enchanted forest. At night he comes to life. He has a friend called Rainbow. Gorash assists Rainbow in stealing Glynis’s magic potions and they make seven colourful eggs which Rainbow is infatuated with.
Mr Fox lives in a hut outside the city walls. At sunset he can shapeshift into a fox. He prefers being in animal form. Fox is quite a character. Not much gets past him.
Fox’s master is a Gibbon who taught him how to shapeshift. After going on a journey into the forest to find Gibbon, Fox is told that it is time to learn the wisdom of the Heart. Gibbon gives Fox an assignment: “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox goes back to the mansion in the deserted forest just as Glynnis is leaving on her journey. He befriends Gorash who has become increasingly lonely since Rainbow now has the eggs.

“That’s brilliant,” said the woman called Eleri. “You should probably get lots of points for doing that.” She gave one more loud cackle and shouted: “I am off to pick some mushrooms. You will find the parrot when you wake up from this crazy dream!”

past writer ask godfrey
kitchen hope hear stories comment
outside ones soon morning
immediately latest staff sort mission

“Oh. how ridiculous!” exclaimed Elizabeth, throwing a transcript at Godfrey.

Deftly catching the paper being tossed in the whirlwind of a forceful exhalation of Liz’s cigarette smoke, he raised an eyebrow but remained silent.

“She had a dream, you see,” continued Liz. “A dream about a writer and her maid. She mentioned it to me because she had one of those funny feelings it was about me, and when she told me, well the first thing I thought about was, well, you know….”

But Godfrey wasn’t listening, he was winking at Finnley who was reading over his shoulder. The maid stifled a giggle.

“So then I said to her,” Elizabeth explained, “‘I wonder what she’s been up to, left to her own devices?” and then she asked him all about it, and that’s what he said. Thrown me for a loop, I must say.”

E: (chuckling) Left to her own devices, she generates considerable intensity in extremes.

A: is this a character that has become a focus?

E: Reverse.

A: So it’s a focus that has become a character…. is there any information on the focus itself that I could offer her to play with that?

E: The focus is a past focus, but a recent past focus…a past focus in the timeframework of the 1940s…

A: in the Americas?

E: This focus travels, but I would express is based in Britain.

A: That makes sense.

E: And in actuality is involved with early computers…with large cables. LARGE cables…

A: [babble babble ohh ahh blah blah] …and she is female?

E: Yes.

“I recalled a dream last night. One thing led to another, maybe I’ll tell you about that later, but it is connected, so remind me later. Then I was reminded of a story. Then I had a message from someone about a dream about a writer with a maid called Agnes, and she had recalled another story about Brooklyn. And of course, that got me thinking about stories. And story characters! And us!”

At this point in Liz’s monologue she paused and looked meaningfully at Godfrey, Finnley and Roberto. She repressed an urge to slap Roberto, who was gazing out of the window (thinking about mountain tajines no doubt), to get his attention for the meaningful look that she wanted to give him, and cleared her throat loudly instead.

Not a moment later she had to control the urge to slap Finnley, who was just about to make another remark about the length of her sentences.

“I didn’t say a word!” Finnley exclaimed with righteous indignation. “I only thought about it!”

“And I didn’t slap you, did I. I only thought about it too!” retorted Liz.

“Ah, but you’re the one who wrote it down. You’ve gone and done it once you write it down.”

“Don’t be daft,” replied Liz. But she wondered, what if?

I’ve a good mind to write you lot right out of the story, Liz remarked to nobody in particular.

Corrie’s findings from elsewhere:

“Mike wasn’t as courageous as his former self, the Baron. That new name had a cowardly undertone which wasn’t as enticing to craze and bravery as “The Baron”.

The idea of the looming limbo which had swallowed the man whole, and having to care for a little girl who surely shouldn’t be out there on her own at such an early hour of the day spelt in unequivocal letters “T-R-O-U-B-B-L-E” — ah, and that he was barely literate wasn’t an improvement on the character either.

Mike didn’t want to think to much. He could remember a past, maybe even a future, and be bound by them. As well, he probably had a family, and the mere though of it would be enough to conjure up a boring wife named Tina, and six or seven… he had to stop now. Self introspection wasn’t good for him, he would get lost in it in quicker and surer ways than if he’d run into that Limbo.

“Let me tell you something… Prune?… Prune is it?”
“I stop you right there, mister, we don’t have time for the “shouldn’t be here on your own” talk, there is a man to catch, and maybe more where he hides.”

“Little girl, this is not my battle, I know a lost cause when I see one. You look exhausted, and I told my wife I would be back with her bloody croissants before she wakes up. You can’t imagine the dragon she becomes if she doesn’t get her croissants and coffee when she wakes up. My pick-up is over there, I can offer you a lift.”

Prune made a frown and a annoyed pout. At her age, she surely should know better than pout. The thought of the dragon-wife made her smile though, she sounded just like Mater when she was out of vegemite and toasts.

Prune started to have a sense of when characters appearing in her life were just plot devices conjured out of thin air. Mike had potential, but somehow had just folded back into a self-imposed routine, and had become just a part of the story background. She’d better let him go until just finds a real character. She could start by doing a stake-out next to the strange glowing building near the frontier.

“It’s OK mister, you go back to your wife, I’ll wait a little longer at the border. Something tells me this story just got started.”

“Aunt Idle was craving for sweets again. She tip toed in the kitchen, she didn’t want to hear another lecture from Mater. It only took time from her indulging in her attachments. Her new yogiguru Togurt had told the flockus group that they had to indulge more. And she was determined to do so.
The kitchen was empty. A draft of cold air brushed her neck, or was it her neck brushing against the tiny molecules of R. She cackled inwardly, which almost made her choke on her breath. That was surely a strange experience, choking on something without substance. A first for her, if you know what I mean.

The shelves were closed with simple locks. She snorted. Mater would need more than that to put a stop to Idle’s cravings. She had watched a video on Wootube recently about how to unlock a lock. She would need pins. She rummaged through her dreadlocks, she was sure she had forgotten one or two in there when she began to forge the dreads. Very practicle for smuggling things.

It took her longer than she had thought, only increasing her craving for sweets.
There was only one jar. Certainly honey. Idle took the jar and turned it to see the sticker. It was written Termite Honey, Becky’s Farm in Mater’s ornate writing. Idle opened the jar. Essence of sweetness reached her nose and made her drool. She plunged her fingers into the white thick substance.”

“But wait! What is this?

Her greedy fingers had located something unexpected; something dense and uncompromising was lurking in her precious nectar. Carefully, she explored the edges of the object with her finger tips and then tugged. The object obligingly emerged, a gooey gelatinous blob.

Dido sponged off the honey allowing it to plunk on to the table top. It did not occur to her to clean it up. Indeed, she felt a wave of defiant pleasure.

The ants will love that, although I guess Mater won’t be so thrilled. Fussy old bat.
She licked her fingers then transferred her attention back to the job at hand. After a moment of indecision whilst her slightly disordered mind flicked through various possibilities, she managed to identify the object as a small plastic package secured with tape. Excited, and her ravenous hunger cravings temporarily stilled in the thrill of the moment, she began to pick at the edges of the tape.

Cocooned Inside the plastic was a piece of paper folded multiple times. Released from its plicature, the wrinkled and dog-eared paper revealed the following type written words:

food self herself next face write water truth religious behind mince salt words soon yourself hope nature keep wrong wonder noticed.”

““What a load of rubbish!” Idle exclaimed, disappointed that it wasn’t a more poetic message. She screwed up the scrap of crumpled paper, rolled it in the honey on the table, and threw it at the ceiling. It stuck, in the same way that cooked spaghetti sticks to the ceiling when you throw it to see if it’s done. She refocused on the honey and her hunger for sweetness, and sank her fingers back into the jar.”

“The paper fell from the ceiling on to Dido’s head. She was too busy stuffing herself full of honey to notice. In fact it was days before anyone noticed.”

“The honeyed ball of words had dislodged numerous strands of dried spaghetti, which nestled amongst Aunt Idle’s dreadlocks rather attractively, with the paper ball looking like a little hair bun.”

““Oh my god …. gross!“ cackled the cautacious Cackler.”

““Right, that does it! I’m moving the whole family back to the right story!” said Aunt Idle, invigorated and emboldened with the sweet energy of the honey. “Bloody cackling nonsense!””

“Thanks,” said Bossy taking her cup of tea.

“So, tell me more about this evil fruit-loop doctor,” said Ricardo with an encouraging smile.

Bossy looked intently at him. “It’s no joke,” she admonished him sharply.

“Oh, no. No, of course not. I mean, yeah, I really want to know. It all sounds very … intriguing. And sort of creepy, to be honest. But definitely not a joke.”

Bossy relented and gestured imperatively for Ricardo to be seated.

“The doctor could best be described as a mad genius. He believed he had found the answer to looking eternally youthful but didn’t want to go through the time and expense of clinical trials through the normal channels. So he set up a testing laboratory on a small and relatively unknown Pacific Island. Tifikijoo, I believe it was called.”

“Uh huh. Actually I do vaguely remember something about that story.”

“We got the story first,” Bossie said proudly, “but there was a media ban on publishing some of the information, unfortunately. The Doctor managed to get funding for his tests through an undercover organisation whose hidden agenda was to hide an ancient crystal skull while at the same time providing them with a facility where they could continue their own secret testing into spider genomes. I can’t tell you too much about that — it was all hush hush. So, you wouldn’t have read about that in the news, I bet,” she added with a smug smile.

“Uh, no,” answered Ricardo, privately wondering if Bossy was the mad one. It was all starting to feel a bit surreal to him.

“Did the doctor know about the skull stuff?”

“No, the doctor was genuinely only interested in preserving beauty. Unfortunately, to this end, he killed one of his first guinea pigs. And tried to disguise his crime by mummifying the body. That’s when it all began to implode on him.”

“What happened to him?”

“He had some good lawyers and was found not competent to stand trial on the grounds of insanity. And the fact that all his clients had signed liability waivers helped a bit. He was sent to a high security psychiatric institution but managed to escape by reverting to his female identity—he was transsexual—and hiding in a laundry trolley.

“The doctor hated the way he was portrayed in the media and most of his venom was focused on our people. We had a guy working with us then, John Smith, and he covered the story with Connie. They got the brunt of the hate emails. John nearly had a nervous breakdown with the stress of it and moved to the country. Pity, he was a good writer.”

“So what makes you think Santa Claus and the doctor are one and the same?”

“Call it a very strong hunch. The Doctor was born in Iceland and had strong family ties there. And now I fear he has lured Connie and Sophie there in order to exact his evil revenge!”

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).