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Helix 25 – Murder Board – Evie’s apartment

The ship had gone mad.

Riven Holt stood in what should have been a secured crime scene, staring at the makeshift banner that had replaced his official security tape. “ENTER FREELY AND OF YOUR OWN WILL,” it read, in bold, uneven letters. The edges were charred. Someone had burned it, for reasons he would never understand.

Behind him, the faint sounds of mass lunacy echoed through the corridors. People chanting, people sobbing, someone loudly trying to bargain with gravity.

“Sir, the floors are not real! We’ve all been walking on a lie!” someone had screamed earlier, right before diving headfirst into a pile of chairs left there by someone trying to create a portal.

Riven did his best to ignore the chaos, gripping his tablet like it was the last anchor to reality. He had two dead bodies. He had one ship full of increasingly unhinged people. And he had forty hours without sleep. His brain felt like a dried-out husk, working purely on stubbornness and caffeine fumes.

Evie was crouched over Mandrake’s remains, muttering to herself as she sorted through digital records. TP stood nearby, his holographic form flickering as if he, too, were being affected by the ship’s collective insanity.

“Well,” TP mused, rubbing his nonexistent chin. “This is quite the predicament.”

Riven pinched the bridge of his nose. “TP, if you say anything remotely poetic about the human condition, I will unplug your entire database.”

TP looked delighted. “Ah, my dear lieutenant, a threat worthy of true desperation!”

Evie ignored them both, then suddenly stiffened. “Riven, I… you need to see this.”

He braced himself. “What now?”

She turned the screen toward him. Two names appeared side by side:

ETHAN MARLOWE

MANDRAKE

Both M.

The sound that came out of Riven was not quite a word. More like a dying engine trying to restart.

TP gasped dramatically. “My stars. The letter M! The implications are—”

“No.” Riven put up a hand, one tremor away from screaming. “We are NOT doing this. I am not letting my brain spiral into a letter-based conspiracy theory while people outside are rolling in protein paste and reciting odes to Jupiter’s moons.”

Evie, far too calm for his liking, just tapped the screen again. “It’s a pattern. We have to consider it.”

TP nodded sagely. “Indeed. The letter M—known throughout history as a mark of mystery, malice, and… wait, let me check… ah, macaroni.”

Riven was going to have an aneurysm.

Instead, he exhaled slowly, like a man trying to keep the last shreds of his soul from unraveling.

“That means the Lexicans are involved.”

Evie paled. “Oh no.”

TP beamed. “Oh yes!”

The Lexicans had been especially unpredictable lately. One had been caught trying to record the “song of the walls” because “they hum with forgotten words.” Another had attempted to marry the ship’s AI. A third had been detained for throwing their own clothing into the air vents because “the whispers demanded tribute.”

Riven leaned against the console, feeling his mind slipping. He needed a reality check. A hard, cold, undeniable fact.

Only one person could give him that.

“You know what? Fine,” he muttered. “Let’s just ask the one person who might actually be able to tell me if this is a coincidence or some ancient space cult.”

Evie frowned. “Who?”

Riven was already walking. “My grandfather.”

Evie practically choked. “Wait, WHAT?!”

TP clapped his hands. “Ah, the classic ‘Wake the Old Man to Solve the Crimes’ maneuver. Love it.”

The corridors were worse than before. As they made their way toward cryo-storage, the lunacy had escalated:

A crowd was parading down the halls with helium balloons, chanting, “Gravity is a Lie!”
A group of engineers had dismantled a security door, claiming “it whispered to them about betrayal.”
And a bunch of Lexicans, led by Kio’ath, had smeared stinking protein paste onto the Atrium walls, drawing spirals and claiming the prophecy was upon them all.
Riven’s grip on reality was thin.

Evie grabbed his arm. “Think about this. What if your grandfather wakes up and he’s just as insane as everyone else?”

Riven didn’t even break stride. “Then at least we’ll be insane with more context.”

TP sighed happily. “Ah, reckless decision-making. The very heart of detective work.”

Helix 25 — Victor Holt’s Awakening

They reached the cryo-chamber. The pod loomed before them, controls locked down under layers of security.

Riven cracked his knuckles, eyes burning with the desperation of a man who had officially run out of better options.

Evie stared. “You’re actually doing this.”

He was already punching in override codes. “Damn right I am.”

The door opened. A low hum filled the room. The first thing Riven noticed was the frost still clinging to the edges of an already open cryopod. Cold vapor curled around its base, its occupant nowhere to be seen.

His stomach clenched. Someone had beaten them here. Another pod’s systems activated. The glass began to fog as temperature levels shifted.

TP leaned in. “Oh, this is going to be deliciously catastrophic.”

Before the pod could fully engage, a flicker of movement in the dim light caught Riven’s eye. Near the terminal, hunched over the access panel like a gang of thieves cracking a vault, stood Zoya Kade and Anuí Naskó—and, a baby wrapped in what could only be described as an aggressively overdesigned Lexican tapestry, layers of embroidered symbols and unreadable glyphs woven in mismatched patterns. It was sucking desperately the lexican’s sleeve.

Riven’s exhaustion turned into a slow, rising fury. For a brief moment, his mind was distracted by something he had never actually considered before—he had always assumed Anuí was a woman. The flowing robes, the mannerisms, the way they carried themselves. But now, cradling the notorious Lexican baby in ceremonial cloth, could they possibly be…

Anuí caught his look and smiled faintly, unreadable as ever. “This has nothing to do with gender,” they said smoothly, shifting the baby with practiced ease. “I merely am the second father of the child.”

“Oh, for f***—What in the hell are you two doing here?”

Anuí barely glanced up, shifting the baby to their other arm as though hacking into a classified cryo-storage facility while holding an infant was a perfectly normal occurrence. “Unlocking the axis of the spiral,” they said smoothly. “It was prophesied. The Speaker’s name has been revealed.”

Zoya, still pressing at the panel, didn’t even look at him. “We need to wake Victor Holt.”

Riven threw his hands in the air. “Great! Fantastic! So do we! The difference is that I actually have a reason.”

Anuí, eyes glinting with something between mischief and intellect, gave an elegant nod. “So do we, Lieutenant. Yours is a crime scene. Ours is history itself.”

Riven felt his headache spike. “Oh good. You’ve been licking the walls again.”

TP, absolutely delighted, interjected, “Oh, I like them. Their madness is methodical!”

Riven narrowed his eyes, pointing at the empty pod. “Who the hell did you wake up?”

Zoya didn’t flinch. “We don’t know.”

He barked a laugh, sharp and humorless. “Oh, you don’t know? You cracked into a classified cryo-storage facility, activated a pod, and just—what? Didn’t bother to check who was inside?”

Anuí adjusted the baby, watching him with that same unsettling, too-knowing expression. “It was not part of the prophecy. We were guided here for Victor Holt.”

“And yet someone else woke up first!” Riven gestured wildly to the empty pod. “So, unless the prophecy also mentioned mystery corpses walking out of deep freeze, I suggest you start making sense.”

Before Riven could launch into a proper interrogation, the cryo-system let out a deep hiss.

Steam coiled up from Victor Holt’s pod as the seals finally unlocked, fog spilling over the edges like something out of an ancient myth. A figure was stirring within, movements sluggish, muscles regaining function after years in suspension.

And then, from the doorway, another voice rang out, sharp, almost panicked.

Ellis Marlowe stood at the threshold, looking at the two open pods, his eyes wide with something between shock and horror.

“What have you done?”

Riven braced himself.

Evie muttered, “Oh, this is gonna be bad.”

Base Klyutch – Dr. Markova’s Clinic, Dusk

The scent of roasting meat and simmering stew drifted in from the kitchens, mingling with the sharper smells of antiseptic and herbs in the clinic. The faint clatter of pots and the low murmur of voices preparing the evening meal gave the air a sense of routine, of a world still turning despite everything. Solara Ortega sat on the edge of the examination table, rolling her shoulder to ease the stiffness. Dr. Yelena Markova worked in silence, cool fingers pressing against bruised skin, clinical as ever. Outside, Base Klyutch was settling into the quiet of night—wind turbines hummed, a sentry dog barked in the distance.

“You’re lucky,” Yelena muttered, pressing into Solara’s ribs just hard enough to make a point. “Nothing broken. Just overworked muscles and bad decisions.”

Solara exhaled sharply. “Bad decisions keep us alive.”

Yelena scoffed. “That’s what you tell yourself when you run off into the wild with Orrin Holt?”

Solara ignored the name, focusing instead on the peeling medical posters curling off the clinic walls.

“We didn’t find them,” she said flatly. “They moved west. Too far ahead. No proper tracking gear, no way to catch up before the lionboars or Sokolov’s men did.”

Yelena didn’t blink. “That’s not what I asked.”

A memory surfaced; Orrin standing beside her in the empty refugee camp, the air thick with the scent of old ashes and trampled earth. The fire pits were cold, the shelters abandoned, scraps of cloth and discarded tin cups the only proof that people had once been there. And then she had seen it—a child’s scarf, frayed and half-buried in the dirt. Not the same one, but close enough to make her chest tighten. The last time she had seen her son, he had worn one just like it.

She hadn’t picked it up. Just stood there, staring, forcing her breath steady, forcing her mind to stay fixed on what was in front of her, not what had been lost. Then Orrin’s hand had settled on her shoulder—warm, steady, comforting. Too comforting. She had jerked away, faster than she meant to, pulse hammering at the sudden weight of everything his touch threatened to unearth. He hadn’t said a word. Just looked at her, knowing, as he always did.

She had turned, found her voice, made it sharp. The trail was already too cold. No point chasing ghosts. And she had walked away before she could give the silence between them the space to say anything else.

Solara forced her attention back to the present, to the clinic. She turned her gaze to Yelena, steady and unmoved. “But that’s what matters. We didn’t find them. They made their choice.”

Yelena clicked her tongue, scribbling something onto her worn-out tablet. “Mm. And yet, you come back looking like hell. And Orrin? He looked like a man who’d just seen a ghost.”

Solara let out a dry breath, something close to a laugh. “Orrin always looks like that.”

Yelena arched an eyebrow. “Not always. Not before he came back and saw what he had lost.”

Solara pushed off the table, rolling out the tension in her neck. “Doesn’t matter.”

“Oh, it matters,” Yelena said, setting the tablet down. “You still look at him, Solara. Like you did before. And don’t insult me by pretending otherwise.”

Solara stiffened, fingers flexing at her sides. “I have a husband, Yelena.”

“Yes, you do,” Yelena said plainly. “And yet, when you say Orrin’s name, you sound like you’re standing in a place you swore you wouldn’t go back to.”

Solara forced herself to breathe evenly, eyes flicking toward the door.

“I made my choice,” she said quietly.

Yelena’s gaze softened, just a little. “Did he?”

Footsteps pounded outside, uneven, hurried. The clinic door burst open, and Janos Varga—Solara’s husband—strode in, breathless, his eyes bright with something rare.

“Solara, you need to come now,” he said, voice sharp with urgency. “Koval’s team—Orrin—they found something.”

Her spine straightened, her heartbeat accelerated. “What? Did they find…?” No, the tracks were clear, the refugees went west.

Janos ran a hand through his curls, his old radio headset still looped around his neck. “One of Helix 57’s life boat’s wreckage. And a man. Some old lunatic calling himself Merdhyn. And—” he paused, catching his breath, “—we picked up a signal. From space.”

The air in the room tightened. Yelena’s lips parted slightly, the shadow of an emotion passed on her face, too fast to read. Solara’s pulse kicked up.

“Where are they?” she asked.

Janos met her gaze. “Koval’s office.”

For a moment, silence. The wind rattled the windowpanes.

Yelena straightened abruptly, setting her tablet down with a deliberate motion. “There’s nothing more I can do for your shoulder. And I’m coming too,” she said, already reaching for her coat.

Solara grabbed her jacket. “Take us there, Janos.”

March 2024

The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

“Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

As always, no hello, no question about his health or anything personal.

“I didn’t want it”, Lucien said, his voice calm only on the surface.

“It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

“I already told you, it’s not what I want. I’ve made my decision.”

Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

“Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

“We’re never finished”, Lucien muttered as the line went dead.

Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

“You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

“What have we here?” He asked, his voice bordering on disdain.

Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

“It’s personal”, he said, his voice low.

Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

Lucien nodded towards the covered stack of canvases near the wall. “Done.”

“Good. They’ll come tomorrow and take the lot.”

Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

“Once a lecturer, always a lecturer, eh?” Florian teased.

“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

“Permission to speak, My Lady Malove?” Truella asked respectfully.  She was still wearing Frella’s raincoat of respect as it hadn’t stopped raining the whole time she’d been in Ireland, although the respectfulness was becoming tedious.   But she was inside the Quadrivium building now, facing her agitated boss. She shrugged the raincoat off and tossed it aside and squared her shoulders.

“Speak!” Malove replied, rude and abrupt.

“I say, would you like some new pyjamas by any chance? No, never mind that now.  Someone needs to say this to your face, as you haven’t figured it out for yourself yet.”

Gasps of astonishment echoed around the great hall and the air quivered with tension.

“You have been so obsessed with the fact sheets of the merge and the number crunching that you’ve been blind to a more significant merge.” Truella boldly held her hand up to silence Malove whose mouth was gaping open like a goldfish, or perhaps more like a carp.

“No, you listen to me for once,” Truella almost quaked at her own impudence then, but caught the merest glimmer of amusement from the depths of Malove’s being, or rather the essence of Cromwell who was lodged there.

Don’t you dare leave me now, Thomas, stay right there until I’ve finished or I’m toast.

“You have been so outwardly focused that you’re not paying attention to your own self, or you’d have noticed.  Which just goes to show the immense efficiency and subtley of Cromwell’s merge tactics.  It would behoove you to admit that you needed direction, and to appreciate the help that has been provided for you.  You are not entirely yourself, or rather, you are entirely yourself, but at times lately you are more than that.”

Taking a deep breath, Truella continued.  “At first it may be unsettling, but you must persevere and don’t fight it.  Accept that you needed help, give thanks that you received it, and work well with Cromwell’s suggestions.”

“Saints preserve us,” whispered Malove, shocked to the core. “I don’t mean papish saints though,” she added hastily, unsure how to proceed.

Truella laughed nervously, her courage suddenly evaporating. She felt a strong urge to flee.

I asked you not to leave me alone with her!  

The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable.  The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.

“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”

“There be no boatman by that name on the masters barge, lad.  Are you speaking my language?” replied boatman Rafe.

“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”

“Aye, I can tell you that. He’s asleep in the barge.”

“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”

“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about.  Being in two places at once was becoming difficult to conceal.  He would have to employ a man of concealment to cover for him while he was in Malove’s body.

I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me.  That will be all.”

“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”

“Whatever you say, master, just tell me where it is.”

“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.

While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.

A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals.  Cromwell made a mental note to streamline the future coven with more efficient simple magic.

“Take all your clothes off, Rafe.”  Astonished, the boatman removed his hat and his cloak.  Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours.  Get out of the boat and go and find somewhere under a bush to hide until I come back.  I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”

Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest.  He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold.  God save us all, he whispered, knowing that God wouldn’t.

In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves.   I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.

“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one.  There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”

“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.

Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.

“Some dry ones would be nice,” Truella admitted.

“It’s not that your clothes are too wet,” he replied, frowning.  He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear?  They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.

Lord Thomas Cromwell cast another eye over Truella.  She was a similar build to Anne of Chives.

“If you think I’m dressing up as one of Henry’s wives…”

Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one.  No need for her to be the death of both of us.”

“Look, just drop me off in Limerick on the way home, it’s barely out of your way.  It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”

Cromwell gave her an approving look and agreed to her idea.   Within a split second they were in Ireland, but Cromwell was in for a surprise.

“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”

Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment.  “You! Fancy seeing YOU here! Uncle Thomas!”

After leaving the clamour of her fellow witches behind, Frella took a moment to ground herself after the whirlwind of ideas and plans discussed during their meeting.

As she walked home, her thoughts drifted back to Herma’s cottage. The treasure trove of curiosities in the camphor chest had captivated her imagination, but the trips had grown tiresome, each journey stretching her time and energy. Instead, she gathered a few items to keep at her own cottage—an ever growing collection of mysterious postcards, a brass spyglass, some aged papers hinting at forgotten histories, and of course, the mirror. Each object hummed with potential, calling to her in quiet moments, urging her to dig deeper.

The treasures from Herma’s chest were scattered across her kitchen table; each object felt like a piece of a larger puzzle, and she was determined to fit them together.

As Frella settled into a chair, she felt a sudden urge to inspect the mirror; the thought of its secrets sent a thrill through her, albeit tinged with trepidation.

It was exquisite, its opalescent sheen casting soft reflections across the room. She held it up to the light, watching colours shift within the glass, swirling like a living entity.

“What do you wish to show me this time?” she whispered.

As she gazed into the mirror, her reflection blurred, and she felt a pull—a connection to the past. Images began to form, and Frella found herself once more staring at the same elderly woman, her silver hair wild and glistening.

As the vision settled around her, Frella felt the air shimmer with energy, and the scene began to shift again. She focused intently, eager to grasp every detail.

Oliver Cromwell sat at a grand wooden desk piled high with scrolls and papers, his quill poised in his hand and brow furrowed in concentration. The room bustled with activity—servants hurried to and fro, and shrill laughter floated in from outside, where a gathering seemed to be taking place.

“By the King’s beard, where is the ink?” Cromwell muttered, his voice a deep rumble. With a flourish, he dipped the quill into a small inkwell that looked suspiciously like it had been made from a goat’s hoof.

With great care, he began to write on a piece of parchment. The ornate script flowed from his quill, remarkably elegant despite the chaos around him.

“To my dearest friend,” he wrote, brow twitching with the effort of being both eloquent and succinct. “I trust this missive finds you well, though your ears may be ringing from the ruckus outside. We’ve recently triumphed over the King, and while my duties as Lord Protector keep me occupied, I have stolen a moment to compose this note.”

He paused, casting a wary glance around the room as if expecting eavesdroppers. “I must admit, I have developed a curious fondness for a young lady who claims she can commune with spirits. I suspect she may know a thing or two about the secret lives of witches. If you find yourself in town, perhaps we could investigate together? Bring wine. And if you can manage it, a decent snack. One can hardly strategise on an empty stomach.”

Cromwell’s mouth twitched into a wry smile as he added, “P.S. If you happen to encounter Seraphina, do inform her that I’ll return her mirror just as soon as I’m done with my… experiments. I fear she may not appreciate the ‘creative applications’ I’ve discovered for it.”

With a sigh of resignation, he sealed the parchment with an ornate wax stamp shaped like a owl. “Now, where did I see that errant messenger?” he grumbled, scanning the room irritably.

Frella placed the mirror gently back on the table, her heart pounding. She needed to unravel the mysteries linking her to Seraphina and Cromwell. The time for discovery was upon her, and with each passing moment, she felt the call of her ancestors echoing through the very fabric of her being.

But could she untangle the mystery before her fellow witches set off on yet another ill-fated adventure? She would have to make haste.

When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.

Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.

“Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.

Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.

“What?” Malové’s eyebrows arched.

“Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.

Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”

“They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”

Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.

When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.

Symbols, runes, sigils—even some impressively powerful ones—where scattered  thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.

As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.

After the postcard craze had passed, Frella returned to Herma’s cottage several times to study the camphor chest. Every day for a week, Herma let her into the living room, where she would sit quietly in front of the chest, sometimes for hours. The wood’s glossy surface would catch the light, warm and rich, like polished honey. Frella would trace the strange curves of the mysterious engravings with her fingers, feeling the subtle dips and rises beneath her touch. The patterns felt ancient, worn smooth in places, yet sharp along certain edges, as if holding onto secrets just out of reach.

Then, as she lifted the heavy lid, a soft creak would break the silence, the hinges groaning as if they hadn’t moved in ages. A burst of cool, earthy fragrance would immediately rise, filling the air with camphor’s sharp, clean scent, mingled with faint hints of aged cedar and spice.

It didn’t take long for Frella to notice that each time she opened the chest, she would find a new object among the old papers and postcards. It was never the same. Once, it was an old brass spyglass; another time, it might be an ornate compass with seven directions marked. Yet another day, she found a teddy bear. By some odd coincidence, each item always seemed to be something she needed in her life at that particular moment.

When Eris informed them that Malove was most likely under a powerful spell, Frella found the mirror. An inscription carved clumsily on its back read, “This Mystic Mirror belongs to Seraphina.” The mirror’s metal was cold, tarnished, and in need of a good polish. Jeezel would have surely raved about the intricate vines of silver and gold, twisting in delicate patterns that seemed to shift with the viewer’s perspective. But what captivated Frella most was the glass itself. It held a faint opalescent sheen, swirling with hints of colors, like a rainbow caught in crystal.

The first time Frella looked into it, she saw, behind her own reflection, an elderly woman with silver hair handing the mirror down to a little girl who looked just like Frella had as a child. The clothes were peculiar, and the room they stood in looked as if it belonged in a fantasy movie. Then the little girl began carefully carving something on the back of the mirror with what looked like a golden chisel. When she finally turned the mirror and looked into it, her reflection replaced Frella’s. She said something, but there was no sound. Frella had the distinct impression that the girl’s lips had formed the words, “We are the same. It’s yours now; you’ll need it soon.” Then she vanished, and Frella’s own reflection reappeared.

Still filled with awe at what just happened, Frella wondered if Seraphina was a long lost ancestor. “Was that chest also yours, Seraphina?” she asked in a whisper to the ghosts of the past.

Malove surveyed the room, her piercing gaze sweeping over each witch, causing them to cower. “I trust you’re not letting the weather distract you from your duties,” she said, her voice crisp. “I won’t have the coven slacking because of a little drizzle.”

Jeezel straightened, flustered. “It’s not the weather! It’s the postcards! They’re showing up out of nowhere, and no one knows who’s sending them!”

Malove raised an eyebrow. “Postcards? How quaint. And you think this warrants my attention?”

“Absolutely!” Truella interjected, surprising even herself with her boldness. “It could be a warning—or worse, a challenge.”

A flicker of ethereal light indicated Eris’s presence. “Or perhaps someone just has a twisted sense of humor.”

Frella crossed her arms, frowning. “I agree with Tru. This could be serious.”

Malove stepped closer, her demeanor sharpening. “Enough. I care not for your trifles unless they threaten the coven. What precisely have you discovered”

Jeezel pulled out one of her postcards. “This one shows a twisted tree… and a symbol I don’t recognize.”

Frella bit her lip and revealed her own card. “Mine has a raven on a crooked branch. Its gaze feels… unsettling.”

Truella’s heart raced. “Jeezel, let me look at that! I think I’ve seen that symbol before—in the book that fell off my shelf!”

Malove’s interest was piqued. “Elaborate.”

“Well, old books practically leap off the shelves at me,” Truella explained, excitement building. “And Frella had a dream that seemed connected. The really odd part?” She paused dramatically until she was sure she had their full attention.  “I noticed that the book was written in the FIRST PERSON.” She gestured to the postcard with the twisted tree. “Maybe these cards are connected.”

Eris chimed in lightly. “Or they could be a distraction. Perhaps you’re sending yourself messages?”

Truella frowned, glancing at the shimmering light of Eris. “But why do you get to do distance while the rest of us are stuck here in this rain? Can’t you join us physically for once?”

Eris laughed, her voice echoing. “Someone has to keep an eye on the chaos you’re about to unleash.”

“Will you stop flirting with that poor boy, Tru! You can’t help yourself can you?” Frella’s  word were softened by the huge smile on her face. “Isn’t this place just grand?”

“Frella! Don’t be sneaking up on a person like that!” Truella gave her friend a hug. “Anyway, you won’t believe it but Malove is going to be here! I mean, talk about unexpected plot twists. And you know she’s not going to be thrilled when she finds out I’ve nabbed her corner pod!” She giggled, albeit a little nervously.

Frella grimaced. “Tru, you’d better be careful. Malove’s not one to take things lightly, especially when it comes to her personal space.”

“Oh don’t worry. It will be fine. Anyway, what about your fancy man? Will he be here doing his important MAMA spy work? I do hope so.  Dear Cedric always brings a certain je ne sais quoi to the scene.” Truella rolled her eyes and smirked.

“Oh you mean tart! And he’s NOT my fancy man but yeah, he is going to be here. You should be glad we’ve got someone on the inside. Those MAMA agents can be pesky devils and they’re bound to be sneaking around a gig like this.”

The rainbow was neon bright, one end disappearing behind a spinney in the distance, and the other end landing squarely in the middle of the glamping pods. A good sign! thought Truella, the first of the coven to arrive.  For a moment she imagined herself digging a hole right there, and finding the elusive pot of gold.    I wouldn’t be able to do that in a fancy hotel.  For once, Truella was happy with Austreberthe’s choice. A week or two in a green field sounded relaxing, refreshing.  So much more to her taste than the endless fitted carpets, closed windows, and artifically controlled air blasting out of metal grilles in hotels.

Taking a deep breath of cool fresh air, she surveyed the site before checking into reception.  The neighbouring fields were full of cows, perfect for her to practice her Bubona spells on before she set up her Goddess Spell Booth. The Goddess spell tents were to be open in the evenings, after the games each day, along with other stalls selling handicrafts, homemade cakes and jams, wines and potions, trinkets and souvenirs, and all the other tat that people on holiday enjoyed browsing. Obviously the coven would have a stall selling incense.  No doubt Austreberthe would have hatched some hard sell plan for that.

Inside the reception office, Truella pinged the bell and waited for someone to attend.  The registration book was open on the counter and Truella craned her neck to read the names on the list.  She planned to ask for a pod in a far corner, near the hedgerow.  It might make it easier to slip out unnoticed, if she should have a mind to do so.  The door behind the counter opened and a young man appeared, smiling a welcome. But not before Truella had seen the name on the list. She sucked her breath in sharply. Malove!  Nobody was expecting her. Did Austreberthe know?

“Welcome to Finnegan’s Farm Glampsite, I’m Liam,”  said the young man, pushing long mousy hair out of his eyes, “You’ve a booking I take it, because we’re fully booked up for the next fortnight. Because of the Games, you see.”

Replying that she did, Truella asked for a pod in the furthest corner.  Liam looked at a list and frowned.  “The corners are all taken, I’m afraid. But I tell you what,” he said, “As you’re the first to arrive I’ll swap your pod, let’s see…” He scanned the list. “Ah yes, the late booking. I can put you in the one we’ve assigned to Mrs …Malone I think it says, and put her in yours.”

“Thank you very much, Liam,” Truella said as he handed her a key with a big wooden tag with the number 33 etched on it.

“I’ll carry your bags over and show you where it is, follow me.”

The rose coloured spectacle lens.

 

Aunt Idle:

“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman.

The Snoot:

“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

Lean close! Such a find whispers soft secrets:

Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

Liz:

Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

Mater:

Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

Finnley:

Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

 

Mandrake:

Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

“It’s your fault I’m late, Sandra!” Sassafras hissed, adjusting her wimple and throwing a large crucifix around her neck.  “You told me it was witches costumes, I had to run back upstairs to change.”  Missing a step as she rushed down the stairs, Sassafras grabbed the bannister, managing to save herself from a possibly fatal tumble down to the tiled floor below.

“I thought it was! That’s why I’m late too. And anyway you look half witch and half nun in that outfit.” Sandra gripped Sassafras’s wrist.  “Ok, calm down and deep breaths. Demure and collected, remember?  We need to look serious and efficient.”

When they reached the door of the grand reception hall, they stood aside to allow Brother Bartolo to pass, on his way to the kitchen for more refreshments.  He allowed himself a small smile, holding up an empty decanter.  “Crimson Cordial, that’s what she told me to give them. It’s not every day she gives me the key for the cordials cabinet.”

“Not the Crimson Cordial!” the girls gasped in unison. They looked at each other, perplexed. “What is she playing at, Brother?”

“That’s not all,” whispered Brother Bartolo, leaning closer to Sandra, “She’s re animated the Sisters of the Sacred Sepulchre from the crypt.  I’ve seen them wandering around in the cellars, waiting for orders.”

Sandra and Sassafras looked at each other in alarm.  “This is serious.”

“But is it to assist the merger or derail it?”

“Who only knows what goes on behind that prune faced scowl. And why has she invited a team of morticians, eh? Ask yourself that! Morticians!” Sandra said.

“This is too dark for me, I’m off. Tell them I’ve been taken ill, I’m going for a walk in the woods.”

Brother Bartolo barred her way. “Oh no you’re not. You won’t get away with that this time,” he said grimly. “This is too dark for those petty tricks. And you may be needed,” he added cryptically. “All hands on deck, and as many fingers as you like.”