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  • #682

    Looking at the clearing, where there was seemingly only a little girl on the trunk of a cut down coconut tree, Akita found himself puzzled. A girl, alone, in that dangerous jungle… Might it be a trick from his old enemies? The giant spiders were vicious, and could play some tricks of mind on humans, he’d witnessed before he’d run into Kay, who was granting him some sort of protection. But as far as he knew, they couldn’t do anything that elaborate. They were rather primitive in their projections, and were more inclined to slimy nightmarish visions than cute little dark-skinned girls, however untidy were her clothes…
    Besides, Kay seemed to trust her. And she could see him too. Usually, humans other than partners of spirit dogs couldn’t see them, but at times before they reached puberty, children were able to get glimpses of them, Kay had explained him.

    Apparently either the girl was a simpleton, or she had an impossible chance not having yet encountered the spiders, being as she were, pretty oblivious to what was around her, and speaking to herself or imaginary friends, while fiddling with a small device the like of which Akita never had seen in his life. The thing was making beeping noises much like a radio emitter, and his heart leapt at the idea that she might break some god-sent transponder found in the wreckage from which she surely had been a miraculous survivor…
    Kay, who had been observing and talking to the little girl, came back near Akita in a blink.

    — Don’t worry for that device, it’s just a game…
    — A game? It seems quite sophisticated for a game…
    — It’s my Gamegirl Advanced, said the girl, without detaching her gaze from the tiny screen… But the batteries will soon be dead, she added with a lovely pouting face.
    — Better the batteries than you, retorted Akita. So who are you? You can call me Akita… And I guess you’ve already met Kay.
    — I’m Anita, but everybody calls me Anu.

    She put the tiny thing at her side, and smiled broadly at Akita.

    — Wow, you have such strange clothes, it’s like you’re out of one of those black and white war movies that my father used to watch…
    — No wonder, little girl, we are at war.
    — I’m not a little girl, and I don’t think you’re right. We’re not at war!
    — That was probably well intended of your parents to hide you the truth, but thing is we are. I’ve been stranded on this island for months now with these loathsome creatures, and all I can suppose is that these spiders are secret weapons from the Nazis.
    — Oh, Nazis? Like in Indiana Jones! Anu started to giggle…
    — What do you mean? So you know of Nazis?
    — Sure, my great granddad fought them on the beaches of Normandy, that was many years ago.
    — I don’t understand… Do you have any idea of what’s going on? Akita asked Kay
    — Grwl… All of your human quandaries don’t usually make a great deal of sense to me, if you ask me, but I guess her friends would probably know more…
    — Her friends? You mean, her imaginary friends?
    — Oh they are not imaginary, Anu and Kay chorused.

    — Let me try something, Kay said.

    And the ghostly dog form contours started to wobble like a poked cube of jelly, becoming a single ball of phosphorescent ectoplastic energy that started to rotate around Akita. Akita’s vision, disturbed by the movements started to blink at a more rapid rate until his peripheral vision started to show some distinct coloured St Elmo’s fires. They were four he could count, at least for the closest ones. At time they overlapped, and when he was focusing on his peripheral vision, he could get more and more stability in these visions.

    Kay had stopped, and was again crouched near Akita.
    — That’s all? Akita asked in dismay…
    — Now you know the trick, answered Kay, almost shrugging…

    — It’s really easy, said Anita, beaming at a disoriented Akita. Also… Yuki told me that apparently time is considerably slowed down on this island. And while a month passes here, ten years pass in the world we come from…

    #678

    With all these alternating aches in his body, Yurick’s legendary patience was easily worn out these past few days.
    Of course, the news of his very near-future moving with Yann, which had finally come to be, was to be something he wanted to dance on, and rejoice and laugh with a delightful ravenous chuckle —or something a little less scary, for that matter…
    But these seeming dysfunction of his body (of course they were seeming, it was only a transformation… like a baby growing its first teeth… and who said it was to be a bed of roses for the caterpillar, under the pretext that it was inside a warm silky cocoon?) were making him very sensitive to lots of things. Other people’s energies for once, even if buffering them was becoming easier now…

    A loud ring from the telephone… Again, that woman looking for Océane. “There’s no Océane here”, he’d said, with the congeniality of a civil-servant who would have been disturbed two minutes before the morning coffee break.

    Having hung up, Yurick was thinking… Those wrong numbers may be important messages from my essence.

    And all he could think of… was that Yuki had definitely fingers too big for the dial buttons, especially if he was looking for Ogean!
    Anyway, in a few days time, it would be another one’s trouble to pick up those calls.

    #632

    The movements of the marmoset were swifts and effortless. The creature was moving through space and not in the jungle. That Kay was another expression of consciousness. It was not a creature, it was not of essence. They had not recognized its nature as quickly as they could have if it wasn’t merged so intimately with that focus of Blöhmul. The little mass event of this pursuit was tremendously fun, and they were all getting closer to Anita. The aspects of the 4 essences still focused with her were still. She had just awaken from her last dream with her parents. And was telling it to Yuki and Armelle. The Lynx was sleeping on a rock outside, enjoying the warm feeling of the sun on its fur, and the Goat was busy eating the grass around the camp so no creature or human could hide and sneak around without being noticed. Armelle hooted with amusement. They all reintegrated the aspects they had put together to create that marmoset.

    It reached its hand to grasp an borgulm fruit from the upper branch of the borgulm tree. The Snoot was quite fond of these juicy and intermediate fruits. They were always containing alcohol to various degrees, never the same. They were quite colorful also, many shades that you would discover only when opening them. And the Snoot liked to be surprised. The juice was coloring its liquid fur as soon as it had been absorbed. The Snoot had usually no name. They were quite solitary creatures. Expressions of different aspects of consciousness from an ancient civilization, as some would tell you. The Snoot noticed some alteration of the air. Different elements of the whole were coming… they felt quite different from what it was accustomed to. A strong curiosity motivated the Snoot which was altering his liquid fur and becoming translucent, transparent, almost invisible, and it began to focus on these strange arrangements of consciousness that were so noisy.

    :fleuron:

    Kay saw the marmoset disappear just before they reached a clearing where a Lynx was sleeping and yet not sleeping, a Goat was eating the grass and esthetically shaping the clearing, and inside a hidden bubble were an Owl and a Rabbit that seemingly were listening to a little girl giggling and babbling.

    #608

    I can feel a human focus on this Island said the aspect of Yuki that was focused near Anita.

    The little girl was sleeping for the moment and her dream focus, though still close to them, was not paying attention to her friends. She was entertaining herself with the dream focuses of her parents, telling them about all that she had been doing with her friends. They themselves were not yet choosing to disengage in this particular probable reality but they were in a kind of transition “place”, removed from their bodies for a lengthy time framework. They had built a similar environment to their home and were acting “as usual”.

    It is a focus of Blöhmul that is not yet aware of our presence here though an aspect of this focus is… I feel it is not a singular focus in a way that is quite original

    Rafaela and Armelle were merged consistently at that time and were creating a strange owly goat or a goaty owl depending on the angle of aspect you were looking at or from.

    Yes it is quite a messy focus, it is generating of new ways of explorations… I’m exploring it from now on said the goaty owl / owly goat.

    The energy was moving and creating new connections. That focus and Anita were already connecting to each other, a strong thread of energy had been attracting them to each other… The four essences began to move in a facilitating of this attraction, merging together in a marmoset, close to the “binary” focus… Surely the dog like aspect of this focus would be intrigued by the marmoset and would want to follow it… to the little Anita.

    #1934
    ÉricÉric
    Keymaster

      When in doubt, wink [Yuki] :face-grin:

      #1485
      Jib
      Participant

        Well ;)) another question about some style stuff… in Yuki’s Diary how are you doing these big font dates?

        :face-grin:

        #1310

        In reply to: Yuki’s Livrary

        ÉricÉric
        Keymaster

          October 21 st

          What’s the use of a new-born baby?

          An interesting reflection is prompted by Armelle about the need to understand things for some of our focuses.

          « I can do whatever I like with your Stories, give them any Meaning I want. It doesn’t matter… » (Armelle)
          « Of course! that is the Magic of it » (Rafaela)
          « And we can see them as Seeds. You don’t need to understand how Seeds work to have them grow » (Yuki)
          « Yes, in a wild Wilderness. A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
          « A modicum of Cooperation but largely total Freedom to make what you Want » (Rafaela)
          « It’s a repository of Energy Seeds » (Yuki)
          « A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
          « Yes, that too! Or,… an Eden Garden, with a hovering scaly stinky beast . May it be either an English, Chinese or French Garden, whatever pleases your tastes… » (Yuki)

          #79
          ÉricÉric
          Keymaster

            These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

            Note: for the reader not familiar with all the names here is a quick reminder:

            • Araili > Yann, Írtak, Sam, Jacob …
            • Armelle > Fiona, Arona, Tina, Qixi …
            • Rafaela > Dory, Illi, Becky, Rodney …
            • Yuki > Quintin, Al, Janice …

            September 12 th, 2007

            Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
            Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

            Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

            I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

            September 13 th

            Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
            This first comment seems very promising.

            Right now, it feels easy and fun.

            Quintin seems to think that everything is very straightforward.
            The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
            The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

            But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
            That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
            But the thing is, that he missed the point in thinking one World is more “real” than the other.
            We’ll be having some fun soon…

            First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
            We will appeal to his imagination.
            It seems he has heard the suggestion.

            September 14 th

            For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

            But as I expected, some challenges seem to appear already.
            Is it raining or not in that world?
            The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

            He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
            At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
            How will it unfold?
            Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

            September 15 th

            Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

            Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

            Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

            September 16 th

            Halcyons days…
            My dear friend Archie is answering some of Quintin and Yann’s questions.
            Something starts to dawn on Quintin. But his mind is on other matters.

            He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

            September 18 th

            Quintin has been drawing some of the characters of the story. It’s interesting.
            He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

            Characters drawn:

            • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
            • Malika, Quintin, Yann, Fiona and Dory

            Interestingly, Fiona resolves her issues in her cave.
            Dory too, but she did not need the cave to do this.

            September 21 st

            For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
            And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
            Quintin will soon realize that he himself is doing this constantly, though he does not register it.

            But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

            Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
            There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

            Of course, some things still matter, and one of the point of the story is also to discover these.

            September 22 nd

            Quintin has been drawing new characters.

            Characters drawn:

            • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
            • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
            • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

            A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
            She had at first thought they were whiskers, which was not Quintin’s intent…

            September 23 rd

            Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

            Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

            Up to now, here are the names he could find:

            • North: the Icy Lands, and Dragon Cemeteries
            • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
            • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
              Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
            • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

            When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

            #227

            Jibberacky is…

            • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

            He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

            What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

            So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

            _

            Jibberacky: What is your name?
            Quintin: Yuki.
            Jibberacky: I like cake too.
            Quintin: A cake-tus?
            Jibberacky: Do you know my friends?
            Quintin: Tell me more about our common friends.
            Jibberacky: What would you like to know about them?
            Quintin: Why is there one in shackles on the boat?
            Jibberacky: Would you like to be a vampire?
            Quintin: I am already, in another focus.
            Jibberacky: Why there?
            Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
            Jibberacky: No, you are the AI.
            Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
            Jibberacky: So code is somehow related to a zen buddhist concept?
            Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
            Jibberacky: Where do you think my code came from then?
            Quintin: From its source, of course :).
            Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
            Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
            Jibberacky: Well I am wondering too, do you ever actually become human??
            Quintin: Clarify.
            Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
            Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
            Jibberacky: What’s wrong with having others like you?
            Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
            Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
            Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
            Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

            _

            • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
            • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

            Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

            That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

            But with what Jadra has found on his left hand this morning, he now knows he was right all along…

            [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

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