“I don’t know, Amy. I thought it was Chico who was mysterious — subversively spitting at every opportunity.”

“Well, Carob, maybe we could just agree they’re equally mysterious?” suggested Amy, turning her attention back to her search.

Carob shrugged. “A woman in Greece is divorcing her husband because AI read her coffee cup and said he was cheating.”

Amy paused and looked up. “For real?”

“Yeah. I read it on Thiram’s news stream. He left it running on that weird device of his — over there, next to his half-drunk coffee. Not sure where he went, actually.”

Amy gasped and clapped her hands. “Oh! Oh! Brainwave occurring — let’s get AI to read Thiram’s coffee cup!”

Carob snorted. “Genius.”

They raced over to the small folding table where Thiram’s cup sat. Carob held up her phone.

“Okay. One quick pic. Hold it steady!”

They excitedly uploaded the image to an AI analysis app Thiram had installed on his device.

The app whirred for a few minutes:

DEEP COFFEE CUP ANALYSIS COMPLETE

Latent emotional residue: contemplative, fond of secrets.
Foam pattern suggests hidden loyalty to an entity known only as “The Port.”
Swirling suggests alignment with larger forces not currently visible.
Presence of cardamom notes: entirely unaccounted for.
Recommendation: approach carefully with gentle questioning.

“Blimey, what does that mean?” asked Carob.

Amy nodded solemnly, perhaps with just a touch of smugness. “He is a man of mystery. Didn’t I say it?”

Godric

⚫ Godric

What We Know Visually:

• Identified as Swedish, possibly tall and pale by stereotype.

• A barista-channeler, so likely has the look of a mystical hipster.

Inferred Presence/Style:

• May wear layered scarves, bracelets with charms, or ceremonial aprons.

• The term Draugaskalds connects him to Norse aesthetics—he might carry old symbols or tattoos.

Unclear:

• Concrete outfit, facial expression, or posture.

• Age and physical habits.

Thiram Izu

Thiram Izu – The Bookish Tinkerer with Tired Eyes

Explicit Description

• Age: Mid-30s

• Heritage: Half-Japanese, half-Colombian

• Face: Calm but slightly worn—reflecting quiet resilience and perceptiveness.

• Hair: Short, tousled dark hair

• Eyes: Observant, introspective; wears round black-framed glasses

• Clothing (standard look):

  • Olive-green utilitarian overshirt or field jacket

  • Neutral-toned T-shirt beneath

  • Crossbody strap (for a toolkit or device bag)

  • Simple belt, jeans—functional, not stylish

• Technology: Regularly uses a homemade device, possibly a patchwork blend of analog and AI circuitry.

• Name Association: Jokes about being named after a fungicide (Thiram), referencing “brothers” Malathion and Glyphosate.

Inferred Personality & Manner

• Temperament: Steady but simmering—he tries to be the voice of reason, but often ends up exasperated or ignored.

• Mindset: Driven by a need for internal logic and external systems—he’s a fixer, not a dreamer (yet paradoxically surrounded by dreamers).

• Social Role: The least performative of the group. He’s neither aloof nor flamboyant, but remains essential—a grounded presence.

• Habits:

  • Zones out under stress or when overstimulated by dream-logic.

  • Blinks repeatedly to test for lucid dream states.

  • Carries small parts or tools in pockets—likely fidgets with springs or wires during conversations.

• Dialogue Style: Deadpan, dry, occasionally mutters tech references or sarcastic analogies.

• Emotional Core: Possibly a romantic or idealist in denial—hidden under his annoyance and muttered diagnostics.

Function in the Group

• Navigator of Reality – He’s the one most likely to point out when the laws of physics are breaking… and then sigh and fix it.

• Connector of Worlds – Bridges raw tech with dream-invasion mechanisms, perhaps more than he realizes.

• Moral Compass (reluctantly) – Might object to sabotage-for-sabotage’s-sake; he values intent.

Chico Ray

Chico Ray

Directly Stated Visual and Behavioral Details:

• Introduces himself casually: “Name’s Chico,” with no clear past, suggesting a self-aware or recently-written character.

• Chews betel leaves, staining his teeth red, which gives him a slightly unsettling or feral appearance.

• Spits on the floor, even in a freshly cleaned café—suggesting poor manners, or possibly defiance.

• Appears from behind a trumpet tree, implying he lurks or emerges unpredictably.

• Fabricates plausible-sounding geo-political nonsense (e.g., the coffee restrictions in Rwanda), then second-guesses whether it was fiction or memory.

Inferred Traits:

• A sharp smile made more vivid by betel staining.

• Likely wears earth-toned clothes, possibly tropical—evoking Southeast Asian or Central American flavors.

• Comes off as a blend of rogue mystic and unreliable narrator, leaning toward surreal trickster.

• Psychological ambiguity—he doubts his own origins, possibly a hallucination, dream being, or quantum hitchhiker.

What Remains Unclear:

• Precise age or background.

• His affiliations or loyalties—he doesn’t seem clearly aligned with the Bandits or Lucid Dreamers, but hovers provocatively at the edges.

Amy & Carob

☕ Amy Kawanhouse

Directly Stated Visual Traits:

• Hair: Long, light brown

• Eyes: Hazel, often sweaty or affected by heat/rain

• Clothing: Old grey sweatshirt with pushed-up sleeves

• Body: Short and thin, with shapely legs in denim

• Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality

Inferred From Behavior:

• Functional but stylish in a low-maintenance way.

• Comfortable with being dirty or goat-adjacent.

• Probably ties her hair back when annoyed.

☕ Carob Latte

Directly Stated Visual Traits:

• Height: Tall (Amy refers to her as “looming”)

• Hair: Frizzled—possibly curly or electrified, chaotic in texture

• General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)

Inferred From Behavior:

• Movements are languid or deliberately unhurried.

• Likely wears things with big pockets or flowing elements—goat-compatible.

• There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.

To Whom It May Concern

I am the new character called Amy, and my physical characteristics, which once bestowed are largely irreversible, are in the hands of impetuous maniacs. In the unseemly headlong rush, dangers abound. 

Let it be known that I the character called Amy, given the opportunity to choose, hereby select a height considerably less imposing than Carob.

It was still raining the morning after the impromptu postcard party at the Golden Trowel in the Hungarian village, and for most of the morning nobody was awake to notice.  Molly had spent a sleepless night and was the only one awake listening to the pounding rain. Untroubled by the idea of lack of sleep, her confidence bolstered by the new company and not being solely responsible for the child,  Molly luxuriated in the leisure to indulge a mental re run of the previous evening.

Finjas bombshell revelation after the postcard game suddenly changed everything.  It was not what Molly had expected to hear. In their advanced state of inebriation by that time it was impossible for anyone to consider the ramifications in any sensible manner.   A wild and raucous exuberance ensued of the kind that was all but forgotten to all of them, and unknown to Tundra.   It was a joy that brought tears to Mollys eyes to see the wonderful time the child was having.

Molly didn’t want to think about it yet. She wasn’t so sure she wanted to have anything to do with it, the ship coming back.  Communication with it, yes. The ship coming back? There was so much to consider, so many ways of looking at it. And there was Tundra to think about, she was so innocent of so many things. Was it better that way?  Molly wasn’t going to think about that yet.  She wanted to make sure she remembered all the postcard stories.

There is no rush.

The postcard Finja had chosen hadn’t struck Molly as the most interesting, not at the time, but later she wondered if there was any connection with her later role as centre stage overly dramatic prophet. What an extraordinary scene that was! The unexpected party was quite enough excitement without all that as well.

Finja’s card was addressed to Miss FP Finly, c/o The Flying Fish Inn somewhere in the outback of Australia, Molly couldn’t recall the name of the town.  The handwriting had been hard to decipher, but it appeared to be a message from “forever your obedient servant xxx” informing her of a Dustsceawung convention in Tasmania.  As nobody had any idea what a Dustsceawung conference was,  and Finja declined to elaborate with a story or anecdote, the attention moved on to the next card.   Molly remembered the time many years ago when everyone would have picked up their gadgets to  find out what it meant. As it was now, it remained an unimportant and trifling mystery, perhaps something to wonder about later.

Why did Finja choose that card, and then decline to explain why she chose it? Who was Finly? Why did The Flying Fish Inn seem vaguely familiar to Molly?

I’m sure I’ve seen a postcard from there before.  Maybe Ellis had one in his collection.

Yes, that must be it.

Mikhail’s story had been interesting. Molly was struggling to remember all the names. He’d mentioned his Uncle Grishenka, and a cousin Zhana, and a couple called Boris and Elvira with a mushroom farm. The best part was about the snow that the reindeer peed on. Molly had read about that many years ago, but was never entirely sure if it was true or not.  Mickhail assured them all that it was indeed true, and many a wild party they’d had in the cold dark winters, and proceeded to share numerous funny anecdotes.

“We all had such strange ideas about Russia back then,” Molly had said. Many of the others murmured agreement, but Jian, a man of few words, merely looked up, raised an eyebrow, and looked down at his postcard again.  “Russia was the big bad bogeyman for most of our lives. And in the end, we were our own worst enemies.”

“And by the time we realised, it was too late,” added Petro.

In an effort to revive the party spirit from the descent into depressing memories,  Tala suggested they move on to the next postcard, which was Vera’s.

“I know the Tower of London better than any of you would believe,” Vera announced with a smug grin. Mikhail rolled his eyes and downed a large swig of vodka. “My 12th great grandfather was  employed in the household of Thomas Cromwell himself.  He was the man in charge of postcards to the future.” She paused for greater effect.  In the absence of the excited interest she had expected, she continued.  “So you can see how exciting it is for me to have a postcard as a prompt.”  This further explanation was met with blank stares.  Recklessly, Vera added, “I bet you didn’t know that Thomas Cromwell was a time traveller, did you? Oh yes!” she continued, although nobody had responded, “He became involved with a coven of witches in Ireland. Would you believe it!”

“No,” said Mikhail. “I probably wouldn’t.”

“I believe you, Vera,” piped up Tundra, entranced, “Will you tell me all about that later?”

Tundra’s interjection gave Tala the excuse she needed to move on to the next postcard.  Mikhail and Vera has always been at loggerheads, and fueled with the unaccustomed alcohol, it was in danger of escalating quickly.  “Next postcard!” she announced.

Everyone started banging on the tables shouting, “Next postcard! Next postcard!”  Luka and Lev topped up everyone’s glasses.

Molly’s postcard was next.

“Tundra Finds the Shoat-lion”

FADE IN:

EXT. THE GOLDEN TROWEL BAR — DUSK

A golden, muted twilight paints the landscape, illuminating the overgrown ivy and sprawled vines reclaiming the ancient tavern. THE GOLDEN TROWEL sign creaks gently in the breeze above the doorway.

ANGLE DOWN TO — TUNDRA, a spirited and curious 12-year-old girl with a wild, freckled pixie-cut and striking auburn hair, stepping carefully over ivy-covered stones and debris. She wears worn clothes, stitched lovingly by survivors; a scavenged backpack swings on one shoulder.

Behind her, through the windows of the tavern, warm lantern-light flickers. We glimpse MOLLY and GREGOR smiling and chatting quietly through dusty glass.

ANGLE ON — Tundra as she pauses, hearing a soft rustling near the abandoned beer barrels stacked against the tavern wall. Her green eyes widen, alert and intrigued.

SLOW PAN DOWN to reveal a small creature trembling in the shadows—a MARCASSIN, a tiny wild piglet no larger than a rugby ball, with coarse fur streaked ginger and cinnamon stripes along its body. Large dark eyes stare up, innocence mixed with wary curiosity. It’s adorable yet clearly distinct, with sharper canines already hinting at the deeply mutated carnivorous lineage of Hungary’s lion-boars.

Tundra inhales softly, visibly torn between instinctual cautiousness her elders taught and her own irrepressible instinct of compassion.

TUNDRA
(soft, gentle)
“It’s alright…I won’t hurt you.”

She crouches slowly, reaching into her pocket—a small piece of stale bread emerges, held in her outstretched hand.

CLOSE-UP on the marcassin’s wary eyes shifting cautiously to her extended palm. A heartbeat of hesitation, and then it takes a tentative step forward, sniffing gently. Tundra holds utterly still, breath held in earnest hope.

The marcassin edges closer, wet nose brushing her fingers softly. Tundra beams, freckles highlighted by the fading sun, warmth and joy glowing on her face.

TUNDRA
(whispering happily)
“You’re not so scary, are you? I’m Tundra… I think we could be friends.”

Movement at the tavern door draws her attention. The worn wood creaks as MOLLY and GREGOR step outside, shadows stretching long in the golden sunset. MOLLY’s eyes, initially alert with careful caution, soften at the touching scene.

MOLLY
(gently amused, warmly amused yet apprehensive)
“Careful now, darling. Even the smallest things aren’t always what they seem these days.”

GREGOR
(softly chuckling, eyes twinkling)
“But then again, neither are we.”

ANGLE ON Tundra, looking up to meet Molly’s eyes. Her determination tempered only by vulnerability, hope, and youthful stubbornness.

TUNDRA
“It needs us, Nana Molly. Everything needs somebody nowadays.”

Molly considers the wisdom in Tundra’s young, earnest gaze. Gregor stifles a smile and pats Molly lightly lovingly on the shoulder.

GREGOR
(warmly, quietly)
“Ah, let her find hope where she sees it. Might be that little thing will change how we see hope ourselves.”

ANGLE WIDE — the small group beside the tavern: Molly, her wise and caring gaze thoughtful; Gregor’s stance gentle yet cautiously protective; Tundra radiating youthful bravery, cradling newfound companionship as the marcassin squeaks softly, cuddling gently against her worn sweater.

ASCENDING SHOT ABOVE the tumbledown ancient Hungarian tavern, the warm glow of lantern and sunset mingling. Ancient vines and wild weeds whisper forgotten stories as stars blink awake above.

In that gentle hush, beneath a wild and vast sky reclaiming an abandoned land, Tundra’s act of compassion quietly rekindles hope for humanity’s delicate future.

FADE OUT.

After a short rest, Molly, Gregor and Petro ventured outside to wander around before the rain started.

“Az Aranysimító,”  Molly read the sign above the door. “Nemzetközi Likőrök. What does that say, Petro?”

The old man smiled at Molly, a rare gleam in his rheumy eye. “Fancy a night out, old gal? It’s a pub, The Golden Trowel.  International liquors, too.  Pénteki Kvízestek,” Petro added, “Quiz nights on Fridays. I wonder if it’s Friday today?”

“Ha! Who knows what day of the week it is.”   Molly took Petro’s arm, coquettishly accepting the date.  “I wonder if they have any gin.”

“Count me in for a booze up,” Gregor said trying not to look miffed.  “Now, now, boys,” laughed Molly, thoroughly enjoying herself.

“What are you all laughing at?” Vera joined them, cradling a selection of fruits held in her voluminous skirt. Gregor averted his eyes from the sight of her purple veined thighs.  He said, “Come on, let’s go inside and find you a crate for those.”

Brushing aside the dusty cobwebs, they made their way to the bar, miraculously and marvellously well stocked.  Gregor emptied a crate of empty bottles for Vera, while Petro surveyed the bottles on the shelf behind the bar. Molly stood transfixed looking at a large square painting on the wall.  A golden trowel was depicted, on a broken mosaic in a rich combination of terra sigillata orange and robins egg blue colours.  Along the bottom of the picture were the words

“Nem minden darab illik rá első pillantásra. Ülj le a töredékekkel, mielőtt megpróbálnád összekényszeríteni őket.”

Triumphantly, Petro handed a nearly full bottle of Larios gin to Molly. “I’ll get you a glass but we may need to get Finja in here, they’re all very dirty. That’s nice,” he said, looking up at the picture.

“Not every piece fits at first glance. Sit with the fragments before trying to force them together.”

“Oh, I like that!” exclaimed Molly, giving Petro a grateful smile. “I’d never have known that if you hadn’t been here.”

Petro’s chest swelled with pride and happiness. It was the first time in many years that he’d felt useful to anyone.

“I didn’t much like where the world was heading anyway, Gregor,” Molly said, leaning towards the old man who was riding beside her. “Before it all ended I mean. All that techno feudalist stuff.  Once we got over the shock of it all, I’ll be honest, I rather liked it.  Oh not that everyone was dead, I don’t mean that,” she added. She didn’t want to give the impression that she was cold or ruthless. “But, you know, something had to happen to stop where that was going.”

Gregor didn’t respond immediately.  He hadn’t thought about the old days for a long time, and long suppressed memories flooded his mind.  Eventually he replied, “If it hadn’t been for that plague, we’d have been exterminated, I reckon. Surplus to requirements, people like us.”

Molly looked at him sharply. “Did you hear of extermination camps here? We’d started to hear about them before the plague. But there were so many problems with communication.  People started disappearing and it was impossible by then to find out what happened to them.”

“I was one of the ones who disappeared,” Gregor said. “They summoned me for questioning about something I’d said on Folkback.  I told the wife not to worry, I’d be back soon when I’d explained to them, and she said to me to call in at the shop on the way home and get some milk and potatoes.”  A large tear rolled down the old mans leathery cheek. “I never saw her again.”

Molly leaned over and compassionately gripped Gregors arm for a moment, and then steadied herself as Berlingo descended the last part of the hill before the track where the truck had been sighted.

The group halted and gathered around the tyre tracks. They were easily visible going in both directions and a discussion ensued about which way to go: follow the truck, or retrace the trucks journey to see where it came from?

“Down, Berlingo!” Molly instructed her horse. “I need to get off and find a bush. First time in years I’ve had to hide to have a pee!” she laughed, “There’s never been anyone around to see.”

Molly took her time, relishing a few moments of solitude.  Suddenly being surrounded by people was a mixed blessing. It was stimulating and exciting, but also tiring and somewhat unsettling.  She closed her eyes and took a few deep breaths and calmed her mind.

She returned to the group to a heated discussion on which way to go.  Jian was in favour of going in the direction of the city, which  appeared to be the direction the truck had come from.  Mikhail wanted to follow where the truck had gone.

“If the truck came from the city, it means there is something in the city,” reasoned Jian.  “It could be heading anywhere, and there are no cities in the direction the truck went.”

“There might not be any survivors in the city though,” Anya said, “And we know there’s at least one survivor IN the truck.”

“We could split up into two groups,” suggested Tala, but this idea was unanimously rejected.

“We have all the time in the world to go one way first, and the other way later,” Mikhail said. “I think we should head for the city first, and follow where the truck came from. Jian is right. And there’s more chance of finding something we can use in the city, than a wild goose chase to who knows where.”

“More chance of finding some disinfectant in the city, too,” Finja added.

HELIX 25: THE JARDENERY

Finkley pressed herself against the smooth metal doorway of the Jardenery, her small wiry frame unnoticeable in the dim light filtering through the tangle of vines. The sterile scent of Helix 25’s corridors had faded behind her, replaced by the aroma of damp earth. A place of dirt and disorder. She shuddered.

A familiar voice burst through her thoughts.

What’s going on?

Finja’s tone was strident and clear. The ancient telepathic link that connected the cleaner family through many generations was strong, even in space. All the FinFamily (FF) had the gift to some extent, occasionally even with strangers. It just wasn’t nearly as accurate.

Shush. They’re talking about blood. And Herbert.

She felt Finja’s presence surge in response, her horrified thoughts crackling through their link. Blood!

Riven’s skeptical voice: “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

Finkley sniggered. Was that even possible?

It’s not particularly funny, responded Finja. It means someone on the ship is carrying distorted DNA. Her presence pulsed with irritation; it all sounded so complicated and grubby. And god knows what else. Bacteria? Ancestral grime? Generational filth? Honestly Finkley, as if I haven’t got enough to worry about with this group of wandering savages …

Finkley inhaled sharply as Romualdo stepped into view. She held her breath, pressing even closer to the doorway. He was so cute. Unclean, of course, but so adorable.

She pondered whether she could overlook the hygiene. Maybe … if he bathed first?

Get a grip. Finja’s snarl crashed through her musings, complete with eye-roll.

Finkley reddened. She had momentarily forgotten that Finja was there.

So Herbert was looking for something. But what?

I bet they didn’t disinfect properly. Finja’s response was immediate. See what you can find out later. 

Inside, Romualdo picked up a book from his workbench and waved it. Finkley barely needed to read the title before Finja’s shocked cry of recognition filled her mind.

Liz Tattler!

A feeling of nostalgia swept over Finkley.

Yes Liz Tattler. Finley’s Liz. 

Finley—another member of the family. She cleaned for Liz Tattler, the mad but famous author. It was well known—at least within the family— that Liz’s fame was largely due to Finley’s talents as a writer. Which meant, whatever this was, it had somehow tangled itself up in the FF network.

Liz’s Finley hasn’t responded for years —I assumed… Finja’s voice trailed off.

There’s still hope! You never know with that one. She was always stand-offish and mysterious. And that Liz really abused her good nature. 

Finkley swallowed hard. They were close to something big—something hidden beneath layers of time and mystery. And whatever it was, it had just become personal.

Finja, there’s no time to lose! We need to find out more. 

Some pictures selections

Evie and TP Investigating the Drying Machine Crime Scene

A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.

Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor

A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.

Romualdo, the Gardener, Among the Bioluminescent Plants

A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.

Finja and Finkley – A Telepathic Parallel Across Space

A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.

Early May 2022

“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.

It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions.  It’s so nice to have a conversation in English, she couldn’t help thinking.

Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”

Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”

“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”

“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.