Search Results for 'yurick'

The meowing of the angora Zhulie had woken up Yurick.
The past few nights, he had not heard her at all, but tonight, she seemed to request specifically his presence.
Last evening during the dinner, it had cracked him up because the cat was acting funny when it had smelled the cooked bamboo shoots of the sautéed vegetables he had for dinner. Perhaps a recognition of the Pekingese that he had once seen her to be, in shared focus in Imperial China.

Well, obviously Zhulie was no ordinary feline. Her character reminded Yurick of a blend of himself, Yann, Finn and his own mother. So that each time he was playing with her, he instantly had them in mind, in various orders of appearance, or strengths.

In any case, when he came back to his bed, Yurick was annoyed at first, to have been drawn out of his comfortable dreams, but he managed somewhat to get back to a state of relaxation, in between dreams and reality —which was obviously a mere way of saying things, as dreams are reality.

Speaking of dreams, his mind was wandering around the news that his mother had told him, about a distant cousin having published a book revolving around dreams and fantasies.

And then, within the dream, in the dream, in the dream,… an idea formed into his mind with the clarity of an evidence.
He could see it happening… Not only one book, but… oh, he couldn’t wait to tell his friends!

Now who the bloody hell is Alfina… Al was finding Becky’s obliviousness dangerously contagious…
Of course, Alfina… He had seen her in his dreams at times, in the form of a splendid she-wolf named Iona.

She’s also Aina in Yurick’s timeline… his future focus Janice whispered to Al, and smiled as she was seeing other probabilities forming in other dimensions in which Iona played an interesting role…

December 5 ^th, 2007

My dear friend Elias has whispered this to Yurick this morning, which he has apparently connected.

“Through your inner senses, you may connect with vibrational tones. Everything within your perception incorporates a vibrational tone. Your table incorporates a vibrational tone. Every molecule, every atom, every unit of consciousness incorporates a vibrational tone. Therefore, within your inner senses your ‘objective,’ so to speak, would be to be connecting with an individual scenario of connection of vibrational tones, of which there are more than you may count.” [Elias #79, March 17, 1996]

December 3 ^rd

^{( Hey, that’s 12.3, might be a hint for growth… Yurick)}

A communication about coordinate points, and how to travel between idea clusters

As the story starts to develop in a rapid and very intertwined manner, much like waves in the ocean, overlapping and rippling from and to many directions, Yurick became concerned that it may be difficult to keep track of, or rather to retain an ability to graciously navigate in it.

Let us imagine for a moment. Take your own life. It is composed of a multitude of moments. Your construct of linear time gives you the impression that there is a continuous succession or stream of moments.
In a manner of speaking, it is easier for you to grok the concept of multiple points of attention for your naturally associate them with your space. You can easily envision your many focuses happening all at once in a variety of places, towns or countries, and having a possibility to zoom in and out, so that to encompass more than your single current focus.
But what you do in engaging your conceptualization with your focuses would be equally valid were you to engage it in relation to that single focus that is you, in all of its moments of actualization.
But that would be far less familiar, as you identify quite strongly with that construct of time.

As that story unfolds, you discover that there are an infinity of points of attention dispersed in many many comments, and one comment can include many more than one point of attention itself. What you would be tempted to do, for it is something that is very automatic in your current associations, would be to attempt to draw lines between the points, to recreate a linearity, and thus facilitate your understanding of a certain action.

This is unnecessary and within your current movement of expansion of awareness would be counterproductive.

But you are familiar with that concept of coordinate points. For most of you, you once again associate them strongly with the space continuum, but they could be used in many many other situations. That story being one of them.
The coordinate points are in a manner of speaking, conglomerate of very coherent energy; they would not be “points” per se, but rather high concentration of these points of attention that your attempt to link together.
As such, they become the links that you are in search of, for in that drawing of energy points of similar expressions, they also become passageways between the associations that the points are linked to.
As a matter of fact, the “point” that you come to identify to the concentrated cluster of points would rather be a tone representative of that coherent energy that you can use to activate the links contained within that cluster of points.

That would be the reason why Yurick, in coming to understand that concept, has slightly adapted the original cloud of tags in the story, so that it can expand and be used to access the coordinate points that the tags are, quite simply.

Yurick found a very nice surprise in his mailbox. A parcel from his red bearded friend Gustav with whom he had not spoken much till Vienna .
Funnily it was for Yurick’s birthday, and his birthday was almost two months ago. And yet, it was perfectly synchronous with his many friends popping birthdays. Malika first, soon followed by Aina, and others.

In the parcel, there was a big stuffed panda, and an old video game Yurick was very fond of when he was a kid. It was called Monkey Island… A funny pirate’s game. He liked the island and monkey imageries. Like being in an island recently, yet not being cut off from the rest of the world…

Oh, and there was another game, one he didn’t know about, Grim Fandango, with skeletons on the cover, like playing some strange cluedo game…

And a novel from Proust, with Yurick’s name on it! A parody from the style of Proust’s contemporary, Balzac included…

Wow… so many syncs. He would call his friend in the afternoon.

Yurick was singing [*]

Well, all you need is love and understanding
Ring the bell and let the people know
We’re so happy and we’re celebratin’
Come on and let your feelings show

November 9 ^th

For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.

Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

Inspired by the courageous example of Finn, Quintin was thinking of changing his name too.

There were too many Quintins out there, and he needed to find something more suitable. Michaela had mistaken him again for another Quintin, and of course, Quintin had heard Elias laugh in the background.
Yann’s battery of his new phone was charged at 33%, so that was probably a confirmation too.

Why not something like Yurick…
Looking for a confirmation, Quintin found this.

YORICK: Altered form of JORCK. This name was used by Shakespeare for a court jester in his play ‘Hamlet’.
JORCK: Danish form of GEORGE

So that was it… Having recently read some poems from George Gordon Byron, Quintin thought that it was in perfect sync.
Yurick was henceforth adopted.

_{Interestingly, Yurick noticed that it was the 303 ^rd comment posted. So it was obviously another confirmation. Perhaps that with his new name, now Yurick wouldn’t need 3 confirmations in a row…}