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“Aaron!” his focus snapped. Was he day dreaming?

As he came to the door, he looked at his suit in the mirror. It was keen, with straight lines and not a wave or wrinkle to be found. It was the epitome of structure and order.

He hated it.

He hated the way it felt. He hated the properness that came with it. He hated the lie.

In the next moment, he began to shake off the prissiness. It felt as if he could wriggle out of it, loosen up a little. And as he stood there, shaking his hands and feet, trying to get the funk off him, the suit shook off, too. It fell to the floor in pieces as though it were the very manifestation of inhibition.

As he stood there, in front of the mirror and half naked, a low murmur came up from his stomach. It was an uneasiness, a call to action, a desire to move…but he had no idea what for or why. It welled up in him and he became anxious without the slightest clue as to what he was going through. Frankly enough, it scared him.

“AARON!”

The voice was a part of him and there was nothing but himself staring at himself. Everything seemed to become more and more energized. It felt like he extended beyond the limit of his skin, like water in a balloon trying to push outward.

Were it not for his containment, there was a very real possibility that he might just completely leap out of his skin and bones. He felt that, given a small slip in concentration, he’d be liable to explode headlong into the atmosphere with the vigor of a superhero on poorly made bath salts.

His heart raced. He could feel it beating in his chest. He could feel it beating all over. What was happening? Where was he?

He looked back at his surroundings and found himself sitting behind a tattered cloth spread with sunglasses and watches…and his suitcase?

It’s the Wall of Watches, where the last remaining heart beats of the condemned live on, refusing to be forgotten. The wall itself is high, with chains crisscrossing it’s face to keep a patchwork of boards in place. Threaded into the chains, however, were the watches of those who died at the wall.

The watches hung from each other. There would be one watch attached to the chains and then more watches would be strung on it’s bands. It was a practical solution to diminishing real estate on the wall, but it was metaphorical as well, representing the interconnection of hearts and souls.

Most watches were mechanical, but wound by the movement of handling. On the day of their death, or if they expected it, they’d run to the wall and fit their watch to the chains. Well-wishers would visit the memorial and handle the watches to both keep them going and to remember their loved-one once more. As long as the ticking continued, it was said that their heart remained beating in this world.

The guards would walk the condemned men past the wall to remind them of the people who came before. Dissenters.

As a line of men shuffled past the wall, an inmate leapt out of line and furiously fumbled with his watch, trying all he could to attach it. There was always one. One guy would become so overwhelmed by the empathy of the symbolism, would connect so strongly with the wall, that he’d leap out of line and attach his watch…an act which would be paid for by immediate death.

A guard watched with a certain pity. The orders were to shoot on sight, but he would let them have their last act. Right as the band slipped through the buckle, a shot was fired and the inmate fell in a lump.

All of this seemed so familiar to Aaron…or was it? Is this where he was supposed to be? He had a sudden moment of clarity while standing in that line, watching his fellow inmate fall. What was he doing here?! It was one of those moments that hits you. What in the world is all this bullshit?!

He loosened the belt on his watch as he drew closer to the wall, not wanting to seem suspicious. He would attach his watch, willingly and premeditated. Their expectations of him would not hold him ransom…rather, he’d use their own expectations against them. They would not kill him. He was in control. This was his time. This was his life. He was taking it back.

And, right as he slid the belt through, he got one last look at the black face of the watch…

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).