The creative writing course teacher, or “Helper” as they liked to call themselves to avoid any suggestion of hierarchy, was an arresting looking woman of indeterminate age and the most extraordinary red beehive hair do. The colour and style of it, and the aplomb with which Helper Effy carried it off, distracted Lucinda sufficiently during the first part of the lesson that she heard none of it.
At one point Helper Effy glared at her, and Lucinda quickly averted her gaze, realizing her mindless gaping stare had been noticed. She closed her eyes to better pay attention.
“What’s the first major confrontation, or action, or dramatic event in your novel that comes to your mind?” the Helper was asking. “Why? Because if it is the first thing you think of, then it’s your chimney poking through the hardpan.”
Not quite sure what a hardpan was, Lucinda never the less felt she’d got the gist of the thing, and hoped she wouldn’t be too distracted by the question of the hardpan.