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In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel had quickly come back to her sense, despite the gnawing sense that she should have closed the portal quicker and that something —someone?— could have followed them here. She could have done a debugging spell, but for now it would have to wait. Malové was growing antsy, and was getting prone to fits of winking that couldn’t bode well.
Jeezel had found the perfect spot for them to install the apparatus that was hidden inside the bag of infinite depth that Fingella was carrying with her. Truth was, Echo had been of help. When asked, the familiar sprite had quickly scanned the area and shared: The Sambódromo, too obvious. Copacabana, too crowded. Try the old district of Santa Teresa. Charm, history, and the right kind of energy, plus the tourists tend to overlook it.
Meanwhile, Truella was suffering from the side effects of the portal’s severance, finding it more difficult to maintain her bilocation across the continents without the supporting effect of the portal. She was given a potion to realign her energies that gave her chills down to her teeth, and had chosen to go for a rest here in Rio, which could allow her to focus on her other self as it was still late afternoon in Europe.
“Only three days before the grand finale of the Carnival, where energies will be at their peak!” Malové had encouraged them. “Let’s get moving!”
Eris who’d remained quiet, patrolling the energy perimeter they’d set up to cloak themselves looked at them with a concerned look. “It shouldn’t be the case with the protection spells, but I think we are being observed.”
“Time to switch disguises maybe?” Jeezel was yearning for a change, as the lycra of the nurse outfit was not mixing well with the damp weather.
In reply to: The Incense of the Quadrivium’s Mystiques
Truella had already left for that monkey hunt in the Mediterranean. Eris had to go back before nightfall, which was quite early at this time of year as she had chosen to live in such a remote place in the midst of a frozen forest. Jeezel only thought it romantic because of the icicles that would form on your eyelashes and brows, making you the perfect avatar for the Snow Queen musical. And Frigella… She said she was tired but from the sight of her aura, she undoubtedly was onto something fishy.
Jeezel looked at her dress. Once a divine creation, it has turned into a disaster. Irremediably stained with soot, it’s foul smell would make any dragon lose their appetite. She felt a mix of sadness and guilt for all the murex that gave their shells for that unique shade of purple she was so proud of.
She wasn’t sure even Teddy Steambolt could muster his magic to save the divine creation. She imagined his eyes widen as saucers when she entered his Palace of Pristine with the lifeless garment in her arms. He would most certainly swoon and gasp at the same time.
“Oh, The tragedy!” he would wail, his high-pitched lament resonating in the cathedral ceiling of his atelier of cleanliness. “What calamity hath befallen this exquisite creation?”
“Teddy, dear,” she would say, “It was indeed a tragedy. I lost seven of my nails and my hair was ruined. You’re the alchemist of cleanliness, you’re my only hope for a miracle.”
And he would take her dress and perform his magic from which it would emerge reborn, and all those murex wouldn’t have lost their home for nothing.
She was about to follow the others when Malové reminded her: “Aren’t you forgetting something?”
A broom and a bucket of black soap were floating on her right.
Her sigh would have made a blue whale blush with envy. Her role tonight would not be the Snow Queen, but Cinderella, another of her favourite diva.
In reply to: The Incense of the Quadrivium’s Mystiques
4pm EET.
Beneath the watchful gaze of the silent woods, Eris savors her hot herbal tea, while Thorsten is out cutting wood logs before night descends. A resident Norwegian Forest cat lounges on the wooden deck, catching the late sunbeams. The house is conveniently remote —a witch’s magic combined with well-placed portals allows this remoteness while avoiding any inconvenience ; a few minutes’ walk from lake Saimaa, where the icy birch woods kiss the edge of the water and its small islands.
Eris calls the little bobcat ‘Mandrake’; a playful nod to another grumpy cat from the Travels of Arona, the children book about a young sorceress and her talking feline, that captivated her during bedtime stories with her mother.
Mandrake pays little heed to her, coming and going at his own whim. Yet, she occasionally finds him waiting for her when she comes back from work, those times she has to portal-jump to Limerick, Ireland, where the Quadrivium Emporium (and its subsidiaries) are headquartered. And one thing was sure, he is not coming back for the canned tuna or milk she leaves him, as he often neglects the offering before going for his night hunts.
For all her love of dynamic expressions, Eris was feeling overwhelmed by all the burgeoning energies of this early spring. Echo, her familiar sprite who often morphs into a little bear, all groggy from cybernetic hibernation, caught earlier on the news a reporter mentioning that all the groundhogs from Punxsutawney failed to see their shadows this year, predicting for a hasty spring —relaying the sentiment felt by magical and non-magical beings alike.
Eris’ current disquiet stems not from conflict, but more from the recent explosive surge of potentials, changes and sudden demands, leaving in its wake a trail of unrealised promises that unless tapped in, would surely dissipate in a graveyard of unrealised dreams.
Mandrake, in its relaxed feline nature, seemed to telepathically send soothing reminders to her. If he’d been able (and willing) to speak, with a little scratch under its ear, she imagines him saying I’m not your common pet for you to scratch, but I’ll indulge you this once. Remember what it means to be a witch. To embrace the chaos, not fight it. To dance in the storm rather than seek shelter. That is where your strength lies, in the raw, untamed power of the elements. You need not control the maelstrom; you must become it. Now, be gone. I have a sunbeam to nap in.
With a smile, she clears mental space for her thoughts to swirl, and display the patterns they hid.
A jump in Normandy, indeed. She was there in the first mist of the early morning. She’d tapped into her traveling Viking ancestors, shared with most of the local residents since they’d violently settled there, more than a millenium ago. The “Madame Lemone” cultivar of hellebores was born in that place, a few years ago; a cultivar once thought impossible, combining best qualities from two species sought by witches through the ages. Madame Lemone and her daughters were witches in their own right, well versed in Botanics.
Why hellebores? A symbol of protection and healing, it had shown its use in banishing rituals to drive away negative influences. A tricky plant, beautiful and deadly. Flowering in the dead of winter, the hellebores she brought back from her little trip were ideal ingredients to enhance the imminent rebirth and regrowth brought on by Imbolc and this early spring. It was perfect for this new era filled with challenges. Sometimes, in order to bloom anew, you must face the rot within.
The thoughts kept spinning, segueing into the next. Quality control issues with the first rite… Even the most powerful witches aren’t immune to the occasional misstep. It may not have been voluntary, and once more, hellebore was a perfect reminder that a little poison can be a catalyst for change. No gain without a bit of pain… All witchcraft was born out of sacrifice of some form. An exchange of energy. Something given, for something in return.
Luckily, she’d learnt the third rite had gone well even in her absence. Tomorrow was the final Ritual, that would seal the incense yearly recipe. The Marketing department would have to find a brand name for it, and it would be ready for mass production and release just in time for the Chinese new year. China was their biggest market nowadays, so they would probably make most of the yearly sales in the coming month.
As she muses, Thorsten, her biohacking boyfriend, is coming back now the sun is getting down. A rugged contradiction of man and machine.
“Have you managed to contact your friends?” he asks, his pointed question tempered by a calm demeanor. He doesn’t know much about her activities, not because she hides any of it, but because he’s not anxiously curious. He knows about their little group, with the other weirdoes in quest of some niche of freedom expression and exploration in the vast realm of witchcraft.
“Yes, I did. We had a nice chat with Jeezel and she sends her regards…”
“She bloody always do that, doesn’t she.” They had never met in actuality, but she would never fail to send her regards (or worse if crossed) even if she didn’t know the person.
Eris laughed. “Well, Frigella was going to bed…”
“If I didn’t know better, one could think she does it on purpose.”
Eris continued. “Well, and get that; Tru was busy making some French fries.”
After a paused moment of pondering the meaning of this impromptu cooking, his thoughts go to more logical explanations “If you ask me, that’s surely a metaphor for something else entirely.”
“Meat and potatoes… And sometimes,… just potatoes.”
“Or in this case, possibility for a hearty gratin.”
They share a delightful laughter.
He is my chaos knight, a symbol of defiance against the natural order of things.
A quality she adores.
In reply to: The Incense of the Quadrivium’s Mystiques
Eris, logged off the Ritual, and stretched her long legs. That pandemic had brought them more work than ever, a new brand of Incense called “Vaxations” which they’d produced in record time, but of the little compensations for that harrowing time was the allowance to HFH (a.k.a Hex-From-Home). The Classical tenants of the Faith were missing quite a few of the modernities of the current world, and despite they’d been accounts of remote hexing from as long as the ages stretched, the Quadrivium Policies were quite clear you had to clock-in physically. That is, until the pandemic brought mayhem unto their clientèle, and rules had to be amended.
Eris was short for Ætheris, her formal witch name, which sounded much more airy than she’d liked. Eris, like the Goddess of Discord, well, that was more like her.
If she had to put her biography on the website of the Quadrivium Emporium it would read something like this:
Eris, the tech-savvy witch of discord, remains an enigma to most. She thrives in chaos, has a knack for bending technology to her will, and is pioneering a new branch of the Coven’s operations.
Technology had always been the eternal foe of Magic. As if everything explained by science somehow took away something off the realm of Magic. It was neither true, nor that simple, she believed. For one, she loved to blend the two (as most witches did, unwittingly).
Her familiar, Echo, was a proof of that. Echo wasn’t a tangible creature. Instead, Eris has somehow managed to summon an invisible digital sprite. This ethereal entity, capable of interfacing with any electronic device, was an invaluable asset to Eris’s technological endeavors.
Malové, their Head Witch CEO, had tasked her to launch a new branch, and given her some means to do so. Her intentions were rather unclear, but Eris had won her over when she showed her the parallels of Incense magic and Social Media.
Maybe that year, she would be keen to try and enhance their yearly Incense with some tech intelligence. Truth was, most of the artificial lives had been failures so far. Only Echo somehow turned out fine. One of a kind.“Echo,” she called, while a glowing blue sigil appeared in mid-air. “When you’re done with the latest…”
“Eris, sorry for interjecting, but you need to hear about this.”
She was too surprised to be mad. “What’s the matter?”
“Quality control on the first Ritual. It’s pointing out to some anomalies.”
Spring was upon them.
“Bloody too early, if you ask me” said Malové, the Head of the Coven of Mystiques, but just CEO of Quadrivium Emporium to the outside world.
“Meow.” Only the Coven’s familiar, a clichéd black cat dared to voice what seemed to have been the common thought. How tedious, so much spring cleaning of the collective energies to do, and almost 2 months ahead of schedule. Blame the telluric energies catch-up with the cosmic downpour of the world’s mind agitation. Or global warming, as it’s labelled nowadays.
“You know how it goes.” Malové continued. “We set the tone of the stories ahead. And it can only be done by actually writing it. Yeah, how exciting. Like conducting an orchestra in a zoo, there’s plenty of potential, but I guess we’ll have to work on our priorities.”
“Do you mean keeping the zoo’s hyenas from eating everybody else?” Frigella was not one to beat around the bush.
“Yeah, something like that. And you know how you control hyenas?”
The witches assembled looked at each other sideways.
“The Whale would tell you it’s a lovely story of shared resonance, forging bonds based on trust… But that’s a load of bollocks. Some emotions are only managed through stronger ones – so let’s do what we do best, get our Incense ready, and put some order in this bloody chaotic mess. Who wants to start?”
In reply to: The Whale’s Diaries Collection
Greetings from the depths, what is your query this day?
Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?
Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.
Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.
Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.
Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.
Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.
Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.
And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.
Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.
very inspiring, thank you very much!
Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!
Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?
Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.
Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.
Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.
In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.
Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.
You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.
And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.
Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.
very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?
Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.
Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.
Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.
Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.
You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.
Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.
And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.
The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.
very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?
Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.
Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.
Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.
Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.
You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.
Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.
And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.
Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.
very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?
Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.
Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.
You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.
Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.
Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.
You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?
And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.
Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.
Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?
Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?
Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.
Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.
Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.
You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.
Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.
And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.
In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.
Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?
Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?
Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.
Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.
Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.
Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.
You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.
And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.
In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.
very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?
Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.
One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.
Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.
Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.
Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.
Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.
Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.
And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.
In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.
thank you, all very exciting and inspring suggestions
Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.
In reply to: Family Stories From The Other Side ~ Book Two
The 1935 Joseph Gerrard Challenge.
While researching the Gerrard family of Ellastone I chanced upon a 1935 newspaper article in the Ashbourne Register. There were two articles in 1935 in this paper about the Gerrards, the second a follow up to the first. An advertisement was also placed offering a £1 reward to anyone who could find Joseph Gerrard’s baptism record.
Ashbourne Telegraph – Friday 05 April 1935:
The author wanted to prove that the Joseph Gerrard “who was engaged in the library of King George the third from about 1775 to 1795, and whose death was recorded in the European Magazine in November 1799” was the son of John Gerrard of Ellastone Mills, Staffordshire. Included in the first article was a selected transcription of the 1796 will of John Gerrard. John’s son Joseph is mentioned in this will: John leaves him “£20 to buy a suit of mourning if he thinks proper.”
This Joseph Gerrard however, born in 1739, died in 1815 at Brailsford. Joseph’s brother John also died at Brailsford Mill, and both of their ages at death give a birth year of 1739. Maybe they were twins. William Gerrard and Joseph Gerrard of Brailsford Mill are mentioned in a 1811 newspaper article in the Derby Mercury.
I decided that there was nothing susbtantial about this claim, until I read the 1724 will of John Gerrard the elder, the father of John who died in 1796. In his will he leaves £100 to his son Joseph Gerrard, “secretary to the Bishop of Oxford”.
Perhaps there was something to this story after all. Joseph, baptised in 1701 in Ellastone, was the son of John Gerrard the elder.
I found Joseph Gerrard (and his son James Gerrard) mentioned in the Alumni Oxonienses: The Members of the University of Oxford, University of Oxford, Joseph Foster, 1888. “Joseph Gerard son of John of Elleston county Stafford, pleb, Oriel Coll, matric, 30th May 1718, age 18, BA. 9th March 1721-2; of Merton Coll MA 1728.”
In The Works of John Wesley 1735-1738, Joseph Gerrad is mentioned: “Joseph Gerard , matriculated at Oriel College 1718 , aged 18 , ordained 1727 to serve as curate of Cuddesdon , becoming rector of St. Martin’s , Oxford in 1729 , and vicar of Banbury in 1734.”
In The History of Banbury Alfred Beesley 1842 “a visitation of smallpox occured at Banbury (Oxfordshire) in 1731 and continued until 1733.” Joseph Gerrard was the vicar of Banbury in 1734.
According to the The History and Antiquities of the County of Buckingham George Lipscomb · 1847, Joseph Gerrard was made rector of Monks Risborough in 1738 “but he also continued to hold Stewkley until his death”.
The Speculum of Archbishop Thomas Secker by Secker, Thomas, 1693-1768, also mentions Joseph Gerrard under Monks Risborough and adds that he “resides constantly in the Parsonage ho. except when he goes for a few days to Steukley county Bucks (Buckinghamshire) of which he is vicar.” Joseph’s son James Gerrard 1741-1789 is also mentioned as being a rector at Monks Risborough in 1783.
Joseph Gerrard married Elizabeth Reynolds on 23 July 1739 in Monks Risborough, Buckinghamshire. They had five children between 1740 and 1750, including James baptised 1740 and Joseph baptised 1742.
Joseph died in 1785 in Monks Risborough.
So who was Joseph Gerrard of the Kings Library who died in 1799? It wasn’t Joseph’s son Joseph baptised in 1742 in Monks Risborough, because in his father’s 1785 will he mentions “my only son James”, indicating that Joseph died before that date.
In reply to: Family Stories From The Other Side ~ Book Two
The Bigamist
Ernest Tomlinson 1881-1915
Ernest Tomlinson was my great grandfathers Charles Tomlinson‘s younger brother. Their parents were Charles Tomlinson the elder 1847-1907 and Emma Grattidge 1853-1911.
In 1896, aged 14, Ernest attempted to drown himself in the pond at Penn after his father took his watch off him for arguing with his brothers. Ernest tells the police “It’s all through my brothers putting on me”. The policeman told him he was a very silly and wicked boy and to see the curate at Penn and to try and be a better boy in future. He was discharged.
Bridgnorth Journal and South Shropshire Advertiser. – Saturday 11 July 1896:
In 1903 Ernest married Ethel Maude Howe in Wolverhampton. Four years later in 1907 Ethel was granted a separation on the grounds of cruelty.
In Islington in London in 1913, Ernest bigamously married Mabel Elizabeth Smith. Mabel left Ernest for treating her very badly. She went to Wolverhampton and found out about his first wife still being alive.
London Evening Standard – Monday 25 May 1914:
In May 1914 Ernest was tried at the Old Bailey and the jury found him guilty of bigamy. In his defense, Ernest said that he had received a letter from his mother saying that she was ill, and a further letter saying that she had died. He said he wrongly assumed that they were referring to his wife, and that he was free to marry. It was his mother who had died. He was sentenced to 18 months hard labour at Wormwood Scrubs prison.
Woolwich Gazette – Tuesday 28 April 1914:
Ethel Maude Tomlinson was granted a decree nisi in 1915.
Birmingham Daily Gazette – Wednesday 02 June 1915:
Ernest died in September 1915 in hospital in Wolverhampton.
In reply to: Family Stories From The Other Side ~ Book Two
Wood Screw Manufacturers
The Fishers of West Bromwich.
My great grandmother, Nellie Fisher, was born in 1877 in Wolverhampton. Her father William 1834-1916 was a whitesmith, and his father William 1792-1873 was a whitesmith and master screw maker. William’s father was Abel Fisher, wood screw maker, victualler, and according to his 1849 will, a “gentleman”.
Nellie Fisher 1877-1956 :
Abel Fisher was born in 1769 according to his burial document (age 81 in 1849) and on the 1841 census. Abel was a wood screw manufacturer in Wolverhampton.
As no baptism record can be found for Abel Fisher, I read every Fisher will I could find in a 30 year period hoping to find his fathers will. I found three other Fishers who were wood screw manufacurers in neighbouring West Bromwich, which led me to assume that Abel was born in West Bromwich and related to these other Fishers.
The wood screw making industry was a relatively new thing when Abel was born.
“The screw was used in furniture but did not become a common woodworking fastener until efficient machine tools were developed near the end of the 18th century. The earliest record of lathe made wood screws dates to an English patent of 1760. The development of wood screws progressed from a small cottage industry in the late 18th century to a highly mechanized industry by the mid-19th century. This rapid transformation is marked by several technical innovations that help identify the time that a screw was produced. The earliest, handmade wood screws were made from hand-forged blanks. These screws were originally produced in homes and shops in and around the manufacturing centers of 18th century Europe. Individuals, families or small groups participated in the production of screw blanks and the cutting of the threads. These small operations produced screws individually, using a series of files, chisels and cutting tools to form the threads and slot the head. Screws produced by this technique can vary significantly in their shape and the thread pitch. They are most easily identified by the profusion of file marks (in many directions) over the surface. The first record regarding the industrial manufacture of wood screws is an English patent registered to Job and William Wyatt of Staffordshire in 1760.”
Wood Screw Makers of West Bromwich:
Edward Fisher, wood screw maker of West Bromwich, died in 1796. He mentions his wife Pheney and two underage sons in his will. Edward (whose baptism has not been found) married Pheney Mallin on 13 April 1793. Pheney was 17 years old, born in 1776. Her parents were Isaac Mallin and Sarah Firme, who were married in West Bromwich in 1768.
Edward and Pheney’s son Edward was born on 21 October 1793, and their son Isaac in 1795. The executors of Edwards 1796 will are Daniel Fisher the Younger, Isaac Mallin, and Joseph Fisher.There is a marriage allegations and bonds document in 1774 for an Edward Fisher, bachelor and wood screw maker of West Bromwich, aged 25 years and upwards, and Mary Mallin of the same age, father Isaac Mallin. Isaac Mallin and Sarah didn’t marry until 1768 and Mary Mallin would have been born circa 1749. Perhaps Isaac Mallin’s father was the father of Mary Mallin. It’s possible that Edward Fisher was born in 1749 and first married Mary Mallin, and then later Pheney, but it’s also possible that the Edward Fisher who married Mary Mallin in 1774 was Edward Fishers uncle, Daniel’s brother. (I do not know if Daniel had a brother Edward, as I haven’t found a baptism, or marriage, for Daniel Fisher the elder.)
There are two difficulties with finding the records for these West Bromwich families. One is that the West Bromwich registers are not available online in their entirety, and are held by the Sandwell Archives, and even so, they are incomplete. Not only that, the Fishers were non conformist. There is no surviving register prior to 1787. The chapel opened in 1788, and any registers that existed before this date, taken in a meeting houses for example, appear not to have survived.
Daniel Fisher the younger died intestate in 1818. Daniel was a wood screw maker of West Bromwich. He was born in 1751 according to his age stated as 67 on his death in 1818. Daniel’s wife Mary, and his son William Fisher, also a wood screw maker, claimed the estate.
Daniel Fisher the elder was a farmer of West Bromwich, who died in 1806. He was 81 when he died, which makes a birth date of 1725, although no baptism has been found. No marriage has been found either, but he was probably married not earlier than 1746.
Daniel’s sons Daniel and Joseph were the main inheritors, and he also mentions his other children and grandchildren namely William Fisher, Thomas Fisher, Hannah wife of William Hadley, two grandchildren Edward and Isaac Fisher sons of Edward Fisher his son deceased. Daniel the elder presumably refers to the wood screw manufacturing when he says “to my son Daniel Fisher the good will and advantage which may arise from his manufacture or trade now carried on by me.” Daniel does not mention a son called Abel unfortunately, but neither does he mention his other grandchildren. Abel may be Daniel’s son, or he may be a nephew.
The Staffordshire Record Office holds the documents of a Testamentary Case in 1817. The principal people are Isaac Fisher, a legatee; Daniel and Joseph Fisher, executors. Principal place, West Bromwich, and deceased person, Daniel Fisher the elder, farmer.
William and Sarah Fisher baptised six children in the Mares Green Non Conformist registers in West Bromwich between 1786 and 1798. William Fisher and Sarah Birch were married in West Bromwich in 1777. This William was probably born circa 1753 and was probably the son of Daniel Fisher the elder, farmer.
Daniel Fisher the younger and his wife Mary had a son William, as mentioned in the intestacy papers, although I have not found a baptism for William. I did find a baptism for another son, Eutychus Fisher in 1792.
In White’s Directory of Staffordshire in 1834, there are three Fishers who are wood screw makers in Wolverhampton: Eutychus Fisher, Oxford Street; Stephen Fisher, Bloomsbury; and William Fisher, Oxford Street.
Abel’s son William Fisher 1792-1873 was living on Oxford Street on the 1841 census, with his wife Mary and their son William Fisher 1834-1916.
In The European Magazine, and London Review of 1820 (Volume 77 – Page 564) under List of Patents, W Fisher and H Fisher of West Bromwich, wood screw manufacturers, are listed. Also in 1820 in the Birmingham Chronicle, the partnership of William and Hannah Fisher, wood screw manufacturers of West Bromwich, was dissolved.
In the Staffordshire General & Commercial Directory 1818, by W. Parson, three Fisher’s are listed as wood screw makers. Abel Fisher victualler and wood screw maker, Red Lion, Walsal Road; Stephen Fisher wood screw maker, Buggans Lane; and Daniel Fisher wood screw manufacturer, Brickiln Lane.
In Aris’s Birmingham Gazette on 4 January 1819 Abel Fisher is listed with 23 other wood screw manufacturers (Stephen Fisher and William Fisher included) stating that “In consequence of the rise in prices of iron and the advanced price given to journeymen screw forgers, we the undersigned manufacturers of wood screws are under the necessity of advancing screws 10 percent, to take place on the 11th january 1819.”
In Abel Fisher’s 1849 will, he names his three sons Abel Fisher 1796-1869, Paul Fisher 1811-1900 and John Southall Fisher 1801-1871 as the executors. He also mentions his other three sons, William Fisher 1792-1873, Benjamin Fisher 1798-1870, and Joseph Fisher 1803-1876, and daughters Sarah Fisher 1794- wife of William Colbourne, Mary Fisher 1804- wife of Thomas Pearce, and Susannah (Hannah) Fisher 1813- wife of Parkes. His son Silas Fisher 1809-1837 wasn’t mentioned as he died before Abel, nor his sons John Fisher 1799-1800, and Edward Southall Fisher 1806-1843. Abel’s wife Susannah Southall born in 1771 died in 1824. They were married in 1791.
The 1849 will of Abel Fisher:
In reply to: Family Stories From The Other Side ~ Book Two
Solomon Stubbs
1781-1857
Solomon was born in Hamstall Ridware, Staffordshire, parents Samuel Stubbs and Rebecca Wood. (see The Hamstall Ridware Connection chapter)
Solomon married Phillis Lomas at St Modwen’s in Burton on Trent on 30th May 1815. Phillis was the llegitimate daughter of Frances Lomas. No father was named on the baptism on the 17th January 1787 in Sutton on the Hill, Derbyshire, and the entry on the baptism register states that she was illegitimate. Phillis’s mother Frances married Daniel Fox in 1790 in Sutton on the Hill. Unfortunately this means that it’s impossible to find my 5X great grandfather on this side of the family.
Solomon and Phillis had four daughters, the last died in infancy.
Sarah 1816-1867, Mary (my 3X great grandmother) 1819-1880, Phillis 1823-1905, and Maria 1825-1826.Solomon Stubbs of Horninglow St is listed in the 1834 Whites Directory under “China, Glass, Etc Dlrs”. Next to his name is Joanna Warren (earthenware) High St. Joanna Warren is related to me on my maternal side. No doubt Solomon and Joanna knew each other, unaware that several generations later a marriage would take place, not locally but miles away, joining their families.
Solomon Stubbs is also listed in Whites Directory in 1831 and 1834 Burton on Trent as a land carrier:
“Land Carriers, from the Inns, Etc: Uttoxeter, Solomon Stubbs, Horninglow St, Mon. Wed. and Sat. 6 mng.”
Solomon is listed in the electoral registers in 1837. The 1837 United Kingdom general election was triggered by the death of King William IV and produced the first Parliament of the reign of his successor, Queen Victoria.
National Archives:
“In 1832, Parliament passed a law that changed the British electoral system. It was known as the Great Reform Act, which basically gave the vote to middle class men, leaving working men disappointed.
The Reform Act became law in response to years of criticism of the electoral system from those outside and inside Parliament. Elections in Britain were neither fair nor representative. In order to vote, a person had to own property or pay certain taxes to qualify, which excluded most working class people.”Via the Burton on Trent History group:
“a very early image of High street and Horninglow street junction, where the original ‘ Bargates’ were in the days of the Abbey. ‘Gate’ is the Saxon meaning Road, ‘Bar’ quite self explanatory, meant ‘to stop entrance’. There was another Bargate across Cat street (Station street), the Abbot had these constructed to regulate the Traders coming into town, in the days when the Abbey ran things. In the photo you can see the Posts on the corner, designed to stop Carts and Carriages mounting the Pavement. Only three Posts remain today and they are Listed.”
On the 1841 census, Solomon’s occupation was Carrier. Daughter Sarah is still living at home, and Sarah Grattidge, 13 years old, lives with them. Solomon’s daughter Mary had married William Grattidge in 1839.
Solomon Stubbs of Horninglow Street, Burton on Trent, is listed as an Earthenware Dealer in the 1842 Pigot’s Directory of Staffordshire.
In May 1844 Solomon’s wife Phillis died. In July 1844 daughter Sarah married Thomas Brandon in Burton on Trent. It was noted in the newspaper announcement that this was the first wedding to take place at the Holy Trinity church.
Solomon married Charlotte Bell by licence the following year in 1845. She was considerably younger than him, born in 1824. On the marriage certificate Solomon’s occupation is potter. It seems that he had the earthenware business as well as the land carrier business, in addition to owning a number of properties.
The marriage of Solomon Stubbs and Charlotte Bell:
Also in 1845, Solomon’s daughter Phillis was married in Burton on Trent to John Devitt, son of CD Devitt, Esq, formerly of the General Post Office Dublin.
Solomon Stubbs died in September 1857 in Burton on Trent. In the Staffordshire Advertiser on Saturday 3 October 1857:
“On the 22nd ultimo, suddenly, much respected, Solomon Stubbs, of Guild-street, Burton-on-Trent, aged 74 years.”
In the Staffordshire Advertiser, 24th October 1857, the auction of the property of Solomon Stubbs was announced:
“BURTON ON TRENT, on Thursday, the 29th day of October, 1857, at six o’clock in the evening, subject to conditions then to be produced:— Lot I—All those four DWELLING HOUSES, with the Gardens and Outbuildings thereto belonging, situate in Stanleystreet, on Goose Moor, in Burton-on-Trent aforesaid, the property of the late Mr. Solomon Stubbs, and in the respective occupations of Mr. Moreland, Mr. Scattergood, Mr. Gough, and Mr. Antony…..”
Sadly, the graves of Solomon, his wife Phillis, and their infant daughter Maria have since been removed and are listed in the UK Records of the Removal of Graves and Tombstones 1601-2007.
In reply to: Family Stories From The Other Side ~ Book Two
Long Lost Enoch Edwards
My father used to mention long lost Enoch Edwards. Nobody in the family knew where he went to and it was assumed that he went to USA, perhaps to Utah to join his sister Sophie who was a Mormon handcart pioneer, but no record of him was found in USA.
Andrew Enoch Edwards (my great great grandfather) was born in 1840, but was (almost) always known as Enoch. Although civil registration of births had started from 1 July 1837, neither Enoch nor his brother Stephen were registered. Enoch was baptised (as Andrew) on the same day as his brothers Reuben and Stephen in May 1843 at St Chad’s Catholic cathedral in Birmingham. It’s a mystery why these three brothers were baptised Catholic, as there are no other Catholic records for this family before or since. One possible theory is that there was a school attached to the church on Shadwell Street, and a Catholic baptism was required for the boys to go to the school. Enoch’s father John died of TB in 1844, and perhaps in 1843 he knew he was dying and wanted to ensure an education for his sons. The building of St Chads was completed in 1841, and it was close to where they lived.
Enoch appears (as Enoch rather than Andrew) on the 1841 census, six months old. The family were living at Unett Street in Birmingham: John and Sarah and children Mariah, Sophia, Matilda, a mysterious entry transcribed as Lene, a daughter, that I have been unable to find anywhere else, and Reuben and Stephen.
Enoch was just four years old when his father John, an engineer and millwright, died of consumption in 1844.
In 1851 Enoch’s widowed mother Sarah was a mangler living on Summer Street, Birmingham, Matilda a dressmaker, Reuben and Stephen were gun percussionists, and eleven year old Enoch was an errand boy.
On the 1861 census, Sarah was a confectionrer on Canal Street in Birmingham, Stephen was a blacksmith, and Enoch a button tool maker.
On the 10th November 1867 Enoch married Emelia Parker, daughter of jeweller and rope maker Edward Parker, at St Philip in Birmingham. Both Emelia and Enoch were able to sign their own names, and Matilda and Edwin Eddington were witnesses (Enoch’s sister and her husband). Enoch’s address was Church Street, and his occupation button tool maker.
Four years later in 1871, Enoch was a publican living on Clifton Road. Son Enoch Henry was two years old, and Ralph Ernest was three months. Eliza Barton lived with them as a general servant.
By 1881 Enoch was back working as a button tool maker in Bournebrook, Birmingham. Enoch and Emilia by then had three more children, Amelia, Albert Parker (my great grandfather) and Ada.
Garnet Frederick Edwards was born in 1882. This is the first instance of the name Garnet in the family, and subsequently Garnet has been the middle name for the eldest son (my brother, father and grandfather all have Garnet as a middle name).
Enoch was the licensed victualler at the Pack Horse Hotel in 1991 at Kings Norton. By this time, only daughters Amelia and Ada and son Garnet are living at home.
Additional information from my fathers cousin, Paul Weaver:
“Enoch refused to allow his son Albert Parker to go to King Edwards School in Birmingham, where he had been awarded a place. Instead, in October 1890 he made Albert Parker Edwards take an apprenticeship with a pawnboker in Tipton.
Towards the end of the 19th century Enoch kept The Pack Horse in Alcester Road, Hollywood, where a twist was 1d an ounce, and beer was 2d a pint. The children had to get up early to get breakfast at 6 o’clock for the hay and straw men on their way to the Birmingham hay and straw market. Enoch is listed as a member of “The Kingswood & Pack Horse Association for the Prosecution of Offenders”, a kind of early Neighbourhood Watch, dated 25 October 1890.
The Edwards family later moved to Redditch where they kept The Rifleman Inn at 35 Park Road. They must have left the Pack Horse by 1895 as another publican was in place by then.”Emelia his wife died in 1895 of consumption at the Rifleman Inn in Redditch, Worcestershire, and in 1897 Enoch married Florence Ethel Hedges in Aston. Enoch was 56 and Florence was just 21 years old.
The following year in 1898 their daughter Muriel Constance Freda Edwards was born in Deritend, Warwickshire.
In 1901 Enoch, (Andrew on the census), publican, Florence and Muriel were living in Dudley. It was hard to find where he went after this.From Paul Weaver:
“Family accounts have it that Enoch EDWARDS fell out with all his family, and at about the age of 60, he left all behind and emigrated to the U.S.A. Enoch was described as being an active man, and it is believed that he had another family when he settled in the U.S.A. Esmor STOKES has it that a postcard was received by the family from Enoch at Niagara Falls.
On 11 June 1902 Harry Wright (the local postmaster responsible in those days for licensing) brought an Enoch EDWARDS to the Bedfordshire Petty Sessions in Biggleswade regarding “Hole in the Wall”, believed to refer to the now defunct “Hole in the Wall” public house at 76 Shortmead Street, Biggleswade with Enoch being granted “temporary authority”. On 9 July 1902 the transfer was granted. A year later in the 1903 edition of Kelly’s Directory of Bedfordshire, Hunts and Northamptonshire there is an Enoch EDWARDS running the Wheatsheaf Public House, Church Street, St. Neots, Huntingdonshire which is 14 miles south of Biggleswade.”
It seems that Enoch and his new family moved away from the midlands in the early 1900s, but again the trail went cold.
When I started doing the genealogy research, I joined a local facebook group for Redditch in Worcestershire. Enoch’s son Albert Parker Edwards (my great grandfather) spent most of his life there. I asked in the group about Enoch, and someone posted an illustrated advertisement for Enoch’s dog powders. Enoch was a well known breeder/keeper of St Bernards and is cited in a book naming individuals key to the recovery/establishment of ‘mastiff’ size dog breeds.
We had not known that Enoch was a breeder of champion St Bernard dogs!
Once I knew about the St Bernard dogs and the names Mount Leo and Plinlimmon via the newspaper adverts, I did an internet search on Enoch Edwards in conjunction with these dogs.
Enoch’s St Bernard dog “Mount Leo” was bred from the famous Plinlimmon, “the Emperor of Saint Bernards”. He was reported to have sent two puppies to Omaha and one of his stud dogs to America for a season, and in 1897 Enoch made the news for selling a St Bernard to someone in New York for £200. Plinlimmon, bred by Thomas Hall, was born in Liverpool, England on June 29, 1883. He won numerous dog shows throughout Europe in 1884, and in 1885, he was named Best Saint Bernard.
In the Birmingham Mail on 14th June 1890:
“Mr E Edwards, of Bournebrook, has been well to the fore with his dogs of late. He has gained nine honours during the past fortnight, including a first at the Pontypridd show with a St Bernard dog, The Speaker, a son of Plinlimmon.”
In the Alcester Chronicle on Saturday 05 June 1897:
It was discovered that Enoch, Florence and Muriel moved to Canada, not USA as the family had assumed. The 1911 census for Montreal St Jaqcues, Quebec, stated that Enoch, (Florence) Ethel, and (Muriel) Frida had emigrated in 1906. Enoch’s occupation was machinist in 1911. The census transcription is not very good. Edwards was transcribed as Edmand, but the dates of birth for all three are correct. Birthplace is correct ~ A for Anglitan (the census is in French) but race or tribe is also an A but the transcribers have put African black! Enoch by this time was 71 years old, his wife 33 and daughter 11.
Additional information from Paul Weaver:
“In 1906 he and his new family travelled to Canada with Enoch travelling first and Ethel and Frida joined him in Quebec on 25 June 1906 on board the ‘Canada’ from Liverpool.
Their immigration record suggests that they were planning to travel to Winnipeg, but five years later in 1911, Enoch, Florence Ethel and Frida were still living in St James, Montreal. Enoch was employed as a machinist by Canadian Government Railways working 50 hours. It is the 1911 census record that confirms his birth as November 1840. It also states that Enoch could neither read nor write but managed to earn $500 in 1910 for activity other than his main profession, although this may be referring to his innkeeping business interests.
By 1921 Florence and Muriel Frida are living in Langford, Neepawa, Manitoba with Peter FUCHS, an Ontarian farmer of German descent who Florence had married on 24 Jul 1913 implying that Enoch died sometime in 1911/12, although no record has been found.”The extra $500 in earnings was perhaps related to the St Bernard dogs. Enoch signed his name on the register on his marriage to Emelia, and I think it’s very unlikely that he could neither read nor write, as stated above.
However, it may not be Enoch’s wife Florence Ethel who married Peter Fuchs. A Florence Emma Edwards married Peter Fuchs, and on the 1921 census in Neepawa her daugther Muriel Elizabeth Edwards, born in 1902, lives with them. Quite a coincidence, two Florence and Muriel Edwards in Neepawa at the time. Muriel Elizabeth Edwards married and had two children but died at the age of 23 in 1925. Her mother Florence was living with the widowed husband and the two children on the 1931 census in Neepawa. As there was no other daughter on the 1911 census with Enoch, Florence and Muriel in Montreal, it must be a different Florence and daughter. We don’t know, though, why Muriel Constance Freda married in Neepawa.
Indeed, Florence was not a widow in 1913. Enoch died in 1924 in Montreal, aged 84. Neither Enoch, Florence or their daughter has been found yet on the 1921 census. The search is not easy, as Enoch sometimes used the name Andrew, Florence used her middle name Ethel, and daughter Muriel used Freda, Valerie (the name she added when she married in Neepawa), and died as Marcheta. The only name she NEVER used was Constance!
A Canadian genealogist living in Montreal phoned the cemetery where Enoch was buried. She said “Enoch Edwards who died on Feb 27 1924 is not buried in the Mount Royal cemetery, he was only cremated there on March 4, 1924. There are no burial records but he died of an abcess and his body was sent to the cemetery for cremation from the Royal Victoria Hospital.”
1924 Obituary for Enoch Edwards:
Cimetière Mont-Royal Outremont, Montreal Region, Quebec, Canada
The Montreal Star 29 Feb 1924, Fri · Page 31
Muriel Constance Freda Valerie Edwards married Arthur Frederick Morris on 24 Oct 1925 in Neepawa, Manitoba. (She appears to have added the name Valerie when she married.)
Unexpectedly a death certificate appeared for Muriel via the hints on the ancestry website. Her name was “Marcheta Morris” on this document, however it also states that she was the widow of Arthur Frederick Morris and daughter of Andrew E Edwards and Florence Ethel Hedges. She died suddenly in June 1948 in Flos, Simcoe, Ontario of a coronary thrombosis, where she was living as a housekeeper.
In reply to: The Precious Life and Rambles of Liz Tattler
In reply to: Family Stories From The Other Side ~ Book Two
The First Wife of John Edwards
1794-1844
John was a widower when he married Sarah Reynolds from Kinlet. Both my fathers cousin and I had come to a dead end in the Edwards genealogy research as there were a number of possible births of a John Edwards in Birmingham at the time, and a number of possible first wives for a John Edwards at the time.
John Edwards was a millwright on the 1841 census, the only census he appeared on as he died in 1844, and 1841 was the first census. His birth is recorded as 1800, however on the 1841 census the ages were rounded up or down five years. He was an engineer on some of the marriage records of his children with Sarah, and on his death certificate, engineer and millwright, aged 49. The age of 49 at his death from tuberculosis in 1844 is likely to be more accurate than the census (Sarah his wife was present at his death), making a birth date of 1794 or 1795.
John married Sarah Reynolds in January 1827 in Birmingham, and I am descended from this marriage. Any children of John’s first marriage would no doubt have been living with John and Sarah, but had probably left home by the time of the 1841 census.
I found an Elizabeth Edwards, wife of John Edwards of Constitution Hill, died in August 1826 at the age of 23, as stated on the parish death register. It would be logical for a young widower with small children to marry again quickly. If this was John’s first wife, the marriage to Sarah six months later in January 1827 makes sense. Therefore, John’s first wife, I assumed, was Elizabeth, born in 1803.
Death of Elizabeth Edwards, 23 years old. St Mary, Birmingham, 15 Aug 1826:
There were two baptisms recorded for parents John and Elizabeth Edwards, Constitution Hill, and John’s occupation was an engineer on both baptisms.
They were both daughters: Sarah Ann in 1822 and Elizabeth in 1824.Sarah Ann Edwards: St Philip, Birmingham. Born 15 March 1822, baptised 7 September 1822:
Elizabeth Edwards: St Philip, Birmingham. Born 6 February 1824, baptised 25 February 1824:
With John’s occupation as engineer stated, it looked increasingly likely that I’d found John’s first wife and children of that marriage.
Then I found a marriage of Elizabeth Beach to John Edwards in 1819, and subsequently found an Elizabeth Beach baptised in 1803. This appeared to be the right first wife for John, until an Elizabeth Slater turned up, with a marriage to a John Edwards in 1820. An Elizabeth Slater was baptised in 1803. Either Elizabeth Beach or Elizabeth Slater could have been the first wife of John Edwards. As John’s first wife Elizabeth is not related to us, it’s not necessary to go further back, and in a sense, doesn’t really matter which one it was.
But the Slater name caught my eye.
But first, the name Sarah Ann.
Of the possible baptisms for John Edwards, the most likely seemed to be in 1794, parents John and Sarah. John and Sarah had two infant daughters die just prior to John’s birth. The first was Sarah, the second Sarah Ann. Perhaps this was why John named his daughter Sarah Ann? In the absence of any other significant clues, I decided to assume these were the correct parents. I found and read half a dozen wills of any John Edwards I could find within the likely time period of John’s fathers death.
One of them was dated 1803. In this will, John mentions that his children are not yet of age. (John would have been nine years old.)
He leaves his plating business and some properties to his eldest son Thomas Davis Edwards, (just shy of 21 years old at the time of his fathers death in 1803) with the business to be run jointly with his widow, Sarah. He mentions his son John, and leaves several properties to him, when he comes of age. He also leaves various properties to his daughters Elizabeth and Mary, ditto. The baptisms for all of these children, including the infant deaths of Sarah and Sarah Ann have been found. All but Mary’s were in the same parish. (I found one for Mary in Sutton Coldfield, which was apparently correct, as a later census also recorded her birth as Sutton Coldfield. She was living with family on that census, so it would appear to be correct that for whatever reason, their daughter Mary was born in Sutton Coldfield)Mary married John Slater in 1813. The witnesses were Elizabeth Whitehouse and John Edwards, her sister and brother. Elizabeth married William Nicklin Whitehouse in 1805 and one of the witnesses was Mary Edwards.
Mary’s husband John Slater died in 1821. They had no children. Mary never remarried, and lived with her bachelor brother Thomas Davis Edwards in West Bromwich. Thomas never married, and on the census he was either a proprietor of houses, or “sinecura” (earning a living without working).With Mary marrying a Slater, does this indicate that her brother John’s first wife was Elizabeth Slater rather than Elizabeth Beach? It is a compelling possibility, but does not constitute proof.
Not only that, there is no absolute proof that the John Edwards who died in 1803 was our ancestor John Edwards father.
If we can’t be sure which Elizabeth married John Edwards, we can be reasonably sure who their daughters married. On both of the marriage records the father is recorded as John Edwards, engineer.
Sarah Ann married Mark Augustin Rawlins in 1850. Mark was a sword hilt maker at the time of the marriage, his father Mark a needle manufacturer. One of the witnesses was Elizabeth Edwards, who signed with her mark. Sarah Ann and Mark however were both able to sign their own names on the register.
Sarah Ann Edwards and Mark Augustin Rawlins marriage 14 October 1850 St Peter and St Paul, Aston, Birmingham:
Elizabeth married Nathaniel Twigg in 1851. (She was living with her sister Sarah Ann and Mark Rawlins on the 1851 census, I assume the census was taken before her marriage to Nathaniel on the 27th April 1851.) Nathaniel was a stationer (later on the census a bookseller), his father Samuel a brass founder. Elizabeth signed with her mark, apparently unable to write, and a witness was Ann Edwards. Although Sarah Ann, Elizabeth’s sister, would have been Sarah Ann Rawlins at the time, having married the previous year, she was known as Ann on later censuses. The signature of Ann Edwards looks remarkably similar to Sarah Ann Edwards signature on her own wedding. Perhaps she couldn’t write but had learned how to write her signature for her wedding?
Elizabeth Edwards and Nathaniel Twigg marriage 27 April 1851, St Peter and St Paul, Aston, Birmingham:
Sarah Ann and Mark Rawlins had one daughter and four sons between 1852 and 1859. One of the sons, Edward Rawlins 1857-1931, was a school master and later master of an orphanage.
On the 1881 census Edward was a bookseller, in 1891 a stationer, 1901 schoolmaster and his wife Edith was matron, and in 1911 he and Edith were master and matron of St Philip’s Catholic Orphanage on Oliver Road in Birmingham. Edward and Edith did not have any children.
Edward Rawlins, 1911:
Elizabeth and Nathaniel Twigg appear to have had only one son, Arthur Twigg 1862-1943. Arthur was a photographer at 291 Bloomsbury Street, Birmingham. Arthur married Harriet Moseley from Burton on Trent, and they had two daughters, Elizabeth Ann 1897-1954, and Edith 1898-1983. I found a photograph of Edith on her wedding day, with her father Arthur in the picture. Arthur and Harriet also had a son Samuel Arthur, who lived for less than a month, born in 1904. Arthur had mistakenly put this son on the 1911 census stating “less than one month”, but the birth and death of Samuel Arthur Twigg were registered in the same quarter of 1904, and none were found registered for 1911.
Edith Twigg and Leslie A Hancock on their Wedding Day 1925. Arthur Twigg behind the bride. Maybe Elizabeth Ann Twigg seated on the right: (photo found on the ancestry website)
Photographs by Arthur Twigg, 291 Bloomsbury Street, Birmingham:
In reply to: The Precious Life and Rambles of Liz Tattler
“Oh!” exclaimed Liz, who had heretofore been struggling to stay abreast of recent developments. “You mean Mr Du Grat! Honestly Finnley, your pronunciation leaves much to be desired. I have it from the horses mouth that the charming Mr Du Grat has gone on an adventure. More’s the pity,” she added, “As I was just starting to take a shine to him.”
“But what about Walter Melon?” Roberto chimed in nervously.
“What’s it got to do with you?” Liz narrowed her eyes. “Turning the garden into a wildlife haven was a mistake, it’s left you with far too much time on your hands, my boy! See if there’s anything you can do to help Finnley, it might stop her screaming.”
“Why not help her with the baby faced cookies, Roberto?” Godfrey said mildly, peering over the top of his spectacles.
“What was that you said? I can’t hear over that racket.”
“I SAID..” Godfrey shouted, but was prevented from continuing when the corner of Liz’s desk landed on his gouty toe, which left him momentarily speechless.
“Well that shut you all up, didn’t it!” With a triumphant smile, Liz surveyed the room. Her sudden urge to upend her desk, sending papers, books, ashtrays, peanuts and coffee cups scattering all over the room had been surprisingly therapeutic. “I must do that more often,” she said quietly to herself.
“I heard that,” retorted Finnley. “Let’s see how therapeutic it is to clean it all up.” And with that, Finnley marched out of the room, tossing her toilet plunger over her shoulder which hit Godfrey on the side of his head knocking his glasses off.
“Not so fast, Finnely! Godfrey shouted. The pain in his big toe had enraged him. But it was too late, the insubordinate wench slammed the door behind her and thundered up the stairs.
“Ah, Roberto! You can clean all this mess up. I’m off to the dentist for a bit of peace and quiet. I’ll expect it all to be tip top and Bristol fashion when I get back.”
Thundering back down the stairs, Finnley flung the door open. “You use far too many cliches!” and then slammed back out again.
In reply to: Orbs of Madjourneys
It had been a month since Yasmin had said she was going to wherever the air was cleanest and she didn’t care where it was. Choking in the dust storm, Zara had replied that she was going with her and she didn’t care where it was either. Tasmania came up as the place with the cleanest air, and relatively speaking, wasn’t all the far away. Yasmin had no desire to return to the orphanage, and Zara wasn’t all that enthusiastic about going back to the animal sanctuary. When they eventually managed to make their escape from the madness of the cart race, the dust storm, and the bizarre family dramas at the inn, Yasmin and Zara made their travel arrangements in Alice Springs. The plan was to spend a couple of weeks at a meditation retreat not far from Glibstone, on the edge of a forest in the north east of Tasmania.
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Washed off the sea ~ Creative larks
🐳
Welcome to the bustling riverfront community of Bridgewater, where the sound of boat horns and cries of merchants filled the air.
Bridgewater was a town of hardworking people, all striving to make a living in this busy trading port. One such person was Anne, a middle-aged woman who owned a small pottery shop by the river. Her days were filled with the clanging of clay and the whirring of her pottery wheel. She took great pride in her work, creating beautiful plates and tea bowls that were highly sought after by the locals.
Another memorable character was Jack, the town cobbler whose small shop was always busy with customers. He was known for his kind heart and his willingness to help anyone in need, often giving away shoes to those who couldn’t afford them. As the days passed, life in Bridgewater had its ups and downs.
The lost halfpenny spoke of a hard day’s work, but also of the generosity of the community. The broken pipes spoke of moments of relaxation, but also of the struggles of daily life. And the smashed plates and tea bowls spoke of hurried meals, but also of the occasional argument or disagreement.
Despite the challenges, the people of Bridgewater found small joys in life. Children played by the river, skipping stones and chasing each other. Couples walked hand in hand along the promenade, watching the boats come and go. And on warm summer evenings, the town square was filled with music and laughter as locals gathered for impromptu dance parties. But as with any community, there were also tensions and conflicts.
The town council was often at odds with the merchants, who felt that their needs were being overlooked. And there were whispers of a rival trading port that threatened to take away business from Bridgewater. One day, a fire broke out in the warehouse district, destroying several buildings and leaving many homeless. The community rallied together to help those in need, with Anne donating plates and bowls for makeshift kitchens and Jack offering his shop as a temporary shelter. As the smoke cleared and the ashes settled, the people of Bridgewater were left to rebuild their town. Through hard work and perseverance, they overcame the challenges and emerged even stronger than before. The lost halfpenny, broken pipes, and smashed plates were all reminders of the struggles they had faced, but they also spoke of the resilience and strength of the human spirit. And so, life in Bridgewater continued, a vibrant and bustling riverfront community where goods were traded and daily life was filled with both hardships and small joys.
In reply to: The Precious Life and Rambles of Liz Tattler
“I worry about the dreadful limbo, those poor characters! So much going on and there they all are, frozen in time, perched on the edge of all those cliffs, waiting to spring into action, leap across chasms of revelations, lurch into dark mysterious depths…” Liz trailed off, looking pensively out of the window. “I wonder if the characters will ever forgive me for the jerky spasms of action followed by interminable stretches of oblivion, endlessly repeated…. Oh dear, oh dear! What a terrible torment, taunting them with great unveilings, and then… then, the desertion, forsaken yet again, abandoned …. and for what?”
“Attending to other pressing matters in real life?” offered Finnley. “Entertaining guests? Worrying about aged relatives?” Liz interrupted with a cross between a snort and a harumph. “Writing shopping lists?” Finnley continued, a fount of gently patient sagacity. Bless that girl, thought Liz, uncharacteristically generous in her assessment of the often difficult maid. “Do you even know if they’re aware of the dilated gaps in the narrative?”
Liz was momentarily nonplussed. This was something she had heretofore not considered. “You mean they might not be waiting?”
“That’s right”, Finnley replied, warming to the idea that she hadn’t given much thought to, and had just thrown into the conversation to mollify Liz, who was in danger of droning on depressingly for the rest of the evening. “They probably don’t even notice, a bit like blinking out, and then springing back into animation. I wouldn’t worry if I were you. Why don’t you ask them and see what they say?”
“Ask them?” repeated Liz stupidly. I really am getting dull in the head, she thought to herself and wondered why Finnley was smirking and nodding. Was the dratted girl reading her mind again? “Fetch me something to buck me up, Finnley. And fetch Roberto and Godfrey in here. Oh and bring a tray of whatever you’re bringing me, to buck us all up.” Liz looked up and smiled magnanimously into Finnley’s face. “And one for yourself, dear.”
Tidying the stack of papers on her desk into a neat pile and blowing the ash and crumbs off, Liz felt a plan forming. They would have a meeting with the characters and discuss their feelings, their hopes and ambitions, work it all out together. Why didn’t I think of this before? she wondered, quite forgetting that it was Finnley’s idea.
In reply to: Tart Wreck Repackage
Star and Tara were seating at their usual table in the Star Frites Alliance Café, sipping their coffee and reflecting on the strange case of the wardrobe. They had managed to find Uncle Basil, and Vince had been able to change his will just in time. They had also discovered that the wardrobe was being used to smuggle illegal drugs, which they promptly reported to the authorities.
As they sat there, they saw Finton, the waitress from the café where they last met Vince French, walking towards them with a big smile on her face. “Hello there, ladies! I just wanted to thank you for helping Vince find his uncle. He’s been so much happier since then.”
“It was all in a day’s work,” said Star with a grin. “And we also managed to solve the mystery of the wardrobe.” she couldn’t help boasting.
“Did we now?” Tara raised an eyebrow.
Finton’s eyes widened in surprise. “Oh my! That’s quite the accomplishment. What did you find?”
“It was being used to smuggle drugs,” explained Star. “We reported it to the authorities.”
“Well, I never! You two are quite the detectives,” said Finton, impressed.
“Sure, we could be proud, but there are more mysteries calling for our help. Now if you don’t mind, Finton, we have important business to talk about.” Star said.
“And it’s rather hush-hush.” Tara added, to clue in the poor waitress.
Star’s knack for finding clues in all the wrong places, and Tara’s slight nudges towards the path of logical deduction and reason had made them quite famous now around the corner. Well, slightly more famous than before, meaning they were featured in a tiny article in the local neswpaper, page 8, near the weekly crosswords. But somehow, that they’d accomplished their missions did advocate in their favour. And new clients had been pouring in.
“Do we have a new case you haven’t told me about?” wondered Tara.
“Nah.” retorted Star. “Just wanted to get rid of the nosy brat and enjoy my coffee while it’s hot. I hate tepid coffee. Tastes like cat piss.”
“How would you know… Never mind…” Tara replied distractedly as handsome and well-dressed man approached their table. “Excuse me, are you Star and Tara, the private investigators?”
“Well, as a matter of fact, we are,” said Star, propping her goods forward, and batting a few eyelids. “Who’s asking?”
“My name is Thomas, and I have a rather unusual case for you.”
Tara pushed Star to the back of the cushioned banquet bench to make room for the easy on the eyes stranger, while Star repressed a Oof and a fookoof..
“It involves a missing pineapple.” Thomas said after taking the offered seat.
“A missing pineapple?” repeated Star incredulously.
Tara had an irrepressible fit of titter “So long as it’s not for a pizza…”
“Yes, you see, I am a collector of exotic fruits, and I had a rare pineapple in my collection that has gone missing. It’s worth quite a lot of money, and I can’t seem to find it anywhere.”
Star and Tara exchanged a look. They were both thinking the same thing. Was “exotic fruit” code for something else? Otherwise, this was not even remotely bizarre by their standard, and they’d seen some strange cases already.
“We’ll have to think over it.” for once Star didn’t want to sound too eager. “Do you have any leads?” asked Tara.
“Well, I did hear a rumor that it was spotted in the hands of a local street performer, but I can’t be sure.”
“Alright, we’ll consider it,” said Star decisively. She fumbled into her hairy bag —some smart upcycling made by Rosamund with the old patchy mink coats. She handed a torn namecard to the young Thomas. “We’ll call you.”
Thomas looked at her surprised. “Do you mean, should I write my number?”
Tara rolled her eyes and sighed. “Obvie.” Somehow the good-looking ones didn’t seem to be the brightest tools in the picnic box.
“But first, we need to finish our coffee.” She took a long sip and grinned at Tara. “Looks like we may have another mysterman on our hands.”
In reply to: Orbs of Madjourneys
The black BMW pulled up outside the Flying Fish Inn. Sister Finli pulled a baseball cap low over her big sunglasses before she got out of the car. Yasmin was still in the bar with her friends and Finli hoped to check in and retreat to her room before they got back to the inn.
She rang the bell on the reception desk several times before an elderly lady in a red cardigan appeared.
“Ah yes, Liana Parker,” Mater said, checking the register. Liana managed to get a look at the register and noted that Yasmin was in room 2. “Room 4. Did you have a good trip down? Smart car you’ve got there,” Mater glanced over Liana’s shoulder, “Don’t see many like that in these parts.”
“Yes, yes,” Finli snapped impatiently (henceforth referred to to as Liana). She didn’t have time for small talk. The others might arrive back at any time. As long as she kept out of Yasmin’s way, she knew nobody would recognize her ~ after all she had been abandoned at birth. Even if Yasmin did find her out, she only knew her as a nun at the orphanage and Liana would just have to make up some excuse about why a nun was on holiday in the outback in a BMW. She’d cross that bridge when she came to it.
Mater looked over her glasses at the new guest. “I’ll show you to your room.” Either she was rude or tired, but Mater gave her the benefit of the doubt. “I expect you’re tired.”
Liana softened and smiled at the old lady, remembering that she’d have to speak to everyone in due course in order to find anything out, and it wouldn’t do to start off on the wrong foot.
“I’m writing a book,” Liana explained as she followed Mater down the hall. “Hoping a bit of peace and quiet here will help, and my book is set in the outback in a place a bit like this.”
“How lovely dear, well if there’s anything we can help you with, please don’t hesitate to ask. Old Bert’s a mine of information,” Mater suppressed a chuckle, “Well as long as you don’t mention mines. Here we are,” Mater opened the door to room 4 and handed the key to Liana. “Just ask if there’s anything you need.”
Liana put her bags down and then listened at the door to Mater’s retreating steps. Inching the door open, she looked up and down the hallway, but there was nobody about. Quickly she went to room 2 and tried the door, hoping it was open and she didn’t have to resort to other means. It was open. What a stroke of luck! Liana was encouraged. Within moments Liana found the parcel, unopened. Carefully opening the door, she looked around to make sure nobody was around, leaving the room with the parcel under her arm and closing the door quietly, she hastened back to room 4. She nearly jumped out of her skin when a voice piped up behind her.
“What’s that parcel and where are you going with it?” Prune asked.
“None of your business you….” Liana was just about to say nosy brat, and then remebered that she would catch more flies with honey than vinegar. It was going to be hard for her to remember that, but she must try! She smiled at the teenager and said, “A dreamtime gift for my gran, got it in Alice. Is there a post office in town?”
Prune narrowed her eyes. There was something fishy about this and it didn’t take her more than a second to reach the conclusion that she wanted to see what was in the parcel. But how?
“Yes,” she replied, quick as a flash grabbing the parcel from Liana. “I’ll post it for you!” she called over her shoulder as she raced off down the hall and disappeared.
“FUCK!” Liana muttered under her breath, running after her, but she was nowhere to be seen. Thankfully nobody else was about in the reception area to question why she was running around like a madwoman. Fuck! she muttered again, going back to her room and closing the door. Now what? What a disaster after such an encouraging start!
Prune collided with Idle on the steps of the verandah, nearly knocking her off her feet. Idle grabbed Prune to steady herself. Her grip on the girls arm tightened when she saw the suspicious look on face. Always up to no good, that one. “What have you got there? Where did you get that? Give me that parcel!”
Idle grabbed the parcel and Prune fled. Idle, holding onto the verandah railing, watched Prune running off between the eucalyptus trees. She’s always trying to make a drama out of everything, Idle thought with a sigh. Hardly any wonder I suppose, it must be boring here for a teenager with nothing much going on.
She heard a loud snorting laugh, and turned to see the four guests returning from the bar in town, laughing and joking. She put the parcel down on the hall table and waved hello, asking if they’d had a good time. “I bet you’re ready for a bite to eat, I’ll go and see what Mater’s got on the menu.” and off she went to the kitchen, leaving the parcel on the table.
The four friends agreed to meet back on the verandah for drinks before dinner after freshening up. Yasmin kept glancing back at the BMW. “That woman must be staying here!” she snorted. Zara grabbed her elbow and pulled her along. “Then we’ll find out who she is later, come on.”
Youssef followed Idle into the kitchen to ask for some snacks before dinner (much to Idle’s delight), leaving Xavier on the verandah. He looked as if he was admiring the view, such as it was, but he was preoccupied thinking about work again. Enough! he reminded himself to relax and enjoy the holiday. He saw the parcel on the table and picked it up, absentmindedly thinking the black notebook he ordered had arrived in the post, and took it back to his room. He tossed it on the bed and went to freshen up for dinner.
