Search Results for 'ages'

Becky sat looking at the key in her hand long after the others had gone to bed, her mind going over seemingly disjointed images and random memories, trying to piece them all together. Why had Dory sent her, Becky, the key to the detention camp? She wasn’t expected to fly to the island and physically release the detainee’s surely? Should she send it to someone in the area? But who? Or was it more symbolic? But symbolic of what, exactly?

Was it connected to the Imagination Wave? It surely must be, she thought. It must be connected to the surge of story character refugees, looking for a new story.

Becky sighed. There had been such a dearth of imagination during the previous waves that literally countless story refugees had been rounded up and detained, with no new stories available anywhere on the planet. Of course this wasn’t actually true: there were always countless new stories to be told, but the lack of imagination, the sheer lack of will to tell them, had brought the global situation to a dreadful impasse.

We could write them all out of the stories with a rat tat tat of the keyboards, she mused, and immediately cringed at the idea. Any fool can destroy in seconds. Destruction isn’t power, creation is.

Was it a coincidence that the leader of the old story where most of the characters were fleeing from, had the same name as that alien that kept promising to land, but never actually did?

Shaking her head, Becky wondered, not for the first time, if the world population can’t handle a few displaced story characters, what in Glods name would be the reaction to a load of aliens? Still clutching the blue key, Becky went to bed. She would discuss it with the others in the morning.

Gustave Butterworth cackled delightedly. The crowd control custard gas formula experiments were looking promising. The first batch, all being well, should be ready for a trial run in time for the bake sale at Lemoine Meringue Hall. If only he could deduce that vital missing ingredient in time!

Gustave looked at his watch and decided to call it a day. He was the last one in the laboratory as usual; before turning the lights out and locking the door, he made a quick tour of the lab rats accommodation. There were no cages like in the old days: scientists in this partially enlightened age were not allowed to keep rats and beagles against their will, and only volunteer creatures were used in modern laboratories. Thus, no actual physical abuse was administered, but the energy the creatures reflected off the experiments, and the scientists themselves, was monitored; and human “animal whisperers” were employed to communicate directly. Gustave was a scientist, not a whisperer, but he had been developing his whispering skills secretly, while observing the staff.

Most of the rats has nestled down for the night in their miniature studio apartments, but one comfortable little abode was empty. “I say, Rodean,” said Gustave to the neighbouring occupant, “Has Penelope gone for an evening stroll again?”

Rodean shuffled around in his tiny bean bag chair to look at the scientist.

“What, gone to visit her cousin Patty, you say?”

On a rainy “morning” a bored “lady” was day dreaming about an “ancient” tribe who sailed the “sea” of Tedium. She “sometimes” had the strangest “memories”, although if the truth be “told”, it was not “usual” for her to make up things just to gauge the “unexpected” reactions. The last time she had a “visit”, or a visitation if you prefer, she was at a loss to know what it “meant”, lack of inherent meaning notwithstanding. Better perhaps to “face” the facts: “irina” was a fictional character, “stuck” in the back pages of a “group” story; despite not lacking in “consciousness”, like “mater”, she has no “hand” in it (or so it was assumed). Better not look a gift “horse” in the mouth, they existed, even if nobody was “interested” in them anymore. It was, however, the best “kept” secret of all: Irina and Mater had arranged to meet for lunch and discuss a plan.

“Baby? What baby?” asked Liz. “I thought that baby had been dealt with in the last chapter, it seems ages ago. Has anyone been feeding it, do you think? What happens to all the characters when nobody writes about them? Are they glad of it, happy to do what they want? Or are they bored and frustrated at having nothing to do? Do they like being plucked from whatever they were doing once in a blue moon, and flung into an improbable scenario, and then left there, with no way out even imagined yet?”

“You only have to ask,” replied Aunt Idle, pushing the bowl of peanuts over to Liz.

Corrie:

I was offering the plate of mince pies to Mr Cornwall, who had been coaxed out of his room for the first time in ages and was sitting next to the gum tree sapling that Aunt Idle had strung with fairy lights in lieu of a Christmas pine, when they arrived. We were all surprised to hear the taxi hooting outside, that is, except Bert. I heard him mumbling something about “She bloody meant it, the old trout,” but I didn’t remember that until later, with all the commotion at the unexpected guests.

“Here, take the lot,” I said, shoving the mince pies on the old guys lap, as I rushed to the door to see who it was. A tall autocratic looking woman swathed in beige linen garments was climbing out of the front seat of the taxi, with one hand holding the pith helmet on her head and the other hand gesticulating wildly to the others in the back seat. She was ordering the taxi driver to get the luggage out of the boot, and ushering the other occupants out of the car, before flamboyantly spinning around to face the house. With arms outstretched and a big smile she called, “Darlings! We have arrived!”

“Who the fuck it that?” I asked Clove. “Fucked if I know” she replied, adding in a disappointed tone, “Four more old farts, just what we bloody need.”

“And a baby!” I noted.

Clove snorted sarcastically, “Terrific.”

Suddenly a cloud of dust filled the hall and I started to cough. Crispin Cornwall had leaped to his feet, the plate of mince pies crashing to the floor.

“Elizabeth! Do my eyes deceive me, or is it really you?”

“Godfrey, you old coot! What on earth are you doing here, and dressed like that! You really are a hoot!”

“Why is she calling him Godfrey?” asked Prune. “That’s not his name.”

“He obviously lied when he said his name was Crispin Cornwall, Prune. We don’t know a thing about him,” I replied. “Someone had better go and fetch Aunt Idle.”

When I left the Inn this morning, Mater seemed upset. I regularly kisses her on her forehead before going to the gas station, as I know it pisses her off, but today she seemed lost in her thoughts and she called me Fred. I don’t like it when she does that, it gives me the impression she’s losing it. I wonder who’s going to hold that crumbling place when she’s gone. Certainly not Dido, she can’t focus her mind on a project for more than a few minutes, and it usually does not pass the stage of smokey ideas. I see clearly her game, she’s messing around with Mater for God knows what twisted reasons. They never seemed to appreciate each others much, and I’ve only known them for eighteen years. Looking at how it didn’t evolve much during that time, I bet it had been like that for quite some time. Family relationships are boring, and usually quite messy.

Take Joe for example, he’s crazy. His father is crazy, and his grand-father well he spent so much time in the mines that his family didn’t really miss him when one of the tunnels collapsed while he was inside. They never found the body. The Mining company gave the family a ridiculously small amount of money as an indemnification. Joe’s father lost it in some fracking wallaby race. Bad luck had stuck to him his whole life. Jasper once told me to avoid him. I would have, even if it was not for my dead brother’s warning.

Joe’s working at the gas station with me. He had been working there since he was sixteen when the school told his parents it was a waste of time [for them] to try and teach him anything valuable. His father beat him to keep up the appearances, but they were glad they could put him to work to bring in some more money.

Joe is nuts, but he’s not dumb. He just likes to experiment. He must have a good star watching upon him, unlike his father, because each time he manages to make something explode or break in a real bad way, but he always gets out without a scratch. He’s excited, he’s finished working on his last project. He wants us to borrow a gas tank and go to his place after work. I’ve rarely seen him so excited. We’ll have to put off the hockey with Callum.

Aunt Idle:

Well I’m not one to complain, as you know, and I’m not the competitive sort at all, but I did have to raise an eyebrow when everyone agreed to Mater’s suggestion of getting some help with the cleaning. It’s a wonderful idea, but it wasn’t her idea, I’d been planting the seeds for ages. She never would have suggested if I’d carried on doing it all myself, I had to let it go a bit, get in a mess. When they started talking behind my back about me drinking, I played along with it, splashing gin on my hair and leaving an empty bottle laying around. I had to keep retrieving the same bottle from the bin, so I could pretend it was another bottle I’d drunk. They were all easily fooled, and I started to enjoy it.

Aunt Idle:

Those maps got me remembering all kinds of things, not that I was fretting about the note because I wasn’t, but once I’d quit flapping about the note, all kinds of things started popping into my mind.

Odd little cameo memories, more often than not a mundane scene that somehow stuck in my head. Like that cafe with the mad hatter mural, mediocre little place, and I cant even remember where it was, but that number on the mural was just wrong, somehow. It’s as clear as a bell in my memory now, but not a thing before or after it, or when it was, other than somewhere in New Zealand.

I kept getting a whistling in my left ear as I was recalling things, like when I remembered that beach on the Costa del Sol, with a timebridgers sticker in the beach bar. I can still see that Italian man walking out of the sea with an octopus.

I can still see the breeze flapping the pages of a magazine lying on a bench in Balzac’s garden in Paris, something about a red suitcase, but I can’t recall what exactly.

A motel in a truckstop village in California…the sherry was making me drowsy. I almost felt like I was there again for a moment.

Conjure up a bowler hat, he said, while you’re out today. I forgot all about it (how often I thank my lucky stars for having a bad memory, I much prefer a surprise) and saw a delightful hurdy gurdy man wearing a bowler hat (In June! I do recall it was June). My Bonnie Lies Over the Ocean, he was playing. I’m sure to have forgotten that, but I made a video recording.

All these locations were holes in the maps, those ripped up maps the girls brought home from the Brundy place, just after I got that note. I was beginning to see a pattern to the connecting links between the letters ripped out of the map locations, and the wording in the note (which was made of ripped out letters from place names on a map, and glued onto the paper, as anyone who is reading this will no doubt recall). The pattern in the discovery of connecting links was that the pattern is constantly changing, rendering moot the need to decipher a plot in advance of the actual discovery of spontaneous development of the shifting patterns of discovery, and deliverance of the decipherable delegation of the delighted, promptly at noon.

Corrie:

“Why have you locked your door, Aunt Idle?” I asked, after waiting rather a long time for her to open it. She looked a bit flushed, so I looked around to see if she had another feller in there but she didn’t, not unless he was hiding in the closet. She didn’t usually hide her lovers from us though, and anyway, I had more important things on my mind.

“Mater’s still missing and it’s been dark for an hour already, what should we do?”

Aunt Idle just stared at me with her mouth open and didn’t say anything.

“We can’t just go to bed, what if something’s happened to her? Nobody even knows where she went!”

“Mater’s missing, is that what you’re telling me?” she asked, just as if it was the first she’d heard about it. “Have you checked her room? Did she leave a note or a clue or anything? For heaven’s sake, Corrie, why on earth didn’t you tell me sooner! Go and fetch Prune, well wake her up then!” she added as I protested that she’d gone to bed ages ago. “Prune always seems to know things. And where’s Bert? Has he seen her?”

“I’m trying to tell you, Auntie, that nobody knows!”

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Most of the houses in Bonemarsh were uninhabited, in various stages of dust and decay. A number of them had been left with their interiors intact though, as if the occupants had just not come home from work one day. Exploring the empty houses was a wonderful game for the few children left in the town ~ full sized play houses, complete with full sized toys. No tiny prams or miniature tools were required to play pretend with, as they had the real things at their disposal.

Exploring the wardrobes and trunks under the beds had given them many strange costumes and unexplainable objects to play with. The children didn’t really wonder about all the wigs, not at the time, they were just delighted to have so many to play with. Later, in retrospect, they wondered why a mining town had quite so many wigs.

Bullet-proofed Summary of the latest instalments of the Abalone adventures

Most of the key characters find themselves mysteriously drawn to the ancient Temple, a place of power forgotten by most. There, many experience under a form or another the presence of the sphinx / Rene a mysterious presence left as a Guardian of the Temple by the ancient builders of the place.

• Gwinnie – learning and remembering how to communicate with others, she subtly lead them, via mediations and meditations to the secret location of the Temple. Although some split into their own projections, she manages to go through, accompanied by George, as she was infused with the Island’s energies due to her prolonged stay in the bog. She also grows and blossoms to a woman of her natural age, and later helps reconstruct Abalone with the help of George and Rene, whom she heals.
• King Artie / George – He remembers his intent and forgotten memories which were repressed and manipulated by the P’hope through his travel following Arona into her adventure. He reacquaints himself with Gwinnie, and together they lead the reborn Island.
• Irina and Mr R – Initially planning to bring Gwinnie back to Karmalott, her plan changes due to the wilting of the beanstalk. Instead, she and her travelling companions find themselves drawn to the temple by the promise of an escape off the Island, via teleportation stone boxes. Instead, she meets the sphinx / Rene who guides her through her memories. It helps heal her past, and provides her with a plausible disappearance that the Chinese corporation that she escaped from a long time ago with Mr R, would believe. Next, she goes with a more humanoid and self-aware Mr R to Mars in 2121.
• Arona – She stumbles upon the company of Irina, and recognize Gwinnie as the one she is supposed to deliver secretly to Karmalott. However, the beanstalk’s debacle they experience during a guided meditation puts a stop to her plans, and gives her a new goal. Find the spirit turtle and the mysterious Cup that can promise her to astral.
  After a quest through the undercurrents with Mandrake, and still guided by the sabulmantium, she finally finds the Cup and prepares for her next adventures into the astral.
• Jeremy / map dancer – He reappears naked from his escape in the midst of Irina’s team with Max his cat. They follow the team to the Temple. Little is known yet of his fate.
• Cheung Lok (and the Chinese squad) – He escapes the destruction of Gazalbion’s walls where he was detained, and use an elephant to track Sanso, who is actually Lazuli who throws him off track. He ends up teaming up with Berberus, the assassin despatched by the P’hope to track down who he believes is the culprit for the beliefs destruction. Later, he rescues Fanella from an accident of duck hovercraft, and they all enter the Temple on the tracks of the others. Thanks to Rene, Mr R and Irina, he realizes he cannot be really free, and agrees to let go of his memories, his mission and start anew on the new Island. Other members of his squad are offered to be sent back with altered memories of his demise, or to stay back as a teenager on the Island.
• Jube / The P’hope – After a last ditch effort to rescue the city, he orders its evacuation, through storks, cranes and descent through the beanstalk. He goes his own way, ready to confront the power lurking in the Temple that he avoided carefully and tried to contain many years ago. His fate is unclear but it is hinted that he was offered a similar choice as Cheung Lok, and has accepted to become an adolescent again, forgetting the bad choices he made.
• Berberus – The assassin dispatches of the management of Gazalbion during his visit there looking for clues as to the disturbances. It only hastens the descent into chaos, while during a stand-off with Sanso, he is disarmed by a tiger slug. His fears get the better of him as he is confronted with them once more inside the temple.
• Karmalott’s gents – It is believed most managed to escape the crumbling city into a refuge, where they started to rebuild anew, thanks to the leadership of George and Gwinnie.
• Gazalbion’s gents – formerly dissidents of the P’hope’s order, and later home for refugees of all times and spaces, they also mostly escaped to safety and are in the process of enriching the beliefs blueprints of the Island under the guidance of George and Gwinnie.
• Fanella (Fanetta) – Ejected brutally off a shapeshifting giant and careless duck Lazuli, she has visions of the sphinx, and seems to find herself deeply attracted to him. It is believed she hasn’t forgotten her friends in time 2020 at the village and visit them from time to time with her new pair of wings that George offered to her.
• Lazuli, Lisa, Sanso – Little is know of what happened after they reached the tile factory and then the Bay of beliefs.
• Jack (and the others at the 2020 village) – Little is known of what happened after Jack tried to teleport themselves with an amateur rescue team to the Island that Sanso had disclosed the location previously on a map. It is believed everyone who wanted was allowed to go back to the village or to any other place and time they did fancy.
• Sha, Glo, Mavis – Believed still under a very long death transition, they project to the Island, where they bump into Fanella and her new duties as a sphinx. She leads them to a new incarnated life of their chosing.