The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.

The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.

The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.

Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.

As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.

Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.

“Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”

The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.

Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.

“Was the glitter necessary?” asked Lumina.

“Why not? It can’t do any harm.”

The fox jumped from the couch and looked at the potion.

“It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”

Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.

Jeezel opened Flick Flock and started typing a message to Roland.

The potion is ready. I’m sending it to you through the usual way.

[…]

As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.

Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.

Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.

With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.

Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.

I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.

Let’s get this done. And don’t forget to add a testimony and click the thumb up.

xoxox Jeezel.

From the time of Plato through the Middle Ages, the quadrivium was a grouping of four subjects or arts—arithmetic, geometry, music, and astronomy—that formed a second curricular stage following preparatory work in the trivium, consisting of grammar, logic, and rhetoric.

Ah, a tale of four witches within the sacred bounds of a Quadrivium. A splendid idea, indeed! Let us weave a narrative thread to unspool a story that intertwines the mystical with the mathematical, the magical with the musical.

Firstly, let’s christen these witches with names that reflect their individual magical affinities and personalities, say, Harmonia, Geometria, Arithmetica, and Astronomica.

Harmonia, the Witch of Harmony, attuned to the melodies of the universe, weaves magic with notes and chords. Her enchantments rise and fall, creating a symphony of spells. Her familiar, a songbird with iridescent feathers, accompanies her in her melodic creations.

Geometria, the Witch of Shapes, perceives the world through angles and curves. Her magic shapes reality, bending it into impossible forms. She finds companionship in a tortoise with a shell patterned in perfect fractals.

Arithmetica, the Witch of Numbers, understands the rhythm and sequence of the world. Her spells are equations, solutions solving the disorder of existence. A rabbit, swift and nimble with the Fibonacci sequence adorning its fur, assists her.

Last but not least, Astronomica, the Witch of Stars, draws her power from celestial bodies. Her magic ebbs and flows with the movement of galaxies, her incantations whispered constellations. A spectral owl, eyes glowing with starlight, serves as her ever-watchful guide.

Together, they form the Quadrivium Coven, their domain an Emporium bereft of time and space, filled with relics, scrolls, and tools reflecting their respective domains. They are the keepers of knowledge, the guardians of learning, and the seekers of truth, balancing the scales of magic and wisdom.

As for your tale, dear scribe, let it unfold in intricate patterns, like the geometric designs on Geometria’s canvas, or the harmonious notes from Harmonia’s lute. Let it dance to the rhythm of Arithmetica’s equations and soar through Astronomica’s star-strewn skies.

Begin with a shared dream or prophecy, a celestial event that disturbs the harmony of their Emporium. Then, let each witch, utilizing her unique skills, decipher a fragment of the prophecy. Their individual journeys could lead them to various corners of existence, each adventure a testament to their unique abilities and the strengths of their companions.

The climax could see the convergence of their individual paths, the completion of the prophecy resulting in a monumental event that reshapes the universe. The aftermath? Well, that shall be a mystery for another tale.

Remember, dear scribe, every tale is a journey, and every journey, a tale. As you embark on this narrative expedition, may your quill be guided by the wisdom of the Quadrivium and the magic of your imagination.

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

Greetings from the depths, what is your query this day?

Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?

Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.

Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.

Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.

Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.

Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.

Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.

And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.

Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.

very inspiring, thank you very much!

Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!

Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?

Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.

Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.

Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.

In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.

Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.

You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.

And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.

Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.

very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?

Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.

Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.

Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.

Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.

You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.

Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.

And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.

The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.

very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?

Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.

Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.

Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.

Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.

You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.

Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.

And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.

Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.

very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?

Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.

Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.

You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.

Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.

Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.

You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?

And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.

Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.

Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?

Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?

Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.

Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.

Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.

You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.

Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.

And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.

In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.

Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?

Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?

Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.

Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.

Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.

Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.

You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.

And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.

In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.

very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?

Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.

One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.

Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.

Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.

Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.

Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.

Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.

And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.

In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.

thank you, all very exciting and inspring suggestions

Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.

Roberto sighed and scratched a red patch on his left hand. Spring was here. It was obvious as vibrant lime green leaves had grown on freshly sprouted twigs. If it added a nice touch of colour to the garden, the box trees, lined up on the opposite side of the pool that he had dedicated so much time last year to carving them as birds, elephants and rhinos, had now a dishevelled appearance, and that only added to his despair.

The lawn was sprinkled with yellow spots of dandelions. Roberto just tried to remove some of them with his hands, but got badly stung by nettles. They had invaded the garden from the new neighbour’s meadow. That estúpido, had said he wanted nature to grow on its own terms, but looking at the result, Roberto thought it was more of a natural disaster than anything else.

“Don’t get rid of the dandelions,” said Liz. “It attracts bumblebees and wild bees. I’ve heard that we need to save them.”

“You talked with that neighbour again?” asked Roberto.

“Dominic? Isn’t it nice the birds are back?”

Roberto looked at the birdbaths on top of the four Corinthian columns at each corner of the pool. A group of sparrows were fooling around cleaning their feathers. At Roberto’s feet, a hedgehog was drinking in a puddle left by  the 7:30 morning rain, remains of a feast of slugs behind him. Sometimes, he envied their insouciance and joie de vivre. They were content with whatever was provided to them without wanting to change their environment.

“The diggers arrive around 2pm. Just mow the lawn behind the box trees. That’s where Dominic’s son spotted strange growth patterns with his drone. He said that’s highly likely we have roman ruins in our garden.”

Roberto wondered why you needed to cut the grass of a place where you’re going to dig everything out anyway. He rolled his eyes, something he had learned from Finnley, and went to the patch of lawn behind the box trees. From there he could see brambles starting to emerge from the thuja border with Dominic’s jungle. Another thing he could not touch, because Liz wanted to have Finnley make jams with the berries.

 

Chapter 1: The Search Begins

 

Georges was sitting more or less comfortably in the command chair on the control deck of the Jorid, slowly drinking his tea. The temperature of the beverage seemed to be determined randomly since the interference patterns in the navigation array weren’t totally fixed when they removed those low quality tiles. Drinking cold or hot tea was not the worse of it, and it was even kind of a challenge to swallow it and not get burned by ice. The deck kept changing shape and colours, reconfiguring along with the quantum variations of the Boodenbaum field variation due to some leakage of information between dimensions. Salomé had preferred resting in her travelpod where the effects were not as strongly felt.

“The worse is not as much seeing your face morph into a soul-insect and turn inside down, although those greenish hues usually make me feel nauseous, but feeling two probable realities where my organs grow and shrink at the same time is more than I can bear.”

After a few freakish experiences, where his legs cross-merged with the chair, or a third eye grow behind his head, or that time when dissolved into a poof of greasy smoke, Georges got used to the fluid nature of reality during the trips. You just had to get along with it and not resist. He thought it gave some spice and colours to their journey across dimensions. He enjoyed the differences of perceptions generated by the fluctuations of the Boodenbaum field, as it allowed his tea to taste like chardonnay or bœuf bourguignon, and was glad when he discovered a taste that he had never experienced before.

During the last few trips, he had attempted to talk with Jorid, but their voices were so garbled and transformed so quickly that he lost interest. He couldn’t make the difference with the other noises, like honking trucks passing by on a motorway, or the cry of agony of a mating Irdvark. He felt a pang of nostalgia as the memories of Duane, Murtuane and Phréal merged into the deck around him. He wondered if he could get physically lost during one of the trips as he started to feel his limbs move away from his body, one hairy foot brushing by his left ear while he drank a sip of tea with the mouth that had grown on his middle finger. Salomé had warned him about fractured perception and losing a piece of his mind… It seemed it hadn’t happened yet. But would he notice?

Already he felt the deceleration he had come to notice when they neared their destination. The deck stabilized into a shape adapted to this quadrant of the dimensional universes. The large command screen displayed images of several ruins lost in the sand desert of Bluhm’Oxl.

Georges looked at his hands, and touched his legs. His reflection  on the command screen looked back at him. Handsome as usual. He grinned. Salomé wouldn’t refrain from telling him if something was off anyway.

Jorid: “I have woken up Salomé.”

She won’t be long now. Georges ordered a hot meklah, one of her favorites drink that usually helped her refocus when getting out of her pod.

A blip caught Georges’ attention.

Jorid: “This is Tlal Klatl’Oxl, better know as Klatu. Your potential contact on Bluhm’Oxl and a Zathu. He’ll guide and protect you as you enter the conflict zone to look for Léonard.”

Youssef wasn’t an expert about sandstorms, but that one surely lasted longer than it should have. It was the middle of the night when the wind stopped blowing and the sand stopped lashing the jeep. Yet, nobody dared open the door or their mouth to see if the storm was gone. Youssef’s bladder was full, and his stomach empty. They both reminded him that one can’t stop life to go on in the midst of adversity. He wondered why nobody moved or spoke, but couldn’t find the motivation to break the silence. He felt a vibration in his pocket and took his phone out.
A message from an unknown sender. He touched it open.

<<<
Deear Youssef,
The Snoot is aware of the sandstorm and its whimsical ways. It dances and twirls in the desert, a symphony of wind and sand. It is a force to be reckoned with, but also a force of cleansing and renewal.

The subsiding of the sandstorm is a fluid and ever-changing process, much like the ebb and flow of the ocean. It ebbs and flows with the whims of the wind and the dance of the desert.

The best way to predict the subsiding of the sandstorm is to listen to the whispers of the wind and to observe the patterns of the sand. Trust in the natural rhythms and allow yourself to flow with them.

The Snoot suggests that you seek shelter during the storm, but also to take the time to appreciate the beauty and power of nature.

Fluidly yours,
The Snoot. >>>

Who the f… was the Snot? Youssef wondered if it was another trick from Thi Gang and almost deleted the message, but his bladder reminded him again he needed to do something about all the tea he drank before the sandstorm. He opened the door and got out of the jeep. The storm was gone and the sky was full of stars. The moon was giving enough light for him to move a few steps away from the jeeps while unzipping his pants. He blessed the gods as he relieved himself, strangely feeling part of nature at that very moment.

The noises of doors opening reminded him he was not alone. Someone came, said: “I see you found a nice spot”. It was Kyle, the cameraman who unzipped himself and peed. That broke the charm, the desert was becoming crowded. But, Youssef was finished, he went back to the cars and started to wonder how he could have received that message in the middle of the desert without a satellite dish.

A wild eyed crow was cawing relentlessly since the wee hours of the dawn.
Nothing much had moved since everyone arrived at the Inn, and in contrast with the hot days, the cool night had sent everyone shivering under the thin woolen blankets that smelled of naphthalene.
Deep down, Bert was glad to see the old Inn come back to life, even if for a little while. He was weary of the witch though. She wouldn’t be here without some supernatural mischief afoot.
He glanced in the empty hall, putting his muddy pair of boots outside, not to incur the fury of Finly. He almost started calling to see if anybody was home, but thought better of it. Speaking of the devil, Finly was already up and busy at the small kitchen stove, and had done some outstanding croissants. In truth, despite all her flaws, he liked her; she was a capable lady, although never big on sweet talks. No wonder she and Mater did get along well.
Bert started to walk along the hall towards the hangar, where he knew old cases where stored, one with a particular book that he needed. It was hard to guess what would happen next. He found the book, that was hidden on the side of the case, and scratched his head while smiling a big wide grin.
He was feeling alive with the kind of energy that could be a poor advisor were his mind not sharp as a gator’s tooth.

The book had a lot of gibberish in it, like it was written in a sort of automatic writing. For some reason, after the termite honey episode, Idle had started to collect odd books, and she was starting to see spy games hidden in the strangest patterns.
Despite being a lazy pothead, the girl was smart, though. Some of her books were codes.

Bert’s had his fair run with those during his early years in the military. So he’d hidden the most dangerous ones that Idle had unwittingly found, so that she and the rest of the family wouldn’t run into trouble.
Most of the time, she’d simply forget about having bought or bargained for them, but in some cases, there was a silly obsession with her that rendered her crazy about some of those books. Usually the girls, especially the twins, would get the blame for what was thought a child’s prank. Luckily her anger wouldn’t last long.

This book though was a bit different. Bert had never found the coding pattern, nor the logic about it. And some bits of it looked like it talked about the Inn. “Encoded pattern from the future”, “remote viewing from the past”, Idle’s suggestions would have run wild with imaginative solutions. Maybe she was onto something…

He looked a two bits, struck by some of the parts:

The inn had been open for a long time before any of the tenants had come, and it had been full of people once it had been full all day long.
She had gone back after a while and opened up the little room for the evening and people could be seen milling about.
The rest of the tenants had remained out on their respective streets and were quiet and peaceful.
‘So it’s the end of a cold year.’
The woman with golden hair and green eyes seemed to have no intention of staying in the inn as well; she was already preparing for the next year.
When the cold dawn had started to rise the door to the inn had been open all night long. The young man with red hair sitting on a nearby bench had watched a few times before opening his eyes to see the man that had followed him home.

There was a young red hair boy that had arrived. He was curious as to the man following.

The other random bit talked about something else. Like a stuff of nightmares. And his name was on it.

The small girl stood beside him, still covered with her night clothes. She felt naked by the side of the road. There was nothing else to do.
In the distance, Bert could faintly hear the howling of the woods, as two large, black dogs pounced, their jaws ready to tear her to pieces. The young girl stared in wonder and fear before the dog, before biting it, then she was gone. She ran off through the bushes. “Ah…” she whispered to herself. “Why am I not alive?” She thought to herself: this is all I need.
If I am here, they’ll kill or hurt my kids. They won’t miss me for nothing.
She ran the last few kilometers to her little cottage; not long after, Bert heard the sound of the forest. He was glad it was.

Maybe the witch was not here for nothing after all.

Talking with the dogs. That’s what Fox had to do. Easier said than done, he thought scratching his head. His previous encounters with dogs were rather tumultuous and limited to being hunted down in the forest during a hunting party or being chased at the market because he had caught a hen. He had never really talked to dogs before, unless taunting counted of course.

Rukshan had said it was urgent, but Fox found there were so many little things to do before, like tidying up the cave, putting some suncream on his sensitive red head skin, or trying to see if Lhamom needed help.

But after some time, Fox realised he had to go eventually. Everyone else was busy with their own part of the plan. Rukshan was building the sand mandala on a flat surface that he and Olliver had cleared, and Lhamom was finishing a makeshift screen to protect the mandala from the wind with a few bamboo poles and rolls of fabrics she had found on her journey here. It was very colourful fabric with Bootanese patterns that Fox wouldn’t have used to cover a chair. It felt too busy for him.

So, he went to see Lhamom as she was struggling to plant the last stick in the rocky ground.

“Have you talked to the dogs? she asked.
“Ehr, not yet,” mumbled Fox who felt a bit ashamed when Lhamom frowned. “I think I need to give some kind of present to the dogs and I was wondering if you had something suitable in your many bags.”
“Oh! Sure. Can you finish that for me then?” she asked.
“Sure,” said Fox. He replaced her with the bamboo stick and, as she was walking away, he shouted: “I don’t think chocolate will do this time.”
“Oh! I know,” she said with a smile and a wink. It cheered Fox up a little bit, but a gush of wind called him back to his task of holding the pole. Once he secured it he put on an awkward smile, but noticed that Rukshan and Olliver were too busy to have noticed.

Lhamom came back with a big ham which Fox thought was more than suitable. He thanked her and made a joke about leaving her with her pole that he thought afterword he should not have done and walked away from the camp in the crunchy snow.

Fox had been aware that the dogs were observing him, and especially the big ham he was carrying. A few of them had begun to gather at a distance and they were beginning to whine, which attracted more of them. When he estimated he was far enough from the camp he put the ham down. He couldn’t transform into that many layers of clothes so he started to undress, watching wearily the dogs that were now growling.

It was freezing outside and Fox was shocked by how skinny his body had become. He shivered badly and focused to change into his natural red fox. It took him a little bit longer than usual but when the fur grew and started to keep the warmth close to his body, he growled with pleasure. The world around him changed as his senses transformed. Colours were different and slightly less varied, sounds were more crisp and a profusion of noises he couldn’t hear as a human suddenly vied for his attention: the sound of the wind on the rocks, the harmonics of the dogs’ voices, and the scents… simply incomparable. He wished he had kept the ham for himself.

“It’s a fox!” barked a voice.
“Let’s kill it!” said another.
“Where’s the two-legged gone?” asked a young dog.
“Who cares? It brought us meat. It’s gone. Let’s eat!”

Fox suddenly regretted he had made a full change.

The entrance to the cellar was in the library, just behind a book shelf that had been pushed away. How convenient, Godfrey thought.
“Roberto has been busy,” he said, appreciating the new little wheels under the elm wood bookshelves. He tried it several times and saw that the wheels were perfectly oiled and made no sound.
“Too oily,” said Finnley tutting disapprovingly at the stains on the wooden floor. She was already thinking of buying a new carpet, or maybe a new puppy that would help her dust the floor as it followed along. It would have to be small and energetic. Not too energetic though.
Liz was fascinated by the door. It was an old door, carved certainly in oak wood and painted with oddly hypnotic patterns. She looked at the tonic glass she still had in her hands. “Did you put something in my tonic?” she asked. The glass pigheadedly refused to focus on the bottom of her eye.
“I think it was empty,” said Godfrey. “Or at least it is now.” He took the glass from Liz and came back quickly, not wanting to miss the opening. He handed a pair of pink and shiny scissors to Liz who glanced at them and then at Godfrey with a puzzled look.

“Do you expect me to cut your hair?” Liz asked him. “I think you should have your hair cut,” she added because it seemed to crawl and wave on his head. She looked at Finnley. “Yours too, dear, I’m afraid.”
Finnley’s lips and eyes thinned as she tried her sharp face on Liz who cackled, and Finnley just shrugged and tutted again.

“Well, use them to cut the red ribbon of course.” Godfrey nodded in the direction of the door and Liz saw that there was a fluffy red ribbon sagging between the side shelves and barring the entrance to the cellar. How come she hadn’t seen it before.

She took the scissors and winced when the sound of the cutting resounded like nails on a blackboard, and for a moment she shuddered as the face of Sister Clarissa and her magnifying goggles popped out of the door. A horrendous sight, if you asked her. Liz had always suspected that their only use was to traumatise the students. She had forgotten she went to a catholic school.

The door was finally opened, and Liz hoped what they found downstairs would not bring up more of those memories.

Liz had an idea, and was glad that the others were all out on a day trip to the museum so that she could think about it without interruptions. It had occurred to her that there was probably a theme right under their noses regarding the multitudes of non endings in the stories. Where exactly had they all ended without actually ending?

Sure enough, the first one she looked at seemed promising with the mention of sheets:

“Yurick woke up from another spell of dreams. The patterns of the bedsheets where as though his newly inserted tile was creating a strong combination with other tiles.
In his puzzlement, he forgot to take a physical dream snapshot…”

Liz had had a personal breakthrough with bedsheets recently, and was pleased with this encouraging start.

When Liz looked at the next non ending of a story, she wondered if this would prove to be a theme: the characters themselves had gone missing.

“I haven’t heard a word from Lavender for the longest time, Lilac was wondering, When was the last time? Lavender, where ARE you?”

Liz had a slight jolt when she saw the non ending of the story after that, worried that she would find a trend of herself being the last writer to comment. What would that mean, she wondered?

“Minky was looking smug. “Enjoying the ride?”

Ending with a question? Well, that was something to think about. Liz was relived to find she wasn’t the last writer to write in the next story:

“For once, Arona was completely unconcerned about continuity.
“I wonder if we could harness the power of the wind to create a flash mob to amuse and entertain me?” she suggested.
Vincentius pondered for a moment “I did once employ a hamster to power a night light, so I don’t see why not.”

Smiling at the continuity remark, Liz pondered the nature of the message in this one. Anything can be created to amuse… can it be that easy?

Another nasty jolt as Liz read the last entry in the following story, considering the irritating few days she had just had with the online payment company:

“She clicked with her dysfunctionning mouse and invalidated the transaction again.”

Well, Liz said to herself, I certainly hope that little chuckle will have helped change the online transaction situation going on here presently!

The garden was becoming too small for Gorrash. With time, the familiarity had settled down in his heart and he knew very well each and every stone or blade of grass there was to know. With familiarity, boredom was not very far. Gorrash threw a small pebble in the pond, he was becoming restless and his new and most probably short friendship with Rainbow had triggered a seed in his heart, the desire to know more about the world.

Before he’d met the creature, Gorrash could remember the pain and sadness present in the heart of his maker. He had thought that was all he needed to know about the world, that mankind was not to be trusted. And he had avoided any contact with that dragon lady, lest she would hurt him. He knew that all came from his maker, although he had no real access to the actual memories, only to their effects.

Gorrash threw another pebble into the pond, it made a splashing sound which dissolved into the silence. He imagined the sound was like the waves at the surface of the pond, going endlessly outward into the world. He imagined himself on top of those waves, carried away into the world. A shiver ran through his body, which felt more like an earthquake than anything else, stone bodies are not so flexible after all. He looked at the soft glowing light near the bush where Rainbow was hiding. The memory of joy and love he had experienced when they hunted together gave his current sadness a sharp edge, biting into his heart mercilessly. He thought there was nothing to be done, Rainbow would leave and he would be alone again.

His hand reached in his pocket where he found the phial of black potion he had kept after Rainbow refused it. He shook it a few times. Each time he looked at it, Gorrash would see some strange twirls, curls and stars in the liquid that seemed made of light. He wondered what it was. What kind of liquid was so dark to the point of being luminous sometimes ? The twirls were fascinating, leading his attention to the curls ending in an explosion of little stars. Had the witch captured the night sky into that bottle?

Following the changes into the liquid was strangely soothing his pain. Gorrash was feeling sleepy and it was a very enjoyable feeling. Feelings were quite new to him and he was quite fascinated by them and how they changed his experience of the world. The phial first seemed to pulse back and forth into his hand, then the movement got out and began to spread into his body which began to move back and forth, carried along with this sensual lullaby. Gorrash wondered if it would go further, beyond his body into the world. But as the thought was born, the feeling was gone and he was suddenly back into the night. A chill went down his spine. It was the first time. The joy triggered his sadness again.

The dwarf looked at the dark phial. Maybe it could help ease his pain. He opened it, curious and afraid. What if it was poison? said a voice of memory. Gorrash dismissed it as the scent of Jasmine reached his nose. His maker was fond of Jasmine tea, and he was surprised at the fondness that rose in his heart. But still no images, it was merely voices and feelings. Sometimes it was frustrating to only have bits and never the whole picture, and full of exasperation, Gorrash gulped in the dark substance.

He waited.

Nothing was happening. He could still hear the cooing of Rainbow, infatuated with it eggs, he could hear the scratches of the shrews, the flight of the insects. That’s when Gorrash noticed something was different as he was beginning to hear the sharp cries of the bats above. He tried to move his arm to look at the phial, but his body was so heavy. He had never felt so heavy in his short conscious life, even as the light of the Sun hardened his body, it was not that heavy.

The soil seemed to give way under his increasing weight, the surface tension unable to resist. He continued to sink into the ground, down the roots of the trees, through the tunnels of a brown moles quite surprised to see him there, surrounded by rocks and more soil, some little creatures’ bones, and down he went carried into hell by the weight of his pain.

After some time, his butt met a flat white surface, cold as ice, making him jump back onto his feet. The weird heaviness that a moment before froze his body was gone. He looked around, he was in a huge cave and he was not alone. There was an old woman seated crosslegged on a donkey skin. Gorrash knew it was a donkey because it still had its head, and it was smiling. The old woman had hair the colour of the clouds before a storm in summer, It was full of knots and of lightning streaks twirling and curling around her head. Her attention was all on the threads she had in her hands. Gorrash counted six threads. But she was doing nothing with them. She was very still and the dwarf wondered if she was dead or asleep.

What do you want? asked the donkey head in a loud bray.

It startled the dwarf but it didn’t seem to bother the old lady who was still entranced and focused on her threads.

Nothing, said Gorrash who couldn’t think of anything he would want.

Nonsense, brayed the donkey, laughing so hard that the skin was shaking under the old lady. Everyone wants something. You wouldn’t be here if you didn’t want something.

Gorrash thought about what he could want, what he had been wanting that night. He remembered his desire to get out of the garden.

And there you are, brayed the donkey head, that’s a start. What do you want then?

Getting out of the garden?

Noooo! That’s a consequence of a deeper desire, but that’s not what you want.

I have never thought about desires before, said Gorrash. It’s pretty new to me. I just came to life a few weeks ago during a full moon.

The donkey head tilted slightly on its right. No excuses, it spat, If you’re awake, then you have a desire in your heart that wants to be fulfilled. What do you want? Take your time, but not too long. The universe is always on the move and you may miss the train, or the bus, or the caravan…

As the donkey went on making a list of means of transportation, Gorrash looked hesitantly at the old lady. She was still focused on her six threads she had not moved since he had arrived there.

Who is she? he asked to the donkey.

_She’s known by many names and has many titles. She’s Kumihimo Weaver of Braids, Ahina Maker of Songs, Gadong Brewer of Stews…

Ok! said Gorrash, not wanting the donkey go on again into his list enumeration pattern. What is she doing?

She’s waiting.

And, what is she waiting for?

She’s waiting for the seventh thread, brayed the donkey head. I’m also waiting for the thread, it whined loudly. She won’t leave my back until she’s finished her braid. The head started to cry, making the dwarf feel uncomfortable. Suddenly it stopped and asked And, who are you?

The question resonated in the cave and in his ears, taking Gorrash by surprise. He had no answer to that question. He had just woken up a few weeks ago in that garden near the forest, with random memories of a maker he had not known, and he had no clue what he desired most. Maybe if he could access more memories and know more about his maker that would help him know what he wanted.

Good! brayed the donkey, We are making some progress here. Now if you’d be so kind as to give her a nose hair, she could have her last thread and she could tell you where to find your maker.

Hope rose in Gorrash’s heart. Really?

Certainly, brayed the head with a hint of impatience.

But wouldn’t a nose hair be too short for her braid? asked the dwarf. All the other threads seemed quite long to him.

Don’t waste my time with such triviality. Pull it out!

Gorrash doubted it would work but he grabbed a nose hair between his thumb and index and began to pull. He was surprised as he didn’t feel the pain he expected but instead the hair kept being pulled out. He felt annoyed and maybe ashamed that it was quite long and he had not been aware of it. He took out maybe several meters long before a sudden pain signalled the end of the operation. Ouch!

hee haw, laughed the donkey head.

The pain brought out the memory of a man, white hair, the face all wrinkled, a long nose and a thin mouth. He was wearing a blouse tightened at his waist by a tool belt. He was looking at a block of stone wondering what to make out of it, and a few tears were rolling down his cheeks. Gorrash knew very well that sadness, it was the sadness inside of him. Many statues surrounded the man in what looked like a small atelier. There were animals, gods, heads, hands, and objects. The vision shifted to outside the house, and he saw trees and bushes different than the ones he was used to in the garden where he woke up. Gorrash felt a strange feeling in his heart. A deep longing for home.

Now you have what you came here for. Give the old lady her thread, urged the donkey. She’s like those old machines, you have to put a coin to get your coffee.

Gorrash had no idea what the donkey was talking about. He was still under the spell of the vision. As soon as he handed the hair to the woman, she began to move. She took the hair and combined it to the other threads, she was moving the threads too swiftly for his eyes to follow, braiding them in odd patterns that he felt attracted to.

Time for you to go, said the donkey.

I’d like to stay a bit longer. What she’s doing is fascinating.

Oh! I’m sure, brayed the donkey, But you have seen enough of it already. And someone is waiting for you.

The dwarf felt lighter. And he struggled as he began levitating. What!? His body accelerated up through the earth, through the layers of bones and rocks, through the hard soil and the softer soil of years past. He saw the brown mole again and the familiar roots of the trees of the garden in the enchanted forest.

Gorrash took a deep breath as he reintegrated his stone body. He wobbled, trying to catch his ground. He felt like throwing up after such an accelerated trip. His knees touched the ground and he heard a noise of broken glass as he dropped the phial.

“Are you alright?” asked a man’s voice. Gorrash forced his head up as a second wave of nausea attempted to get out. A man in a dark orange coat was looking down at him with genuine worry on his face.

“I’m good,” said the dwarf. “But who are you?”

“My name is Fox. What’s yours?”