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In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 5:55am — Matteo’s morning
Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.
He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.
Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.
He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:
Lucien. Elara. Darius. Amei.
He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.
The strangest part wasn’t the names— it was the certainty that he’d see them that day.
Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.
Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.
The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.
“You’ve never come inside,” she said, her voice soft but certain.
“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.
“Today, you might,” the woman said, stepping forward. “Looking for something specific?”
“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.
“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”
“What’s uncommon about a bell?”
The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”
Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.
“How much?”
“For you?” The shopkeeper tilted his head. “A trade.”
Matteo raised an eyebrow. “A trade for what?”
“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”
It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.
Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.
Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.
The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.
Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.
By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.
He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.
In reply to: Quintessence: Reversing the Fifth
Nov.30, 2024 2:33pm – Darius: The Map and the Moment
Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.
The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.
Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.
It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.
“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.
“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.
“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”
Darius raised an eyebrow. “A philosophical map?”
The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”
Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”
“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.
Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.
He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.
He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.
He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.
India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.
One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.
Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.
The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.
The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.
The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.
Whatever this reunion was about, he’d be ready for it.
But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.
In reply to: Quintessence: Reversing the Fifth
It was a wonder that the letter had reached her at the guest house, the post being so slow and unreliable these days. It didn’t give Elara much time to plan the trip, but it was enough ~ just. If it hadn’t been so easy to get to Paris from Dover she’d probably have said she couldn’t make it. The study could wait while she took a few days off, progress had been made on the project, more than expected. The additional properties of the chalk at Samphire Hoe were exciting, but would need much more work.
I’m supposed to be retired, Elara reminded herself, wondering how she’d allowed herself to get roped in to another field trip. A few weeks back in England, all expense paid, had swayed her, but the weeks were turning into months.
Looking at the envelope again, Elara wondered what the stain was. It didn’t look like paint. Tempted to run it through some tests at the lab, she realised she didn’t have time. She had to book tickets and pack a few things, and send a message to Florian to thank him for forwarding the letter. I wonder why he didn’t just tell me about the letter in a message? she wondered. I’d have suggested he open it and tell me what it said. And how unusual to send an actual paper letter! It was partly this intriguing point that was making her determined to go and see what it was all about.
But you know what Lucien is like, she reminded herself, wondering if he was still the same. Five years wasn’t long, but it was relative. The past five years had flown by, but a lot had happened. But have I changed? A few more wrinkles, grey hairs more prolific, arthritic hips a little more troublesome…. and my interests have changed…
Elara wasn’t sure if she had changed more than she had stayed fundamentally the same. Mutatur autem idem, vel in diversum…..
In reply to: Quintessence: Reversing the Fifth
Amei found the letter waiting on the narrow hallway table; her flatmate, Felix, must have left it there. They rarely crossed paths these days as he was working long shifts at the hospital. His absence suited her—mostly.
It was a novelty to get a letter! She turned it over in her hands, noting the faint coffee stain on one corner and the Paris postmark. The handwriting was sharp and angular, unmistakably Lucien’s. It felt like a relic from another life, a self she’d long ago left behind in favour of the safe existence she had built in London.
She slipped a finger under the flap and opened the envelope. It contained a single piece of paper—she read the words and Lucien’s familiar insistence leapt off the page.
Amei set the letter on the kitchen counter and stood for a moment, staring out the window. The view was of the neighbouring building—a dreary brick wall streaked with stains, its monotony interrupted only by a single trailing vine struggling to cling to life.
The flat was small but tidy, shaped by two lives that rarely intersected. Felix’s presence was minimal: a mug left on the counter, a jacket draped over a chair. The rest was hers—books stacked on shelves, notebooks brimming with half-formed ideas, and an easel by the window holding an unfinished canvas. She freelanced as a textile designer. On the desk lay fabric swatches and sketches for her latest project—a clean, modern design for a boutique client. The work was steady and paid the bills but left little room for the creative freedom she once craved.
It certainly wasn’t the life she’d envisioned for herself at twenty, or even thirty, but it was functional. Yet there was an emptiness to it all; she was good at what she did, but the passion she’d once felt for her work had dulled.
There were no children at home to fill the silence, no pets to demand her attention. Relationships had come and gone, but none had felt like forever. Felix offered a semblance of company, though their conversations had dwindled to polite exchanges or the odd humorous anecdote. Her days had settled into a rhythm of predictability, punctuated only by deadlines and occasional dinners with colleagues she liked but never truly connected with.
Amei sank into the armchair by the window. Should she go? She had to admit she was curious. It must be nearly five years since they had last been together and the events of that last occasion still haunted her.
She leaned back, her gaze trailing to the vine outside the window, and let the question linger.
In reply to: Quintessence: Reversing the Fifth
Lucien pulled his suitcase through the rain-slick streets of Paris, the wheels rattling unevenly over the cobblestones. The rain fell in silver threads, blurring the city into streaks of light and shadow. His scarf, already streaked with paint, hung heavy and damp around his neck. Each step toward the café felt weighted, though he couldn’t tell if it was the suitcase behind him or the memories ahead.
The note he sent his friends had been simple. Sarah Bernhardt Café, November 30th , 4 PM. No excuses this time! Writing it had felt strange, as though summoning ghosts he wasn’t sure were ready to return. And now, with the café just blocks away, Lucien wasn’t sure if he wanted them to. Five years had passed since the four of them had last been together. He had told himself he needed this meeting—closure, perhaps—but a part of him still doubted.
He paused beneath a bookstore awning, the rain tracing fractured lines down the glass. His suitcase leaned against his leg, its weight pressing into him. Inside: a crumpled heap of clothes that smelled faintly of turpentine and the damp studio he had left behind, sketchbooks filled with forgotten drawings, and a small bundle wrapped in linen. Something he wasn’t ready to let go of—or couldn’t. He hadn’t decided yet if he was coming back or going away.
Lucien reached into his pocket and pulled out his last sketchbook. Flipping absently through its pages, he stopped at an old drawing of Darius, leaning over the edge of a rickety bridge, hand outstretched toward something unseen. He could still hear Darius’s voice: If you’re afraid of falling, you’ll never know what’s waiting. Lucien had scoffed then, but now the words lingered, uncomfortable in their truth.
The café came into view, its warm light pooling onto the wet street. Through the rain-speckled windows, he saw the familiar brass fixtures and etched glass, unchanged by time. He stepped inside, the warmth closing around him, and made his way to the corner table. Their table.
Setting the suitcase down, he folded into the chair and opened his sketchbook to a blank page. His pencil hovered. Outside, the rain fell softly, its rhythm steady against the glass. Inside, Lucien’s chest felt heavy. To make it go away, he started to scratch faint lines across the page.
In reply to: Quintessence: A Portrait in Reverse
Characters list
Character / Personality Traits / Connection clues to Matteo
- Lucien
- The Artist
- Introspective, dreamy, quietly sarcastic
- A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
- Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
- Elara
- The Scientist
- Analytical, sharp, skeptical
- A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
- Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
- Darius
- The Explorer
- Bold, restless, deeply curious
- A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
- Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
- Amei
- The Storyteller
- Observant, wise, enigmatic
- A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
- Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.
- Matteo
- The Enigmatic Server
- Charismatic, cryptic, all-knowing
- A waiter with an uncanny awareness of the four friends, both individually and collectively.
- Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.
In reply to: Quintessence: Reversing the Fifth
At the Café
The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.
Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.
The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.
“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.
“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.
Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”
“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”
She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.
The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.
“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.
“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.
Lucien snorted. “Still paying for strangers’ stories, I see.”
“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.
The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.
“You’re late,” Darius said, but his voice carried no accusation.
“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”
Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”
“Not all of us live in Paris,” Elara said, with a glance at Lucien.
“Only some of us make better life choices,” Lucien replied dryly.
The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.
In reply to: The Incense of the Quadrivium’s Mystiques
Frella opened her mouth to reply, but Eris clapped her hands, a mischievous grin spreading across her face.
“Right, enough lounging. Let’s play a game—something to liven things up.”
“What sort of game?” Truella asked, “Nothing that requires too much energy I trust?”
“A card game.” Eris pulled a small leather pouch from her satchel. She gave it a shake, and a deck of cards flew out, shuffling mid-air before landing neatly in her hands.
Malove smirked. “If it involves hexes, I’m in.”
Eris began to deal the cards with a flourish. Each card shimmered, pulsing faintly with magic as it landed on the rug. “Think strategy, mischief, and a touch of divination. The goal? Outsmart your opponents while dodging whatever surprises the cards throw at you.”
Frella propped herself up on one elbow, eyeing the cards warily. “Define ‘surprises.’”
“Oh, you’ll see,” Eris said with a wink, placing the deck in the centre. “Rules are simple: draw a card, play your move, and handle the consequences. Last witch standing wins.”
“Wins what?” Jeezel asked, lowering her camera.
“The satisfaction of knowing you’re the most cunning witch here.”
“Sounds like my kind of game,” Truella said, drawing the first card. She held it up to reveal a swirling vortex labelled Spell Swap. The card glowed briefly before zipping into Frella’s pile.
Frella blinked. “What just happened?”
“You’ve inherited Truella’s card,” Eris said with a grin. “And a touch of her personality for the next round.”
Frella felt an odd surge of boldness, almost manic. “Alright, my turn!” she declared, her voice sharp and bossy and much louder than she had intended. She snatched a card marked Mystic Reveal and, with a theatrical flick of her hand, unleashed a shimmering projection of her week’s questionable decisions.
“Oh, for heaven’s sake!” she cackled. “Why does everyone need to see this?”
It wasn’t long before the game descended into chaos—spells flying, laughter erupting in snorts and shrieks. Eris croaked indignantly from her frog form while Jeezel gleefully documented the mayhem with her camera, which was now a cackling raven perched on her shoulder. Malove scowled beneath a scandalous projection of her own making, and Truella lounged, flicking daisies where her cigarette had been.
Frella smiled, the madness finally something she could embrace. Winning didn’t matter. The chaos had its own pull—wild, reckless, and oddly exhilarating.
In reply to: The Incense of the Quadrivium’s Mystiques
Frella stretched out on the tartan rug, staring at the sky, determined to enjoy the surprise holiday. The picnic, the dramatic entrances, the tension crackling between Malove and Truella—it was all so bizarre.
“Do you ever think things through so they make sense?” she asked, tilting her head towards Truella. “I feel like I’ve stumbled into a play and I don’t know my lines.”
Truella waved her cigarette, the smoke spiralling upwards like a miniature storm cloud. “Bit rude, Frella! Anyway, explanations are notoriously overrated. Life’s way more fun when you go with the flow.”
“Fun?” Frella snorted, glancing at Jeezel, who was snapping photos like a paparazzo. The clicking felt intrusive, like a mosquito buzzing in her ear. “And Jeezel, must you document everything?”
“Of course,” Jeezel replied, eyes glued to her camera. “This is pure gold—Truella playing holiday queen, Malove looking almost…pleasant? Art in motion!”
Frella rolled her eyes, but, deep down, she knew Jeezel wasn’t entirely wrong. The golden light glinting off the champagne bottle, the weathered beauty of the ruins in the background, and the strange but undeniable camaraderie of their mismatched group—there was indeed something picturesque about it all. She closed her eyes for a moment, letting the faint hum of insects and the soft rustle of the breeze settle over her. Why couldn’t she just enjoy it?
“Think Cromwell’s plotting revenge?” she asked, breaking the momentary calm.
“Probably,” Truella replied breezily, “He loves that sort of thing. But that’s tomorrow’s problem. Do buck up, Frell, you’re being such a bore.”
In reply to: The Incense of the Quadrivium’s Mystiques
“Actually,” Eris ventured, “There’s that spell I’ve been meaning to try for a while, but it’s not entirely safe to do on one’s own.”
“Oh, brazen Eris being cautious, paint me curious now!” tittered Truella.
“It was initially devised as a memory spell, but it soon became clear it was opening more possibilities. It can make us travel in any mentally accessible space, spend as much time as we want there with barely a second passing in the physical world.”
“You’re basically describing dreaming, aren’t you?” Jeezel interjected.
“True, in a sense, it’s like lucid dreaming, but with your physical body —and with an energetic anchoring from the coven, that means you can have a lot more control, and spend as much time there as you’d like.”
“So that means we can have more than one vacation destination at a time!” Truella was starting to see the possibilities.
“Yes, and that’s where it becomes perilous. It’s as physical as real life, so you can die there. And without converging focus, we can be propelled into alternative and unwanted mind spaces. We could spend lifetimes and grow old in realities we’d forget were only mental projections.”
“Right, if we can’t agree an a simple vacation, what could possibly go wrong.”
“Shtt, Frella,” Truella’s imagination was already getting wild. “It also means we can go to fantasy lands as well. Lothlórien, Rivendell,… oh wait! Abalone and Gazalbion, always wanted to see those places!”
“With this one, we’ll need more than one anchor to keep us tethered to reality then…” Frella added sarcastically.
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was reading the ‘Love Among the Ruins‘ by famous author Liz Tatler, sitting comfortably in her favourite chair.
“Celestine, darling,” Vivienne St Clair exclaimed, her perfectly arched brow lifting as she set down her champagne glass, “you mean to tell me you’ve been lounging by your pool on what might very well be the throne of some Roman goddess? And you wouldn’t let me near it? Honestly, the nerve of you!”
She adjusted her silk scarf with a dramatic flourish, her green eyes sparkling mischievously. “Though I must say, I do admire your determination to get that pool built before I could turn it into some excavation site. Practical as ever, aren’t you, darling?”
As the mention of the mosaic came up, Vivienne St Clair froze mid-sip of her drink, her expression an artful mixture of shock and indignation. “Lost? The Aramanthus Mosaic, lost? Oh, Celestine, this is beyond belief. It’s a tragedy of epic proportions! Worse than the time Aunt Agatha’s pearls were stolen during the garden party—at least we found those under the butler’s cushion.”
She leaned in conspiratorially, her voice dropping to a whisper. “Celestine, my dear, if the Barcelona museum can’t find it, then someone must! Perhaps I should enlist one of my… shall we say… resourceful acquaintances. A charming rogue with a penchant for treasures, perhaps?”
Then, with a dramatic sigh, she sank back into her chair, looking every inch the heroine caught in a whirlwind of intrigue. “Celestine, life is simply too absurd sometimes. Roman ruins, lost mosaics, and a bench fit for an empress—I can hardly keep up.”
Jeezel almost choked on a mint leaf. What a bunch of amateurs, if they had to deal with a tenth of what her coven had been through these last few months…
In reply to: The Incense of the Quadrivium’s Mystiques
“Permission to speak, My Lady Malove?” Truella asked respectfully. She was still wearing Frella’s raincoat of respect as it hadn’t stopped raining the whole time she’d been in Ireland, although the respectfulness was becoming tedious. But she was inside the Quadrivium building now, facing her agitated boss. She shrugged the raincoat off and tossed it aside and squared her shoulders.
“Speak!” Malove replied, rude and abrupt.
“I say, would you like some new pyjamas by any chance? No, never mind that now. Someone needs to say this to your face, as you haven’t figured it out for yourself yet.”
Gasps of astonishment echoed around the great hall and the air quivered with tension.
“You have been so obsessed with the fact sheets of the merge and the number crunching that you’ve been blind to a more significant merge.” Truella boldly held her hand up to silence Malove whose mouth was gaping open like a goldfish, or perhaps more like a carp.
“No, you listen to me for once,” Truella almost quaked at her own impudence then, but caught the merest glimmer of amusement from the depths of Malove’s being, or rather the essence of Cromwell who was lodged there.
Don’t you dare leave me now, Thomas, stay right there until I’ve finished or I’m toast.
“You have been so outwardly focused that you’re not paying attention to your own self, or you’d have noticed. Which just goes to show the immense efficiency and subtley of Cromwell’s merge tactics. It would behoove you to admit that you needed direction, and to appreciate the help that has been provided for you. You are not entirely yourself, or rather, you are entirely yourself, but at times lately you are more than that.”
Taking a deep breath, Truella continued. “At first it may be unsettling, but you must persevere and don’t fight it. Accept that you needed help, give thanks that you received it, and work well with Cromwell’s suggestions.”
“Saints preserve us,” whispered Malove, shocked to the core. “I don’t mean papish saints though,” she added hastily, unsure how to proceed.
Truella laughed nervously, her courage suddenly evaporating. She felt a strong urge to flee.
I asked you not to leave me alone with her!
In reply to: Two Aunties au Pair and Their Pert Carouses
“Oh sweet revenge…” November was looking gleeful, and truth be told, too smug. With a tinge of orange anticipating a delectable tapestry of chaos.
The results had come as cold as an early winter for a world standing on the precipice of another era under President Lump’s reign.
“The winds of change rustling the curtains of the Beige House once more. And amidst this swirling tempest of political intrigue, our story unfurls with the maids au pair at its heart.”
“Liz, are you sure this is wise to pursue?”
“Oh stop, it Godfrey, the harm is done, November was written already in that story; I knew she would spell trouble from the beginning. And please, don’t interrupt.”
As April and June departed to pursue their ventures—perhaps April embarked on a global crusade for environmental stewardship while June disappeared into the realms of espionage, her whereabouts known only to the shadows—November emerged, a true force of nature. With an iron will and a meticulous attention to detail, she transformed the Beige House into a bastion of order amid political disarray under old Joe Mitten—bless his bumbling heart. Her reign as the clandestine conductor of this domestic symphony was nothing short of legendary.
During those four years, November proved herself indispensable. She orchestrated everything from state dinners to covert intelligence briefings, all while maintaining the perfect façade of domestic tranquility. The press would whisper her name, speculating on her true influence behind the scenes. Little did they know that November had eyes and ears in every corner of the Beige House, including a network of whispering portraits and eavesdropping sconces.
And now, with President Lump’s reelection, November faces her most formidable challenge yet. The political climate is rife with unpredictability—alliances shift like sand, loyalties waver, and secrets simmer beneath the surface. November must navigate this labyrinth with the precision of a masterful chess player, anticipating every move and countermove.
In reply to: The Incense of the Quadrivium’s Mystiques
When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.
Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.
“Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.
Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.
“What?” Malové’s eyebrows arched.
“Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.
Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”
“They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”
Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.
When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.
Symbols, runes, sigils—even some impressively powerful ones—where scattered thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.
As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.
In reply to: The Incense of the Quadrivium’s Mystiques
After the postcard craze had passed, Frella returned to Herma’s cottage several times to study the camphor chest. Every day for a week, Herma let her into the living room, where she would sit quietly in front of the chest, sometimes for hours. The wood’s glossy surface would catch the light, warm and rich, like polished honey. Frella would trace the strange curves of the mysterious engravings with her fingers, feeling the subtle dips and rises beneath her touch. The patterns felt ancient, worn smooth in places, yet sharp along certain edges, as if holding onto secrets just out of reach.
Then, as she lifted the heavy lid, a soft creak would break the silence, the hinges groaning as if they hadn’t moved in ages. A burst of cool, earthy fragrance would immediately rise, filling the air with camphor’s sharp, clean scent, mingled with faint hints of aged cedar and spice.
It didn’t take long for Frella to notice that each time she opened the chest, she would find a new object among the old papers and postcards. It was never the same. Once, it was an old brass spyglass; another time, it might be an ornate compass with seven directions marked. Yet another day, she found a teddy bear. By some odd coincidence, each item always seemed to be something she needed in her life at that particular moment.
When Eris informed them that Malove was most likely under a powerful spell, Frella found the mirror. An inscription carved clumsily on its back read, “This Mystic Mirror belongs to Seraphina.” The mirror’s metal was cold, tarnished, and in need of a good polish. Jeezel would have surely raved about the intricate vines of silver and gold, twisting in delicate patterns that seemed to shift with the viewer’s perspective. But what captivated Frella most was the glass itself. It held a faint opalescent sheen, swirling with hints of colors, like a rainbow caught in crystal.
The first time Frella looked into it, she saw, behind her own reflection, an elderly woman with silver hair handing the mirror down to a little girl who looked just like Frella had as a child. The clothes were peculiar, and the room they stood in looked as if it belonged in a fantasy movie. Then the little girl began carefully carving something on the back of the mirror with what looked like a golden chisel. When she finally turned the mirror and looked into it, her reflection replaced Frella’s. She said something, but there was no sound. Frella had the distinct impression that the girl’s lips had formed the words, “We are the same. It’s yours now; you’ll need it soon.” Then she vanished, and Frella’s own reflection reappeared.
Still filled with awe at what just happened, Frella wondered if Seraphina was a long lost ancestor. “Was that chest also yours, Seraphina?” she asked in a whisper to the ghosts of the past.
In reply to: The Incense of the Quadrivium’s Mystiques
“Why are you grunting like that Chantelle”, Maurice asked, “Are you in pain?”
Laughing, she replied that she was only grunting out of politeness because the woman in the future expected it. “I don’t think they’re very bright, to be honest. You should see the postcards she sends, everywhere looks weird. Hardly any trees or animals, but all cluttered with strange lumps of grey. And their writing has no sound, not like ours. I’m struggling to decipher the messages”
Maurice leaned his best spear up against the cave wall. “Here, I brought you some nice feathers for your hair.” He wasn’t sure what to make of Chantelle’s invisible friend, and rather wished she’d drop it and do some more painting on the walls.
“Ooh, how pretty! Glad you didn’t bring any more shellfish home, I’m absolutely stuffed on shellfish.”
In reply to: The Incense of the Quadrivium’s Mystiques
“I’m glad Hallowe’en is soon coming…” Eris sighed to her colleague. “Honestly, when did all the witchery stuff got outnumbered by Project Managers Officers?”
“Don’t ask me!” replied Truella in the dirt-smeared reflection of her obsidian mirror. She was still obviously distracted from her Incense-making numbers, not that she ever really cared about it —and even less since Malové got replaced for a while.
“Found anything worth scrying in your old postcards?” Jeezel affably trying to practice genuine interest in Truella’s games. Her own image was all pixellated due to the abundance of glitter on the makeup stand she was using for the conference call.
“Shht…” shushed Frella appearing in a faint halo light through her pristinely shiny scrying mirror, “Don’t encourage her, silly. There’s going to be no end of it. And Eris has a point, I may say.”
“Does she, now? And when did you start to take sides?” Truella felt like Pinocchio being told the Land of Toys wasn’t all that it was supposed to be.
“Listen,” Eris said “I’m sure you’ve realised by now, we have PM Officers for about any ridiculous thing in the Quadrivium nowadays. None of them having any magic to show for. They’re going to suffocate us in paperwork if you ask me. I suspect the Malové that came back was put under some sleeper sort of a spell; the Malové we knew would never have tolerated such nonsense.”
Eris marked a pause, looking sideways at Truella’s reflection on her Witchype screen. “And I think she’s had a fair deal of nonsense to contend with… but at least, even in a dragon fire mishap, there was magical prowess that could be harnessed.”
“I do like to get my hands dirty you know, and unravel layers of earth without the help of any spell” snickered Truella.
“That is not the matter and you know it…” Eris sighed.
“You meant to say, it’s time for a good old fashioned witchy coven spell to unravel the truth and break one maybe?” Frella ventured mockingly coyly.
“I’m in!” Jeeze jumped in suddenly “Been so bored for so long with all these timesheeting, spreadsheeting, and reportshitting if you don’t mind my French.”
“Actually I have an idea for a spell… and it may be of interest to you Truella too.” Eris continued.
Truella raised an eyebrow. She was not one to take things at face value. “Try me”
“All my ancestry research has pointed me to something we could work with. You know that bits of hair and nail are basically just middle-agey way of gathering DNA; and that DNA can act as a conduit through time and space, the same way it connects people.”
“Ooooh…” cooed Trooella.
“Exactly.” All nodded in a silent conspiring understanding.
In reply to: The Incense of the Quadrivium’s Mystiques
Malove surveyed the room, her piercing gaze sweeping over each witch, causing them to cower. “I trust you’re not letting the weather distract you from your duties,” she said, her voice crisp. “I won’t have the coven slacking because of a little drizzle.”
Jeezel straightened, flustered. “It’s not the weather! It’s the postcards! They’re showing up out of nowhere, and no one knows who’s sending them!”
Malove raised an eyebrow. “Postcards? How quaint. And you think this warrants my attention?”
“Absolutely!” Truella interjected, surprising even herself with her boldness. “It could be a warning—or worse, a challenge.”
A flicker of ethereal light indicated Eris’s presence. “Or perhaps someone just has a twisted sense of humor.”
Frella crossed her arms, frowning. “I agree with Tru. This could be serious.”
Malove stepped closer, her demeanor sharpening. “Enough. I care not for your trifles unless they threaten the coven. What precisely have you discovered”
Jeezel pulled out one of her postcards. “This one shows a twisted tree… and a symbol I don’t recognize.”
Frella bit her lip and revealed her own card. “Mine has a raven on a crooked branch. Its gaze feels… unsettling.”
Truella’s heart raced. “Jeezel, let me look at that! I think I’ve seen that symbol before—in the book that fell off my shelf!”
Malove’s interest was piqued. “Elaborate.”
“Well, old books practically leap off the shelves at me,” Truella explained, excitement building. “And Frella had a dream that seemed connected. The really odd part?” She paused dramatically until she was sure she had their full attention. “I noticed that the book was written in the FIRST PERSON.” She gestured to the postcard with the twisted tree. “Maybe these cards are connected.”
Eris chimed in lightly. “Or they could be a distraction. Perhaps you’re sending yourself messages?”
Truella frowned, glancing at the shimmering light of Eris. “But why do you get to do distance while the rest of us are stuck here in this rain? Can’t you join us physically for once?”
Eris laughed, her voice echoing. “Someone has to keep an eye on the chaos you’re about to unleash.”
In reply to: The Elusive Samuel Housley and Other Family Stories
Youlgreave
The Frost Family and The Big Snow
The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.
“The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”
J. Charles Cox, Notes on the Churches of Derbyshire, 1877.
Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.
Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.
Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.
John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.
Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.
Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.
The Frosts of Youlgreave
Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.
(Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)
John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.
John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.
David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.
William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.
William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.(Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)
Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.
Baptisms:
1581 Eliz Frost, father Michael.
1582 Francis f Michael. (must have died in infancy)
1582 Margaret f William.
1585 Francis f Michael.
1586 John f Nicholas.
1588 Barbara f Michael.
1590 Francis f Nicholas.
1591 Joane f Michael.
1594 John f Michael.
1598 George f Michael.
1600 Fredericke (female!) f William.Marriages in Youlgreave which could be William’s parents:
1579 Michael Frost Eliz Staley
1587 Edward Frost Katherine Hall
1600 Nicholas Frost Katherine Hardy.
1606 John Frost Eliz Hanson.Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.
(Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)
Frideswide:
A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.
(Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)
An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”
J. Charles Cox, Notes on the Churches of Derbyshire, 1877.
King James
A parish register entry in 1603:
“1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.” (March 1603 would be 1604, because of the Julian calendar in use at the time.)
The Big Snow
“This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”
From the Youlgreave parish registers.
Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.
In reply to: The Incense of the Quadrivium’s Mystiques
“I think we’re late setting our booths up, Frel,” Truella said with a frown. “We better go into the town. I need a toy shop and you need the ironmongers.”
“Toy shop? What for?”
“Miniature plastic cows. I’ll spray them all with some metallic paint and sell them as magical idols or something. And some empty miniature bottles or vials to fill with cow dung.”
“You won’t be able to sell cow dung!”
“I will if it says magical on the bottle, you wait and see!”
“And I’m going to buy a box of hinges and pretend they’re magical too, is that it?”
“Have you got any other ideas?”
Frella was forced to admit that she had not. “Come on then, there’s a bus to the shopping centre in ten minutes.”
“Perfect! You can tell me the rest of the story of the camphor chest on the way.”
- Lucien
