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In reply to: Quintessence: A Portrait in Reverse
Exploring further potential backstory for the characters – to be explored further…
This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.
Backstory: The Co-Housing Dream
Habitat Participatif: A Shared Vision
The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.
What Drew Them In:
- Amei: Longing for a sense of rootedness and community after years of drifting.
- Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
- Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
- Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.
The Land in Drôme
They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.
The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.
The Role of Monsieur Renard
When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.
Initial Promise:
- Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
- His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.
The Split: Fractured Trust
Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.
- Darius’s Drift:
- Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
- He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
- Elara’s Resistance:
- Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
- “This isn’t about community for him,” she had said. “It’s about control.”
- Lucien’s Hesitation:
- Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
- When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
- Amei’s Silence:
- Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.
Matteo’s Unseen Role
Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.
The Missed Connection:
- Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
- By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.
The Fallout: A Fractured Dream
The group dissolved after a final argument about Renard’s involvement:
- Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
- Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
- Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
- Amei, already pulling away, suggested they put the project on hold.
The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.
Amei’s Perspective: Post-Split Reflection
In the scene where Amei buys candles :
- The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
- Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.
Reunion at the Café: A New Beginning
When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.
Matteo’s Role:
- His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
In reply to: Quintessence: Reversing the Fifth
Nov.30, 2024 2:33pm – Darius: The Map and the Moment
Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.
The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.
Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.
It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.
“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.
“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.
“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”
Darius raised an eyebrow. “A philosophical map?”
The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”
Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”
“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.
Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.
He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.
He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.
He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.
India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.
One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.
Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.
The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.
The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.
The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.
Whatever this reunion was about, he’d be ready for it.
But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.
Matteo Appears
Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.
“Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.
“Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”
The group exchanged glances, each of them caught off-guard by the comment.
“You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.
“Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”
“What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.
Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.
“You’ve never all been here before,” he said, a simple statement that landed like a challenge.
“Wait,” Amei said, narrowing her eyes. “You know us?”
“Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”
“Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.
Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”
He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.
“You’re being cryptic,” Elara said, her voice edged with suspicion.
“It’s a talent,” Matteo replied smoothly.
“Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”
“Nor I,” Amei added, her voice soft but steady.
Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”
The words hung in the air, unsettling and oddly satisfying at once.
“You’re saying we’ve met you before?” Elara asked.
Matteo inclined his head. “In a manner of speaking.”
“That doesn’t make sense,” Lucien said, his voice quiet but firm.
“Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”
A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.
“It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”
“For what?” Amei asked, her eyes narrowing.
“For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.
“Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.
One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.
“Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”
And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.
They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.
“What the hell was that?” Darius asked finally, breaking the spell.
“Does he seem… different to you?” Amei asked, her voice distant.
“He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.
“He remembered me,” Lucien said, almost to himself. “Something about absinthe.”
“I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”
“And he didn’t explain anything,” Darius added, shaking his head.
“Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.
They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.
The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.
And though none of them said it aloud, the thought was the same: What had happened before?
Quintessence: Reversing the Fifth
In reply to: The Incense of the Quadrivium’s Mystiques
“Actually,” Eris ventured, “There’s that spell I’ve been meaning to try for a while, but it’s not entirely safe to do on one’s own.”
“Oh, brazen Eris being cautious, paint me curious now!” tittered Truella.
“It was initially devised as a memory spell, but it soon became clear it was opening more possibilities. It can make us travel in any mentally accessible space, spend as much time as we want there with barely a second passing in the physical world.”
“You’re basically describing dreaming, aren’t you?” Jeezel interjected.
“True, in a sense, it’s like lucid dreaming, but with your physical body —and with an energetic anchoring from the coven, that means you can have a lot more control, and spend as much time there as you’d like.”
“So that means we can have more than one vacation destination at a time!” Truella was starting to see the possibilities.
“Yes, and that’s where it becomes perilous. It’s as physical as real life, so you can die there. And without converging focus, we can be propelled into alternative and unwanted mind spaces. We could spend lifetimes and grow old in realities we’d forget were only mental projections.”
“Right, if we can’t agree an a simple vacation, what could possibly go wrong.”
“Shtt, Frella,” Truella’s imagination was already getting wild. “It also means we can go to fantasy lands as well. Lothlórien, Rivendell,… oh wait! Abalone and Gazalbion, always wanted to see those places!”
“With this one, we’ll need more than one anchor to keep us tethered to reality then…” Frella added sarcastically.
In reply to: The Incense of the Quadrivium’s Mystiques
Eris had called in sick. Even with the worst case of cold she’s had in years, she was feeling well enough to do jinx-from-home duties, and while her brain was in slow motion, she was relishing the quiet from the daily nagging of processes at the Quadrivium’s office, paperwork, tedious explaining to new hires in the ever growing coven extensions.
When Jeezel called her at the end of the day, she was glad to learn that Truella had found courage to stand up for them. Jeezel had such a colorful way of describing events, and in describing that particular scene where Truella had made her stand, it was always difficult to extract the truth from the makeup.
“You’re not really paying attention, are you?” Jeezel, ever astute to where attention was, quizzed her.
“What made you say that?” Eris didn’t try to deny.
“Oh I guess, when I started to speak about the camels in knickers going for a bath in the ball pit from all the dropped balls this year.”
“Ah, right. That would do.”
“Tell me, anything troubling you, luv’? You know you can tell me things.”
After a little moment, Eris said “Well, it’s just a thought,… but what if I’m in need of change of path?”
“What do you mean?” Jeezel tried to not sound too alarmed. “Not being a witch anymore?”
“Oh, no. Well,… why not, there’s no shame in no magic —but no. More like…”
“What? Quitting the coven?”
“… Yeah. It’s gone to madder and madder, it’s so hard to keep track with all the nonsense.” Eris corrected seeing the face of Jeezel. “Not that nonsense. You know what I mean… the daily nonsense. Our nonsense is fine. More than fine actually.”
“Phew, you had me worried though. Although…”
“I know… Quitting the coven.”
“You could be stripped of magic, if Malové learns about this…” then with more concern in her voice “WE could all be stripped of magic.”
“Yeah, I know. But look, is that what makes us happy?”
“It certainly foots the bill —or more like magically takes care of the bills.”
“Like I said, Jeez’, it’s just a thought, nothing to worry about, actually it helped to get it out.”
“I think it’s more than a thought.” Jeezel said with an air of age-old wisdom. “Let’s see where this leads. Imagine that…”
“Yeah, we’ll see. Thanks for checking in, it’s nice for a change. I don’t know what’s got into the other two these days, they’re always talking about clothing.”
“Yeah, I know. And pjs’.”
“Go figure.”
In reply to: The Incense of the Quadrivium’s Mystiques
The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable. The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.
“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”
“There be no boatman by that name on the masters barge, lad. Are you speaking my language?” replied boatman Rafe.
“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”
“Aye, I can tell you that. He’s asleep in the barge.”
“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”
“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about. Being in two places at once was becoming difficult to conceal. He would have to employ a man of concealment to cover for him while he was in Malove’s body.
I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me. That will be all.”
“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”
“Whatever you say, master, just tell me where it is.”
“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.
While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.
A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals. Cromwell made a mental note to streamline the future coven with more efficient simple magic.
“Take all your clothes off, Rafe.” Astonished, the boatman removed his hat and his cloak. Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours. Get out of the boat and go and find somewhere under a bush to hide until I come back. I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”
Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest. He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold. God save us all, he whispered, knowing that God wouldn’t.
In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves. I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.
“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one. There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”
“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.
Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.
“Some dry ones would be nice,” Truella admitted.
“It’s not that your clothes are too wet,” he replied, frowning. He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear? They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.
Lord Thomas Cromwell cast another eye over Truella. She was a similar build to Anne of Chives.
“If you think I’m dressing up as one of Henry’s wives…”
Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one. No need for her to be the death of both of us.”
“Look, just drop me off in Limerick on the way home, it’s barely out of your way. It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”
Cromwell gave her an approving look and agreed to her idea. Within a split second they were in Ireland, but Cromwell was in for a surprise.
“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”
Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment. “You! Fancy seeing YOU here! Uncle Thomas!”
In reply to: The Incense of the Quadrivium’s Mystiques
When Eris arrived at the meeting room, she overheard Malové requesting yet another of those delicious licorice spider. Jeezel sprang to her feet, flashing what looked like a welcoming gesture toward Eris, in fact asking to join her at the treats table.
“She arrived so tense,” Jeezel said, seizing the bowl of licorice spiders. “I was worried she’d pick up that something was off, but the incense you prepared, combined with my sigils, worked like a charm.” She winked. “Now she’s as mellow as a sweet old grandma. And I must say she’s actually enjoying the party.”
“I’m wondering if we didn’t went too far on the relaxing part,” Frella remarked as she joined her sisters at the treats table. “Malové just asked when we’re starting the karaoke.
“Now, that is spooky,” Eris replied, smirking, “but I suppose it’s in keeping with today’s theme. I think the spell she’s under is reacting to our own enchantments. By the way, where is Truella?”
Frella, sighed, slightly uneasy. “She mentioned a leak in the historic artifacts warehouse—or maybe a flood? Hard to tell with all the gurgling sounds in the background. Then the line cut off, and I haven’t been able to reach her since.”
“I’m afraid we’ll have to start without her,” said Eris, a hint of concern in her voice. “Echo,” she said to her familiar who just appeared in a rainbow swirl at the mention of its name, “do whatever it takes to reach her, see if she needs our help. She still has with her an essential element for our spell.”
Echo nodded before vanishing just as swiftly as it had arrived, leaving a trail of iridescent light in its wake.
“It’s so beautiful,” said Malové, suddenly appearing behind them and startling the three witches. “I want one too. You’re naughty to leave me alone at the big table, as if I were being punished.” She pouted playfully, her eyes darting toward the array of treats and decorations that had caught her attention.
Jeezel exchanged a quick, amused glance with Eris, who quickly composed herself. It was going to be one of those long meetings.
In reply to: The Incense of the Quadrivium’s Mystiques
The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.
Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.
As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.
Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.
Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”
Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.
Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.
As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.
As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.
Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”
The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”
Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”
Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”
Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”
Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”
Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”
Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”
Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.
As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.
In reply to: The Elusive Samuel Housley and Other Family Stories
Elton Marshall’s
Early Quaker Emigrants to USA.
The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.
According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.
While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)
Abraham’s son born in USA was also named Humphrey. He was a well known botanist.
Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.
(There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)
In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.
An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.
But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.
Derbyshire Quakers
In “Derbyshire Quakers 1650-1761” by Helen Forde:
“… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”
Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.
The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:
A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
Besse, Joseph. 1753Note the names Margaret Marshall and Anne Staley. This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.
The Botanist
Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall. He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.
In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).
Marshall has been called the “Father of American Dendrology”.
A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.
In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.
via Wikipedia.
From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:
From The Chester Country History Center:
“Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
pay for the whole.’– Benjamin Franklin to Humphry, March 18, 1770
“In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.
In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.
Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”
In reply to: The Incense of the Quadrivium’s Mystiques
Shivering, Truella pulled the thin blanket over her head. Colder than a witches tit here, colder in summer than winter at home! It was no good, she may as well get up and go for a walk to try and warm up. Poking her head outside Truella gasped and coughed at the chill air. Shapes were becoming discernible in the dim pre dawn light, the other pods, the hedgerow, a couple of looming trees. Truella rummaged through her bag, hoping to find warm clothes yet knowing she hadn’t packed anything warm enough. Sighing, her teeth chattering, she pulled on everything she had in layers and pulled the blanket off the bed to use as a cape. With a towel over her head for extra warmth, she ventured out into the Irish morning.
The grass was sodden with dew and Truella’s feet were wet through and icy. Bracing her shoulders with determination, she forged ahead towards a gate leading into the next field. She struggled for a few minutes with the baler twine holding the gate closed, numb fingers refusing to cooperate. Cows watched her curiously, slowly munching. One lifted her tail and dropped a steaming splat on the grass, chewing continuously. I don’t think I could eat and do that at the same time.
Heading off across the field which sloped gently upwards, Treulla picked up her pace, keeping her eyes down to avoid the cow pats. By the time she reached the oak tree along the top hedge, the sun started to make an appearance over the hill. Warmer from the exercise, she gazed over the countryside. How beautiful it was with the mist in the valleys, and everything so green.
If only it was warmer!
“Are you cold then, is that why you’re decked out like that? From a distance I thought I was seeing a ghost in a cloak and head shawl!” The woman smiled at Truella from the other side of the hedgerow. “Sorry, did I startle you? You’ll get your feet soaked walking in that wet grass, climb over that stile over there, the lane here’s better for a morning walk.”
It sounded like good advice and the woman seemed pleasant enough. “Are you here for the games too?” Truella asked, readjusting the blanket and towel after navigating the stile.
“Yes, I am. I’m retired, you see,” the woman said with a wide grin. “It’s a wonderful thing, not that you’d know, you’re much to young.”
“That must be nice,” Truella replied politely. “I sometimes wish I was retired.”
“Oh, my dear! It’s wonderful! I haven’t had a job for years, but it’s the strangest thing, now that I’ve officially retired, there’s a marvellous feeling of freedom. I don’t have to do anything. Well, I didn’t have to do anything before I retired but one always feels one should keep busy, do productive things, be seen to be doing some kind of work to justify ones existance. Have you seen the old priory?”
“No, only just got here yesterday.”
“You’ll love it, it’s up this path here, follow me. But now I’ve retired,” the woman continued, “I get up in the morning with a sense of liberation. I can do as little as I want ~ funny thing is that I’ve actually been doing more, but there’s no feeling of obligation, no things to cross off a list. All I’m expected to do as a retired person is tick along, trying not to be much of a bother for as long as I can.”
“I wish I was retired!” exclaimed Truella with feeling. “I wish I didn’t have to do the cow goddess stall, it’ll be such a bind having to stand there all evening.” She explained about the coven and the stalls, and the depressing productivity goals.
“But why not get someone else to do the stall for you?”
“It’s such short notice and I don’t know anyone here. It’s an idea though, maybe someone will turn up.”
In reply to: Washed off the sea ~ Creative larks
The rose coloured spectacle lens.
Aunt Idle:
“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.
1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.
2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.
3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.
4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.
5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.
Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.
Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”
In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”
“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman. The Snoot:
“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.
Lean close! Such a find whispers soft secrets:
Balance Broken, Yet Bright Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!
Liz:
Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.
Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.
One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.
Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.
Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.
So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.
Mater:
Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?
Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.
A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.
Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.
Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?
Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.
Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.
Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.
Finnley:
Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.
Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.
Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?
Mandrake:
Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.
Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?
Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.
Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.
Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.
Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?
Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?
Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.
Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Cedric Spellbind scene with Frella at Herma’s cottage. (ref)
On the rugged coast of Ireland bathed by a sunny light. Near a secluded cottage, the scene unfolds with the figure of a tall, middle-aged man with disheveled dark hair, a deerstalker hat, and a trench coat, who stands nervously. His piercing eyes reveal a lifetime of supernatural pursuits.
Next to him, a modern witch with striking blond hair reminiscent of Tilda Swinton, sits on a camphor chest. The cottage owner, a middle aged lady frets nearby. He declares his official business, accusing her of Witch Violations. He is entranced by her presence, admits he knows she’s a witch but won’t turn her in.
The scene captures a rare moment of levity and complex attraction in the tense atmosphere and their complicated relationship, set against the backdrop of a mysterious and mystical investigation.
In reply to: The Incense of the Quadrivium’s Mystiques
Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do. Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.
Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.
Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.
The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia.
Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.
The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.
Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.
When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive.
In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.
In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.
When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices. The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.
So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?
In reply to: The Incense of the Quadrivium’s Mystiques
The obvious place to start with investigations into the history of the Morticians Guild was to question Rufus. But first she needed to think. Truella made her way to her room, and locked the door. At least now that Eris was back so soon, Truella was free to let Eris get on with whatever she was doing. After lowering the blinds at the windows, she lay back on the bed and closed her eyes. As she started to drift off to sleep, an imaginary conversation ran through her head.
Rufus: “The Morticians’ Guild, originally known as the ‘Necro-Keepers,’ trace their lineage back to ancient Egypt. They were the guardians of rites that ensured the safe passage of souls to the afterlife. Over millennia, they adapted and evolved, absorbing arcane knowledge from various cultures—the Greeks with their Eleusinian Mysteries, the Romans with their burial rites, even the Celtic traditions of Samhain.”
Truella: “That’s fascinating. So, this ancient craft has been handed down through generations?”
Rufus: “Precisely. While Hildegarde von Bingen brought enlightenment and medicinal wisdom to her nuns in the 12th century, the Morticians’ practices were already etched in the annals of history. They operated in silence, often in the shadows, perfecting the skills of embalming, necromancy, and spirit communication.”
Truella: “And what about their presence here, in this coven merger?”
Rufus: “We’ve been called upon at times of great need, when balance must be maintained between the living and the dead. Our presence here isn’t coincidental. The dragons and ancient spirits awaken, and we, the keepers, ensure that not all realms collide irreversibly.”
Truella: “So, would you say the Guild has played a role in significant historical events?”
Rufus: “Indeed. We’ve been the unsung heroes, the silent watchers. From plagues to wars, ensuring the dead find peace and don’t linger to disrupt the world of the living. Our methods may have modernized, but our core purpose remains unchanged. The knowledge, the rituals—they are our legacy.”
Truella: “Thank you, Rufus. That’s more fascinating than a year’s worth of ancient spellbooks.”
Rufus: “You’re welcome, Truella. Just remember, history isn’t merely dates and names; it’s living through us, weaving its magic continuously.”
In reply to: The Incense of the Quadrivium’s Mystiques
Frella opened her eyes. She felt rather woozy and very peculiar and it took her a moment to work out that she was sitting on the camphor chest in Herma’s shed with Herma and that awful Cedric Spellbind looming over her, their faces close and large. Too close. She looked from one anxious expression to the other.
“And what the devil is he doing here?” She nodded towards Cedric.
Cedric straightened himself. “I am here on official business,” he said stiffly. “Investigating this AirBnB for potential Witch Violations. And lucky I turned up when I did because you gave Mrs McCarthy here quite a turn with the way you were carrying on.”
Herma shook her head crossly.” Violations my foot. I told you lot last time your people came sniffing around, there’s none of that carry on here.”
“Why have I got salt all over me?” asked Frella.
Cedric rolled his eyes. “Now THIS, THIS is what I am talking about. SHE,” he pointed at Herma, “threw salt all over you to break the evil spell she said.”
“What nonsense!” said Herma, her face colouring. “But you had gone all odd, sort of not-here like and I couldn’t get any sense out of you.” She considered her hands for a few moments and then raised her head and beamed at Frella. “Why don’t I go and make you a nice cup of tea?” With that, she scurried off.
“Well, you’ve done what you came for. You can go now,” said Frella glaring at Cedric. She stood up and turned pointedly away from him, wondered how much he had seen and hoping she didn’t fall over. She silently cursed the other witches for their crazy shenanigans and desperately hoped that Herma would not get in trouble with the Authorities.
Cedric’s thoughts had taken quite another turn, mostly something about how beautiful the Witch was when she was angry. “Frigella,” he said.
She swung around. “It’s FRELLA,” she hissed.
“Frella …. “ Now it was Cedric’s turn to colour and he looked at the ground, so many thoughts jumbling through his head and he couldn’t make sense of any of it.
“Damn it Man! Spit it out, will you!”
“I just want to say that I know what you are.”
“And what am I exactly?”
Cedric met her gaze. “I know you’re a Witch and I’m not going to turn you in.” He shrugged. “I can’t.”
“And why can’t you, then? Something wrong with you, is there?”
Cedric’s hand reached under his shirt. “Look,” he said. He was holding a small round device. “It’s a listening device. We are supposed to wear them whenever we have a suspected Witch Violation or Interaction.” He threw the device to the ground where it bounced a couple of times. Then—rather dramatically in Frella’s opinion—he stomped on it.
Frella giggled. She couldn’t help herself
In reply to: The Incense of the Quadrivium’s Mystiques
“Wait! Look at that one up there!” Truella grabbed Rufus’s arm. “That cloth hanging right up there by the rafters, see it? Have you got a torch, it’s so dark up there.”
Obligingly, Rufus pulled a torch out of his leather coat pocket. “That looks like…”
“Brother Bartolo!” Truella finished for him in a whisper. “Why is there an ancient tapestry of him, with all those frog faced nuns?”
Rufus felt dizzy and clutched the bannisters to steady himself. It was all coming back to him in a rush: images and sounds crowded his mind, malodorous wafts assailed his nostrils.
“Why, whatever is the matter? You look like you’ve seen a ghost. Come, come and sit down in my room.”
“Don’t you remember?” Rufus asked, with a note of desperation in his voice. “You remember now, don’t you?”
“Come,” Truella insisted, tugging his arm. “Not here on the stairs.”
Rufus allowed Truella to lead him to her room, rubbing a hand over his eyes. He was so damn hot in this leather coat. The memories had first chilled him to the bone, and then a prickly sweat broke out.
Leading him into her room, Truella closed and locked the door behind them. “You look so hot,” she said softly and reached up to slide the heavy coat from his shoulders. They were close now, very close. “Take it off, darling, take it all off. We can talk later.”
Rufus didn’t wait to be asked twice. He slipped out of his clothes quickly as Truella’s dress fell to the floor. She bent down to remove her undergarments, and raised her head slowly. She gasped, not once but twice, the second time when her eyes were level with his manly chest. The Punic frog amulet! It was identical to the one she had found in her dig.
A terrible thought crossed her mind. Had he stolen it? Or were there two of them? Were they connected to the frog faced sisters? But she would think about all that later.
“Darling,” she breathed, “It’s been so long….”
In reply to: The Incense of the Quadrivium’s Mystiques
As Frigella, deep in her investigation of Herma’s cottage, meticulously examined the chest’s contents looking for potential clues missed at first glance that could explain more about the postcard, with its distinctive stamp featuring an ear of maize, she couldn’t shake the feeling of being watched.
“By the gods, not that interloper again,” she muttered under her breath, sensing the familiar prickling at the back of her neck. She knew Cedric’s gaze all too well—part curiosity, part menace. The young witch hunter was like a moth to a flame, drawn to the coven’s mysteries and, more specifically, to Frella herself, for reasons that likely perplexed even him.
Herma, oblivious to the undercurrents, continued to sift through the chest with Frella. As the silence thickened, Frella’s mind wandered to the last encounter with Cedric. His naïve bravado was almost laughable, yet there he was, lurking in the shadows, ever the novice hunter out of his depth.
“Careful, Herma,” Frella warned with a sharp glance at the window. “We may have an unwelcome observer. This certain Cedric Spellbind has a knack for being where he shouldn’t.”
Herma chuckled, dismissing the tension with a wave. “Him? A mere boy chasing phantoms. He won’t bother us.”
Frella wasn’t so sure. Spellbind’s persistence was a nettlesome thorn, yet she knew how to handle such a busybody. For now, she would focus on the task at hand, but a mental note was made: keep an eye on Cedric. He was, after all, as unpredictable as the spring winds that brought them here far too early.
In reply to: The Incense of the Quadrivium’s Mystiques
After the meeting, Jeezel and Silas agreed on what the six rituals would be. The integration rituals were designed to unite the groups symbolically and spiritually. They were multifaceted ceremonies that combine elements from each group’s traditions to forge a shared sense of purpose and harmony, mediated by the mortician’s guild. Given the diverse nature of the witches, nuns, and morticians, these rituals needed to be both inclusive and meaningful, drawing on the unique strengths and spiritual practices of each faction.
The program they distributed to each participant was as follow:
Under the guidance of the Ancient Telluric Forces of the Dragons
1. The Invocation of Unity
Purpose: To call upon the spiritual and magical forces that guide each group and seek their blessings for the union.
Components:- Witches: Incantations and invocations to elemental spirits and deities.
- Nuns: Hymns and prayers invoking divine blessings.
- Morticians: Rituals honoring the spirits of the departed, seeking their guidance and protection.
Symbolism: This ritual emphasizes the shared respect for higher powers and the mutual desire for harmonious collaboration.
2. The Weaving of Fate
Purpose: To create a physical symbol of their intertwined destinies.
Components:- Witches: Magical threads imbued with protective charms and blessings.
- Nuns: Sacred textiles woven with prayers and religious symbols.
- Morticians: Ribbons representing life, death, and the transition between them.
Symbolism: By weaving these threads together into a single tapestry, the groups create a tangible manifestation of their unified path forward.
3. The Concordia Cauldron
Purpose: To brew a potion that represents their collective energy and intent.
Components:
- Witches: Magical herbs, crystals, and other mystical ingredients.
- Nuns: Holy water and sacred relics.
- Morticians: Ashes from ritual fires and symbols of purification.
Symbolism: The potion, once blessed and distributed, serves as a means of internalizing the collective spirit and shared goals of the unified group.
4. The Harmonious Choir
Purpose: To blend their voices and energies in a powerful, resonant harmony.
Components:
- Witches: Chants and spells sung in unison.
- Nuns: Choir hymns and sacred music.
- Morticians: Melodic recitations of ancient rites.
Symbolism: The act of creating music together represents the harmony they strive to achieve in their collaboration, with each voice contributing to a greater whole.
5. The Altar of Convergence
Purpose: To create a shared sacred space where offerings and symbols from each group are placed.
Components:
- Witches: Ritual objects, such as wands, crystals, and candles.
- Nuns: Holy relics, icons, and prayer books.
- Morticians: Mementos of the deceased, symbolizing the continuity of life and death.
Symbolism: The combined altar serves as a focal point for their united efforts, a place where they can come together to seek guidance and reaffirm their commitment to the union.
6. The Ceremony of Reflection and Projection
Purpose: To reflect on the past, acknowledge individual and collective strengths, and set intentions for the future.
Components:
- Witches: Scrying mirrors and crystal balls for reflection and foresight.
- Nuns: Candles representing illumination and enlightenment.
- Morticians: Artifacts representing the cyclical nature of life and death.
Symbolism: This ceremony encourages each member to contemplate their role within the new union and visualize the path ahead, fostering a sense of shared vision and purpose.
Supervision by Jeezel and Silas
Jeezel: With her deep connection to magical energies and her knack for emotional resonance, she will ensure that each ritual maintains its mystical integrity and spiritual depth. She will guide the participants in channeling their energies harmoniously and with clear intent.
Silas: His analytical mind and authoritative presence will bring structure and order to the rituals. He will ensure that each component is meticulously planned and executed, maintaining the balance between tradition and innovation.
Together, Jeezel and Silas will oversee the integration rituals, blending their unique approaches to create a unified and cohesive experience that honors the diverse traditions of the witches, nuns, and morticians. Their combined leadership will ensure that the rituals not only symbolize but also spiritually solidify the union of these distinct groups.
Now, all that remained was to ask for volunteers or to assign the roles in the rituals to everyone. And for Jeezel to reveal the hidden mission to her three friends.
In reply to: The Incense of the Quadrivium’s Mystiques
“It’s your fault I’m late, Sandra!” Sassafras hissed, adjusting her wimple and throwing a large crucifix around her neck. “You told me it was witches costumes, I had to run back upstairs to change.” Missing a step as she rushed down the stairs, Sassafras grabbed the bannister, managing to save herself from a possibly fatal tumble down to the tiled floor below.
“I thought it was! That’s why I’m late too. And anyway you look half witch and half nun in that outfit.” Sandra gripped Sassafras’s wrist. “Ok, calm down and deep breaths. Demure and collected, remember? We need to look serious and efficient.”
When they reached the door of the grand reception hall, they stood aside to allow Brother Bartolo to pass, on his way to the kitchen for more refreshments. He allowed himself a small smile, holding up an empty decanter. “Crimson Cordial, that’s what she told me to give them. It’s not every day she gives me the key for the cordials cabinet.”
“Not the Crimson Cordial!” the girls gasped in unison. They looked at each other, perplexed. “What is she playing at, Brother?”
“That’s not all,” whispered Brother Bartolo, leaning closer to Sandra, “She’s re animated the Sisters of the Sacred Sepulchre from the crypt. I’ve seen them wandering around in the cellars, waiting for orders.”
Sandra and Sassafras looked at each other in alarm. “This is serious.”
“But is it to assist the merger or derail it?”
“Who only knows what goes on behind that prune faced scowl. And why has she invited a team of morticians, eh? Ask yourself that! Morticians!” Sandra said.
“This is too dark for me, I’m off. Tell them I’ve been taken ill, I’m going for a walk in the woods.”
Brother Bartolo barred her way. “Oh no you’re not. You won’t get away with that this time,” he said grimly. “This is too dark for those petty tricks. And you may be needed,” he added cryptically. “All hands on deck, and as many fingers as you like.”
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Cedric Spellbind:
Cedric Spellbind stood tall, though not imposing, with a wiry frame that belied his years of rigorous witch-hunting. His eyes, a piercing green, darted nervously beneath the brim of his deerstalker hat, giving him the appearance of a man constantly on edge. A seasoned agent of MAMA, he carried an air of determined resolve, despite his recent demotion to desk duty in Limerick.
With a face that seemed perpetually caught between youthful eagerness and a weariness beyond his years, Cedric was a man marked by his contradictions. His dark hair, often disheveled from restless nights, framed a face etched with the lines of a life spent in pursuit of the arcane and the elusive.
Clad in a trench coat that had seen better days, Cedric’s attire was a patchwork of practicality and the remnants of a more distinguished past. Despite his amateurish attempts at stealth and the financial strains of his profession, Cedric’s spirit remained unbroken. He was a man driven by a fascination with the unknown and a cautious curiosity, particularly when it came to the enigmatic Frigella O’Green.
Yet, beneath the veneer of a bumbling spy, there lay a heart of determination and a mind constantly strategizing, always ready to seize the next opportunity to prove his worth in the clandestine world of witch hunting.
