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“While you’re off to another wild dragon chase, I’m calling the plumber,” Yvoise announced. She’d found one who accepted payment in Roman denarii. She began tapping furiously on her smartphone to recover the phone number, incensed at having been blocked again from Faceterest for sharing potentially unchecked facts (ignorants! she wanted to shout at the screen).

After a bit of struggle, the appointment was set. She adjusted her blazer; she had a ‘Health and Safety in the Workplace’ seminar to lead at Sanctus Training in twenty minutes, and she couldn’t smell like wet dog.

“Make sure you bill it to the company account…!” Helier shouted over the noise Spirius was making huffing and struggling to load the antique musket.

“…under ‘Facility Maintenance’!”

“Obviously,” Yvoise scoffed. “We are a legitimate enterprise. Sanctus House has a reputation to uphold. Even if the landlord at Olympus Park keeps asking why our water consumption rivals a small water park.”

Spirius shuddered at the name. “Olympus Park. Pagan nonsense. I told you we should have bought the unit in St. Peter’s Industrial Estate.”

“The zoning laws were restrictive, Spirius,” Yvoise sighed. “Besides, ‘Sanctus Training Ltd’ looks excellent on a letterhead. Now, if you’ll excuse me, I have six junior executives coming in for a workshop on ‘Conflict Resolution.’ I plan to read them the entirety of the Treaty of Arras until they submit.”

“And dear old Boothroyd and I have a sewer dragon to exterminate in the name of all that’s Holy. Care to join, Helier?”

“Not really, had my share of those back in the day. I’ll help Yvoise with the plumbing. That’s more pressing. And might I remind you the dragon messing with the plumbing is only the first of the three tasks that Austreberthe placed in her will to be accomplished in the month following her demise…”

“Not now, Helier, I really need to get going!” Yvoise was feeling overwhelmed. “And where’s Cerenise? She could help with the second task. Finding the living descendants of the last named Austreberthe, was it? It’s all behind-desk type of stuff and doesn’t require her to get rid of anything…” she knew well Cerenise and her buttons.

“Yet.” Helier cut. “The third task may well be the toughest.”

“Don’t say it!” They all recoiled in horror.

“The No-ve-na of Cleans-ing” he said in a lugubrious voice.

“Damn it, Helier. You’re such a mood killer. Maybe better to look for a loophole for that one. We can’t just throw stuff away to make place for hers, as nice her tastes for floor tiling were.” Yvoise was in a rush to get to her appointment and couldn’t be bothered to enter a debate. She rushed to the front door.

“See you later… Helier-gator” snickered Laddie under her breath, as she was pretending to clean the unkempt cupboards.

Elara — Nov 2021: The End of Genealogix

The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

Something in the style of FPooh:

Arona heard the music growing louder as she approached the source of the sound. She could see a group of people gathered around a large fire, the flickering light casting shadows on the faces of the dancers. She hesitated for a moment, remembering the isolation of her journey and wondering if she was ready to be among people again. But the music was too inviting, and she found herself drawn towards the group.

As she neared the fire, she saw a young man playing a flute, the music flowing from his fingers with a fluid grace that captivated her. He looked up as she approached, and their eyes met. She could see the surprise and curiosity in his gaze, and she smiled, feeling a sense of connection she had not felt in a long time.

Fiona was sitting on a bench in the park, watching the children play. She had brought her sketchbook with her, but for once she didn’t feel the urge to draw. Instead she watched the children’s laughter, feeling content and at peace. Suddenly, she saw a young girl running towards her, a look of pure joy on her face. The girl stopped in front of her and held out a flower, offering it to Fiona with a smile.

Taken aback, Fiona took the flower and thanked the girl. The girl giggled and ran off to join her friends. Fiona looked down at the flower in her hand, and she felt a sense of inspiration, like a spark igniting within her. She opened her sketchbook and began to draw, feeling the weight lift from her shoulders and the magic of creativity flowing through her.

Minky led the group of misfits towards the emporium, his bowler hat bobbing on his head. He chattered excitedly, telling stories of the wondrous items to be found within Mr Jib’s store. Yikesy followed behind, still lost in his thoughts of Arona and feeling a sense of dread at the thought of buying a bowler hat. The green fairy flitted along beside him, her wings a blur of movement as she chattered with the parrot perched on her shoulder.

As they reached the emporium, they were disappointed to find it closed. But Minky refused to be discouraged, and he led them to a nearby cafe where they could sit and enjoy some tea and cake while they wait for the emporium to open. The green fairy was delighted, and she ordered a plate of macarons, smiling as she tasted the sweetness of the confections.

About creativity & everyday magic

Fiona had always been drawn to the magic of creativity, the way a blank page could be transformed into a world of wonder and beauty. But lately, she had been feeling stuck, unable to find the spark that ignited her imagination. She would sit with her sketchbook, pencil in hand, and nothing would come to her.

She started to question her abilities, wondering if she had lost the magic of her art. She spent long hours staring at her blank pages, feeling a weight on her chest that seemed to be growing heavier every day.

But then she remembered the green fairy’s tears and Yikesy’s longing for Arona, and she realized that the magic of creativity wasn’t something that could be found only in art. It was all around her, in the everyday moments of life.

She started to look for the magic in the small things, like the way the sunlight filtered through the trees, or the way a child’s laughter could light up a room. She found it in the way a stranger’s smile could lift her spirits, and in the way a simple cup of tea could bring her comfort.

And as she started to see the magic in the everyday, she found that the weight on her chest lifted and the spark of inspiration returned. She picked up her pencil and began to draw, feeling the magic flowing through her once again.

She understand that creativity blocks aren’t a destination, but just a step, just like the bowler hat that Minky had bought for them all, a bit of everyday magic, nothing too fancy but a sense of belonging, a sense of who they are and where they are going. And she let her pencil flow, with the hopes that one day, they will all find their way home.

The Tetbury Riots

 

While researching the Tetbury riots  (I had found some Browning names in the newspaper archives in association with the uprisings) I came across an article called “Elizabeth Parker, the Swing Riots, and the Tetbury parish clerk” by Jill Evans.

I noted the name of the parish clerk, Daniel Cole, because I know someone else of that name. The incident in the article was 1830.

I found the 1826 marriage in the Tetbury parish registers (where Daniel was the parish clerk) of my 4x great grandmothers sister Hesther Lock. One of the witnesses was her brother Charles, and the other was Daniel Cole, the parish clerk.

Marriage of Lewin Chandler and Hesther Lock in 1826:

 

from the article:

“The Swing Riots were disturbances which took place in 1830 and 1831, mostly in the southern counties of England. Agricultural labourers, who were already suffering due to low wages and a lack of work after several years of bad harvests, rose up when their employers introduced threshing machines into their workplaces. The riots got their name from the threatening letters which were sent to farmers and other employers, which were signed “Captain Swing.”

The riots spread into Gloucestershire in November 1830, with the Tetbury area seeing the worst of the disturbances. Amongst the many people arrested afterwards was one woman, Elizabeth Parker. She has sometimes been cited as one of only two females who were transported for taking part in the Swing Riots. In fact, she was sentenced to be transported for this crime, but never sailed, as she was pardoned a few months after being convicted. However, less than a year after being released from Gloucester Gaol, she was back, awaiting trial for another offence. The circumstances in both of the cases she was tried for reveal an intriguing relationship with one Daniel Cole, parish clerk and assistant poor law officer in Tetbury….

….Elizabeth Parker was committed to Gloucester Gaol on 4 December 1830. In the Gaol Registers, she was described as being 23 and a “labourer”. She was in fact a prostitute, and she was unusual for the time in that she could read and write. She was charged on the oaths of Daniel Cole and others with having been among a mob which destroyed a threshing machine belonging to Jacob Hayward, at his farm in Beverstone, on 26 November.

…..Elizabeth Parker was granted royal clemency in July 1831 and was released from prison. She returned to Tetbury and presumably continued in her usual occupation, but on 27 March 1832, she was committed to Gloucester Gaol again. This time, she was charged with stealing 2 five pound notes, 5 sovereigns and 5 half sovereigns, from the person of Daniel Cole.

Elizabeth was tried at the Lent Assizes which began on 28 March, 1832. The details of her trial were reported in the Morning Post. Daniel Cole was in the “Boat Inn” (meaning the Boot Inn, I think) in Tetbury, when Elizabeth Parker came in. Cole “accompanied her down the yard”, where he stayed with her for about half an hour. The next morning, he realised that all his money was gone. One of his five pound notes was identified by him in a shop, where Parker had bought some items.

Under cross-examination, Cole said he was the assistant overseer of the poor and collector of public taxes of the parish of Tetbury. He was married with one child. He went in to the inn at about 9 pm, and stayed about 2 hours, drinking in the parlour, with the landlord, Elizabeth Parker, and two others. He was not drunk, but he was “rather fresh.” He gave the prisoner no money. He saw Elizabeth Parker next morning at the Prince and Princess public house. He didn’t drink with her or give her any money. He did give her a shilling after she was committed. He never said that he would not have prosecuted her “if it was not for her own tongue”. (Presumably meaning he couldn’t trust her to keep her mouth shut.)”

Contemporary illustration of the Swing riots:

 

Captain Swing was the imaginary leader agricultural labourers who set fire to barns and haystacks in the southern and eastern counties of England from 1830. Although the riots were ruthlessly put down (19 hanged, 644 imprisoned and 481 transported), the rural agitation led the new Whig government to establish a Royal Commission on the Poor Laws and its report provided the basis for the 1834 New Poor Law enacted after the Great Reform Bills of 1833.

An original portrait of Captain Swing hand coloured lithograph circa 1830:

Colney Hatch Lunatic Asylum

William James Stokes

 

William James Stokes was the first son of Thomas Stokes and Eliza Browning. Oddly, his birth was registered in Witham in Essex, on the 6th September 1841.

Birth certificate of William James Stokes:

 

His father Thomas Stokes has not yet been found on the 1841 census, and his mother Eliza was staying with her uncle Thomas Lock in Cirencester in 1841. Eliza’s mother Mary Browning (nee Lock) was staying there too. Thomas and Eliza were married in September 1840 in Hempstead in Gloucestershire.

It’s a mystery why William was born in Essex but one possibility is that his father Thomas, who later worked with the Chipperfields making circus wagons, was staying with the Chipperfields who were wheelwrights in Witham in 1841. Or perhaps even away with a traveling circus at the time of the census, learning the circus waggon wheelwright trade. But this is a guess and it’s far from clear why Eliza would make the journey to Witham to have the baby when she was staying in Cirencester a few months prior.

In 1851 Thomas and Eliza, William and four younger siblings were living in Bledington in Oxfordshire.

William was a 19 year old wheelwright living with his parents in Evesham in 1861. He married Elizabeth Meldrum in December 1867 in Hackney, London. He and his father are both wheelwrights on the marriage register.

Marriage of William James Stokes and Elizabeth Meldrum in 1867:

 

William and Elizabeth had a daughter, Elizabeth Emily Stokes, in 1868 in Shoreditch, London.

On the 3rd of December 1870, William James Stokes was admitted to Colney Hatch Lunatic Asylum. One week later on the 10th of December, he was dead.

On his death certificate the cause of death was “general paralysis and exhaustion, certified. MD Edgar Sheppard in attendance.” William was just 29 years old.

Death certificate William James Stokes:

 

I asked on a genealogy forum what could possibly have caused this death at such a young age. A retired pathology professor replied that “in medicine the term General Paralysis is only used in one context – that of Tertiary Syphilis.”
“Tertiary syphilis is the third and final stage of syphilis, a sexually transmitted disease that unfolds in stages when the individual affected doesn’t receive appropriate treatment.”

From the article “Looking back: This fascinating and fatal disease” by Jennifer Wallis:

“……in asylums across Britain in the late 19th century, with hundreds of people receiving the diagnosis of general paralysis of the insane (GPI). The majority of these were men in their 30s and 40s, all exhibiting one or more of the disease’s telltale signs: grandiose delusions, a staggering gait, disturbed reflexes, asymmetrical pupils, tremulous voice, and muscular weakness. Their prognosis was bleak, most dying within months, weeks, or sometimes days of admission.

The fatal nature of GPI made it of particular concern to asylum superintendents, who became worried that their institutions were full of incurable cases requiring constant care. The social effects of the disease were also significant, attacking men in the prime of life whose admission to the asylum frequently left a wife and children at home. Compounding the problem was the erratic behaviour of the general paralytic, who might get themselves into financial or legal difficulties. Delusions about their vast wealth led some to squander scarce family resources on extravagant purchases – one man’s wife reported he had bought ‘a quantity of hats’ despite their meagre income – and doctors pointed to the frequency of thefts by general paralytics who imagined that everything belonged to them.”

 

The London Archives hold the records for Colney Hatch, but they informed me that the particular records for the dates that William was admitted and died were in too poor a condition to be accessed without causing further damage.

Colney Hatch Lunatic Asylum gained such notoriety that the name “Colney Hatch” appeared in various terms of abuse associated with the concept of madness. Infamous inmates that were institutionalized at Colney Hatch (later called Friern Hospital) include Jack the Ripper suspect Aaron Kosminski from 1891, and from 1911 the wife of occultist Aleister Crowley. In 1993 the hospital grounds were sold and the exclusive apartment complex called Princess Park Manor was built.

Colney Hatch:

 

In 1873 Williams widow married William Hallam in Limehouse in London. Elizabeth died in 1930, apparently unaffected by her first husbands ailment.

STONE MANOR

 

Hildred Orgill Warren born in 1900, my grandmothers sister, married Reginald Williams in Stone, Worcestershire in March 1924. Their daughter Joan was born there in October of that year.

Hildred was a chaffeur on the 1921 census, living at home in Stourbridge with her father (my great grandfather) Samuel Warren, mechanic. I recall my grandmother saying that Hildred was one of the first lady chauffeurs. On their wedding certificate, Reginald is also a chauffeur.

1921 census, Stourbridge:

 

Hildred and Reg worked at Stone Manor.  There is a family story of Hildred being involved in a car accident involving a fatality and that she had to go to court.

Stone Manor is in a tiny village called Stone, near Kidderminster, Worcestershire. It used to be a private house, but has been a hotel and nightclub for some years. We knew in the family that Hildred and Reg worked at Stone Manor and that Joan was born there. Around 2007 Joan held a family party there.

Stone Manor, Stone, Worcestershire:

 

 

I asked on a Kidderminster Family Research group about Stone Manor in the 1920s:

“the original Stone Manor burnt down and the current building dates from the early 1920’s and was built for James Culcheth Hill, completed in 1926”
But was there a fire at Stone Manor?
“I’m not sure there was a fire at the Stone Manor… there seems to have been a fire at another big house a short distance away and it looks like stories have crossed over… as the dates are the same…”

 

JC Hill was one of the witnesses at Hildred and Reginalds wedding in Stone in 1924. K Warren, Hildreds sister Kay, was the other:

 

I searched the census and electoral rolls for James Culcheth Hill and found him at the Stone Manor on the 1929-1931 electoral rolls for Stone, and Hildred and Reginald living at The Manor House Lodge, Stone:

 

On the 1911 census James Culcheth Hill was a 12 year old student at Eastmans Royal Naval Academy, Northwood Park, Crawley, Winchester. He was born in Kidderminster in 1899. On the same census page, also a student at the school, is Reginald Culcheth Holcroft, born in 1900 in Stourbridge.  The unusual middle name would seem to indicate that they might be related.

A member of the Kidderminster Family Research group kindly provided this article:

 

 

SHOT THROUGH THE TEMPLE

Well known Worcestershire man’s tragic death.

Dudley Chronicle 27 March 1930.

Well known in Worcestershire, especially the Kidderminster district, Mr Philip Rowland Hill MA LLD who was mayor of Kidderminster in 1907 was found dead with a bullet wound through his temple on board his yacht, anchored off Cannes, on Friday, recently. A harbour watchman discovered the dead man huddled in a chair on board the yacht. A small revolver was lying on the blood soaked carpet beside him.

Friends of Mr Hill, whose London address is given as Grosvenor House, Park Lane, say that he appeared despondent since last month when he was involved in a motor car accident on the Antibes ~ Nice road. He was then detained by the police after his car collided with a small motor lorry driven by two Italians, who were killed in the crash. Later he was released on bail of 180,000 francs (£1440) pending an investigation of a charge of being responsible for the fatal accident. …….

Mr Rowland Hill (Philips father) was heir to Sir Charles Holcroft, the wealthy Staffordshire man, and managed his estates for him, inheriting the property on the death of Sir Charles. On the death of Mr Rowland HIll, which took place at the Firs, Kidderminster, his property was inherited by Mr James (Culcheth) Hill who had built a mansion at Stone, near Kidderminster. Mr Philip Rowland Hill assisted his brother in managing the estate. …….

At the time of the collison both brothers were in the car.

This article doesn’t mention who was driving the car ~ could the family story of a car accident be this one?  Hildred and Reg were working at Stone Manor, both were (or at least previously had been) chauffeurs, and Philip Hill was helping James Culcheth Hill manage the Stone Manor estate at the time.

 

This photograph was taken circa 1931 in Llanaeron, Wales.  Hildred is in the middle on the back row:

Sally Gray sent the photo with this message:

“Joan gave me a short note: Photo was taken when they lived in Wales, at Llanaeron, before Janet was born, & Aunty Lorna (my mother) lived with them, to take Joan to school in Aberaeron, as they only spoke Welsh at the local school.”

Hildred and Reginalds daughter Janet was born in 1932 in Stratford.  It would appear that Hildred and Reg moved to Wales just after the car accident, and shortly afterwards moved to Stratford.

In 1921 James Culcheth Hill was living at Red Hill House in Stourbridge. Although I have not been able to trace Reginald Williams yet, perhaps this Stourbridge connection with his employer explains how Hildred met Reginald.

Sir Reginald Culcheth Holcroft, the other pupil at the school in Winchester with James Culcheth Hill, was indeed related, as Sir Holcroft left his estate to James Culcheth Hill’s father.  Sir Reginald was born in 1899 in Upper Swinford, Stourbridge.  Hildred also lived in that part of Stourbridge in the early 1900s.

1921 Red Hill House:

 

The 2007 family reunion organized by Joan Williams at Stone Manor: Joan in black and white at the front.

 

Unrelated to the Warrens, my fathers friends (and customers at The Fox when my grandmother Peggy Edwards owned it) Geoff and Beryl Lamb later bought Stone Manor.

Looking for Robert Staley

 

William Warren (1835-1880) of Newhall (Stapenhill) married Elizabeth Staley (1836-1907) in 1858. Elizabeth was born in Newhall, the daughter of John Staley (1795-1876) and Jane Brothers. John was born in Newhall, and Jane was born in Armagh, Ireland, and they were married in Armagh in 1820. Elizabeths older brothers were born in Ireland: William in 1826 and Thomas in Dublin in 1830. Francis was born in Liverpool in 1834, and then Elizabeth in Newhall in 1836; thereafter the children were born in Newhall.

Marriage of John Staley and Jane Brothers in 1820:

 

 

My grandmother related a story about an Elizabeth Staley who ran away from boarding school and eloped to Ireland, but later returned. The only Irish connection found so far is Jane Brothers, so perhaps she meant Elizabeth Staley’s mother. A boarding school seems unlikely, and it would seem that it was John Staley who went to Ireland.

The 1841 census states Jane’s age as 33, which would make her just 12 at the time of her marriage. The 1851 census states her age as 44, making her 13 at the time of her 1820 marriage, and the 1861 census estimates her birth year as a more likely 1804. Birth records in Ireland for her have not been found. It’s possible, perhaps, that she was in service in the Newhall area as a teenager (more likely than boarding school), and that John and Jane ran off to get married in Ireland, although I haven’t found any record of a child born to them early in their marriage. John was an agricultural labourer, and later a coal miner.

John Staley was the son of Joseph Staley (1756-1838) and Sarah Dumolo (1764-). Joseph and Sarah were married by licence in Newhall in 1782. Joseph was a carpenter on the marriage licence, but later a collier (although not necessarily a miner).

The Derbyshire Record Office holds records of  an “Estimate of Joseph Staley of Newhall for the cost of continuing to work Pisternhill Colliery” dated 1820 and addresssed to Mr Bloud at Calke Abbey (presumably the owner of the mine)

Josephs parents were Robert Staley and Elizabeth. I couldn’t find a baptism or birth record for Robert Staley. Other trees on an ancestry site had his birth in Elton, but with no supporting documents. Robert, as stated in his 1795 will, was a Yeoman.

“Yeoman: A former class of small freeholders who farm their own land; a commoner of good standing.”
“Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.”

He left a number of properties in Newhall and Hartshorne (near Newhall) including dwellings, enclosures, orchards, various yards, barns and acreages. It seemed to me more likely that he had inherited them, rather than moving into the village and buying them.

There is a mention of Robert Staley in a 1782 newpaper advertisement.

“Fire Engine To Be Sold.  An exceedingly good fire engine, with the boiler, cylinder, etc in good condition. For particulars apply to Mr Burslem at Burton-upon-Trent, or Robert Staley at Newhall near Burton, where the engine may be seen.”

 

Was the fire engine perhaps connected with a foundry or a coal mine?

I noticed that Robert Staley was the witness at a 1755 marriage in Stapenhill between Barbara Burslem and Richard Daston the younger esquire. The other witness was signed Burslem Jnr.

 

Looking for Robert Staley

 

I assumed that once again, in the absence of the correct records, a similarly named and aged persons baptism had been added to the tree regardless of accuracy, so I looked through the Stapenhill/Newhall parish register images page by page. There were no Staleys in Newhall at all in the early 1700s, so it seemed that Robert did come from elsewhere and I expected to find the Staleys in a neighbouring parish. But I still didn’t find any Staleys.

I spoke to a couple of Staley descendants that I’d met during the family research. I met Carole via a DNA match some months previously and contacted her to ask about the Staleys in Elton. She also had Robert Staley born in Elton (indeed, there were many Staleys in Elton) but she didn’t have any documentation for his birth, and we decided to collaborate and try and find out more.

I couldn’t find the earlier Elton parish registers anywhere online, but eventually found the untranscribed microfiche images of the Bishops Transcripts for Elton.

via familysearch:
“In its most basic sense, a bishop’s transcript is a copy of a parish register. As bishop’s transcripts generally contain more or less the same information as parish registers, they are an invaluable resource when a parish register has been damaged, destroyed, or otherwise lost. Bishop’s transcripts are often of value even when parish registers exist, as priests often recorded either additional or different information in their transcripts than they did in the original registers.”

 

Unfortunately there was a gap in the Bishops Transcripts between 1704 and 1711 ~ exactly where I needed to look. I subsequently found out that the Elton registers were incomplete as they had been damaged by fire.

I estimated Robert Staleys date of birth between 1710 and 1715. He died in 1795, and his son Daniel died in 1805: both of these wills were found online. Daniel married Mary Moon in Stapenhill in 1762, making a likely birth date for Daniel around 1740.

The marriage of Robert Staley (assuming this was Robert’s father) and Alice Maceland (or Marsland or Marsden, depending on how the parish clerk chose to spell it presumably) was in the Bishops Transcripts for Elton in 1704. They were married in Elton on 26th February. There followed the missing parish register pages and in all likelihood the records of the baptisms of their first children. No doubt Robert was one of them, probably the first male child.

(Incidentally, my grandfather’s Marshalls also came from Elton, a small Derbyshire village near Matlock.  The Staley’s are on my grandmothers Warren side.)

The parish register pages resume in 1711. One of the first entries was the baptism of Robert Staley in 1711, parents Thomas and Ann. This was surely the one we were looking for, and Roberts parents weren’t Robert and Alice.

But then in 1735 a marriage was recorded between Robert son of Robert Staley (and this was unusual, the father of the groom isn’t usually recorded on the parish register) and Elizabeth Milner. They were married on the 9th March 1735. We know that the Robert we were looking for married an Elizabeth, as her name was on the Stapenhill baptisms of their later children, including Joseph Staleys.  The 1735 marriage also fit with the assumed birth date of Daniel, circa 1740. A baptism was found for a Robert Staley in 1738 in the Elton registers, parents Robert and Elizabeth, as well as the baptism in 1736 for Mary, presumably their first child. Her burial is recorded the following year.

The marriage of Robert Staley and Elizabeth Milner in 1735:

 

There were several other Staley couples of a similar age in Elton, perhaps brothers and cousins. It seemed that Thomas and Ann’s son Robert was a different Robert, and that the one we were looking for was prior to that and on the missing pages.

Even so, this doesn’t prove that it was Elizabeth Staleys great grandfather who was born in Elton, but no other birth or baptism for Robert Staley has been found. It doesn’t explain why the Staleys moved to Stapenhill either, although the Enclosures Act and the Industrial Revolution could have been factors.

The 18th century saw the rise of the Industrial Revolution and many renowned Derbyshire Industrialists emerged. They created the turning point from what was until then a largely rural economy, to the development of townships based on factory production methods.

The Marsden Connection

There are some possible clues in the records of the Marsden family.  Robert Staley married Alice Marsden (or Maceland or Marsland) in Elton in 1704.  Robert Staley is mentioned in the 1730 will of John Marsden senior,  of Baslow, Innkeeper (Peacock Inne & Whitlands Farm). He mentions his daughter Alice, wife of Robert Staley.

In a 1715 Marsden will there is an intriguing mention of an alias, which might explain the different spellings on various records for the name Marsden:  “MARSDEN alias MASLAND, Christopher – of Baslow, husbandman, 28 Dec 1714. son Robert MARSDEN alias MASLAND….” etc.

Some potential reasons for a move from one parish to another are explained in this history of the Marsden family, and indeed this could relate to Robert Staley as he married into the Marsden family and his wife was a beneficiary of a Marsden will.  The Chatsworth Estate, at various times, bought a number of farms in order to extend the park.

THE MARSDEN FAMILY
OXCLOSE AND PARKGATE
In the Parishes of
Baslow and Chatsworth

by
David Dalrymple-Smith

“John Marsden (b1653) another son of Edmund (b1611) faired well. By the time he died in
1730 he was publican of the Peacock, the Inn on Church Lane now called the Cavendish
Hotel, and the farmer at “Whitlands”, almost certainly Bubnell Cliff Farm.”

“Coal mining was well known in the Chesterfield area. The coalfield extends as far as the
Gritstone edges, where thin seams outcrop especially in the Baslow area.”

“…the occupants were evicted from the farmland below Dobb Edge and
the ground carefully cleared of all traces of occupation and farming. Shelter belts were
planted especially along the Heathy Lea Brook. An imposing new drive was laid to the
Chatsworth House with the Lodges and “The Golden Gates” at its northern end….”

Although this particular event was later than any events relating to Robert Staley, it’s an indication of how farms and farmland disappeared, and a reason for families to move to another area:

“The Dukes of Devonshire (of Chatsworth)  were major figures in the aristocracy and the government of the
time. Such a position demanded a display of wealth and ostentation. The 6th Duke of
Devonshire, the Bachelor Duke, was not content with the Chatsworth he inherited in 1811,
and immediately started improvements. After major changes around Edensor, he turned his
attention at the north end of the Park. In 1820 plans were made extend the Park up to the
Baslow parish boundary. As this would involve the destruction of most of the Farm at
Oxclose, the farmer at the Higher House Samuel Marsden (b1755) was given the tenancy of
Ewe Close a large farm near Bakewell.
Plans were revised in 1824 when the Dukes of Devonshire and Rutland “Exchanged Lands”,
reputedly during a game of dice. Over 3300 acres were involved in several local parishes, of
which 1000 acres were in Baslow. In the deal Devonshire acquired the southeast corner of
Baslow Parish.
Part of the deal was Gibbet Moor, which was developed for “Sport”. The shelf of land
between Parkgate and Robin Hood and a few extra fields was left untouched. The rest,
between Dobb Edge and Baslow, was agricultural land with farms, fields and houses. It was
this last part that gave the Duke the opportunity to improve the Park beyond his earlier
expectations.”

 

The 1795 will of Robert Staley.

Inriguingly, Robert included the children of his son Daniel Staley in his will, but omitted to leave anything to Daniel.  A perusal of Daniels 1808 will sheds some light on this:  Daniel left his property to his six reputed children with Elizabeth Moon, and his reputed daughter Mary Brearly. Daniels wife was Mary Moon, Elizabeths husband William Moons daughter.

The will of Robert Staley, 1795:

 

The 1805 will of Daniel Staley, Robert’s son:

This is the last will and testament of me Daniel Staley of the Township of Newhall in the parish of Stapenhill in the County of Derby, Farmer. I will and order all of my just debts, funeral and testamentary expenses to be fully paid and satisfied by my executors hereinafter named by and out of my personal estate as soon as conveniently may be after my decease.

I give, devise and bequeath to Humphrey Trafford Nadin of Church Gresely in the said County of Derby Esquire and John Wilkinson of Newhall aforesaid yeoman all my messuages, lands, tenements, hereditaments and real and personal estates to hold to them, their heirs, executors, administrators and assigns until Richard Moon the youngest of my reputed sons by Elizabeth Moon shall attain his age of twenty one years upon trust that they, my said trustees, (or the survivor of them, his heirs, executors, administrators or assigns), shall and do manage and carry on my farm at Newhall aforesaid and pay and apply the rents, issues and profits of all and every of my said real and personal estates in for and towards the support, maintenance and education of all my reputed children by the said Elizabeth Moon until the said Richard Moon my youngest reputed son shall attain his said age of twenty one years and equally share and share and share alike.

And it is my will and desire that my said trustees or trustee for the time being shall recruit and keep up the stock upon my farm as they in their discretion shall see occasion or think proper and that the same shall not be diminished. And in case any of my said reputed children by the said Elizabeth Moon shall be married before my said reputed youngest son shall attain his age of twenty one years that then it is my will and desire that non of their husbands or wives shall come to my farm or be maintained there or have their abode there. That it is also my will and desire in case my reputed children or any of them shall not be steady to business but instead shall be wild and diminish the stock that then my said trustees or trustee for the time being shall have full power and authority in their discretion to sell and dispose of all or any part of my said personal estate and to put out the money arising from the sale thereof to interest and to pay and apply the interest thereof and also thereunto of the said real estate in for and towards the maintenance, education and support of all my said reputed children by the said
Elizabeth Moon as they my said trustees in their discretion that think proper until the said Richard Moon shall attain his age of twenty one years.

Then I give to my grandson Daniel Staley the sum of ten pounds and to each and every of my sons and daughters namely Daniel Staley, Benjamin Staley, John Staley, William Staley, Elizabeth Dent and Sarah Orme and to my niece Ann Brearly the sum of five pounds apiece.

I give to my youngest reputed son Richard Moon one share in the Ashby Canal Navigation and I direct that my said trustees or trustee for the time being shall have full power and authority to pay and apply all or any part of the fortune or legacy hereby intended for my youngest reputed son Richard Moon in placing him out to any trade, business or profession as they in their discretion shall think proper.
And I direct that to my said sons and daughters by my late wife and my said niece shall by wholly paid by my said reputed son Richard Moon out of the fortune herby given him. And it is my will and desire that my said reputed children shall deliver into the hands of my executors all the monies that shall arise from the carrying on of my business that is not wanted to carry on the same unto my acting executor and shall keep a just and true account of all disbursements and receipts of the said business and deliver up the same to my acting executor in order that there may not be any embezzlement or defraud amongst them and from and immediately after my said reputed youngest son Richard Moon shall attain his age of twenty one years then I give, devise and bequeath all my real estate and all the residue and remainder of my personal estate of what nature and kind whatsoever and wheresoever unto and amongst all and every my said reputed sons and daughters namely William Moon, Thomas Moon, Joseph Moon, Richard Moon, Ann Moon, Margaret Moon and to my reputed daughter Mary Brearly to hold to them and their respective heirs, executors, administrator and assigns for ever according to the nature and tenure of the same estates respectively to take the same as tenants in common and not as joint tenants.

And lastly I nominate and appoint the said Humphrey Trafford Nadin and John Wilkinson executors of this my last will and testament and guardians of all my reputed children who are under age during their respective minorities hereby revoking all former and other wills by me heretofore made and declaring this only to be my last will.

In witness whereof I the said Daniel Staley the testator have to this my last will and testament set my hand and seal the eleventh day of March in the year of our Lord one thousand eight hundred and five.

 

To Australia

Grettons

Charles Herbert Gretton 1876-1954

Charles Gretton, my great grandmothers youngest brother, arrived in Sydney Australia on 12 February 1912, having set sail on 5 January 1912 from London. His occupation on the passenger list was stockman, and he was traveling alone.  Later that year, in October, his wife and two sons sailed out to join him.

 

Charles was born in Swadlincote.  He married Mary Anne Illsley, a local girl from nearby Church Gresley, in 1898. Their first son, Leslie Charles Bloemfontein Gretton, was born in 1900 in Church Gresley, and their second son, George Herbert Gretton, was born in 1910 in Swadlincote.  In 1901 Charles was a colliery worker, and on the 1911 census, his occupation was a sanitary ware packer.

Charles and Mary Anne had two more sons, both born in Footscray:  Frank Orgill Gretton in 1914, and Arthur Ernest Gretton in 1920.

On the Australian 1914 electoral rolls, Charles and Mary Ann were living at 72 Moreland Street, Footscray, and in 1919 at 134 Cowper Street, Footscray, and Charles was a labourer.  In 1924, Charles was a sub foreman, living at 3, Ryan Street E, Footscray, Australia.  On a later electoral register, Charles was a foreman.  Footscray is a suburb of Melbourne, and developed into an industrial zone in the second half of the nineteenth century.

Charles died in Victoria in 1954 at the age of 77. His wife Mary Ann died in 1958.

 

Charles and Mary Ann Gretton:

 

Leslie Charles Bloemfontein Gretton 1900-1955

Leslie was an electrician.   He married Ethel Christine Halliday, born in 1900 in Footscray, in 1927.  They had four children: Tom, Claire, Nancy and Frank. By 1943 they were living in Yallourn.  Yallourn, Victoria was a company town in Victoria, Australia built between the 1920s and 1950s to house employees of the State Electricity Commission of Victoria, who operated the nearby Yallourn Power Station complex. However, expansion of the adjacent open-cut brown coal mine led to the closure and removal of the town in the 1980s.

On the 1954 electoral registers, daughter Claire Elizabeth Gretton, occupation teacher, was living at the same address as Leslie and Ethel.

Leslie died in Yallourn in 1955, and Ethel nine years later in 1964, also in Yallourn.

 

George Herbert Gretton 1910-1970

George married Florence May Hall in 1934 in Victoria, Australia.  In 1942 George was listed on the electoral roll as a grocer, likewise in 1949. In 1963 his occupation was a process worker, and in 1968 in Flinders, a horticultural advisor.

George died in Lang Lang, not far from Melbourne, in 1970.

 

Frank Orgill Gretton 1914-

Arthur Ernest Gretton 1920-

 

Orgills

John Orgill 1835-1911

John Orgill was Charles Herbert Gretton’s uncle.  He emigrated to Australia in 1865, and married Elizabeth Mary Gladstone 1845-1926 in Victoria in 1870. Their first child was born in December that year, in Dandenong. They had seven children, and their three sons all have the middle name Gladstone.

John Orgill was a councillor for the Shire of Dandenong in 1873, and between 1876 and 1879.

John Orgill:

 

John Orgill obituary in the South Bourke and Mornington Journal, 21 December 1911:

 

 

John’s wife Elizabeth Orgill, a teacher and a “a public spirited lady” according to newspaper articles, opened a hydropathic hospital in Dandenong called Gladstone House.

Elizabeth Gladstone Orgill:

 

On the Old Dandenong website:

Gladstone House hydropathic hospital on the corner of Langhorne and Foster streets (153 Foster Street) Dandenong opened in 1896, working on the theory of water therapy, no medicine or operations. Her husband passed away in 1911 at 77, around similar time Dr Barclay Thompson obtained control of the practice. Mrs Orgill remaining on in some capacity.

Elizabeth Mary Orgill (nee Gladstone) operated Gladstone House until at least 1911, along with another hydropathic hospital (Birthwood) on Cheltenham road. She was the daughter of William Gladstone (Nephew of William Ewart Gladstone, UK prime minister in 1874).

Around 1912 Dr A. E. Taylor took over the location from Dr. Barclay Thompson. Mrs Orgill was still working here but no longer controlled the practice, having given it up to Barclay. Taylor served as medical officer for the Shire for before his death in 1939. After Taylor’s death Dr. T. C. Reeves bought his practice in 1939, later that year being appointed medical officer,

Gladstone Road in Dandenong is named after her family, who owned and occupied a farming paddock in the area on former Police Paddock ground, the Police reserve having earlier been reduced back to Stud Road.

Hydropathy (now known as Hydrotherapy) and also called water cure, is a part of medicine and alternative medicine, in particular of naturopathy, occupational therapy and physiotherapy, that involves the use of water for pain relief and treatment.

Gladstone House, Dandenong:

 

 

John’s brother Robert Orgill 1830-1915 also emigrated to Australia. I met (online) his great great grand daughter Lidya Orgill via the Old Dandenong facebook group.

John’s other brother Thomas Orgill 1833-1908 also emigrated to the same part of Australia.

Thomas Orgill:

 

One of Thomas Orgills sons was George Albert Orgill 1880-1949:

 

A letter was published in The South Bourke & Mornington Journal (Richmond, Victoria, Australia) on 17 Jun 1915, to Tom Orgill, Emerald Hill (South Melbourne) from hospital by his brother George Albert Orgill (4th Pioneers) describing landing of Covering Party prior to dawn invasion of Gallipoli:

 

Another brother Henry Orgill 1837-1916 was born in Measham and died in Dandenong, Australia. Henry was a bricklayer living in Measham on the 1861 census. Also living with his widowed mother Elizabeth at that address was his sister Sarah and her husband Richard Gretton, the baker (my great great grandparents). In October of that year he sailed to Melbourne.  His occupation was bricklayer on his death records in 1916.

Two of Henry’s sons, Arthur Garfield Orgill born 1888 and Ernest Alfred Orgill born 1880 were killed in action in 1917 and buried in Nord-Pas-de-Calais, France. Another son, Frederick Stanley Orgill, died in 1897 at the age of seven.

A fifth brother, William Orgill 1842-   sailed from Liverpool to Melbourne in 1861, at 19 years of age. Four years later in 1865 he sailed from Victoria, Australia to New Zealand.

 

I assumed I had found all of the Orgill brothers who went to Australia, and resumed research on the Orgills in Measham, in England. A search in the British Newspaper Archives for Orgills in Measham revealed yet another Orgill brother who had gone to Australia.

Matthew Orgill 1828-1907 went to South Africa and to Australia, but returned to Measham.

The Orgill brothers had two sisters. One was my great great great grandmother Sarah, and the other was Hannah.  Hannah married Francis Hart in Measham. One of her sons, John Orgill Hart 1862-1909, was born in Measham.  On the 1881 census he was a 19 year old carpenters apprentice.  Two years later in 1883 he was listed as a joiner on the passenger list of the ship Illawarra, bound for Australia.   His occupation at the time of his death in Dandenong in 1909 was contractor.

An additional coincidental note about Dandenong: my step daughter Emily’s Australian partner is from Dandenong.

 

 

Housleys

Charles Housley 1823-1856

Charles Housley emigrated to Australia in 1851, the same year that his brother George emigrated to USA.  Charles is mentioned in the Narrative on the Letters by Barbara Housley, and appears in the Housley Letters chapters.

 

Rushbys

George “Mike” Rushby 1933-

Mike moved to Australia from South Africa. His story is a separate chapter.