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– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

The tunnel-sliding in the jelly cart was actually much smoother than the zebra ride prior. “Bless those frogs, aren’t their croaking some delightful melody of the spheres to our ears?” Sanso in his wetsuit was oblivious to the slime around, grinning as widely as a puppy with an old boot to tear to pieces.

Bless that jelly cart… Sadie was thinking instead, beeswax in her ears, thankful for the heart of silence and peace inside. Save for the chitchat of the others, she could temporarily forget about the ezapper (slide safety measures prohibiting the use of ecletical devices during such travels), and retreat in the sweet serenity of her inner peace.

That was,… until the image of Linda Paul abruptly came into her inner eye, almost having her buggering it off with wild manic gestures and in a string of loud swearwords — an emotion which she immediately managed to turn into nothingness, but sadly not the image.
It was a memory of what she’d told her before they left.

It’s high fucking time, honey pie… she’d told her. High fucking time you find yourself a fucking amazing Drag Queen name, sweetie bee. Look, she’d said, drawing closer with an air of grand voodoo priestress, this ain’t no fucking small talk, this is important.
I can come up with ten thousands of names in a minute for you, but you got to choose for yourself.
Sadie had almost rolled her eyes, but just mentioned as lovingly as she could. “Am I not a bit too… female for that?” To which Linda had burst into laughter hysterically, then continued with even more compunction. “Ain’t nothing to do with gender, sweetie, I thought you knew that much.”
“Besides, offering yourself your Drag Queen name is an act of love and empowerment. You should try it when you’re ready. And then, you’ll accomplish miracles.”

Not that Linda Paul was known for euphemisms or understatements, but Sadie found she might give it some thought.
If only to get rid of that annoying affected voice in her face.

After almost 33 years on the road doing their their show, Geoffroy and the Théâtre du Soleil had had their share of success.

Of course, with an average age of the troupe being close to 66 years old on the eve of July 1789, they were not all young and restless, nor as high on hallucinogenic mushrooms like every other day.
Admittedly, their fate took a turn for the better after that show cancellation at Versailles the day of the attempt on the King’s life. They were stolen a balloon and a tub of lard, but what they gained in exchange was beyond wondrous. Sparks of inspiration had brought the team closer, and even the occasional quarrel between Lison and Francette was a blessing. Now, there was already a new King in Versailles, not better by far, and the wig fashion had improved only so lightly, but it gave good fodder for sarcasm and witty plays.

It wasn’t so much that their play-writing abilities had improved dramatically, to the contrary, but their common hallucination in the Royal Chapelle that day had unleashed their creative power. Their new plays had become famous overnight all over the Europe, liked by peasants who were enjoying its simplicity and nonsensical timing and plots, or even snotty critics all alike, who were somehow discerning artful and intricate royal satire that maybe they’d just invented to sound clever.

Tonight they would play a revival of their universally acclaimed chef d’œuvre, “The whales and the frogs”. With buffoonish wigs and corsets, and their share of heavy compulsory make-up. For some, the frogs were a symbol of the poor people carrying the heavy queens and kings of old, with crazy old Time as a driver, flanked with Janus the two-headed Janitor. Well, that sounded quite erudite and a tad pompous, and frankly for them, they didn’t care what symbol it was, so long as it brought the final money they needed for their retirement plan in sunny Mediterranean where they would take a boat and sail to the new world.

2222 had been hailed the pinnacle of human development (that is, until 3333 was at reach), which prompted a whole Time Tourism business during this year.
It required a lot of finicky logistics, as to ensure a stable sustaining of this particular year and avoid predatory behaviour which could potentially lead to the collapse of the future as it was known —a matter which in most cases wouldn’t be given two figs about, but which here, could have dramatic repercussions on the ITBC (International Time Bank Conundrum) itself.
As a matter of fact, it wasn’t before 2255 that Elbert Twostains elaborated the first working version of his Unified Theory of Time Puddles, hence ushering humanity into a bright future, and past, and present, where and when nothing would ever be the same again.
As such, there quickly was an embargo declared by the ITBC on any close relationship and ancestor, and connected people which could lead to a disruption of their juicy business.
Apart from these minor restrictions which were for the good people’s own good, a lot was actually possible and allowed. Some maverick travellers used to vocally resent and disapprove of those restriction, but mostly because they thought the theory would have been discovered anyway, Elbert or not, and secretly because they enjoyed beating the drums of the restrictions (which restrictions tended to get quite restricted themselves past 2222).

Jonbert Dirk had made a fortune as a Time Tourism moghul, or so the official story went. Truth be told, much of his fortune was amassed thanks to time smuggling and past treasures plundering and reselling on the black market of antiques. Let’s not be hasty to judge the old man though, It was a tricky business back then, to find the proper time to retrieve a given antique so that your precious item didn’t look like the cheap porcelain fresh out a sweatshop in Sina.

By 2233, he was a multi bullionaire (billionaire in gold bars, as gold was needed to time-travel, it was an even more precious commodity than before), and had outlets with his brand all over the places and times.
Like the rich men of the past who had themselves built splendid yachts big as cities, he was of more modest and practical tastes, but not insensitive to the display of power this offered. So he had himself built a spacious submarine richly decorated and equipped with the last generation of TTEs (Time Travelling Engine). Over time, he’d found the use of a submarine much easier to conceal during his time travels, and like a Captain Nemo of the future, enjoyed the luxury of whale watching and underwater symphonies while sipping his caipirinha in the pool of his submarine.

Few people knew how to contact him, so it was with some surprise that he’d received the request for genetically enhanced pacific frogs. Belligerent frogs were all the fad in last century, but this century had a soft spot for the smaller, and more resilient pacific singing frogs.
A man of his immense resources was definitely the way to go if you needed such rare and exotic species delivered to you in short notice.
He was in a good mood today, so he signaled the order to the central computer.
As the batch was dispatched, he smiled wryly, thinking he had waited for the inquirer to be indebted to him for quite some time. Shrinking old was a mean business, and he had not amassed enough gold to jump past 3333, where life everlasting was discovered. He was certain this curious and elusive fellow would be in position to help.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“Sorry love, I was a tad busy with the whole time travel department reorganization. Had to call HR to fire some of these incompetent nincompooptarts. Can you imagine they not only manage to send you in the wrong period but also… I’m ranting now, sorry about that sweetie pie.

“Look, there’s no nice way to put it, so I’ll cut to the chase. The show’s been canceled by the cable network big potatoes. Too darn expensive not enough audience. You know all that jazz. I tried to argue, but all they wanted was excitement, glamour and bitching and yeah, all they got was a black tunnel and some green vomit. Got to admit, there’s no amount of special effects and sewing mojo you can raise to make your bitches look great in those dresses. Face it darling, they deserve gorgeous, but they’re still as ugly as sin.
Hell, I guess those shareholders twats just couldn’t stand the marvelooks of us…, now I’m ranting again.

“Long story short, forget about the ferret, keys and whatnots and get your pretty asses all right back as fast as you can or they’ll pull the plug out of the time sewers. And you know very well what that means for ye all.”

An ominous sound effect played from the ezapper. Darn Linda Paul always had to amp up the drama.

They did only realize they got out of the tunnel when the dimmed blue lights faded completely. It was almost pitch black apart from a few braziers in a narrowing vaulted tunnel paved in the manner of a future metro line.
The passengers had noticed the transition from the smooth gliding gait of the zebras to the clopping of the hooves on the cobblestones. Sadie peaked outside of the carriage
“Have we arrived? Where are we?”
“Rightly so, darling. We’re under the grotto. Technically, it’s a chapel now. I did some adjustments underground.”
“Mmm…” Sadie nodded indecisively. She couldn’t find the least rude way to nod without letting her thinking it was utter rubbish show through. So she kept quiet for a moment and even refrained rolling her eyes. “So, we’re….?”
“We’re at the North Wing of the Palace, darling. It’s just nearby the Royal Opera House of the Palace, where your show will be held tonight, your e-flapper should have told you that. Don’t mind the construction work, it will give a steampunk feel to your show before it’s even invented.”
“Of course.” she said evenly. “The North Wing. Well, we all in need of sleep and refreshing before tonight’s show, so…?” trying to worm out meaningful words from Sanso seemed a futile attempt.
“Fancy that, darling, I have another delicate extraction of time stranders to go to,” checking a greasy paper from his shirt pocket,… “in last century or so, I can’t afford to be late. Let me help you lots out of here, leave it to Chair to take back those zebras to the Royal zoo and deliver that barrel of fine champagne, and you’re on your own.”

Before Sadie could tell the word rude, Sanso had folded the carriage back unto itself, pocketed it and disappeared in a wallmhole —leaving only beside herself, the mute Chair on top of a barrel of vintage champagne, four exhausted and pawing zebras, and three sleep-deprieved disheveled divas.

At least, the secrete cave of a Chapel is not overly conspicuous she said, trying to cheer herself up, remembering her training that light would prevail.