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With a warm smile of approval, Cerenise tapped out the names and dates on her keyboard.  So refreshing when people were original when naming the fruit of their loins, she thought.  Some of the family trees she’d done for friends and clients had been a veritable cesspit of endlessly repeated Johns and Marys, Williams and Elizabeths.  Despite suppressing a shudder when introduced to a modern human named River or Sky, or worse, the ridiculously creative spelling of a common name, some of the older examples of unusual names she found quite delightful. Especially, it had to be said, French ones.

Pierre Wenceslas Varlet born on the 28th of  September, 1824  in Clenleu, Pas-de-Calais, brother of Austreberthe Varlet, born two years previously on the 8th of June.  Wenceslas!   What would you call Wenceslas for short? she mused. Wence?

“An ’twere not as good a deed as drink to turn true man and to leave these rogues, I am the veriest varlet that ever chewed with a tooth”.

A cautious knock at the door interrupted Cerenise’s mental meanderings.

“Enter,” she called, and Laddie Bentry sidled in looking sheepish.

“Ah, it’s you, the veriest varlet of number 26. Well, what is it?  You look as though you accidentally dropped Helier’s trashy novel in the water butt.”

Taken aback by Cernice’s perspicacity, Laddie recoiled slightly and then squared his shoulders. “How did you know?” he asked.

“Oh just a lucky guess,” Cerenise replied breezily, tapping the side of her nose. “I suppose you want me to order you another copy from Amaflob before he notices?  I’ll arrange for an express delivery. Keep an eye out for the delivery man”

Waving away his thanks, she picked up the old document on her desk that Yvoise had kindly provided, albeit reluctantly, and squinted at it. She could make out the name Austreberthe, but what did the rest say?

Cerenise dozed off, dreaming of the Folies Bergere. The atmosphere was exciting and convivial at first, escalating into an eruption of approval when the new act came on the stage. Cerenise felt the energy of the crowd but her attention was drawn to the flamboyant figure of a man dressed as one of the three kings of the Magi, and he was making his way over to her. Why, it was Lazuli Galore! What on earth was he doing here? And who was that dumpy overly made up woman in the blue dress, Godfreda, who had tagged along with them?

Another knock on the door wakened her and she called out “Come in!” in an irritable tone. She’d been having such fun in the dream.  “Oh it’s you, oh good, the book has arrived.”

Laddie shifted his feet and replied, “Well yes, a Liz Tattler novel has arrived.”

“Oh, good, well be off with you then so I can get on with my work.”

“But it’s not The Vampires of Varna.  It’s The Valedictorian Vampires of Valley View High.”

“Jolly good, I expect you’ll enjoy it,”  Cerenise said, picking up the old document again and peering at it.  Perceiving that Laddie had not yet exited the room, she looked up.  “Helier won’t notice, those books are all the same. Now get off with you.”

As soon as Boothroyd had gone, Laddie Bentry, the under gardener, emerged from behind the Dicksonia squarrosa that was planted in a rare French Majolica Onnaing dragon eagle pot.  The pot, and in particular the tree fern residing within it, were Laddie’s favourite specimen, reminding him of his homeland far away.

Keeping a cautious eye on the the door leading into the house, Laddie hurried over to the cast iron planter and retrieved the Liz Tattler novel hidden underneath.  Quickly he tucked in into the inside pocket of his shabby tweed jacket and hastened to the door leading to the garden. Holding on to his cap, for the wind was cold and gusty, he ran to the old stable and darted inside.  Laddie reckoned he had an hour or two free without Boothroyd hovering over him, and he settled himself on a heap of old sacks.

The Vampire Hoarders of Varna.  It wasn’t the first time Laddie had seen Boothroyd surreptitiously reading Helier’s books, and it had piqued his curiosity.  What was it the old fart found so interesting about Helier’s novels? The library was full of books, if he wanted to read. Not bothering to read the preface, and not having time to start on page one, Laddie Bentry flicked through the book, pausing to read random passages.

….the carriage rattled and lurched headlong through the valley, jostling the three occupants unmercifully. “I’ll have the guts of that coachman for garters! The devil take him!” Galfrey exclaimed, after bouncing his head off the door frame of the compartment. 

“Is it bleeding?” asked Triviella, inadvertently licking her lips and she inspected his forehead. 

“The devil take you too, for your impertinence,” Galfrey scowled and shook her off, his irritation enhanced by his alarm at the situation they found themselves in.

Ignoring his uncharacteristic bad humour, Triviella snuggled close and and stroked his manly thigh, clad in crimson silk breeches.  “Just think about the banquet later,” she purred. 

Jacobino, austere and taciturn, on the opposite seat, who had thus far been studiously ignoring both of them, heard the mention of the banquet and smiled for the first time since…

Laddie opened the book to another passage.

“……1631, just before the siege of Gloucester, and what a feast it was!  It was hard to imagine a time when we’d feasted so well. Such rich and easy pickings and such a delightful cocktail.  One can never really predict a perfect cocktail of blood types at a party, and centuries pass between particularly memorable ones. Another is long overdue, and one would hate to miss it,” Jacobino explained to the innocent and trusting young dairy maid, who was in awe that the handsome young gentleman was talking to her at all, yet understood very little of his dialogue.

“Which is why,” Jacobino implored, taking hold of her small calloused hands, “You must come with me to the banquet tonight.” 

Little did she know that her soft rosy throat was on the menu…..

It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.

Cerenise had spent the best part of a week choosing a suitable outfit to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair  (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on.  She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.

Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses.  She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.

It was just after the siege of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public.  Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers.  Decades, or was it centuries, it was hard to keep track,  of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.

It was when she gave up walking in public that the hoarding started.  Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.

Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.

Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the labyrinthine old building.  There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.

Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenance but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

Ricardo noticed, with growing unease, that he hadn’t been included in recent events.
Had he been written out? Or worse, had he written himself out?

New characters were arriving constantly, but he couldn’t make head nor tail of most of them — especially with their ever-changing names.

He contemplated slinking back behind the bush … but this tree business, all the crouching and lurking, was getting embarrassing.

For goodness’ sake, Ricardo, he admonished himself, stop being so pathetic.

It wasn’t until the words echoed back at him that he realised, with horror, his internal voice now sounded exactly like Miss Bossy Pants.

He frantically searched for a different voice.

It’s a poor workman blames his tools, Ricardo. Miss Herbert, Primary School. Her long chin and pursed lips hovering above his scribbled homework.

Really, Ricardo. A journalist? Is that what you want to be? His father’s voice, dripping with disdain.

Any hope for a comment, Ricardo? Miss Bossy Pants again, eyes rolling.

Ricardo sighed. Then — brainwave! If he could be the one to return the gazebo, maybe they’d write him back in

Or … he stood up tall and squared his shoulders … he would jolly well write himself back in!

He’d have his work cut out to beat Chico, though, with the elaborate triple-reverse-double-flip of the worry beads and all that purposeful striding. One had to admit, the man had momentum when he made the effort. It was uncharitable, he knew, but Ricardo decided he preferred Chico when he was spitting.

“Well, I think that proves my point,” remarked Carob with a smirk.

“What do you mean”, Thiram said crossly, which sounded more like a resigned sigh than a question.

“Remember what I said? You can’t order a synchronicity, or expect one. They always just happen when you don’t expect it.”

“She’s right,” Any piped up.  “We can’t just sit here waiting for a coincidence. We have to just carry on regardless until one appears.”

“Aunt Amy?” Kit asked, “How do we carry on regardless if we don’t know what our story is yet?”

“What I want to know is this,” Chico said with a twirl of his worry beads, “Who’s coming with me to fetch the gazebo back?” Chico squared his shoulders proudly, glad that his new colourful beads had replaced the urge to spit. He felt in control, a new man. A man to be respected. A leader.

With an elaborate triple reverse double flip of the worry beads, Chico turned and strode purposefully into the sunset, in the direction of the gazebo.

“Buns and tarts!” called a street vendor from the street outside the Gazebar.  “Freshly baked Memory Pies! Nostalgia Rolls! Selling like Hot Cakes! Come and get ’em before they run out!”

Chico realised he’d hardly eaten a thing since becoming a new character.  Maybe this is how character building works.

“I’ll take one of each,” Chico said to the smiling round faced vendor. I need to stock up on memories.

“Are they all for you, sir?” the vendor asked.  Chico couldn’t help thinking he looked like a frog.  Nodding, Chico said, “Yeah, I’m hungry for a past.”

“We normally suggest just one at a time,” the frog said (for he had indeed turned into a frog), “But you look like a man with a capacity for multiple memories.  Are you with friends?”

“Er, yeah, yes I’m with friends,” Chico replied.  Are the other new characters my friends?  “Yes, of course, I have lots of friends.”  He didn’t want the frog vendor to think he was friendless.

“Then we suggest you share each cake with the friends you want to share the memory with.”

“Oh right. But how do I know what the memory is before I eat  the cake?”

“Let me ask you this,” said the frog with a big smile, “Do real people choose who to share their memories with? Or know in advance what the memories will be?”

“How the hell would I know!” Chico said, roughly grabbing the paper bag of buns. “I’m new here!”

One too many cups of coffee and I should know better by now, Amy realised after tossing and turning in her crumpled bed through the strange dark hours of the night, wondering if someone had spiked her wine with cocaine or if she was having a heart attack or a nervous breakdown.  They all say to just breathe, she thought, But that is the last thing you should focus on when you’re hyperventilating.  You should forget your breathing entirely when you can’t control it.  After several hours of imagining herself in the death throes of some dire terminal physical malfunction, she fell asleep, only to be woken up by a strong need to piss like a racehorse.  Don’t open your eyes more than you need to, don’t wake up too much, she told herself as she lurched blindly to the privy.

Latte! Fucking Latte! what a stupid word for coffee with milk.  Amy hated the word latte, it was so pretentious and stupid. Revolting anyway, putting milk in coffee, made inexpressibly worse by calling the bloody thing JUST MILK in another language. Why not call it Milch or Leche or молоко or γάλα or 牛奶 or sữa or दूध….

Amy flushed the toilet, wide awake and irritated, but never the less grateful for the realisation that her discomfort was nothing more than an ooverdoose of cafoone.

“I don’t know, Amy. I thought it was Chico who was mysterious — subversively spitting at every opportunity.”

“Well, Carob, maybe we could just agree they’re equally mysterious?” suggested Amy, turning her attention back to her search.

Carob shrugged. “A woman in Greece is divorcing her husband because AI read her coffee cup and said he was cheating.”

Amy paused and looked up. “For real?”

“Yeah. I read it on Thiram’s news stream. He left it running on that weird device of his — over there, next to his half-drunk coffee. Not sure where he went, actually.”

Amy gasped and clapped her hands. “Oh! Oh! Brainwave occurring — let’s get AI to read Thiram’s coffee cup!”

Carob snorted. “Genius.”

They raced over to the small folding table where Thiram’s cup sat. Carob held up her phone.

“Okay. One quick pic. Hold it steady!”

They excitedly uploaded the image to an AI analysis app Thiram had installed on his device.

The app whirred for a few minutes:

DEEP COFFEE CUP ANALYSIS COMPLETE

Latent emotional residue: contemplative, fond of secrets.
Foam pattern suggests hidden loyalty to an entity known only as “The Port.”
Swirling suggests alignment with larger forces not currently visible.
Presence of cardamom notes: entirely unaccounted for.
Recommendation: approach carefully with gentle questioning.

“Blimey, what does that mean?” asked Carob.

Amy nodded solemnly, perhaps with just a touch of smugness. “He is a man of mystery. Didn’t I say it?”

Carob didn’t know what to say — which gave her a tendency to ramble.

Was everyone avoiding Amy?

Was it because she was dressed as a stout little lady?

Carob cleared her throat. “Well, Amy, you look… most interesting today.”

“I have to agree,” replied Amy, unperturbed. “Now — what is this about you and Ricardo?”

“I’m sorry, but I can’t tell you,” Carob said, shaking her head. “Partly because it’s top secret, and partly because…”
She tapped her temple and nodded to herself — definitely a few times more than necessary. “I’m still working it out.”

“But you know him?” Amy persisted. “How do you know him?”

Carob knew Amy could be relentless.

“Look over there!” she shouted, pointing vaguely.

Amy didn’t even turn her head. She gazed up at Carob with a long-suffering stare. “Carob?”

Carob scrunched up her face. “Okay,” she said eventually. “I think the others are avoiding you. Me. Us. Both of us.”

She took a deep breath. “Thiram doesn’t know where we are or what we’re doing here — and he’s not good with that, bless. We don’t know where on earth Chico is — but we do know he spits, which, quite frankly, is uncouth.”

She brightened suddenly. “But one thing I do know — here, amid the coffee beans and the lucid dreamers, there is a story to be told.”

Amy rolled her eyes. “I’ve noticed you still haven’t told me how you know Ricardo.”

It was rather odd — but neither of them noticed the bush inching closer.

Trailing suspect but nothing to report yet, messaged Ricardo.

He knew Miss Bossy Pants wouldn’t be happy.

Moments later, Finnley returned.  “There’s a woman at the door. With suitcases. Says you invited her to stay. Nobody told me you were expecting guests.”

“Did you ask who it was?”

“Don’t you know who you invited? She’s a thin woman with awful dreadlocks, too old for dreads if you ask me, speaks with an Australian accent.”

“Ah yes, one of my favourite story characters! She’s come to help me with my new novel.”

“But what about the bedding? Nobody told me to get a bedroom ready for guests,” Finnley replied.

Just then a pretty young French maid appeared through the French windows. “I ‘ave come to ‘elp wiz ze bedding!”

“Fanella, right on cue! Come in dear, and go and help Finnley ~ Finnley, have you shown Aunt Idle in? Take her to the drawing room and I’ll be in directly, then go and help Fanella. And if you’re not careful, I may give Fanella your job, at least she’s willing and doesn’t complain all the time. And take that silly orange mask off, you look a fright.”

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”