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  • #7829
    ÉricÉric
    Keymaster

      Helix 25 – Investigation Breakdown: Suspects, Factions, and Ship’s Population

      To systematically investigate the murder(s) and the overarching mystery, let’s break down the known groups and individuals, their possible means to commit crimes, and their potential motivations.


      1. Ship Population & Structure

      Estimated Population of Helix 25

      • Originally a luxury cruise ship before the exodus.
      • Largest cruise ships built on Earth in 2025 carried ~5,000 people.
        Space travel, however, requires generations.
      • Estimated current ship population on Helix 25: Between 15,000 and 50,000, depending on deck expansion and growth of refugee populations over decades.
      • Possible Ship Propulsion:
        • Plasma-based propulsion (high-efficiency ion drives)
        • Slingshot navigation using gravity assists
        • Solar sails & charged particle fields
        • Current trajectory: Large elliptical orbit, akin to a comet.
          Estimated direction of the original space trek was still within Solar System, not beyond the Kuiper Belt (~30 astrological units) and programmed to return towards it point of origin.
          Due to the reprogramming by the refugees, it is not known if there has been significant alteration of the course – it should be known as the ship starts to reach the aphelion (farthest from the Sun) and either comes back towards it, or to a different course.
        • Question: Are they truly on a course out of the galaxy? Or is that just the story Synthia is feeding them?
          Is there a Promised Land beyond the Ark’s adventure?


      2. Breaking Down People & Factions

      To find the killer(s), conspiracies, and ship dynamics, here are some of factions, known individuals, and their possible means/motives.


      A. Upper Decks: The Elite & Decision-Makers

      • Defining Features:
        • Wealthy descendants of the original passengers. They have adopted names of stars as new family names, as if de-facto rulers of the relative segments of the space.
        • Have never known hardship like the Lower Decks.
        • Kept busy with social prestige, arts, and “meaningful” pursuits to prevent existential crisis.

      Key Individuals:

      1. Sue Forgelot

        • Means: Extensive social connections, influence, and hidden cybernetic enhancements.
        • Motive: Could be protecting something or someone—she knows too much about the ship’s past.
        • Secrets: Claims to have met the Captain. Likely lying… unless?
      2. Dr. Amara Voss

        • Means: Expert geneticist, access to data. Could tamper with DNA.
        • Motive: What if Herbert knew something about her old research? Did she kill to bury it?
      3. Ellis Marlowe (Retired Postman)

        • Means: None obvious. But as a former Earth liaison, he has archives and knowledge of what was left behind.
        • Motive: Unclear, but his son was the murder victim. His son was previously left on Earth, and seemed to have found a way onto Helix 25 (possibly through the refugee wave who took over the ship)
        • Question: Did he know Herbert’s real identity?
      4. Finkley (Upper Deck cleaner, informant)

        • Means: As a cleaner, has access everywhere.
        • Motive: None obvious, but cleaners notice everything.
        • Secret: She and Finja (on Earth) are telepathically linked. Could Finja have picked up something?
      5. The Three Old Ladies (Shar, Glo, Mavis)

        • Means: Absolutely none.
        • Motive: Probably just want more drama.
        • Accidental Detectives: They mix up stories but might have stumbled on actual facts.
      6. Trevor Pee Marshall (TP, AI detective)

        • Means: Can scan records, project into locations, analyze logic patterns.
        • Motive: Should have none—unless he’s been compromised as hinted by some of the remnants of old Muck & Lump tech into his program.

      B. Lower Decks: Workers, Engineers, Hidden Knowledge

      • Defining Features:
        • Unlike the Upper Decks, they work—mechanics, hydroponics, labor.
        • Self-sufficient, but cut off from decisions.
        • Some distrust Synthia, believing Helix 25 is off-course.

      Key Individuals:

      1. Luca Stroud (Engineer, Cybernetic Expert)

        • Means: Can tamper with ship’s security, medical implants, and life-support systems.
        • Motive: Possible sabotage, or he was helping Herbert with something.
        • Secret: Works in black-market tech modifications.
      2. Romualdo (Gardener, Archivist-in-the-Making)

        • Means: None obvious. Seem to lack the intelligence, but isn’t stupid.
        • Motive: None—but he lent Herbert a Liz Tattler book about genetic memories.
        • Question: What exactly did Herbert learn from his reading?
      3. Zoya Kade (Revolutionary Figure, Not Directly Involved)

        • Means: Strong ideological influence, but not an active conspirator.
        • Motive: None, but her teachings have created and fed factions.
      4. The Underground Movement

        • Means: They know ways around Synthia’s surveillance.
        • Motive: They believe the ship is on a suicide mission.
        • Question: Would they kill to prove it?

      C. The Hold: The Wild Cards & Forgotten Spaces

      • Defining Features:
        • Refugees who weren’t fully integrated.
        • Maintain autonomy, trade, and repair systems that the rest of the ship ignores.

      Key Individuals:

      1. Kai Nova (Pilot, Disillusioned)

        • Means: Can manually override ship systems… if Synthia lets him.
        • Motive: Suspects something’s off about the ship’s fuel levels.
      2. Cadet Taygeta (Sharp, Logical, Too Honest)

        • Means: No real power, but access to data.
        • Motive: Trying to figure out what Kai is hiding.

      D. AI & Non-Human Factors

      • Synthia (Central AI, Overseer of Helix 25)

        • Means: Controls everything.
        • Motive: Unclear, but her instructions are decades old.
        • Question: Does she even have free will?
      • The Captain (Nemo)

        • Means: Access to ship-wide controls. He is blending in the ship’s population but has special access.
        • Motive: Seems uncertain about his mission.
        • Secret: He might not be following Synthia’s orders anymore.

      3. Who Has the Means to Kill in Zero-G?

      The next murder happens in a zero-gravity sector. Likely methods:

      • Oxygen deprivation (tampered life-support, “accident”)
      • Drowning (hydro-lab “malfunction”)

      Likely Suspects for Next Murder

      Suspect Means to Kill in Zero-G Motive
      Luca Stroud Can tamper with tech Knows ship secrets
      Amara Voss Access to medical, genetic data Herbert was digging into past
      Underground Movement Can evade Synthia’s surveillance Wants to prove ship is doomed
      Synthia (or Rogue AI processes) Controls airflow, gravity, and safety protocols If she sees someone as a threat, can she remove them?
      The Captain (Nemo?) Has override authority Is he protecting secrets?

      4. Next Steps in the Investigation

      • Evie and Riven Re-interview Suspects. Who benefited from Herbert’s death?
      • Investigate the Flat-Earth Conspiracies. Who is spreading paranoia?
      • Check the Captain’s Logs. What does Nemo actually believe?
      • Stop the Next Murder. (Too late?)

      Final Question: Where Do We Start?

      1. Evie and Riven visit the Captain’s quarters? (If they find him…)
      2. Investigate the Zero-G Crime Scene? (Second body = New urgency)
      3. Confront one of the Underground Members? (Are they behind it?)

      Let’s pick a thread and dive back into the case!

      #7828

      Helix 25 – The Murder Board

      Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.

      The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.

      Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”

      Evie exhaled sharply. “Then let’s go back to the basics.”

      She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.

      She turned to Riven. “Alright, let’s list it out. Who are our suspects?”

      He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.

      They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
      So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.

      1. First, the Obvious Candidates: People with Proximity to the Crime Scene
        Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
        Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
        Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
        The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it…
      2. Second, The Wild Cards: People with Unknown Agendas
        The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
        Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
        The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up?
      3. Third, The AI Factor: Sentient or Insentient?
        Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
        Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?

      Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”

      Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”

      She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”

      A heavy silence settled between them.

      Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”

      Riven exhaled. “Fine. Who benefits from Herbert’s death?”

      Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”

      TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”

      Evie and Riven exchanged a glance.

      Riven sighed. “We need a break.”

      Evie scoffed. “Time means nothing here.”

      Riven gestured out the window. “Then let’s go see it. The Sun.”

      Helix 25 – The Sun-Gazing Chamber

      The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
      It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.

      Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.

      Riven was quiet for a moment. “If there’s anyone left.”

      Evie frowned. “If they are, I doubt they got much of a choice.”

      TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”

      Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.

      “Some people think we’re not really where they say we are,” she muttered.

      Riven raised an eyebrow. “What, like conspiracy theories?”

      TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”

      Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Effin Muck tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”

      “Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”

      Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”

      Evie didn’t look convinced. “Then why do we feel stuck?”

      A chime interrupted them.

      A voice, over the comms. Solar flare alert. 

      Evie stiffened.

      Then: Stay calm and return to your quarters until further notice.

      Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.

      He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”

      #7739

      Not knowing what else to do to calm his nerves Ellis took Finkley’s advice and took his box of postcards back down off the shelf. Extracting a random one from the middle of the stack he gazed at the picture of a lump of orange rock in the middle of a desert. Turning it over with trembling hands he tried to focus on the message.  It was written in a childish hand and mentioned an outing to the old Bundy place and that Mater had locked herself in her bedroom again, signed lots of love from Clove.

      Ellis was trying to decipher the smudged postmark when Finkley barged in again.  “Ellis, sit down,” Finkley said pointlessly as Ellis was already seated. “Detective TP wants to talk to you about the murder victim.”

      “But why? I don’t know anything about it.”

      “You’re not the only one who doesn’t know anything, I can assure you. Nobody seems to know what’s going on, but TP says he wants to talk to you. Don’t shoot the messenger, Ellis, I’m as confused as you are.  You’re to go to his pod immediately.”  Seeing his discomfiture, Finkley added kindly, “I’ll come with you if you like.”

      #7738

      Finkley patted Ellis on a shoulder a few times and suggested he had another look through his box of postcards.

      “And try and get a grip, eh? I’m going to see what’s going on, I’ll be back in a bit.”

      #7731

      The colours were bright, garish really, an impossibly blue sea and sky and splashes of pillar box red on the square shaped cars and dated clothes, but it was his favourite postcard of them all.  It wasn’t the most scenic, it wasn’t the most spectacular location, but it was an echo from those long ago days of summer, of seaside holidays, souvenirs and a dozen postcards to write at a beachside cafe. The days when the post was delivered by conscientious postmen such as he himself had been, and the postcards arrived at their destinations before the holidaymakers had returned to their suburban homes and city jobs. The scene in the postcard was bathed in glorious sunshine, but the message on the back told the usual tale of the weather and the rain and that it might brighten up tomorrow but they were having a lovely time and they’d be back on Sunday and would the recipients get them a loaf and a pint of milk.

      Ellis Marlowe put the Margate postcard to the back of the pile in his hand and pondered the image on the next one.  He sighed at the image of the Statue of Liberty, sickly green, sadly proclaiming the height of a lost empire, and quickly put it at the back of the pile. Nobody needed to dwell on that story.

      His perusal of the next image, an alpine meadow with an attractively skirted peasant scampering in a field, was interrupted with a bang on his door as Finkley barged in without waiting for a response.  “There’s been a murder on the ship! Murder!  Poor sod’s been dessicated like a dried tomato…”

      Ellis looked at her in astonishment. His hand shook slightly as he put his postcard collection back in the box, replaced the lid and returned it to his locker.  “Murder?” he repeated. “Murder? On here? But we’re supposed to be safe here, we left all that behind.”  Visibly shaken, Ellis repeated, almost shouting, “But we left all that behind!”

      #7720
      Yurara FamelikiYurara Fameliki
      Participant

        Some ideas to pick apart and improve on:

        Some characters:

        • The Murder Victim: A once-prominent figure whose mysterious death on Helix 25 is intertwined with deeper, enigmatic forces—a person whose secret past and untimely demise trigger the cascade of genetic clues and expose long-buried truths about the exodus.
        • Dr. Amara Voss: A brilliant geneticist haunted by fragmented pasts, who deciphers DNA strands imbued with clues from an ancient intelligence.
        • Inspector Orion Reed: A retro-inspired, elderly holographic AI detective whose relentless curiosity drives him to unravel the inexplicable murder.
        • Kai Nova: A maverick pilot chasing cosmic dreams, unafraid to navigate perilous starfields in search of truth.
        • Seren Vega: A meditative archivist who unlocks VR relics of history, piecing together humanity’s lost lore. Mandrake her cat, who’s been given bionic enhancements that enables it to speak its mind.
        • Luca Stroud: A rebellious engineer whose knack for decoding forbidden secrets may hold the key to the ship’s destiny.
        • Ellis Marlowe (Retired Postman): A weathered former postman whose cherished collection of vintage postcards from Earth and early space voyages carries personal and historical messages, hinting at forgotten connections.
        • Sue Forgelot: A prominent socialist socialite, descended from Sir Forgelot.
        • Sharon, Gloria, Mavis: a favourite elderly trio of life-extended elders. Of course, they endured and thrived in humanity’s latest exodus from Earth
        • Lexican and Flexicans, Pronoun People: sub-groups and political factions, challenging our notions of divisions
        • Space Absinthe Pirates: a rogue band of bandits— a myth to make children behave… or something else?

        Background of the Helix Fleet:

        Helix 25 is one of several generation ships that were designed as luxury cruise ships, but are now embarked on an exodus from Earth decades ago, after a mysterious event that left them the last survivors of humanity. Once part of an ambitious fleet designed for both leisure and also built to secretly preserve humanity’s legacy, the other Helix ships have since vanished from communication. Their unexplained absence casts a long shadow over the survivors aboard Helix 25, fueling theories soon turning into myths and the hope of a new golden age for humanity bound to a cryptic prophecy.

        100-Word Pitch:

        Aboard Helix 25, humanity’s last survivors drift through deep space on a generation ship with a haunted past. When Inspector Orion Reed, a timeless holographic detective, uncovers a perplexing murder, encoded genetic secrets begin to surface. Dr. Amara Voss painstakingly deciphers DNA strands laced with ancient intelligence, while Kai Nova navigates treacherous starfields and Seren Vega unlocks VR relics of lost eras. Luca Stroud and Ellis Marlowe, a retired postman with vintage postcards, piece together clues that tie the victim’s secret past to the vanished Helix fleet. As conspiracies unravel, the crew must confront a destiny entwined with Earth’s forgotten exodus.

        #7701
        F LoveF Love
        Participant

          Amei attached a card and ribbon to the last of the neatly wrapped gifts and placed it under the tree. This one was for Paul—a notebook with a cover of soft fabric she’d block-printed with delicate, overlapping circles in muted blues and greens. The fabric was left over from a set of cushions for a client, but she had spent hours crafting the notebook, knowing all the while Paul probably wouldn’t use it. He was impossible to buy for, preferring things he picked out himself. Tabitha had been far easier: Amei had secretly made a dress out of a soft, flowing fabric that Tabitha had fallen in love with the moment Amei showed it to her.

          The house felt calm for the moment. Tabitha had gone out earlier, calling over her shoulder that she’d be back in time for dinner. Amei smiled at the memory of her daughter’s laughter. Her excitement about Christmas was palpable, a bright contrast to the quietness that had settled over everything else. Amei used to feel like that about Christmas too. This year, though, she was only making the effort for Tabitha.

          Somewhere down the hallway, Paul’s voice murmured on a call—distant, like everything about him lately. The air smelled faintly of cinnamon and cloves from the mulled wine simmering on the stove, but even that warm, festive scent felt like it was trying too hard.

          The house felt big, despite the occasional bursts of life it saw on days like this. It had felt that way for months now, the weight of unspoken things pressing against the faded walls.

          She sighed and reached for the decoration box, pulling out a small clay angel with chipped wings. The sight of it made her pause. Lucien had given it to her years ago, one Christmas, and declared it “charmingly imperfect,” insisting it belonged at the top of her tree. She smiled faintly at the memory, turning it over in her hands. Every year since, it had held its place at the top of the tree.

          “Still not done?” Paul’s voice cut into her thoughts. She turned to see him standing in the doorway. At the sound of Paul’s voice, Briar, their elderly cat—or technically Paul’s cat—emerged from behind the curtain, her tail curling as she wove around his legs. Paul crouched slightly to scratch behind her ears, and Briar leaned into his touch, purring softly

          “She thinks it’s dinner time,” Amei said evenly.

          “You always go overboard with these things, Amei,” Paul said, straightening and nodding towards the gifts.

          “It’s Christmas,” she snapped, the irritation slipping through before she could stop it. She turned back to the tree, her fingers moving stiffly as she busied herself with strands of sparkly tinsel.

          Paul didn’t respond, but she could feel his gaze linger. It was the silence that had grown between them in recent months, filled with everything they couldn’t bring themselves to say…yet.

          The sound of the front door banging shut and brisk footsteps broke the tension. Tabitha burst past Paul into the room, her cheeks flushed from the cold. “Hey, Paul. Hey, Mumma Bear,” she said brightly. Her eyes lit up as they landed on the tree. “The tree looks gorgeous! Don’t you just love Christmas?”

          #7682

          Matteo — Autumn 2023

          The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

          His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

          “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

          His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

          Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

          A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

          Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

          “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

          The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

          He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

          Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

          He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

          Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

          Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

          Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

          “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

          #7675
          Yurara FamelikiYurara Fameliki
          Participant

            Glynis making potions (in Dragon Heartswood Fellowship story)

            [Scene opens in Glynis’s cozy alchemical nook, where sunlight filters through stained glass, casting a kaleidoscope of colors onto the wooden workbench.]

            Glynis, hair tied in a practical bun, hums a gentle melody, her hands deftly moving among jars of fragrant herbs and sparkling crystals. The air is rich with the scent of cinnamon and cardamom, mingling with the earthy aroma of freshly picked herbs.

            Among her collection of vials and beakers, a group of soft, furry baby Snoots frolics, their fur a dazzling array of colors—from vibrant blues to shimmering purples—each reflecting their unique magic-imbued personalities.

            One baby Snoot, with fur like a sunset, nudges a vial toward Glynis, its tiny paws leaving prints of glowing stardust. Glynis chuckles, accepting the offering with a warm smile. “Thank you, little one,” she whispers, adding a sprinkle of the sparkling dust to the simmering potion.

            The Snoots, enchanted by the alchemical ballet, gather around the cauldron, their eyes wide with wonder as the potion bubbles and swirls with hues to match their fur. Occasionally, a brave Snoot dips a curious paw into the brew, causing a cascade of giggles as their fur momentarily absorbs the potion’s glow.

            Glynis, her heart full with the joy of companionship, pauses to gently scratch behind the ears of a Snoot nestled by her elbow. “You’re all such wonderful helpers,” she murmurs, her voice a melody of gratitude.

            As the potion reaches its peak, the room is momentarily filled with a burst of iridescent light, a reflection of the harmonious magic that binds Glynis and her Snoot companions in their delightful symbiotic dance.

            #7669
            Yurara FamelikiYurara Fameliki
            Participant

              Quintessence – Looking for the 5th — A concept film trailer… 

              The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

              • Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
              • Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
              • Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
              • Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

              The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

              #7659
              Jib
              Participant

                March 2024

                The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

                He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

                Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

                As always, no hello, no question about his health or anything personal.

                “I didn’t want it”, Lucien said, his voice calm only on the surface.

                “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

                “I already told you, it’s not what I want. I’ve made my decision.”

                Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

                Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

                “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

                Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

                A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

                “We’re never finished”, Lucien muttered as the line went dead.

                Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

                “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

                The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

                The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

                The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

                Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

                He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

                When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

                The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

                “What have we here?” He asked, his voice bordering on disdain.

                Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

                Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

                The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

                Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

                “It’s personal”, he said, his voice low.

                Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

                Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

                Lucien nodded towards the covered stack of canvases near the wall. “Done.”

                “Good. They’ll come tomorrow and take the lot.”

                Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

                Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

                He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

                Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
                He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

                #7657
                ÉricÉric
                Keymaster

                  A list of events for reference (WIP)

                  Date Matteo Lucien Darius Amei Elara
                  Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
                  Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
                  Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
                  She reminisces about chalkapocalypse.
                  Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E:
                  Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E:
                  Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E:
                  early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E:
                  Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with  sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E:
                  early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
                  end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
                  Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
                  beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E:
                  2020 M: L: D: A: E:
                  beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E:
                  Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion
                  2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
                  ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
                  Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
                  2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
                  2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
                  before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank
                  #7655
                  F LoveF Love
                  Participant

                    Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.

                    “In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”

                    Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.

                    Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”

                    She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.

                    She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.

                    The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.

                    She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.

                    Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.

                    “Magnificent, isn’t it?”

                    The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.

                    “It’s quite interesting,” Amei said. “But I’m not sure I get it.”

                    “It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”

                    “You sound like you know what you’re talking about.”

                    “I do,” she said. “Do you?”

                    Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”

                    The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”

                    Amei,” she replied, returning the smile.

                    Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”

                    “Oh, I made it, actually,” Amei felt proud.

                    Elara raised her eyebrows. “You made it? I’m impressed.”

                    And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.

                    #7654
                    TracyTracy
                    Participant

                      The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

                      Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

                      Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

                      Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

                      You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

                      They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

                      Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

                      Look, we need to start making our way back to the carElara had said, It’ll be dark in a couple of hours. 
                      Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

                      The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

                      Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
                      Is it real? whispered Amei, awestruck.

                      I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

                      #7653

                      Matteo — Winter 2023: The Move

                      The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

                      The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

                      The sound of the doorbell brought him back from his rêverie.

                      Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

                      :fleuron2:

                      Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

                      “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

                      “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

                      The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

                      Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

                      Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

                      :fleuron2:

                      As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

                      “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

                      “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

                      Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

                      “Special how?” her mother asked lightly.

                      “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

                      Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

                      “Why you want to keep those?” Amei asked, tilting her head.

                      Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

                      Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

                      :fleuron2:

                      The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

                      As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

                      “It’s different, isn’t it?” she said suddenly, not looking at him.

                      “Moving?” Matteo asked, unsure if the question was for him.

                      “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

                      Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

                      :fleuron2:

                      The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

                      By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

                      “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

                      Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

                      #7649
                      F LoveF Love
                      Participant

                        The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.

                        The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”

                        “Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.

                        A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.

                        “These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”

                        Amei nodded politely. “They do,” she said.

                        He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”

                        “They’re just for light on this occasion,” she said, her tone sharper than she intended.

                        “Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”

                        Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”

                        The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”

                        Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”

                        The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.

                        #7647

                        Darius: A Map of People

                        June 2023 – Capesterre-Belle-Eau, Guadeloupe

                        The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

                        It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

                        Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

                        “Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

                        It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

                        Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

                        Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

                        “Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

                        He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

                        But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

                        A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

                        He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

                        Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

                        Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

                        Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

                        Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

                        When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

                        But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

                        Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

                        One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

                        “Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

                        He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

                        The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

                        “Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

                        “Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

                        She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

                        Darius accepted it with a quiet laugh. “Merci, tatie.”

                        As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

                        The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

                        “Nice scarf,” Darius said casually as he passed.

                        The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

                        Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

                        Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

                        The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

                        A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

                        He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

                        “Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

                        He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

                        As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

                        #7645
                        F LoveF Love
                        Participant

                          Amei sat cross-legged on the floor in what had once been the study, its emptiness amplified by the packed boxes stacked along the walls. The bookshelves were mostly bare now, save for a few piles of books she was donating to goodwill.

                          The window was open, and a soft breeze stirred the curtains, carrying with it the faint chime of church bells in the distance. Ten o’clock. Tomorrow was moving day.

                          Her notebooks were heaped beside her on the floor—a chaotic mix of battered leather covers, spiral-bound pads, and sleek journals bought in fleeting fits of optimism. She ran a hand over the stack, wondering if it was time to let them go. A fresh start meant travelling lighter, didn’t it?

                          She hesitated, then picked up the top notebook. Flipping it open, she skimmed the pages—lists, sketches, fragments of thoughts and poems. As she turned another page, a postcard slipped out and fluttered to the floor.

                          She picked it up. The faded image showed a winding mountain road, curling into mist. On the back, Darius had written:

                          “Found this place by accident. You’d love it. Or maybe hate it. Either way, it made me think of you. D.”

                          Amei stared at the card. She’d forgotten about these postcards, scattered through her notebooks like breadcrumbs to another time. Sliding it back into place, she set the notebook aside and reached for another, older one. Its edges were frayed, its cover softened by time.

                          She flicked through the pages until an entry caught her eye, scrawled as though written in haste:

                          Lucien found the map at a flea market. He thought it was just a novelty, but the seller was asking too much. L was ready to leave it when Elara saw the embossed bell in the corner. LIKE THE OTHER BELL. Darius was sure it wasn’t a coincidence, but of course wouldn’t say why. Typical. He insisted we buy it, and somehow the map ended up with me. “You’ll keep it safe,” he said. Safe from what? He wouldn’t say.

                          The map! Where was the map now? How had she forgotten it entirely? It had just been another one of their games back then, following whatever random clues they stumbled across. Fun at the time, but nothing she’d taken seriously. Maybe Darius had, though—especially in light of what happened later. She flipped the page, but the next entry was mundane—a note about Elara’s birthday. She read through to the end of the notebook, but there was no follow-up.

                          She glanced at the boxes. Could the map still be here, buried among her things? Stuffed into one of her notebooks? Or, most likely, had it been lost long ago?

                          She closed the notebook and sighed. Throwing them out would have been easier if they hadn’t started whispering to her again, pulling at fragments of a past she thought she had left behind.

                          #7636
                          TracyTracy
                          Participant

                            It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing.  It had been Florian’s idea to take the Mongolian hat with her.  Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right.  It had been a present from Amei, many years ago, but Elara had barely worn it.  It wasn’t often that she found herself in a place cold enough to warrant it.

                            In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship.  It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order.  Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.

                            Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side.  They had come into contact while researching the family, comparing notes and photographs and family anecdotes.  They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing.  He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.

                            If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.

                            Pulling the hat down over her ears, Elara ventured out into the early November chill.  Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!”  Mrs Lovejoy was bareheaded, wearing only a cardigan.

                            “It was a gift,” Elara told her, “I haven’t worn it much.  A friend bought it for me years ago when we were in Mongolia.”

                            “Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.

                            “Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”

                            “Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go.  Like my Bert…”

                            “Must go or I’ll be late!” Elara had already heard all about Bert a number of times.

                            #7634

                            Nov.30, 2024 2:33pm – Darius: The Map and the Moment

                            Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

                            The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

                            Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

                            It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

                            “Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

                            “This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

                            “It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

                            Darius raised an eyebrow. “A philosophical map?”

                            The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

                            Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

                            “It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

                            Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

                            He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

                            :fleuron2:

                            He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

                            He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

                            India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

                            One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

                            Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

                            The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

                            The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

                            The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

                            Whatever this reunion was about, he’d be ready for it.

                            But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

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