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Blithe Gambol’s report was a trifle unexpected. She had advised her clients to take a closer look at Share’s Novel Attempt and the interesting new developments there before proceeding with the “case” which had rather cleverly turned into a picnic hamper

Dear OW’s and Favourite Daughter,

I had a dream last night. It went like this . . . . I was in the garden when I noticed an alien space ship coming down from a great height above me. It was humming, humm, hummm, humming. Like that. There was a smell of old cabbages and kitty litter.

It landed a few feet away from me. It was like a saucer and coloured olive green. A door opened on the underside and a ladder lowered. The ladder was made of wood, which surprised me. The aliens started down the ladder. They had no arms or legs. Just heads. They came down the ladder using their lips.

There were eight of them. The leader (at least I took it to be their leader as he had the biggest head) approached me. He said “Where can we get some hats ?”

Next thing I remember I was in the back of a pickup truck eating a prawn cocktail. Next to me sitting on some old sacks was the head alien slurping down uncooked carrots direct from the tin.

He said to me “We would like you to make a tv commercial for us”.

Then I woke up.

I’m afraid to report this encounter with the third kind to the authorities in case they just laugh at me.

I need your advice on this one. What should I do ?

Uncle Garnet

“There, you see? I told you Dealea was on the case!”

“You didn’t say any such thing!” retorted Lilac. “You said she was lost!”

“Oh that’s a euphemism for “on the case”, it always looks like lost at first.”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Noticed case
Under details,
Starting itself speaking.
Wait!
Start manner:
Years thought
(Wanted, rather…. )
Focus told: Silly,
Please notice.
Somehow…
Strange

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

“Any idea what this is all about?” Beattie asked, to nobody in particular. A crowd was gathering at the crossroad.

The crossroad reminded Bea of a movie she’d watched some years previously, called, coincidentally enough, Crossroads. A symbolic sort of place, although real enough, a junction seemingly in the middle of nowhere. There was a large oak tree looming above the intersection, but nothing else could be seen in any direction but endless expanses of fields. There was a wooden signpost, the old fashioned kind, with two slats of wood pinned crosswise in the middle to a leaning post, but the place names had long since weathered away.

It was an odd sort of place and not much traffic passed by. In fact, the only traffic to pass by the crossroad stopped and disengorged itself of passengers..

“Is that a word, Bea?” asked Leonora. “Disengorged?”

“Don’t butt in to the narrative part Leo, or the story won’t make any sense.” hisssed Beattie, “Wait until you’re supposed to speak as one of the characters.”

“Well alright, but I don’t suppose it will have much effect on the making sense aspect, either way. Do continue.”

To say it was a motley crew gathering would be an understatement.

“You got that right,” Leonora said, sotto voce, surupticiously scanning the assortment of individuals alighting from the rather nautical looking yellow cab. Bea glared at Leo. “I suppose I’ll have to include your interrupions as a part of the story now.”

“Good thinking, Batman!”

“Oh for Pete’s sake, Leo, don’t go mad with endless pointless remarks then, ok? Or I will delete you altogether, and that will be the end of it.”

“You can’t delete me. I exist as a character, therefore I am.”

“You might have a nasty accident though and slide off the page,” Bea replied warningly.

“Why don’t you just get on with it, Bea? Might shut me up, you never know…”. Leo smirked and put her ridiculously large sunglasses on, despite the swirling fog..

“Oh I thought it was sunny” said Leonora, taking her sunglasses back off again. “You hadn’t mentioned weather.” She put her sunglasses back on again anyway, the better to secretly examine the others assembled at the crossroads.

“Why don’t you go and introduce yourself to them and see if anyone knows why we’re here, Leo, while I get on with the story.”

“Who will write what they say, though?”

“I’ll add it later, just bugger off and see if anyone knows who sent us that mysterious invitation.”

“Right Ho, sport, I’m on the bobbins and lace case” replied Leo. Bea shuddered a bit at the mixture of identities bleeding through Leonora’s persona. “Och aye the noo!”

Dear god, thought Beattie, I wish I’d never started this.

“Just do it. Either just do it, or just make something up” she told herself. Again. “Either do it, or make it up, but stop thinking about it and talking about it.” Yoland sighed and turned on the radio. It was an old pink one, the kind with the dials that turn, and a pull out antenna. The antenna was a bit rusty at the bottom and didn’t rotate very well, which made it a bit tricky to get a clear reception without alot of preliminary juggling around and fidgeting. The dogs under her desk scratched themselves noisily as Yoland fiddled with the radio.

“In the backwater….”

“…yes you’ve got the Splain Channel loud and clear now all you have to do is focus on what the next word is and then write it down without thinking about the spelling, as you can see you are looking at the keybaord and tryping”, Yoland smiled at the typo, “the words that you are hearing without trying to anallzye them too much now. ok are you ready? We’re going to do some balloon exercise first to get the ball rolling, you see, there are many ways to blow up a balloon, and I’ll be the first to tell you you’re doing it wrong, I am kidding, of course.”

Yoland smiled, inching forward on the chair to accomodate the dog that had wormed his way round her back, wondering whether or not to move him.

“Your chair is fine the way it is, that’s a very common delaying tactic my freind, and one you are quite familiar with. Now, pay attention once again to simply the words that you hear as you are writing, watching the keys is rather mesmerising is it not….”

Yoland did a quick reality check and agreed that she was feeling a bit mesmerized, and realized that she possibly could feel considerably more mesmerized if she stopped doing reality checks.

“…and as you watch your fingers moving along in a rather detached way, you can detach your attachment to knowing what the next word might be and simply write what you hear; we are practicing the sliding away from the strict hold on trying to anticpate the net words and then you freeze the flow, it shouldn’t be tiring if you let go and relax a bit and simply allow your fingers to move of their own accord while you relax your shoulders…”

What a load of rubbish, thought Yoland, as she adjusted her chair, which had a habit of suddenly dropping down an inch, just enough to make it hard for her to reach the keyboard. Sighing, she wondered about ever getting a satisfactory answer to her Really Big Questions, the ones that nobody had answered so far. All she ever managed to tune into was rambling waffling inane….

“….you feel that your questions are so large that the capacity for distortion is huge, and you feel that other questions are easily answered via other routes and methods, and this is correct.”

Yoland wondered what THAT was supposed to mean.

“Ok we can forget questions then and I will tell you a story.”

Yoland relaxed. That sounded easier.

“Once upon a time there was a beer fisherman from the planet of Oxbloodshire.”

Oh here we go, she thought. What’s coming next…

“Whether or not you find clues in there is entirely your choice to create them, and all are equally valid. This is such a simple thing: that even the most seemingly miniscule sentences contain a myriad of potential diversions and convergences, routes, patterns, nets, from even the tiniest particle of an idea. All of them are boundlessly creative offshoots which become a particular stream, or string.”

Yoland found herself wondering where some of them started, and found she didn’t know where to start.

“With the question of syncronicities every point of them is the start point, the end point, the main point, the moot point, and the connecting links as well, as are all the others. When you get your ball of string in a tangle, it’s easier to throw it away and start a new one.”

Yoland was inclined to agree, but wondered if that sounded like sensible advice.

“Immediately the new one starts linking up all kinds of things in a new interconnected design pattern, and then when that gets in a right tangle, a fresh ball of string awaits; the tangled ones aren’t in a tangle at all when you’re not tangled up within it.”

Well, that certainly sounded resonable, Yoland had to admit.

“And why waste time with old tangles anyway when you can start afresh and just make something up, for no particular reason?”

Bloody good question, why not indeed? Yoland decided to start making things up there and then, and turned her computer off and went to pack her case.

Yoland felt tired and deflated somehow. Weary, perhaps that was it, weary of the way she always felt when the animals were sick or dying. It was all very well to look at it logically, that with so many animals with such relatively short natural life spans that there would always be some coming, some going, but it was the way it made her feel that was so tiring. Responsible, as if she could have done more, or guilty that they were reflecting her energy somehow. It was all very well to say that the animals were creating their own reality, that would be easy enough to accept in some cases such as old age and diseases, but Yoland almost wished she’d never learned that they reflect her own energy, that always made her feel even more responsible than she already did.

The black cat was dying. Yoland had made up her mind to take her to the vets that morning. That was another dilemma she’d faced often enough, too ~ would the animal prefer to die naturally at home? Or was it in too much pain, and would it prefer to end it quickly? How could she know? Yoland supposed she did always know, in the end, which was to be the choice, but there was always the agonizing period of time beforehand when she wondered which decision to make. But the black cat had disappeared and she couldn’t find her to take her to the vets after all.

When she’d made the decision to take the black cat to the vet that morning, Dean accidentally knocked a photograph of her first dog, Joe, off the wall. He was the first of her dogs to go, and a good age for a big dog, fourteen years old, and Yoland had known all along that he would die at home, and sure enough, he had. One day Yoland knew he was close to the end, and less than 24 hours later, he lay on his bed, and just gradually stopped breathing. Yoland hadn’t even been quite sure of the moment in which he went, as she held his head, she asked Dean, Do you think he’s dead? Dean replied, If he’s not breathing he is. It was a silly question, really, of course Yoland knew that if you weren’t breathing you were dead. As deaths go, it was peaceful and easy. They took him in the car to a place in the woods and buried him, somewhere where the ground was soft enough to dig; it was high summer and the ground was hard and dry. It wasn’t until Joe was covered with earth that Yoland cried.

Yoland cried again as she remembered Joe, and then she wondered if perhaps his photograph falling off the wall that morning was a message ~ perhaps a message that the black cat was choosing to die at home too, her own little niche somewhere, wherever that might be, wherever the roof cats slept. Maybe Joe was reassuring her that he’d be there when the black cat got there, in that field of flowers where the animals played while they waited for us to join them.

It was a comforting thought. Yoland reached for the tissues.

:yahoo_nerd:“I dont know how you can read that paper, Franlise, really I don’t.” Ann said sniffily.

“Oh I like to keep up with what’s going on, it’s interesting, it’s the end of an era you know, fascinating really,” her cleaner replied.

“Yeah, you’re right, it is interesting,” Ann had to admit that Franlise was right. It WAS interesting, and newpapers like The Old Reality Harbinger wouldn’t be around for much longer. She made a mental note to buy some to put away in case they became valuable artifacts in the future.

“Well interesting it may be, but only in small doses. I prefer The Simultaneous Times, myself.”

“The Daily Mirror’s my favourite” replied Franlise.

I told you it is my feeling that in a sense these communications took place one afternoon while I was half dozing.

They could make no sense to me then. The use of unconscious knowledge could not then take place. I do not know the state of your wife’s consciousness, or of your own, at that time in my own past. In any case, your own conscious knowledge of such events apparently had to wait until certain intersections happened.

Awareness of these communications conceivably could have taken place at any time, but certain levels of comprehension had to touch all of our personalities before such communications jelled, or became strong enough to make sense in both of our worlds.

I do not believe that I was aware of these communications either when they first happened. I would have had no way to evaluate or understand them. I assume that the same is true on your parts. At the same time, in a manner of speaking, the communications are enriched as my knowledge of my world when I was alive blends with your present knowledge of your world in your time.

It is as if the three of us all wrote portions of a letter, the words fitting together meticulously, and yet forming a fine puzzle that had to work itself out as we each made our moves in our own realities. It is one thing to send a letter from one portion of the planet to another, as in your mail system — but it is something else when the three individuals involved are constantly changing their alignment, position, and probable activities.

It is like trying to send a letter to a certain address while the mailbox keeps appearing or disappearing, or changing its position entirely, for all three of us are a portion of that one communication, while the position of our consciousness constantly alters.

It is a wonder that such communications take place at all considering the changing coordinates that constantly apply. The communications could all have remained in the dream state on all of our parts, but we were all determined to bring them into some kind of actuality in the same way that the idea of a painting is changed into the physical painting itself.

“Godfrey, that’s got me thinking, you know. Seem to have a bit of an idea brewing, old bean,” Ann said with an enigmatic smile.

“What are you on about now, Ann?” he replied. “Why don’t you tell me what that book is you’re reading, you can’t quote books without mentioning the name of them, so you may as well tell me now.”

“I was wondering how to slide it in, Godfrey” she replied with a snort. “It’s The World View of Rembrandt, by Jane Roberts.”