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Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do.  Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia. 

Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

 When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive. 

In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices.  The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

 

So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

“Wait! Look at that one up there!” Truella grabbed Rufus’s arm. “That cloth hanging right up there by the rafters, see it? Have you got a torch, it’s so dark up there.”

Obligingly, Rufus pulled a torch out of his leather coat pocket.  “That looks like…”

“Brother Bartolo!” Truella finished for him in a whisper.  “Why is there an ancient tapestry of him, with all those frog faced nuns?”

Rufus felt dizzy and clutched the bannisters to steady himself. It was all coming back to him in a rush: images and sounds crowded his mind, malodorous wafts assailed his nostrils.

“Why, whatever is the matter?  You look like you’ve seen a ghost. Come, come and sit down in my room.”

“Don’t you remember?” Rufus asked, with a note of desperation in his voice. “You remember now, don’t you?”

“Come,” Truella insisted, tugging his arm. “Not here on the stairs.”

Rufus allowed Truella to lead him to her room, rubbing a hand over his eyes. He was so damn hot in this leather coat.  The memories had first chilled him to the bone, and then a prickly sweat broke out.

Leading him into her room, Truella closed and locked the door behind them.  “You look so hot,” she said softly and reached up to slide the heavy coat from his shoulders.  They were close now, very close.  “Take it off, darling, take it all off. We can talk later.”

Rufus didn’t wait to be asked twice. He slipped out of his clothes quickly as Truella’s dress fell to the floor. She bent down to remove her undergarments, and raised her head slowly. She gasped, not once but twice, the second time when her eyes were level with his manly chest.  The Punic frog amulet! It was identical to the one she had found in her dig.

A terrible thought crossed her mind. Had he stolen it? Or were there two of them?  Were they connected to the frog faced sisters?  But she would think about all that later.

“Darling,” she breathed, “It’s been so long….”

After everyone got the program for the six rituals, they dispersed. Jeezel observed groups reform and the whereabouts of people. Eris walked alone toward the dark corridors. Truella, Sandra and Sassafras went to the gardens. Rufus followed shortly after, his dark moody eyes showing intense reflections. Jeezel noticed that Bartolo from the convent had been observing the mortician and hurried to catch up with him. Mother Lorena stood as stern as ever in the center of the lobby. She kept cupping her hands around her ears to check if her earpieces were working. Which they weren’t from the irritated look on her face. Silas was in an animated discussion with Austreberthe and the remaining nuns were laughing heartily and running around as if they had overindulged in Sister Sassafras’ hallucinogenic mushroom canapés.

Jeezel decided to go back to the lounge and explore the antiques, maybe see if there were hidden passageways behind those tapestries. She found Garrett waiting for her in the corridor as if he knew what she intended to do. His deep blue eyes seemed to embrace her whole silhouette in a myriad of unspoken emotions, and when they settle on her emerald green eyes, a subtle grin showed his appreciation.

“Don’t look back,” he said, his voice a deep velvet baritone. “Old Silas and Austreberthe are looking at us with a very disapproving look.”

Jeezel couldn’t help but chuckle softly. “And what if they do? We’re not doing anything wrong.”

Garrett’s grin widened. He took a step closer, the scent of his cologne– a tantalizing mix of cedarwood and bergamot– mingling with the faint aroma of her own enchanting perfume.

“You intrigue me, Jeezel. More than the rituals, more than any relic or spell.”

Jeezel laughed heartily. Don’t they say keep your enemy close? I have questions for him. And I wouldn’t mind the company while I’m exploring the area? she thought.

“I was about to check for secret passages in the old lounge,” she said. “Would you join me?”

She let him take her hand and guide her toward the lounge. As they entered the heavy scent of aged wood and old books greeted them. Jeezel’s eyes darted to the tapestries lining the walls, each depicting scenes of ancient rituals and forgotten histories.

“Where do you think we should start?” Garrett asked, his deep voice barely above a whisper, adding to the mysterious ambiance of the room.

Jeezel tilted her head, considering the possibilities. “That one,” she said, pointing to a particularly intricate tapestry depicting a moonlit garden. “It looks like it could hide something.” She reached out to the fabric and pulled it aside, revealing a wooden door. She tensed when she noticed lingering traces of cedarwood and bergamot. “Or someone,” she added, turning toward him. “You’ve been here recently, have you not?”

“Direct as ever. Very well. I’m here to protect and help you. You need to be careful with Silas. He has hidden motives.”

Jeezel narrowed her eyes. “And why should I trust you?”

Garrett pulled out his crimson handkerchief from his pocket, revealing a symbol embroidered in gold. Her eyes widened as identical to the one on the key Malové had given her.

“How did you get that?” she asked.

“Malové entrusted me with this,” Garret explained, “to show her chosen allies. I was told to seek you out and offer you my assistance. This symbol matches the one on your key, doesn’t it?”

Jeezel felt the weight of the key in her purse. She hadn’t shown it to anyone, not even to her friends. She felt even more confused than before. It was possible that Silas would try to divert her attention from him if he was against the merger. And what better way to do than alert her to unknown enemies. The fact that Garrett knew about the key just added a layer of complexity to the situation, but also a layer of excitement. She wondered what game was being played here, and who were the true players.

“Alright, Garrett,” she said, her voice steadying as she added, “I’ll hear you out. But if you’re lying, you’ll regret it.”

He nodded. “Faire enough. Silas isn’t just interested in the failure of the merger; he’s got his own agenda. Something to do with ancient punic artifacts and power that could rival even the Crimson Opus. And he’s not the only one. There are some ancient Punic families that are looking for the same things.”

Jeezel’s heart skipped a beat. If Silas was after the same kind of power, it could jeopardize everything—the merger, her mission, and possibly the balance of power in their world. Jeezle felt she was in way over her head. She had to breathe and connect to her inner Queen’s innate knowledge in order to slide into her role of leader.

“Then, I accept your assistance,” she conceded with a slight node. “But this doesn’t mean I trust you, Garrett. You’ll have to prove your loyalty.”

Garrett folded the handkerchief back into his pocket. “I wouldn’t expect anything less. For now, let’s just say our interests align. And if we work together, we might just come out of this with everything we need—and more.”

“Then show me where this hidden door lead!”

After an eternity of cordial superficial conversation with a vertitable horde of new characters, and despite that some of them seemed either potentially interesting, possibly entertaining, or just downright intriguingly bizarre, Truella badly needed a quiet moment to herself, or in other words, a cigarette.  Excusing herself from a strained attempt at getting to know a prim thin lipped nun whose name escaped her, Truella made her way over to the cloisters beyond the open doors. The courtyard beckoned, a breath of fresh air and a peaceful respite.

Leaning against a pillar, Truella took a drag on her cigarette, exhaling long and slowly. Perhaps it was just the shafts of sunlight making it seem that there was so much smoke.  It hadn’t been too bad, after all. What an assorted bag they all were!  Truella hadn’t given any thought to what all these new people she was to merge with would be like ~ she’d been focused on the intrusion into her own pursuits that such a thing would inevitably entail.

Rufus seemed to be keeping his distance, but Truella was relishing it, like knowing there’s cheesecake in the fridge for a midnight snack.  Surprisingly, the two nuns Sandra and Sassafras seemed like good eggs underneath those dreadful habits. Truella was glad that Sassafras was her partner for the ritual; certainly it would have been worse with one of those silent ones. She wondered if Sassafras had anything planned, and if she should have thought about the ritual sooner. But then, how could she have known? The assumption had been that the partners would meet, and then come up with something together.   Wasn’t it just a fun getting to know each other game kind of thing?

“How many cigarettes are you smoking out here?” Sandra laughed, “Can’t say I blame you though, gawd, will it never end.”  Coughing, she lit a cigarette.  “What is it you’re smoking anyway? What a funny smell, like the bowels of the earth.”

Truella thought this was rather rude, but had to admit that the smoke did smell peculiar.  “That’s exactly what it smells like. And that smoke isn’t from my cigarette.”

“Fee Fi Finnley Fum, I smell the smoke of a dragon’s bum,” Sandra tried to laugh and failed.  “Oh, heck. I don’t like dragons.”

“Neither do I,” Truella didn’t like the sound of this at all, but it had given her an idea for her ritual.

“Welcome to The Cloisters, everyone!  Please, make yourselves comfortable, our girls will be with you shortly. Ah, here’s Brother Bartolo with refreshments.” And with that, Lorena turned on her heel and clacked noisily off down the corridor in search of the nuns. How appallingly rude of them all to be late for the reception!

Adjusting the crimson silk handkerchief in his breast pocket, Garrett swanned into the reception hall, his piercing pale blue eyes scanning the room.  The walls were hung with colourful but faded tapestries, shabby enough to be genuinely ancient.  The furniture was heavy and blackened with age, but it was the floor that caught his critical eye. In the centre of the old terracotta tiles floor was a mosaic, mostly hidden under a large conference table.  Garret was no expert on Roman mosaics but it looked like the real deal. He would return to this room later for a closer inspection, he could hardly go crawling under the table now.  It was a mercy, at least, that the ancient building hadn’t been decked out in ghastly modern furnishings as so many charming old hotels were these days.

He turned his attention to the few occupants.  A ravishing raven haired beauty had just wafted in from the covered cloister beyond the open doors.  Her silver mantilla shone in the sunlight slanting down into the courtyard for a moment, for all the world looking like an angelic medieval halo.  As she slippped into the shadows the halo vanished, her ebony tresses showing beneath the gauzy lace.  She settled herself in a low armchair, smoothing the burgundy folds of her gown. Garrett watched, spellbound. What an enchantress!  Perhaps this weekend wouldn’t be such a bore, after all.

Despite her initial misgivings, Truella was looking forward to the weekend at the Cloisters.  It had belatedly come to her attention that another group were joining them for the event, the Mortician’s Guild. She wondered if Austreberthe had bitten off more than she could chew, introducing all these new characters at the same time.  But the more people, the more confusion, the better the opportunities to slip off unnoticed and investigate the grounds.

Truella was the first to arrive.  Before entering the building, she paused under the shade of a towering eucalyptus tree, taking it all in, receptive to the ancient whispers calling from the surrounding forrest.  A nightingale beckoned from the trees beyond one of the terraces, and Truella was irresistably drawn towards it.  Crunching softly on the crisp dry leaves underfoot and squinting in the bright sunlight, a flash of movement caught her eye.   Was it a bear in the woods? Surely not, not so close to habitation.  Truella inched closer, curious, her muscles tense, keyed in readiness to flee. But she was overdramatising, and made a little self deprecating snort of mirth.

The tall man clad in a floor length leather coat heard a snort and paused, wondering how close the wild boar came to the old building. Surely they kept away from people, people were so dangerous.  Pull yourself together, Rufus, old boy, he said to himself.  Why did this place remind him of… well it was no good harking back to that…maybe he should go back inside.  He threw his broad shoulders back and strode out from the cover of the trees, the hem of his coat gathering prickly seeds from the undergrowth.

Truella clapped her hands delightedly, and laughed. “Well look at you, you big bear in the woods, you must be one of the guys from the Mortician’s Guild.”

Rufus spun round, his duster coat flaring open to reveal the crimson satin lining, his face a picture of moody glowering.  Truella was momentarily nonplussed.  Handsome guy, but what an attitude.  But maybe she should not judge too quickly, after all, he probably resented having to come here.  Maybe she could soften him up over the course of the weekend.

“We may as well go in and meet the others. I’m Truella, pleased to meet you,” she said, offering a hand in greeting.  To her surpise, than man took her hand and kissed it. “Rufus, at your service,” he said with a slight bow.  He peered at her and added, “Have we met before? You seem strangely familiar.”

“Why yes, so do you!”  He didn’t, but Truella’s hand was tingling warmly from the kiss and she decided to play along.

The Morticians Guild:

Nemo Tenebris, and let me tell ya, he’s a character straight out of one of those dark romance novels. Tall, brooding, with tousled hair somewhere between charcoal and mahogany, he’s got that rugged charm that makes even the bravest witches’ hearts skip a beat. His hands are like an artist’s, always deliberate and precise, whether he’s handling ancient texts or, well, more corporeal tasks. His personality? Think intense and enigmatic, with occasional bursts of biting humor. He’s the type who’ll share a grim tale and then light the room with a grin that makes you question your reality. Don’t underestimate him – he’s a master of necromancy and has an uncanny sensitivity to life’s deepest mysteries.

Silas Gravewalker. An older gent, he looks as though he’s always expecting a foggy night – grey cloak, even greyer hair, and eyes the color of storm clouds. His demeanor is gentle but don’t mistake it for weakness. He’s the wise old guardian of the Guild, carrying centuries of rituals, chants, and incantations within him. Silas is a remarkable blend of grandfatherly wisdom and hidden strength, and he’s a calming presence in the midst of chaos. His sense of humor is dryer than the Outback in summer, subtle yet striking at just the right moments. When Silas speaks, you listen, because his words are often tinged with layers of arcane meaning.

Rufus Blackwood: Enter Rufus Blackwood, the stoic guardian of the guild. He’s tall and broad-shouldered, with a presence that commands both respect and a shiver down the spine. His hair is a dusty shade of midnight black, streaked with the occasional silver – probably from the weight of the secrets he carries. His eyes are a pale grey, like the fog rolling off a moor, always scanning, always measuring. He’s perpetually clad in a long, leather duster coat that sweeps the floor as he glides across the room.

Personality-wise, Rufus is the strong, silent type, but when he speaks, it feels like ancient tombs whispering forgotten wisdom. He’s got a dry humor that surfaces in the most unexpected moments, like a ray of moonlight in a pitch-black night. He’s fiercely protective of his coven and guildmates, and there’s a sense of old-world honor about him. Underneath that granite exterior is a surprisingly tender heart that only a select few have glimpsed.

Garrett Ashford: Now, Garrett Ashford, he’s a bit of a dandy, as far as morticians go. Picture a man of average height but with presence larger than life. His hair is a striking ash blonde, always perfectly coiffed, and his attire is meticulously sharp – tailored suits, often in dark, rich fabrics with just a hint of eccentricity, like a red silk handkerchief or a silver pocket watch. His eyes are a sharp, pale blue, twinkling with a touch of playful mischief.

Garrett’s got a personality as polished as his appearance. He’s charismatic, with a knack for easing tensions with a well-timed joke or a charming smile. Though he might come off as a bit of a showman, make no mistake – Garrett’s got depth and a sharp mind. He’s a skilled embalmer and incantation master, knowing just the right touch to handle even the most delicate of cases. His flair for the dramatic doesn’t overshadow his competence; it complements it. He’s the kind of bloke who can discuss the darkest of topics with a light-hearted grace, making him a bit of a paradox but undeniably captivating.

A little unwilling to proceed, and privately wishing she was back on the comfy sofa with the fat cushions, Frella took a moment to center herself. She reminded herself that being a witch was a high calling and often what we need will find us. It sounded like a lot of Malove’s baloney to be honest but she took a deep breath and muttered a few words of wisdom from Lemone, which often worked better than any spell:

“The key to unlocking mysteries is often found within, where the mind meets the heart.”

“You wait here, Herma,” said Frella holding a warning hand in the air. “I don’t know what magic this is yet but I sense something amiss from that shed.”

Frella approached the ominous shed with caution but renewed determination. The shed door creaked open without resistance and she saw the chest immediately though it was piled on top with boxes. After carefully removing the boxes and putting them to one side, she examined the chest looking for any inscriptions or hidden compartments that might give a clue to its origins. She sensed the camphor chest was from a very old witch family and therefore may contain protective spells and traps. Best to proceed with caution.

She went to the shed door and waved at Herma, shouting for her to go and get some salt. While she waited for Herma’s return, she examined the chest further. It had a lock, but no obvious key; clearly a bit of witchy ingenuity was going to be required. A simple unlocking spell might suffice, or if spells fail, perhaps Herma knows an old trick or two for picking locks!

Herma returned with the salt and Frella sprinkled it liberally on the chest, chanting a protective charm to ward off any nefarious spells. “There,“ she said with satisfaction. “Fingers crossed that ought to do it.”

The chest seemed strangely willing to reveal its secrets for the simplest of opening spells worked. Once it was opened, they sifted carefully through its contents, mostly old documents and letters, looking for anything which might hold the answer to the postcard.

“Look for anything bird-related—feathers, sketches … “ instructed Frella.

“By golly!” cried Herma triumphantly holding up a postcard. “It’s the same one!”.

The sound of music wafting through the open window was distracting. Where was it coming from? It sounded like someone was having a party in the distance, but who? And on a Wednesday night?

It was hard enough for Truella to try and glean enough information to cobble together an entry for Frella’s diary from the meagre morsels she was able to gather, without these interruptions.

And if these were the hand drawn postcards that she’d promised, who was going to make any sense of them?

“In the shadow of monumental discovery, the heart races with the rhythm of ancient drums; yet often, silence follows the fanfare, leaving the soul to dance alone in the quiet aftermath.”

~Echoes of Antiquity, Amish P. Lwellmon.

“Oh no, we’re too late!  Look at these photos Jezeel just sent!”

“Well at least Jez is there with her.  Why didn’t you wake me up sooner?”

Truella rolled her eyes. “Come ON! Imagine the mess Eris is going to make at breakfast with that trunk!”

“It’s the telephantom!  You know what this mean, don’t you.”  Truella sounded ominous. Frella shook her head.  “It’s Punic magic, and it’s almost impossible to reverse.  You need a piece of Hannibal’s tunic for the spell, and you can imagine the difficulties.”

It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.

“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.

“Look what it says on the bit of paper that came with it:

Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.

We need to backtrack a bit with Roger. Look what it says here:

What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.

See what I mean?”

Truella squinted at Frella. “What?”

Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”

The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.

Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.

“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”

“Exactly!”

“Well, it’s a long story, are you sure you want to hear it?”

“Tell me everything, right from the beginning. You’re the one who keeps saying we have plenty of time, Truella. I shall quite enjoy just sitting here with a bottle of wine listening to the story,” Frigella said, feeling all the recent stress pleasantly slipping away.

“Alright then, you asked for it!” Truella said, topping up their glasses.  The evening was warm enough to sit outside on the porch, which faced the rising moon. A tawny owl in a nearby tree called to another a short distance away.  “It’s kind of hard to say when it all started, though. I suppose it all started when I joined that Arkan coven years ago and the focus wasn’t on spells so much as on time travel.”

“We used to travel to times and places in the past,” Truella continued, “Looking back now, I wonder how much of it we made up, you know?” Frigella nodded. “Preconceptions, assumptions based on what we thought we knew.  It was fun though, and I’m pretty sure some of it was valid. Anyway, valid or not, one thing leads to another and it was fun.

“One of the trips was to this area but many centuries ago in the distant past.  The place seemed to be a sort of ancient motorway rest stop affair, somewhere for travellers to stay overnight on a route to somewhere.  There was nothing to be found out about it in any books or anything though, so no way to verify it like we could with some of our other trips.  I didn’t think much more about it really, we did so many other trips.  For some reason we all got a bit obsessed with pyramids, as you do!”

They both laughed. “Yeah, always pyramids or special magical stones,” agreed Frigella.

“Yeah that and the light warriors!” Truella snorted.

“So then I found a couple of pyramids not far away, well of course they weren’t actually pyramids but they did look like they were.  We did lots of trips there and made up all sorts of baloney between us about them, and I kept going back to look around there.  We used to say that archaeologists were hiding the truth about all the pyramids and past civilizations, quite honestly it’s a bit embarrassing now to remember that but anyway, I met an actual archaeologist by chance and asked her about that place.  And the actual history of it was way more interesting than all that stuff we’d made up or imagined.

The ruins I’d found there were Roman, but it went further back than that. It was a bronze age hill fort, and later Phoenician and Punic, before it was Roman.  I asked the archaeologist about Roman sites and how would I be able to tell and she showed me a broken Roman roof tile, and said one would always find these on a Roman site.

I found loads over the years while out walking, but then I found one in the old stone kitchen wall.  Here, let me fetch another bottle.” Truella got up and went inside, returning with the wine and a dish of peanuts.

“So that’s when I decided to dig a hole in the garden and just keep digging until I found something.  I don’t know why I never thought to do that years ago. I tell you what, I think everyone should just dig a hole in their garden, and just keep digging until they find something, I can honestly say that I’ve never had so much fun!”

“But couldn’t you have just done a spell, instead of all that digging?” Frigella asked.

“Oh my god, NO!  Hell no!  That wouldn’t be the same thing at all,” Truella was adamant. “In fact, this dig has made me wonder about all our spells to be honest,  are we going too fast and missing the finds along the way?  I’ve learned so much about so many things by taking it slowly.”

“Yeah I kinda know what you mean, but carry on with the story. We should discuss that later, though.”

“Well, I just keep finding broken pottery, loads of it. We thought it was all Roman but some of it is older, much older.  I’m happy about that because I read up on Romans and frankly wasn’t impressed.  Warmongering and greedy, treated the locals terribly. Ok they made everything look nice  with the murals and mosaics and what not, and their buildings lasted pretty well, but who actually built the stuff, not Romans was it, it was the slaves.  Still, I wasn’t complaining, finding Roman stuff in the garden was pretty cool.  But I kept wishing I knew more about the people who lived here before they came on the rampage taking everything back to Rome.  Hey, let me go and grab another bottle of wine.”

Frigella was feeling pleasantly squiffy by now. The full moon was bright overhead, and she reckoned it was light enough to wander around the garden while Truella was in the kitchen.  As she walked down the garden, the tawny owl called and she looked up hoping to see him in the fig tree. She missed her step and fell over a bucket, and she was falling, falling, falling, like Alice down the rabbit hole.

The fall was slow like a feather wafting gently down and she saw hundreds of intriguing fragments of objects and etchings and artefacts on the sides of the hole and she drifted slowly down.  At last she came to rest at the bottom, and found herself in an arched gallery of mirrors and tiles and doors. On every surface were incomplete drawings and shreds of writings, wondrous and fascinating.  She didn’t immediately notice the hippocampus smiling benignly down at her.   He startled her a little, but had such a pleasant face that she smiled back up at him.  “Where am I?” she asked.

“You’d be surprised how many people ask me that.” he replied, with a soft whicker of mirth. “Not many realise that they’ve called on me to help them navigate.  Now tell me, where is it you want to go?”

“Well,” Frigella replied slowly, “Now that you ask, I’m not entirely sure.  But I’m pretty sure Truella would like to see this place.”