Search Results for 'change'

Jonbert’s robot had easily found the location, but it was in standby in a cafe near the techromancer’s hut, posing as a tourist in a flower shirt with a straw hat and a glass of coconut oil.

Jonbert had received additional information about the whale network which seemed to change slightly his plans. The Ghost Whale who was supposed to preside over the rituals was apparently delayed in Time, making the retrieval of the second key problematic.
He would have loved to rudely prompt Linda Paul to get her Queens in alignment, but for now, there was no point to that yet. He’d better leave them at their little escapade, under close surveillance from his robot.
In all cases, they would all have to wait more in the nexus of times.
Using his ivory carved forking long shoehorn, he scratched his itchy back. It was for him rather infuriating to be stuck, he sighed “Stuck in 2222!”. The robot bearing those news had learnt it the hard way.

He stroked distractedly his luscious mane of red hair. At 153, thanks to regular nano-implants, Jonbert was incredibly healthy, in a very healthy and hairy manner, unlike many others he wouldn’t name.

Huhu dived in an unexpected move and snatched the key while tittering in a manic parrot cackle.
“So long floaters, and thanks for all the fish.”

Obviously it wasn’t by mistake that a parrot was lurking in Versailles biding for its time.

Meanwhile, a cucumber free Irina was trying to get the hang of the commands of the new p-box that could allow for entering the minds of animals.

On the empty box lying at her feet, one could read the usual side effects caveats, especially for the birds section: Birds are very tempting, but a p-boxer may soon lose contact to the mundane things of earth, and want only to fly.

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

After almost 33 years on the road doing their their show, Geoffroy and the Théâtre du Soleil had had their share of success.

Of course, with an average age of the troupe being close to 66 years old on the eve of July 1789, they were not all young and restless, nor as high on hallucinogenic mushrooms like every other day.
Admittedly, their fate took a turn for the better after that show cancellation at Versailles the day of the attempt on the King’s life. They were stolen a balloon and a tub of lard, but what they gained in exchange was beyond wondrous. Sparks of inspiration had brought the team closer, and even the occasional quarrel between Lison and Francette was a blessing. Now, there was already a new King in Versailles, not better by far, and the wig fashion had improved only so lightly, but it gave good fodder for sarcasm and witty plays.

It wasn’t so much that their play-writing abilities had improved dramatically, to the contrary, but their common hallucination in the Royal Chapelle that day had unleashed their creative power. Their new plays had become famous overnight all over the Europe, liked by peasants who were enjoying its simplicity and nonsensical timing and plots, or even snotty critics all alike, who were somehow discerning artful and intricate royal satire that maybe they’d just invented to sound clever.

Tonight they would play a revival of their universally acclaimed chef d’œuvre, “The whales and the frogs”. With buffoonish wigs and corsets, and their share of heavy compulsory make-up. For some, the frogs were a symbol of the poor people carrying the heavy queens and kings of old, with crazy old Time as a driver, flanked with Janus the two-headed Janitor. Well, that sounded quite erudite and a tad pompous, and frankly for them, they didn’t care what symbol it was, so long as it brought the final money they needed for their retirement plan in sunny Mediterranean where they would take a boat and sail to the new world.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

Sadie looked bemused at the flickering dots on the ezapper, one for each of the 2 time-smuggled ferrets. One was starting to change position, and it was moving right towards them.

Finding a time smuggler on such short notice was near impossible, Linda Paul soon found out when she hit the web. There were sure long lists of pages offering the services at seemingly attractive prices, but then never covering all the highly recommended options, such as the time collision waiver, and collateral time damage waiver.
She had a pretty good idea of what she needed to smuggle back and when, but all the time pathways simulations seemed to run into a dead-end.
After a stroke of genius, realizing that the one-timeway drop-off prohibitive surcharge may be the reason why she couldn’t get decent tariffs, she changed her simulation for a return.

“Time and item of origin/return…” she muttered as she typed “Queen Anne’s crocheted ferrets, 1625, Louvres Palace”.

Of course, going forward in time was easy, so she would simply need to give specific instructions to the time smuggler to pass on those bloody ferrets along the timeline.

A click here, accepting the long conditions with hardly a glance, “blabla, not covering extra temporal charge… blabla… ensured discretion, yes, yes, service cannot be used to leave historical artifacts protected by the amendment on the … or any incongruent item blabla… smuggling service comes with no obligation of results…”
The rest was piece of cake.

She already had the perfect time mule in mind for the delicate mission of reintroducing the crocheted ferrets where her dragqueen competition was now held.

When Nicole du Hausset, widow of a poor noble man, one of the two femmes de chambre of Madame de Pompadour, first hear Madame talk about her first encounter with the Count in 1749, she remembered immediately about her mother, and grand-mother’s secret instructions.
A few nights later, she wrote down in her diary “‘A man who was as amazing as a witch came often to see Madame de Pompadour. This was the Comte de Saint-Germain, who wished to make people believe that he had lived for several centuries.”

For some reason, she was to find a way to give him two scrawny century-old (and quite frankly smelly) crocheted ferrets, as a token for the Queen.
She still had seven years or so to make it happen, that was time ample enough to do the deed, if the Good Lord would grant her enough life, or else she would need to pass the burden to the next of kin.
She’d never known exactly why this was significant, but she’d been told that her family’s past riches were due to the success of this task, passed on to the next generation until 1757.

It didn’t take very long. An elaborate and convincing lie did come easier to her than she would have known, and the Count swallowed it hook and sinker. Next thing she knew, she’d glimpsed the plush beasts in the midst of the menagerie of the Queen, and felt relieved of a life and generation-long burden.
She could now return to a simple and uncomplicated life, although she would sometimes wake up at night in cold sweat, having had dreadful nightmares that the ferrets had disappeared before the date.

Trove had a strong desire to change the name of this thread. To what, she didn’t know.

The parcel had been delivered to her house, and not to her new friend and neighbours house just down the road, for various reasons mostly to do with efficiency, post offices and lack of specific house addresses. The parcel containing the music had been sitting in her kitchen for almost a week, which oddly enough was probably as long as the parcel had taken to travel from North Carolina.
Trove (for that was her name) and Dude (for that was her partners name) played a tile game of rummy, and it was an unusual game that night. Dude noticed missing tiles on the table on at least five occasions, and not altogether unsurpringly assumed that Trove should have been wearing her glasses, instead of placing incorrect sequences with missing tiles. Trove on the other hand, bearing in mind that she was not in the habit of doing this normally, insisted that the tiles had simply disappeared, or changed somehow.

Liverworts had done wonder at the Vatican, actually.
That, and maybe the out-of-the-body sit-ins of the Occupy The Vatican Library Out of Body team too. So much so that the old cranky current tenant decided to leave his chasuble and tiara and go for more exciting adventures such as sky-diving and bungee jumping.

The Surge Team’s game was about to change to a whole new level they soon started to discover when their screens started to light up at the same moment the first news report came out with the scoop. Well, the second one actually, because the first reporter spoke only in Latin.

“So much red can only mean one thing,” a dejected Pearl mused out aloud at her screen.
“Chinese Bloody New Year?” a distracted Skye answered tentatively.
“Yes… but no, I mean, it’s not surges any longer… another Wave is on the making… And I fear they’ll overdo the religious stuff with that one.” she added gloomily.

“Oh, and by the way, anyone seen Aqua Luna recently? I’ve never seen my keyboard so bloody dusty in ages!”